New titles

978-94-92852- 50-2

HOAX (Bram Buijs)

124

22.5 x 26 cm

Softcover

English | Dutch

Release date: December 2021

This book is published by Jap Sam Books in collaboration with MAMA and research centre Willem de Kooning Academy.

Promotional photos credit: Barbara Medo

978-94-92852-52-6

Studio Renate Boere

288

31,2 x 24,3 cm

Softcover

This publication is published by Jap Sam Books and made possible by Jaap Harten fonds, Prins Bernhard Cultuurfonds/Elisabeth Vermaat Müller, Stimuleringsfonds Creative Industrie & Stedelijk Museum Kampen.

For more information about the artist/designer: www.christievanderhaak.nl

Her major exhibition Christie van der Haak Nouveau Deco. Every Pattern Has a Meaning was on show from June 19th 2021 until January 30th 2022 at Stedelijk Museum Kampen: www.stedelijkmuseumkampen.nl

From May 22nd 2022 until March 6th 2023 you can visit her exhibition De Golvende Lijn at Cuypershuis on: www.cuypershuisroermond.nl/nl  

Promotional photographs: Studio Renate Boere

978-94-92852- 44-1

Alex Farrar

Lisa Bakker, Eleonoor Jap Sam

Maria Barnas, I.K. Bonset, Laurie Cluitmans, Johan F. Hartle, Dirk van den Heuvel, Bram Ieven, Bruno Latour, Thalia Ostendorf, Bart Rutten, Doris Wintgens

die Keure, Bruges, Belgium & binding Brepols

768

10 x 20 cm

Softcover

English | French | Dutch

Release date: January 2022

Made possible with the generous support of the Mondriaan Fund, Creative Industries Fund NL, Jaap Harten Fonds, Centraal Museum, Reflexfolie and Sign & Safety

This book is published in conjunction with the exhibition jaune, geel, gelb, yellow. Act on modernism with Antonis Pittas and Theo van Doesburg at Centraal Museum, Utrecht.  

With text contributions by Maria Barnas, I.K. Bonset, Laurie Cluitmans, Johan F. Hartle, Dirk van den Heuvel, Bram Ieven, Bruno Latour, Thalia Ostendorf, Bart Rutten, Doris Wintgens.

The publication jaune, geel, gelb, yellow. Monochrome discusses the failure, collapse and historicization of the modernist ideals espoused by Theo van Doesburg, set against the current political backdrop of mass protest. It reflects on the failing of modernity, with contributions by authors from the field of art history, architecture, philosophy, anthropology, sociology and poetry.

The book is an extension of Pittas’ residency and research at the Van Doesburghuis in 2019, coincided with the yellow vests protest, where Pittas turned the Van Doesburghuis into a performative crime scene. The murder of modernity. Based on this project, the Centraal Museum in Utrecht invited Pittas for a solo exhibition, where he curated works of Theo Van Doesburg and juxtaposed them with his work as a staged scenography of dialogue. The installation looks at the heritage of De Stijl through the current political lenses.

Antonis Pittas (1973, Athens) is a visual artist who lives and works in Amsterdam.  He is an honorary fellow in the faculty of humanities at the University of Amsterdam, where he conducts research and produces work under the heading Recycling History (Contemporising History/Historicising the Contemporary). His artistic practice focuses on contemporary social and political issues, exploring topics such safety and control, economic crises and acts of resistance, as well as violence and vandalism.

www.antonispittas.info

www.centraalmuseum.nl

Promotional photo's by The Book Photographer©

978-94-92852-36-6

Paul Bogaers

160

11.6 x 16.7 cm

Softcover

Dutch | English

Translation: Pim Wiersinga

Release date: November 2021

The cookbook that doesn’t quite fit the genre and refers to much-needed uncertainty on an empty stomach. 

Yet another cookbook you’ll think! As if the mountain of cookbooks wasn’t high enough already! But dear hungry reader, one cookbook was still missing; the cookbook that doesn’t quite fit the genre and refers to much-needed uncertainty with an empty stomach. A cookbook that harks back to alchemy. Because the imperative mood is so annoying and needs to be exploited. Because the world of the psyche has endless contents that all want to feel they’re being fed.

