{"title":"Design","description":"","products":[{"product_id":"demystified","title":"Demystified","description":"\u003cp\u003e+++The European Ceramic Workcentre as Centre of Excellence+++\u003c\/p\u003e\n\u003cp\u003e+++Nick Renshaw+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-71-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMontse Hernández i Sala\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e300\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: March 2017\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by the Creative Industries Fund NL, Stichting van Achterbergh Domhof, and EKWC.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"%22http:\/\/www.nickrenshaw.com%22\" title=\"%22nick%22\"\u003ewww.nickrenshaw.com\u003c\/a\u003e\u003ca href=\"%22https:\/\/sundaymorning.ekwc.nl%22\" title=\"%22ekwc%22\"\u003ehttps:\/\/sundaymorning.ekwc.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe European Ceramic Workcentre (EKWC) is regarded widely as a world-leading organisation. A world-leader through its work as artist in residence centre where practice using the ceramic material is hosted, and a world-leader through its work as institution where the innovative use of this material in all areas of design and the visual arts is promoted. Though carrying an intrinsically global reach it is an institution rooted deeply in the very unique cultural history of the Netherlands, a fundamental factor in any discussion of its behaviour and one that is emphasised appropriately in this study.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe high regard with which the EKWC is appreciated is recognised throughout the wider visual arts, across borders as well as much further afield. By the thousands of individuals who have either already passed through its doors as temporary, invited or guest residents or by the many who remain eager to do so in future. By a wide range of related organisations, either other residence centres, art academies, individual ceramic studios, conference administrations, biennials or symposia that see the EKWC as the role model on which to base their own practice. And by theoreticians, critics, journalists and politicians who have each come to recognise the leading position of the EKWC and its lasting theoretical impact in countless articles, journals, reports, catalogues and all manner of other published material.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThat the centre may be regarded so highly within just one of these groups would make it worthy of further attention. That it is acknowledged equally significantly across multiple fields makes it clearly a special case indeed. In keeping with an organisation so highly regarded an extensive degree of documentation exists which recognises the work undertaken by this centre. What though is apparent throughout this recognition is that it has remained by and large precisely that. A recognition of the Centre's standing rather than the offering of a clear understanding into the reasoning behind its success.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eDemystified: The European Ceramic Workcentre as Centre of Excellence \u003c\/em\u003edeciphers for the first time the specific and fundamental reasoning for the successes behind this world leader. It describes the complex system of operation that exists throughout the entire organisation, a system that has matured and been refined over the course of the previous four decades. It explains how such an ideal working environment has developed, why this is unique to the EKWC, and why such excellence in practice is difficult to find in other related organisations around the world.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRather than focus attention on the already documented, innumerable results and artefacts of countless collaborations and working partnerships over previous decades, this survey describes with text and a comprehensive image base how it is that such results have been achieved. It explains how the nature of this work is influenced by prevailing circumstances and decision-making, be they of a logistical, directorial or theoretical nature. It is a demystification of previously unidentified interrelationships which explains how the interactive nature of an organisation such as the EKWC impacts on those working within it, and subsequently how it influences a much wider community outside.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis study can be seen as important and of interest to a potentially wide and eclectic audience both within and outside the visual arts, ceramic and design fields. To artists, ceramists, designers as well as other individuals in the art world who are able to understand the practical relevance for application to their own activity. To those either already involved in or who wish to take part in the artist in residence field. To other organisations across the wider visual arts, design and ceramic fields who could use the identified system in place at the EKWC as basis for their own future development. To universities and art and design academies who could apply aspects of the Centre's successful operation to their own institutions. And to potentially countless organisations outside the visual arts whose practice may at first seem unrelated but who could use the excellence of practice supported by the EKWC as a model from which to develop similar innovative behavior within their own organisations.    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003eVisual artist and researcher Nick Renshaw (PhD) maintains studios in Amsterdam, the Netherlands and in Xiamen, southern China. His doctoral research into the field of international ceramic art residencies, entitled 'The European Ceramic Workcentre as Successful Model: Evaluating the Standing, Nature and Potential for Practice in Ceramic Art Residencies', was an Arts and Humanities Research Council (AHRC) supported collaboration with the University of Sunderland (UoS) in the United Kingdom. This research was borne from Renshaw's extensive work with institutions working in the field of ceramic and art residence activity over the previous two decades, particularly so with regard to the European Ceramic Workcentre in the Netherlands. \u003c\/p\u003e\n\u003cp\u003eHis previous studies include an MA through the Sandberg Instituut in Amsterdam, the Netherlands, during which time he also studied at Pratt Institute in Brooklyn, the United States. His undergraduate studies included a BA with Cum Laude from the Gerrit Rietveld Academie in Amsterdam, the Netherlands, as well as a BA from Manchester Polytechnic in Manchester, the United Kingdom. While at Manchester he also studied at the world-renowned New York State College of Ceramics and Glass at Alfred University in the United States.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRenshaw's sculptures and works as visual artist have been exhibited, collected and commissioned worldwide through independent galleries, museums and a range of public spaces. Recent presentations and commissions include: \u003cem\u003eClay! One Hundred Years Ceramics at the Gerrit Rietveld Academie\u003c\/em\u003e at the Gemeentemuseum Den Haag; \u003cem\u003eFifteen Year Anniversary\u003c\/em\u003e exhibition at the Chinese European Art Center (CEAC), Xiamen, P.R China;\u003cem\u003e Six McKnight Artists\u003c\/em\u003e at the Northern Clay Center, Minneapolis, USA;\u003cem\u003e Other Origins\u003c\/em\u003e at Galerie De Witte Voet in Amsterdam;\u003cem\u003e Rolling Snowball III\u003c\/em\u003e at the Redtory Art + Design Factory in Guangzhou, P.R China; and \u003cem\u003eSitting\/Standing\u003c\/em\u003e for the new city hall of Ouderkerk aan de Amstel in the Netherlands.