How to Design a Post-Fossil World with the Sun
Sporen en verhalen van een Duits-Nederlands cultuurlandschap
since 1416 - creative studio
14.8 x 21 cm
Caro Delsing, Eleonoor Jap Sam
Oro Grafisch Projectmanagement
Language Only available in the Dutch Language
Release date July 2022
Made possible with the generous support of the Mondriaan Fund, Provincie Gelderland, Gemeente Arnhem, ARK Natuurontwikkeling, Stichting Verborgen Landschap
This publication is the zero issue of the OtherGuides series, published by Jap Sam Books, and edited by Hans Jungerius.
Fragments in time, space and painting
Mainstudio (Edwin van Gelder, Gianluca Flütch, Christian Knöpfe)
Number of pages
24 x 32cm
Diana Beaufort, wordsontherun, Robert van der Walle
Arnoud van Aalst, Merel Bem, Diana Wind
Diana Wind, Eleonoor Jap Sam
Release date: January 2022
This publication is published by Jap Sam Books and made possible by the Agnes van den Brander Museumprijs 2020 and accompanies the exhibition Jasper de Beijer. Critical Mass in Museum Rijswijk from 30 January - 18 April 2022
For information about the artist Jasper de Beijer click here
For information about Museum Rijswijk click here
"Plunge into Jasper de Beijers’ mind and let yourself be swept away into the passages of world history as it all flows before your eyes as in a dream. And grab hold of each other if you are in danger of losing your balance."
- Arnoud van Aalst, Director of Museum Rijswijk
The world that Jasper de Beijer (Amsterdam, 1973) presents to us through his photographic works are fascinating, familiar and disconcerting all at the same time. His work is about the process of looking, seeing and interpreting. At first you think it’s a photograph of reality, but then you see it’s a photo- graph of a paper model. You are swept into a narrative that is more than a photograph. You need to respond in some way, but how? This is precisely the question the artist is asking us: Do you really know what you are seeing?
The publication Critical Mass. Jasper de Beijer and the exhibition of the same name were made possible by the support of the Agnes van den Brandeler Museum Prize, jointly awarded to Museum Rijswijk and the artist.
With text contributions by Arnoud van Aalst, Diana Wind and Merel Bem.