In Snow Eggs seven dishes for seven different mental states of being have been collected. All our digesting causes great difficulties for the finest alleys in our softest facial expressions. Art helps to digest the uncertain instead of regurgitating what we already know. The menus in this cookbook belong to an old stomach that has been mapped, a stomach in which it’s all about slownesses in dark silences.

Peggy Verzett (1958) is a poet, painter and singer. She made her debut at publishing house Van Oorschot in Amsterdam, with Prijken die buik. In 2010, Vissing, was published by Querido. Haar Vliegstro, appeared in 2016. Her fourth collection of poetry will be published in 2022. ‘Poetry can communicate before it is understood’, said T.S. Elliot. This quote has become her artistic mantra; sometimes hermetics as well as supple playfulness are present in her work. The first Jana Beranova Prize was awarded to her in 2019 for her idiosyncratic oeuvre.

In the works of Paul Bogaers (1961) association and suggestion play an important role.  His general approach can be described as the ‘collage method’; although his work, through the years, has taken many a turn, ‘combination’ has always remained to be Bogaers’ central theme. At the beginning of his career he made name in photography as one of the forerunners of the present interest of photographers in ‘vernacular photography’ and integration of found imagery in their work.

Pim Wiersinga (1954) is a novelist, and made his debut in 1992 with Honingvogels (honeybirds) in the Antwerp Zoo, where this novel is set. Late 2021 or early 2022 Zena’s Arena will be published, an epic about the decline of classical antiquity – which was far from ideal.

www.peggyverzett.squarespace.com

www.paulbogaers.com

www.pimwiersinga.nl

978-94-92852- 45-8

Lesley Moore

152

17 x 24 cm

Softcover

Dutch | English

Release date: November 2021

With text contributions by Rein Wolfs, Dagmar Dirkx, Esmee Postma, Mirjam Beerman, Eelco van der Lingen

The Prix de Rome is the oldest award in the Netherlands for talented visual artists below the age of 40. The purpose of the award is to identify talented visual artists and to encourage them to develop and increase their visibility.

Since 2012, the award has been organized and funded by the Mondriaan Fund.

Prix de Rome 2021. Beeldende Kunst / Visual Arts accompanies the eponymous exhibition at Stedelijk Museum Amsterdam with new work by the artists who have been shortlisted for the Prix de Rome 2021. It is centred around the work of Mercedes Azpilicueta, Alexis Blake, Silvia Martes and Coralie Vogelaar. The artists are introduced by the authors Dagmar Dirkx and Esmee Postma. In an introductory essay, Rein Wolfs, director of Stedelijk Museum Amsterdam, connects the work of the nominees to current developments in the world around us, and in the art world in particular.

The international jury made its selection from a list of 217 artists who applied for the award. The selection represents a broad spectrum of contemporary artist practices, varying from film to performance, storytelling to science and craftsmanship to information technology. The four finalists reflect on current themes, they offer critical reinterpretations of past events, link untold histories to our present world or concentrate on a distant future. Each of them represents a sign of the times in their respective way. The four selected artists have a strong practice and are working towards an established oeuvre, reinforcing their own signature style and idiosyncratic approach. At the same time, they allow new developments and intuitive processes in their work.

Photo of Alexis Blake and the Prix de Rome 2021 award: Bas Czerwinski

Photo of Blake's performance "Rock to jolt [ ] stagger to ash: Daniel Nicolas

www.mondriaanfonds.nl

www.prixderome.nl

www.stedelijk.nl

978-94-92852- 47-2

Sabine Krese

SJG (Joost Grootens, Julie da Silva, Carina Schwake)

296

12.5 x 19 cm

Softcover

English

Release date: March 2022

What is inspiration? What inspires you? 111 INCEPTION is a chain of inspiration, which involves 111 architects from around the world.

This book was not guided by theory, yet it grew out of a search for new ways to look at authorship, ideas and inspiration. The experimental and playful character of the project itself, with its unpredictable outcomes, allowed for a much needed change of perspective—away from the traditional approach to creation characteristic of modernity and towards inspiration—which does not respect borders.

The exhibition 100 Experiments. Inspiration in Design Processes was on show at AEDES Gallery, Berlin in 2019.