\u003c\/p\u003e\n\u003cp\u003eRenshaw's visual arts practice draws on myriad references, both historical and contemporary. His sculptures are reminiscent of the archaeological finds, pre-historic images, and ancient iconography of his upbringing in the historic city of York in England, as well as being depictions and representations of imagery referencing issues of current cultural concern. \u003c\/p\u003e\n\u003cp\u003eHe is currently teaching at Xiamen University in the south of China, and part of a new body of works entitled \u003cem\u003eTong An\u003c\/em\u003e can currently be seen at the British Centre in the IFC Tower in Guangzhou and was recently presented in the exhibition \u003cem\u003eBoundless Material\u003c\/em\u003e at Kui Yuan Gallery, also in Guangzhou.\u003ca name=\"%22_GoBack%22\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/a736c4789c084c28a0a4a52878644f1c.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Nick Renshaw","offers":[{"title":"Default Title","offer_id":28824131922,"sku":"id_00155","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/1-EKWC-VOOROMSLAG-VOOR_JAPSAM.jpg?v=1550756541"},{"product_id":"the-living-surface","title":"The Living Surface - Second edition","description":"\u003cp\u003e+++An alternative biology book on stains by Lizan Freijsen+++\u003c\/p\u003e\n\u003cp\u003e+++Lizan Freijsen, Ed van Hinte, Hanneke Gelderblom+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-77-9\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic design\u003c\/strong\u003e\n\u003cp\u003eStudio Renate Boere\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e248\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size \u003c\/strong\u003e\n\u003cp\u003e23.2 x 30 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \/ Dutch \/ French\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFirst edition (2017) published with support of the Creative Industries Fund NL \u0026amp; crowdfunding voordekunst.nl. Revised second edition released 2019.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eBEST DUTCH BOOK DESIGN 2017, EUROPEAN DESIGN AWARD 2018 (BRONS), INTERNATIONAL DESIGN AWARD 2018 (SHORTLIST), GERMAN DESIGN AWARD 2019 GOLD\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eFor more information about the artist: \u003ca href=\"http:\/\/www.lizanfreijsen.com\"\u003ewww.lizanfreijsen.com\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eAn intriguing look at the work and art-practice of Dutch artist and designer Lizan Freijsen (Zwijndrecht, 1960). Offers a fresh take on how Freijsen works, the materials she uses and her fascination for stains.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Embracing imperfection is in fact a responds to the over-controlled society in which we live. Witnessing the beauty of slow growing processes and being surrounded by urban nature connects inner time with a sense of home.”\u003c\/em\u003e - Lizan Freijsen\u003c\/p\u003e\n\u003cp class=\"%22Pa2%22\"\u003eArtist and designer Lizan Freijsen is fascinated by stains, fungi and mildew. By turning moisture stains into textiles, Lizan Freijsen focuses on these blind spots and visualizes their beauty. \u003cem\u003eThe Living Surface: an Alternative Biology Book on Stains by Lizan Freijsen\u003c\/em\u003e gives an overview of her extensive photo-archive with a wide-range of categories of traces of decay, and a selection of her unique hand-made carpets, tapestries and blankets produced in the last eight years.\u003c\/p\u003e\n\u003cp\u003eThe central themes in this publication are transformation and time, in the course of which the unwanted gains significance. Engineer and design critic Ed van Hinte, fluid physicist, scientist Hanneke Gelderblom and Lizan Freijsen herself reflect on the crossroads of art, design, and science. The time-consuming production of carpets by means of the hand tufting technique, combined with form and color studies, provide insight into the design process.\u003c\/p\u003e\n\u003cp\u003eThe photo archive of temporary phenomena, Research on the spot (2006-2016), is the source of inspiration for the artistic practice of artist\/designer Lizan Freijsen.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLizan Freijsen lives and works in Rotterdam. After her bachelor studies at the ABK, Rotterdam (1984) she worked at the Jan van Eyck Academie, Maastricht (1989). Since 1999 she has been connected to the Willem de Kooning Academy in Rotterdam as a teacher and study coach. Her practice has evolved from painting, mixed media and public space, to photographic research, in which dried stains from the everyday environment take a central place. In the frame of a Master study Design Research (2014-2016) Lizan Freijsen has rekindled interest in a lost craft, namely hand tufting. She creates commissioned carpets and textile products and presents her work at many venues in the international design or art context.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eWith text contributions by:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003eEd van Hinte \u003c\/b\u003eis a freelance writer, design critic, curator and teacher. He studied industrial design and engineering at Delft University of Technology. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eHanneke Gelderblom\u003c\/b\u003e is an academic researcher in the Physics of Fluids group at the University of Twente. She works as a project leader for the Dutch Foundation for Fundamental Research on Matter (Stichting FOM). \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003eJury Best Dutch Book Design: ' When it came to this book the panel observed that there was one from the 'Possessed Archives' category. But the fascinating research material (an archive of stains), and the wonderful work of artist Lizan Freijsen that has come out of it, have here been tackled by an equally possessed graphic designer. The result is a beautifully designed book that radiates energy and on every level does full justice to the archive. The grid ensures a good balance in the truly exciting typography, for in this multilingual book Engish, French and Dutch become as it were the material that has been spat out of the archive itself and here threaded through the book: the English from top to bottom, the French from bottom to top, and the Dutch from left to right. It is up to the reader to turn the book so that the language required is presented in a readable way. That the photographic material remains upright hem upside down goes withoug saying, but to threat the text the same ways is a good solution. There was some discussion about the legibility of the French and Dutch - but the text aren't excessively long and readers of this book will have to be slightly fanatical anyway. The inside-out American-style folded dust jacket and the embossing on what might be termed the 'inside cover' are very special. This is a book in which absolutely everthing comes together: it is a classic example of genuine synergy between designer and artist.'