New titles

978-94-92852-36-6

Paul Bogaers

160

11.6 x 16.7 cm

Softcover

Dutch | English

Translation: Pim Wiersinga

Release date: November 2021

The cookbook that doesn’t quite fit the genre and refers to much-needed uncertainty on an empty stomach. 

Yet another cookbook you’ll think! As if the mountain of cookbooks wasn’t high enough already! But dear hungry reader, one cookbook was still missing; the cookbook that doesn’t quite fit the genre and refers to much-needed uncertainty with an empty stomach. A cookbook that harks back to alchemy. Because the imperative mood is so annoying and needs to be exploited. Because the world of the psyche has endless contents that all want to feel they’re being fed.

In Snow Eggs seven dishes for seven different mental states of being have been collected. All our digesting causes great difficulties for the finest alleys in our softest facial expressions. Art helps to digest the uncertain instead of regurgitating what we already know. The menus in this cookbook belong to an old stomach that has been mapped, a stomach in which it’s all about slownesses in dark silences.

Peggy Verzett (1958) is a poet, painter and singer. She made her debut at publishing house Van Oorschot in Amsterdam, with Prijken die buik. In 2010, Vissing, was published by Querido. Haar Vliegstro, appeared in 2016. Her fourth collection of poetry will be published in 2022. ‘Poetry can communicate before it is understood’, said T.S. Elliot. This quote has become her artistic mantra; sometimes hermetics as well as supple playfulness are present in her work. The first Jana Beranova Prize was awarded to her in 2019 for her idiosyncratic oeuvre.

In the works of Paul Bogaers (1961) association and suggestion play an important role.  His general approach can be described as the ‘collage method’; although his work, through the years, has taken many a turn, ‘combination’ has always remained to be Bogaers’ central theme. At the beginning of his career he made name in photography as one of the forerunners of the present interest of photographers in ‘vernacular photography’ and integration of found imagery in their work.

Pim Wiersinga (1954) is a novelist, and made his debut in 1992 with Honingvogels (honeybirds) in the Antwerp Zoo, where this novel is set. Late 2021 or early 2022 Zena’s Arena will be published, an epic about the decline of classical antiquity – which was far from ideal.

www.peggyverzett.squarespace.com

www.paulbogaers.com

www.pimwiersinga.nl

978-94-92852- 47-2

Sabine Krese

SJG (Joost Grootens, Julie da Silva, Carina Schwake)

296

12.5 x 19 cm

Softcover

English

Release date: March 2022

What is inspiration? What inspires you? 111 INCEPTION is a chain of inspiration, which involves 111 architects from around the world.

This book was not guided by theory, yet it grew out of a search for new ways to look at authorship, ideas and inspiration. The experimental and playful character of the project itself, with its unpredictable outcomes, allowed for a much needed change of perspective—away from the traditional approach to creation characteristic of modernity and towards inspiration—which does not respect borders.

The exhibition 100 Experiments. Inspiration in Design Processes was on show at AEDES Gallery, Berlin in 2019.

‘Design is not only what you see, but how it makes you feel today and how it creates your tomorrow.’ - Anna Bates

Just a century ago Theo van Doesburg, the leading representative of De Stijl, created the painting The Rhythm of a Russian Dance (1918). Van Doesburg worked not only as a versatile artist, but also as an editor of the magazine De Stijl. He contributed to various journals and was member of various artist societies. It was his strength, as a spider in the international web and an as a networker avant-la-lettre, to forge bonds between fellow artists, architects and graphic designers, to bring them together through congresses, lectures and artist groups to promote their work.

Eleven years later in 1929 this painting by Van Doesburg became an inspiration for Ludwig Mies van der Rohe and Lilly Reich, for the German Pavilion at the 1929 World’s Fair in Barcelona. Van Doesburg’s geometrical abstraction helped to radically re-imagine the very idea of a building, gave freedom to space and quite literally brought down the walls of prior architectural conventions. The building was to become a major inspiration for the further development of modern architecture and an iconic example of the modernist aesthetic

How does inspiration move through the atmosphere? How do we inspire each other? And how does creative inspiration itself change through each person’s unique experience? To find out, Anna Bates set an experiment by tasking one architect to use the painting of Van Doesburg as a stimulus for creating his/her own work, which would then be passed on to other architects, who in turn would draw inspiration for their new work, and over time growing into a web of conversation, interplay and inspiration—a dance all on its own. In 2017 as a starting point of this project, American architect Gary Bates of Space Group was invited to create the first work in the chain of architects.

978-94-92852-43-4

Caroline de Lint

148

20.4 x 27 cm

Paperback (Zwitserse bindwijze)

English Dutch

Release date: September 2021

This book is published with the support of Boellaardfonds, Van Eesteren-Fluck & Van Lohuizen Stichting, Fentener van Vlissingen Fonds, Fonds Stadsverfraaiing Utrecht, Gemeente Utrecht (Ontwikkelorganisatie Ruimte, Duurzame Stad, afdelingen Groen en Erfgoed)

978-94-92852-35-9

PRINTtEXT

180

15.2 x 21.6 cm / 5.98 x 8.5 inch

numerous illustrations

Hardcover

English

Stations: Listening to the Deep Earth is the essential listener’s companion to Field Works’ Stations album. The book includes an digital audio download cart for the entire album.

Commissioned by the Anchorage Museum and the National Geographic Society.

Release date: April 1, 2022

For more information: stuarthyatt.org https://printtext.co

English

Edited by Manon Braat, Heske ten Cate, JLC Coburn, Eleonoor Jap Sam and Clara Ronsdorf. 

Editors Dutch publication: Manon Braat, Heske ten Cate, Lieneke Hulshof and Maurits de Bruijn. 

Translations: JLC Coburn, Manon Braat and Urgent Vertalen.

This publication was made possible through the support of BankGiro Loterij Fonds, Mondriaan Fund, Gemeente Den Haag and Prins Bernhard Cultuurfonds.