‘Design is not only what you see, but how it makes you feel today and how it creates your tomorrow.’ - Anna Bates

Just a century ago Theo van Doesburg, the leading representative of De Stijl, created the painting The Rhythm of a Russian Dance (1918). Van Doesburg worked not only as a versatile artist, but also as an editor of the magazine De Stijl. He contributed to various journals and was member of various artist societies. It was his strength, as a spider in the international web and an as a networker avant-la-lettre, to forge bonds between fellow artists, architects and graphic designers, to bring them together through congresses, lectures and artist groups to promote their work.

Eleven years later in 1929 this painting by Van Doesburg became an inspiration for Ludwig Mies van der Rohe and Lilly Reich, for the German Pavilion at the 1929 World’s Fair in Barcelona. Van Doesburg’s geometrical abstraction helped to radically re-imagine the very idea of a building, gave freedom to space and quite literally brought down the walls of prior architectural conventions. The building was to become a major inspiration for the further development of modern architecture and an iconic example of the modernist aesthetic

How does inspiration move through the atmosphere? How do we inspire each other? And how does creative inspiration itself change through each person’s unique experience? To find out, Anna Bates set an experiment by tasking one architect to use the painting of Van Doesburg as a stimulus for creating his/her own work, which would then be passed on to other architects, who in turn would draw inspiration for their new work, and over time growing into a web of conversation, interplay and inspiration—a dance all on its own. In 2017 as a starting point of this project, American architect Gary Bates of Space Group was invited to create the first work in the chain of architects.

978-94-92852-28-1

Daniel Echeverri

128

20 x 26.5 cm

Softcover

English

Release date: Fall 2021

Copy editor: Nora Yong

Cubic Journal is a peer-reviewed journal, published in conjunction with Cubic Society and the Cubic Research Network as an academic platform aimed at the dissemination of design-related research.

Operating from within The Hong Kong Polytechnic University School of Design, the platforms aims to draw together global scholars in order to generate, exchange and discuss contemporary questions within the pursuit of advancing knowledge through and within a number of design disciplines.

How can technological development today help studio-based learning take place in virtual space? Can technologies transform and reform design education? Can online learning replace face-to-face tutorials across different disciplines within design education? And how should design educators adapt to the new direction this era is facing?

How has technology empowered us, and what has it taken away from us? What has it done to enhance our learning and teaching methodologies? How are teachers using technology to guide students in their teaching and learning experience? How can we help students engage in meaningful learning? How has technology transformed our education scenes, and how might it affect our education scene in the future? How can design deal with the dematerialization of education? How does design education change in contextual settings? How can educators help students become more aware of these changes, specifically in design education? How do we educate our students with the mindset of transformation and reformation? To get answers to these questions the editors of this issue compiled contributions from a wide range of design educational sectors.

www.cubicjournal.org 

978-94-92852-49-6

Kummer & Herrman

248

23 x 28 cm

Softcover

English

Release date: 9 April 2022

This book is published with the support of Creative Industries Fund NL, EFL Stichting.

More than 70 percent of the world’s population will be living in urban areas by 2050. Cities in Africa, Latin America and Asia in particular are growing like never before. Photographer Yvonne Brandwijk and journalist Stephanie Bakker travelled to five of the fastest-growing cities in the world. Not to Mumbai or Shanghai, but to the up-and-coming cultural, creative and economic hubs of tomorrow: Kinshasa, Lima, Yangon, Medellín and Addis Ababa.

In this book, they share five years of travel, insights into urban development and encounters with trend-setters, pioneers, visionaries and up-and-coming talent transforming the fortunes of their cities. The personal stories of these people open an intimate window onto the world behind the statistics of urbanisation and growth and provide insights into what it takes to develop inclusive cities that offer space for unique individuals and personal growth.

Stories from the Future Cities project have appeared across a wide range of international media (including newspapers de Volkskrant, die Welt, El Pais, Le Monde, de Morgen). Commissioned by the United Nations, an exhibition was put together for the Habitat3 urban summit in Quito, Ecuador, and the interactive Future Cities documentary won a World Press Photo Award for Digital Storytelling.