\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n  \u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/lisan_freijsen.mp4?v=1637324440\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Lizan Freijsen, Ed van Hinte, Hanneke Gelderblom","offers":[{"title":"Default Title","offer_id":28824131666,"sku":"id_00163","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/voor_01.jpg?v=1484231217"},{"product_id":"christie-van-der-haak-sproken-fairy-tales","title":"Christie van der Haak. Sproken | Fairy Tales","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Edited by Jane Huldman, Philip Peters | Concept and image editing by Studio Renate Boere | With text contributions by Christie van der Haak, Eline van der Haak, Philip Peters, Anke Roder, Arno van Roosmalen, Nicole Roepers, Wilma Sütö+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003eISBN 978-94-90322-60-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStudio Renate Boere\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e416\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e31,5 x 24,5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDutch | English\u003c\/p\u003e\n\u003cp\u003eTranslators: Marie Louise Schoondergang, Ulrica Yland, Willem Kramer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is published by Jap Sam Books and \u003ca title=\"%22stroom%22\" href=\"%22http:\/\/www.stroom.nl\/%22\"\u003eStroom Den Haag\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possible by the Mondriaan Fund, the City of The Hague, and Drukkerij Roelofs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information about Christie van der Haak: http:\/\/www.christievanderhaak.nl\/\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of Release: November 2015\u003c\/p\u003e\n\u003cp\u003eAWARDED: SILVER EUROPEAN DESIGN AWARD 2016 for Studio Renate Boere\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThis book documents 35 years of works by artist Christie van der Haak, who was awarded with the 2015 Ouborg Award. Originally a painter, Van der Haak moved on to designing fabrics deployed both as autonomous artworks and upholstery, wall coverings, table-cloths and the like. While operating in the field of tension between art and design these categories carry little meaning to her.\u003c\/p\u003e\n\u003cp\u003e'Everything has structure', she says, as well as 'Everything has a soul'. Recently she has been transforming spaces such as museum rooms into places with a different meaning, always employing her characteristic vocabulary of exuberant, dazzling colours and complex ever changing patterns in a multitude of both two and three dimensional objects.\u003c\/p\u003e\n\u003cp\u003eHer work is like a fairy tale, charming, seductive, beautiful even, but never without more profound hidden layers of meaning , drawing on (art) history, mythology, contemporary social issues and generally everything she encounters in life.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Onder redactie van Jane Huldman, Philip Peters | Concept en beeldredactie door Studio Renate Boere | Met tekstbijdragen van Christie van der Haak, Eline van der Haak, Philip Peters, Anke Roder, Arno van Roosmalen, Nicole Roepers, Wilma S\u0026uuml;t\u0026ouml;","offers":[{"title":"Default Title","offer_id":28824130514,"sku":"id_00145","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/christiecovergeschaard.jpg?v=1481879017"},{"product_id":"the-last-painting-theory-franck-bragigand","title":"The Last Painting Theory - Franck Bragigand","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Katia Baudin, Kie Ellens, Jean-Marc Huitorel, Daphne Pappers, Emmanuel Ropers, Bart Verschaffel+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-63-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eVivian Messini, Franck Bragigand\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e288\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e22 x 27 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possible with the support of the Region Alsace, Conseil Regional d'Alsace, Fond Regional d'Art Contemporain d'Alsace (F.R.A.C.), Le Parc Naturel Regional des Vosges du Nord, and Mondriaan Fund.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e(original texts in French and Dutch are included)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: Spring 2016\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eFor more than ten years, Franck Bragigand has been developing a body of works consisting of 'painting subjects', which have resulted in a collection of works. He has been involved in many fields like art, design, industry, architecture, museums, public spaces and institutions, private galleries. \u003c\/p\u003e\n\u003cp\u003eHe has been working over 30 years in this area and has exhibited all around the world. His approach to Painting has been influenced by all kinds of expressions, which this medium has to offer, from architecture to objects. \u003c\/p\u003e\n\u003cp\u003eBragigand combines all his production into special 'Systems', making him a plenty conceptual artist. He has realized over 200 projects and maybe 10.000 original paintings.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/kahlabragigand\/kahlabragigand_350x257.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/droogdesignbragigand\/droogdesignbragigand_350x241.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHe presents this prolific production in his monograph called: \u003cem\u003eThe Last Painting Theory\u003c\/em\u003e, with contributions from six international authors, published by Jap Sam Books. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/1b75e1dd282d41de86e47917e432e11e.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Katia Baudin, Kie Ellens, Jean-Marc Huitorel, Daphne Pappers, Emmanuel Ropers, Bart Verschaffel","offers":[{"title":"Default Title","offer_id":28824126098,"sku":"id_00149","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/coverlastpaintingtheory.jpg?v=1481879048"},{"product_id":"a-decade-of-country-hits","title":"A Decade of Country Hits","description":"\u003cp\u003e+++Art on the Rural Frontier+++\u003c\/p\u003e\n\u003cp\u003e+++Edited by Margo Handwerker | Foreword by Richard Saxton+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-40-3\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003ePeter de Kan\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e544\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 23 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eBound with open spine\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1304 grms \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Spring 2014 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information also see: \u003ca href=\"http:\/\/www.richardsaxton.org\" title=\"%22richardsaxton%22\"\u003ewww.richardsaxton.org\u003c\/a\u003e \u003ca href=\"http:\/\/m12studio.org\" title=\"%22m12%22\"\u003ewww.M12studio.org\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eArt has its Billboard charts. They focus mostly on artists and exhibitions in urban centers.\u003cem\u003e A Decade of Country Hits\u003c\/em\u003e is devoted to uncharted hits thriving instead on rural aesthetics and rural knowledge. \u003c\/p\u003e\n\u003cp\u003eThis richly illustrated volume documents ten years of collective works initiated by artist Richard Saxton in rural communities around the world, from the American Midwest and Southwest to parts of Europe, Australia, and South America. Impossible to attribute to any one artistic genre, the works archived here explore a growing community of artists and researchers drawn to the rural experience in all its complexity. It resembles a sketchbook: with drawings, photographs, and from the hip accounts in the field, as well as contributions from likeminded artists, musicians, poets, and writers. \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/m12_portrait_low\/m12_portrait_low_350x250.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by:\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003eA Decade of Country Hits \u003c\/em\u003eincludes an international roster of contributors. \u003c\/p\u003e\n\u003cp\u003eIt contains interviews with\u003cstrong\u003e Todd Bockley\u003c\/strong\u003e, co-director of the Center for Social Sculpture; \u003cstrong\u003eTwink Metzler\u003c\/strong\u003e, founder of Living Room Studios; architectural historian \u003cstrong\u003eRobert Nauman\u003c\/strong\u003e; and \u003cstrong\u003eWapke Feenstra\u003c\/strong\u003e, artist and co-founder of Myvillages. Featured throughout are new collaborations with \u003cstrong\u003eZach Boddicker\u003c\/strong\u003e, singer and songwriter for 4H Royalty; \u003cstrong\u003eKurt Wagner\u003c\/strong\u003e, singer and songwriter for Lambchop; and \u003cstrong\u003eMatthew Fluharty\u003c\/strong\u003e, director of Art of the Rural. Providing context for the work are essays by artist \u003cstrong\u003eStuart Hyatt\u003c\/strong\u003e, founder of TEAM Records; as well as essays by critics and writers \u003cstrong\u003eJosh Garrett-Davis\u003c\/strong\u003e, author of \u003cem\u003eGhost Dances: Proving Up on the Great Plains\u003c\/em\u003e; \u003cstrong\u003eMimi Zeiger\u003c\/strong\u003e, author of\u003cem\u003e New Museums: Contemporary Museum Architecture Around the World\u003c\/em\u003e,\u003cem\u003e Tiny Houses\u003c\/em\u003e, and\u003cem\u003e Micro Green\u003c\/em\u003e; and \u003cstrong\u003eEnrique Ramirez\u003c\/strong\u003e, whose writing has appeared in \u003cem\u003ePerspecta\u003c\/em\u003e, \u003cem\u003eThresholds\u003c\/em\u003e, \u003cem\u003eAA Files, \u003c\/em\u003eand elsewhere.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/9_m12_slide_bigfeed\/9_m12_slide_bigfeed_350x269.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn addition are essays by award-winning artists \u003cstrong normal=\"\"\u003eMarjetica \u003c\/strong\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003ePotrc\u003c\/strong\u003e, \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eChris Sauter\u003c\/strong\u003e, and \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eFernando García-Dory\u003c\/strong\u003e, founder of \u003cem\u003eA Shepherds School\u003c\/em\u003e; as well as essays by curators, \u003cstrong normal=\"\"\u003eIan Hunter\u003c\/strong\u003e, director of the LITTORAL Arts Trust; \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eMarco Marcon\u003c\/strong\u003e, co-founder of International Art Space, and \u003cstrong normal=\"\"\u003eKirsten Stoltz\u003c\/strong\u003e, programming director of the M12 Collective. \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eThe M12 Collective's \u003c\/strong\u003erecent exhibitions and commissioned works have appeared at the Kalmar Konstmuseum; the 13th International Venice Architecture Biennale; the Chicago Cultural Center, Franklin Street Works; the Wormfarm Institute; the 2011 Australian Biennial spaced: art out of place; and the 2010 Biennial of the Americas. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eEdited by:\u003c\/h6\u003e\n\u003cp\u003e\u003cem style=\"%22mso-bidi-font-style: normal%22;\"\u003eA Decade of Country Hits \u003c\/em\u003eis edited by Margo Handwerker and Richard Saxton. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eMargo Handwerker\u003c\/strong\u003e is a Critical Studies Lecturer in the Department of Architecture \u0026amp; Urban Design at the University of California, Los Angeles. She has co-curated exhibitions at the Museum of Fine Arts, Houston and the NAiM\/Bureau Europa. Her writing has appeared in the \u003cem normal=\"\"\u003eJournal of Architectural Education, Art Lies: A Contemporary Art Quarterly, Abitare, Volume\u003c\/em\u003e, and\u003cem style=\"%22mso-bidi-font-style: normal%22;\"\u003e Pidgin Magazine; as well as in exhibition catalogues for \u003cem\u003eEverything Loose Will Land\u003c\/em\u003e\u003c\/em\u003e, \u003cem\u003espaced: art out of place\u003c\/em\u003e, and \u003cem\u003eNobody's Property: Art, Land, Space, 2000–2010\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eRichard Saxton\u003c\/strong\u003e is a visual artist and educator currently living in Colorado, where he is an Associate Professor in the Department of Art \u0026amp; Art History at the University of Colorado Boulder. He is the founder and creative director of the M12 Collective, an interdisciplinary group that creates and supports experiential projects exploring the value of rural communities and their surrounding landscapes.  \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/m12_ornitarium1\/m12_ornitarium1_350x267.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/a_decade_of_country_hits.mp4?v=1638195358\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Onder redactie van Margo Handwerker | Voorwoord door Richard Saxton","offers":[{"title":"Default Title","offer_id":28824125138,"sku":"id_00116","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/decade_low.jpg?v=1486641281"},{"product_id":"hyperbody","title":"Hyperbody","description":"\u003cp\u003e+++First Decade of Interactive Architecture+++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis [et al.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-09-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMind Design (Niels Schrader, Michal Ejdys m.m.v. Erik Boldt, Gilles de Brock, Fernando van der Vlist)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e624\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: June 2012\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eAwarded one of the Best Dutch Book Designs 2012. For more information: \u003cem\u003e\u003ca href=\"%22http:\/\/www.bestverzorgdeboeken.nl\/nl\/%22\" title=\"%22best%22\"\u003ewww.bestverzorgdeboeken.nl\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHYPERBODY, directed by Prof. Kas Oosterhuis, is an information technology driven research and design group operating within the Faculty of Architecture, Delft University of Technology. The group is at the forefront in the development of computationally driven non-standard and interactive architecture, which is parametrically actuated by users and their immediate environment. Interactive, non-standard architecture and urbanism is seen as an active, component-based system that reflects contemporary social and spatial reality. \u003cbr\u003e\u003cbr\u003eHYPERBODY explores interdisciplinary spatial domains via specific practices and academic collaborations in order to develop in-house cutting-edge design tools, techniques and methods for the making of complex non-standard, customized, interactive architectures. HYPERBODY's architecture is based on swarm theory, wherein the built environment is defined as a space that is formed and informed by smart components that interact with each other and users like birds interact in a swarm. Such interactions have been developed and tested in the protoSPACE laboratory, which is operated by HYPERBODY within the larger Internet of Things and People.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHYPERBODY explores digital manufacturing using in-house large industrial robots, laser cutting and rapid prototyping facilities in order to physically construct, analyse and engineer complex parametric building components and their mutual interconnections. HYPERBODY's vision in today's mediated context is geared towards developing strategic design methodologies in order to propagate socially, environmentally and economically performative design solutions and to demonstrate their buildability by developing 1:1 prototypes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eHyperbody\u003c\/em\u003e publication, designed by concept-driven graphic designer Niels Schrader, takes its title literally, as it presents the content in the form of a non-sequential hyper-structure. A network of references connects related pieces of information, and offers the reader the opportunity to instantly jump to other sections in the book. The hyperlinks were established by proprietary software that first scanned the entire content of the book and listed the most frequent keywords for each page. A maximum of 3 words from this page-specific list is then used to find semantically related texts on other pages and create the ultimate interactive reading experience: flipping back and forth between passages of different authors, cross-checking and comparing them. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/hyperbody.mp4?v=1637658967\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Kas Oosterhuis [et al.]","offers":[{"title":"Default Title","offer_id":28824124242,"sku":"id_00051","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/hyperbody_cover_7.jpg?v=1481879119"},{"product_id":"the-panda-people-and-other-works-henrik-vibskov","title":"The Panda People and Other Works | Henrik Vibskov","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Hannah Heilmann, Pernil Taagaard Dinesen+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-15-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eAlastair Wiper \u0026amp; Henrik Vibskov\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e50\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 29,7 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: March 2010\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e'%22Henrik Vibskov%22 – the Danish name that echoes internationally through design circles, the music industry, the theatre world and the art scene. As a graduate form the prestigious Central Saint Martin's College of Art and Design in London, Henrik Vibskov has in less than nine years created an image of himself as a worldwide avantgarde designer of innovative clothing, as an electronic musician in collaboration with Anders Trentemøller and Mikael Simpson, and as an artist with exhibitions at PS1 and MoMA in New York, Palais de Tokyo in Paris, and Zeeuws Museum in Middelburg, the Netherlands.\u003cbr\u003eIf one is puzzled by this enormous and versatile activity, perhaps part of the explanation lies in the fact that Henrik Vibskov doesn't isolate his interests but lets fashion design, installation art, performance theatre and music go hand in hand to create an entirely new expression.\u003c\/p\u003e\n\u003cp\u003eA quick glance at contemporary art tells us that the idea of joined works of art has not been discarded. On the contrary. Constantly challenging the traditional conception of art, the artist of today works with an ocean of references from politics and popular culture to globalization, climate change, fashion, consumption, design and architecture. Where the avant-garde earlier\u003cbr\u003ewas a counter reaction to the established art scene, the avant-garde frame of mind is today an indivisible part of contemporary art. The artist experiments, plays, crosses borders and insists that art should break away from the art institution and become accessible to everyone in our everyday lives.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHenrik Vibskov is exactly such an artist: all-round creative, experimenting, confronting and investigating. The beautiful and organic graphic works featured in this book are unique and independent works. Their minimalistic expressions are accompanied by an uncontrollable wildness in an experimenting colour explosion. Henrik Vibskov's graphic expressions create a platform for the understanding of a bobbling parallel universe. The visual experiences in this book are therefore just the first chapter in an enriching artistic alternative world where the diffused borders of the disciplines become the very catalyst of the project. The borders of the artworks flow in and out between each other, just as is the case with the anarchist line in Henrik Vibskov's graphic works.'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003epreface\u003c\/em\u003e Pernille Taagaard Dinesen, Museum Curator, ARoS Aarhus Kunstmuseum, Denmark.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Hannah Heilmann, Pernil Taagaard Dinesen","offers":[{"title":"Default Title","offer_id":28824121426,"sku":"id_00081","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/pandacover.jpg?v=1481879183"},{"product_id":"source-05-designing-global-choices","title":"SOURCE 05 - Designing Global Choices","description":"             \u003cp\u003e+++Design Academy Eindhoven \/ IM Masters+++\u003c\/p\u003e             \u003cp\u003e+++Louise Schouwenberg [ed.]+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-19-9\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eStudio Joost Grootens\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e88\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e23 x 17 cm\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback, plastic dust jacket\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eEnglish\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eGlobalization has brought advantages, as well as disadvantages. The worldwide trade in consumer goods has resulted in uniformity of supply, threatens the survival of local traditions and has not spared the environment. The call for a reassessment of old techniques and historically evolved conventions can be heard all around us. This sometimes takes the form of nostalgic rapture over national identities and presumed traditions. Sometimes the past is re-examined from a contemporary perspective.  Designers can play an important role in the discovery of new possibilities, as we see from a growing number of design projects, including those of the students of the IM Masters programme at the Design Academy in Eindhoven.\u003cbr\u003e\u003cbr\u003eThe student population represents a colourful array of nationalities, an asset that was put to optimum use during two trimesters in late 2008 and early 2009. The students investigated traditional techniques from their own home countries and formulated design proposals that would give these techniques and traditions a place in our time.  This fifth edition of Source includes essays and an interview on the theme of Designing Global Choices, written by experts in the field, lecturers and students, as well as examples of the students' research and design proposals.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSource\u003c\/em\u003e is a series of publications by the Masters departments of Design Academy Eindhoven. \u003cem\u003eSource 05\u003c\/em\u003e is produced by the IM Masters department. \u003c\/p\u003e         \u003c\/div\u003e                  ","brand":"Louise Schouwenberg [red.]","offers":[{"title":"Default Title","offer_id":28824120146,"sku":"id_00085","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source05omslagmetruglores.jpg?v=1481879194"},{"product_id":"maria-hees","title":"Maria Hees","description":"\u003cp\u003e+++30 jaar vormgeven \/ 30 years of design+++\u003c\/p\u003e\n\u003cp\u003e+++Lotte Menkman, Joep Sterman, Threes Moolhuysen-Coenders and Maria Hees+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-12-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMarlous Bervoets\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e128\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21.5 x 21.5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: March 2010\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIncluding the DVD by Ivonne Zijp, Peter Krijnen and Anand Mahabier\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \/ Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by the Netherlands Foundation for Visual Arts, Design and Architecture and the Prins Bernhard Cultuurfonds.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn 2009, Maria Hees was celebrating her 30th anniversary as a handbag and jewellery designer. The publication \u003cem\u003eMaria Hees 30 years of design \u003c\/em\u003ewill present some of her latest collections as well as designs from the last thirty years. Maria Hees has been an independent designer since 1979, specializing in utensils and objects, such as handbags and jewellery.\u003cbr\u003e\u003cbr\u003eHer handbag designs are characterised by the use of highly diverse materials such as wood, metal and fish leather, as well as particular methods, for instance, water jet cutting and padding. Her new collection is an interpretation of the smock technique through the use of rivets. In Maria Hees' designs, techniques often give rise to the form: The exterior of the handbag is as important as the interior. The bag needs to be primarily functional inside, yet remain pleasing to the eye. \u003cbr\u003e\u003cbr\u003eIn 1979, Maria Hees (Bergeijk, 1948) graduated from the Academy of Visual Arts Arnhem, having specialized in Metal and Plastics Design. Her work has been displayed at various (inter) national museums (MoMa New York, Stedelijk Museum Amsterdam) and sold through many galleries (Galerie Marzee Nijmegen, Leley Graze London, Galerie Hilde Metz, Antwerp).\u003c\/p\u003e\n\u003cp\u003eMaria Hees' handbags are designed and manufactured in-house and are produced in limited numbers.\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eExhibition Maria Hees, Coda Apeldoorn February 13 - May 30 2010\u003c\/h6\u003e\n\u003cp\u003eFrom February 13th til May 30th, the museum CODA in Apeldoorn will present a solo exhibition of the work of Maria Hees: small objects, jewellery, bags and lamps. For more information: \u003ca title=\"%22http:\/\/www.coda-apeldoorn.nl\/tentoonstellingen\/coda-museum\/verwacht\/maria-hees\/%22\" href=\"%22http:\/\/www.coda-apeldoorn.nl\/tentoonstellingen\/coda-museum\/verwacht\/maria-hees\/%22\"\u003eCoda Apeldoorn\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/Maria_hees.mp4?v=1637666959\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Lotte Menkman, Joep Sterman, Threes Moolhuysen-Coenders en Maria Hees","offers":[{"title":"Default Title","offer_id":28824119314,"sku":"id_00074","price":28.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/covermariahees_low.jpg?v=1612533206"},{"product_id":"atlas-haarlem-oost","title":"Atlas Haarlem Oost","description":"\u003cp\u003e+++Artistiek onderzoek als aanjager voor stedelijke vernieuwing+++\u003c\/p\u003e\n\u003cp\u003e+++Marjolijn Boterenbrood, Renée Borgonjen [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-119-6 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoseph Plateau Grafisch Ontwerpers\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e160\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e30 x 24\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback \u0026amp; DVD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information about this book and project, see: \u003ca title=\"%22www.kijkennaarhaarlemoost.nl%22\" href=\"%22http:\/\/www.kijkennaarhaarlemoost.nl\/%22\"\u003ewww.kijkennaarhaarlemoost.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eLocal politicians asked Dutch artist Marjolijn Boterenbrood to go to Haarlem Oost,  for a long time a neglected industrial area of the City of Haarlem, on the east of the river 't Spaarne. The message was to to reveal and cartograph the unknown and under valued realities of daily life and work on the spot. Boterenbrood asked other artists and architects as well to participate in this very original city project (website-exhibition-atlas) which in the end provided new knowledge en information about this area which could inspire future planning activities.\u003c\/p\u003e\n\u003cp\u003ePlease note: this publication is only available in Dutch.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Marjolijn Boterenbrood, Ren\u0026eacute;e Borgonjen [red.]","offers":[{"title":"Default Title","offer_id":28824118802,"sku":"id_00013","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/atlashaarlemoost_copy1.jpg?v=1481879217"},{"product_id":"the-fringe-projects-vibskov-emenius","title":"The Fringe Projects. Vibskov \u0026 Emenius","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Andreas Emenius, Henrik Vibskov [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-115-8 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eAndreas Emenius, Henrik Vibskov\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e136\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e28 x 24\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAvailable in English\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCo-published with the Zeeuws Museum, Middelburg\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eFor two years now Henrik Vibskov (Denmark) and Andreas Emenius (Sweden) have been working together on The Fringe Projects: a series of ten flickering tableaus of longing and belonging carried out in multiple media. Nine of the projects have already been completed and exhibited in seven different countries. The work of Henrik Vibksov and Andreas Emenius has been featured in, among others, \u003cem\u003eDazed and Confused\u003c\/em\u003e and \u003cem\u003eNylon magazines\u003c\/em\u003e, and exhibited in cities such as Milano, Paris, Copenhagen, Zurich, and London. Henrik Vibskov (born 1972) and Andreas Emenius (born 1973) met while studying at Central Saint Martins, London.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHenrik Vibksov started his clothing label after graduating in 2000, and has for a period of five years now been the only Scandinavian designer to have a show on the official 'Paris Fashion Week' schedule. The label is sold in selected stores around the globe (like Seven, New York, SpaceMOE, Seoul, Midwest Tokyo, Aloharag Hawaï, Traffik Moskva and Kron Reykjavik - as well as his own shops in Copenhagen, Denmark and Oslo, Norway.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAfter graduating in 1999, Andreas Emenius roamed the better end of the graphic design world for some time, working with acclaimed graphic designer Neville Brody in Paris and moving on to art directly for Kenzo and Adidas, creating artwork for Nike Holland, sculpture for DNP Tokyo, and create scenography for Das Schauspielhaus in Hamburg. As the years go by he is navigating more freely as a visual artist within an interdisciplinary field, combining his knowledge of design, direction and art.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/f956f3bb2125477493e15d9b58935fbb.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Andreas Emenius, Henrik Vibskov [red.]","offers":[{"title":"Default Title","offer_id":28824118738,"sku":"id_00015","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/fringe_t.jpg?v=1481879218"},{"product_id":"ia-2-interactive-architecture","title":"iA#2 - Interactive Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis, Xin Xia [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-062-5 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDanielle van Steenbergen (concept), Xin Xia\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e112\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 12\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis \u003cem\u003eiA\u003c\/em\u003e bookazine series consists of twelve issues bi-annually published under the supervision of prof. ir. Kas Oosterhuis, director of Hyperbody at the Delft University of Technology and principal ONL [Oosterhuis_Lénárd] bv. The issues of iA consist of scientific papers on particular aspects of iA and iA-driven MSc projects, iA-inspired case studies from practice, interviews with renowned researchers\/practitioners, and blogs by Kas Oosterhuis.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe \u003cem\u003eiA-\u003c\/em\u003ebookazine series brings together interdisciplinary contributions on the topic of 'Interactive Architecture (iA)' from researchers, students, guest lecturers from Hyperbody, Factulty of Architecture, Delft University of Technology and experts from various other organizations. This second issue consists of papers, educational reports, workshops, dialogues and related information.\u003cbr\u003e\u003cbr\u003eAfter introducing the concept of \u003cem\u003eiA\u003c\/em\u003e - by describing terms and processes like 'File to Factory' and 'real time behaviour' in the first issue - this second issue, with refresher material, delves deeper into the interactive relations between built components, between people and built components, and even between people. It also offers a more defined perspective on parametric design, power-lines, and multiplayer design games. Finally, it offers an overview of the iWEB pavilion, a vehicle for transdisciplinary research, education and design, developed by Hyperbody.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kas Oosterhuis, Xin Xia [red]","offers":[{"title":"Default Title","offer_id":28824118610,"sku":"id_00043","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslagia2.jpg?v=1481879221"},{"product_id":"source-04","title":"SOURCE 04","description":"\u003cp\u003e+++Tippelzone revised+++\u003c\/p\u003e\n\u003cp\u003e+++Louise Schouwenberg, Mike Thompson [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-085-4 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e64\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003epaperback plastic dust jacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eTippelzone Revised\u003c\/em\u003e presents research and design proposals concerning the issue of drug-related prostitution in Eindhoven. \u003cbr\u003e\u003cbr\u003e At the request of the City of Eindhoven, students of the Design Academy's Master's Degree Programme in Industrial, Interior and Identity Design (IM) researched a designated prostitution area in the Woensel West district and created alternatives. In 2003, to combat problems generated by drug-related street prostitution, the city established a tolerance zone for prostitution, or a tippelzone. Public disturbances were reduced, care for prostitutes improved and the area became safer. The city, however, does not wish to continue facilitating prostitution. They also hope to offer the women other alternatives to help them escape their dependency on drugs and pimps. This requires creative and, most of all, unorthodox solutions. \u003cbr\u003e\u003cbr\u003e This fourth edition of \u003cem\u003eSource\u003c\/em\u003e includes research results, essays by students and external experts and photographic documentation of the resulting design proposals.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Schouwenberg, Mike Thompson [red.]","offers":[{"title":"Default Title","offer_id":28824118546,"sku":"id_00057","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source04_m.jpg?v=1481879222"},{"product_id":"source-03","title":"SOURCE 03","description":"\u003cp\u003e+++Timeless Necessity+++\u003c\/p\u003e\n\u003cp\u003e+++Louise Schouwenberg [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-084-7 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e104\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback, plastic dust jacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003cem\u003eSource \u003c\/em\u003eis published in cooperation with the  IM Masters programme of the Design Academy Eindhoven.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eWhat do beauty and sustainability have in common? The 21st century increasingly demands sustainable design that no longer burdens the natural environment. In practice, this generates products and services laden with moral undertones, which are indeed ethically responsible but fail to appeal to the imagination or convince consumers. In other words, sustainable design is not very beautiful.\u003cbr\u003e\u003cbr\u003e The IM Masters programme of the Design Academy Eindhoven, focused on conceptual design in context, decided that this has to change. During four study periods, students examined the problems we face in the 21st century and the role designers can play in seeking alternatives. Guided by teachers and visiting lecturers, they researched materials and production techniques and formulated visions on beauty and ethical design. Timeless Necessity is both ethics and aesthetics.\u003cbr\u003e\u003cbr\u003e This third publication of \u003cem\u003eSource\u003c\/em\u003e includes texts of diverse character by experts and students, as well as research, conclusions and photographs of the resulting design proposals. \u003cem\u003eSource\u003c\/em\u003e is a series of publications by the Masters departments at Design Academy Eindhoven.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Schouwenberg [red.]","offers":[{"title":"Default Title","offer_id":28824118418,"sku":"id_00059","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source03_m.jpg?v=1481879224"},{"product_id":"surviving-the-suburb","title":"Surviving the Suburb","description":"\u003cp\u003e+++Attempts to semi-self-sufficiency in Suburbia+++\u003c\/p\u003e\n\u003cp\u003e+++Gregor Harbusch, Martin Luce, Ton Matton, Wim Timmermans [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-090-8 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDoris M. Würgert\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e128\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23.5 x 16.6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDutch \/ German\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eWith contemporary, semi-self-sufficient designs Ton Matton and Wim Timmermans take open action against ecological absurdities of worn present day housing estates. In cooperation with various guests and partners on distinct levels, they develop projects that vary from pragmatic urbanism to utopian furniture design, from a climate machine to social interaction in the suburbs. Mental models and wild tinkering follow small utopias and everyday obstacles and, just because they are aware of the contradictions that cannot be avoided, they keep turning out.\u003cbr\u003e\u003cbr\u003e Ton Matton describes his practice as situated 'somewhere between object-design, society-shape, ecological city planning and artist-activism' exploring 'the small Utopias and interruptions of daily life' and 'connections between traditional countryside living and contemporary mega-city lifestyle. 'Surviving the Suburb' presents an overview of the projects that have been realized with (alleged) kindred souls. In varying working relations and unorthodox ways, they confront the suburban space with ecological en social challenges.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/5025cfc9aede4d189d3b1ed499370117.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Gregor Harbusch, Martin Luce, Ton Matton, Wim Timmermans [red]","offers":[{"title":"Default Title","offer_id":28824118226,"sku":"id_00014","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/surviving_m.jpg?v=1481879226"},{"product_id":"source-02","title":"SOURCE 02","description":"\u003cp\u003e+++Disclosing Dapperbuurt+++\u003c\/p\u003e\n\u003cp\u003e+++Louise Schouwenberg [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-081-6 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e88\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover, plastic dustjacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003ePerennial challenges for urban planning include the problems and the potential of old urban neighbourhoods in large cities.\u003c\/p\u003e\n\u003cp\u003eThis second volume of Design Academy Eindhoven's smartly edited new urban design journal takes on the Dapperbuurt neighborhood in Amsterdam – which has a well-known public market, but needs a facelift and public safety improvements – as a case study. Urban design students have come up with a constellation of interesting proposals to give Dapperbuurt a new identity.\u003c\/p\u003e\n\u003cp\u003eThe perfect-bound journal includes texts by experts on the theme of urban space, research materials, photos of the neighborhood and its residents, schematics and drawings, and scale models.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Schouwenberg [red.]","offers":[{"title":"Default Title","offer_id":28824118162,"sku":"id_00060","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source02.jpg?v=1481879228"},{"product_id":"source-01","title":"SOURCE 01","description":"\u003cp\u003e+++The Shape of Justice+++\u003c\/p\u003e\n\u003cp\u003e+++Louise Schouwenberg [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-068-7 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens, Inka Resch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e64\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003epaperback, plastic dust jacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSource 01 The Shape of Justice\u003c\/em\u003e presents challenging views on the role of design in a court of Justice. On request of the RGD (Rijksgebouwendienst - the Government Buildings Agency) the students of the IM Masters department of the DAE (Design Academy Eindhoven) researched morality and the symbols of justice in today's world. The context of their research was the new Court of Justice-building in Amsterdam, which at the time of the research existed merely on paper and will be built in the near future.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAfter an elaborate research phase the students developed design ideas for the new building, both inside and outside. Some of ther proposals deals with communicating universal symbols on the facades of the building, on the walls of the corridors, the pavement, the ceilings, in the shape of the furniture and lighting, the restaurant and the public space surrounding of the Court of Justice. Some proposals addressed the accused, some addressed the visitors and some focused mainly on the people working in the building. Some students searched for metaphors to express the idea of morality and some chose to communicate the sometimes conflicting interests involved in a judicial system. Others elaborated on security or dealt with a lighter subject by comparing the judicial system with a game, people play. \u003cbr\u003e\u003cbr\u003eThe end results were shown in drawings, photographs and models. Text contributions by Gijs Bakker, Louise Schouwenberg and Jago van den Bergen on the theme and photographs of the proposals are included in this first publication of Source, a series of publications by the IM Masters department of the DAE (Design Academy Eindhoven).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Schouwenberg [red.]","offers":[{"title":"Default Title","offer_id":28824118098,"sku":"id_00058","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source01_m.jpg?v=1481879229"},{"product_id":"doorgeschoten-bolted","title":"Doorgeschoten | Bolted","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Maarten Kolk+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-069-4 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJanet Witte \u0026amp; Maarten Kolk\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e184\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e18 x 23\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish | Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eDesigner Maarten Kolk took the initiative for this publication during the completion of his graduation project at Design Academy Eindhoven. The concept for this publication arose from his fascination with vegetable gardens and the conviction that common everyday things are all too often taken for granted. People eat vegetables every day, but many of them are ignorant of the origin and growth of vegetable plants.\u003cbr\u003e\u003cbr\u003eFor his publication Bolted, Kolk simply let himself be guided by the daily goings-on in his vegetable garden. He observed what happened, and wrote down his findings, registering bolting vegetables with a designer's eye. Proceeding from this conceptual line of approach, he highlighted the unexpected hidden splendour of vegetables and the extraordinary colours and shapes of bolted vegetables. The result is an exceptional photo document containing intriguing images. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/bolted.mp4?v=1638195357\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Maarten Kolk","offers":[{"title":"Default Title","offer_id":28824117906,"sku":"id_00030","price":23.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/doorgeschoten230.jpg?v=1481879232"},{"product_id":"francine-broos-interior-architect","title":"Francine Broos. Interior Architect","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Eleonoor Jap Sam [text], Peter Kooijman [photography]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-074-8 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003e2D Studio\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e176\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e29,5 x 29,5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \/ Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e“I see the interior design of a dwelling as tailor-made work. Each space, each environment, and each client is unique. I am not satisfied until I have laid the foundation for an environment that suits its occupants; a space that people can imbue with their own soul and identity.” – Interior architect Francine Broos\u003c\/p\u003e\n\u003cp\u003eThe time is right for this magnificently produced, large-format book on internationally revered Dutch interior architect Francine Broos. In an era when modernist interiors are often criticized for being cold or stark, Broos has found a personal style that astutely mixes natural wood, earthy stone and other warming elements with classic white surfaces and iconic mid-century furniture. Her environments invite the outside in, using windows and perfectly framed views to calm the hard surfaces and create a feeling of tranquility. Never monotonous or cathedral-like, these spaces – beautiful as they may be – are clearly for living. Photographer Peter Kooijman captures the warmth and elegance of Broos' designs in sections featuring living, working, live\/work and bathing interiors. Whether Kooijman is shooting an entire room or a telling detail, he finds the poetry in Broos' work. The reader can see the inspiration of designers like Frank Lloyd Wright, Le Corbusier, Tadao Ando, Eileen Gray and Philippe Starck in these timeless spaces. This 176 page volume focuses on select projects by Broos since 1983, both in her native Netherlands and internationally.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Eleonoor Jap Sam [tekst], Peter Kooijman [fotografie]","offers":[{"title":"Default Title","offer_id":28824117778,"sku":"id_00020","price":59.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/broos_m.jpg?v=1481879234"},{"product_id":"ia-1-interactive-architecture","title":"iA#1 - Interactive Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis, Xin Xia [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-058-8 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDanielle van Steenbergen, Xin Xia\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e96\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 12\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003ch6\u003eA new series on interactive architecture\u003c\/h6\u003e\n\u003cp\u003eThe iA, or Interactive Architecture, bookzine series will consist of 12 issues bi-annually, published over a period of six years under the supervision Kas Oosterhuis, director of Hyperbody at the Delft University of Technology and principal of ONL [Oosterhuis Lénárd].\u003c\/p\u003e\n\u003cp\u003eThe Interactive Architecture (iA), concept is based on the equal input (listening), process (thinking), and output (talking) of people as well as the built components of architecture. This will be one of the first publications to document in detail this groundbreaking new development in architecture. iA will undoubtedly become the premier archive of this endeavor. The publication program will consist of scientific papers on particular aspects of iA and iA-driven MSc projects, iA-inspired case studies from practice, interviews with a renowned researcher\/practitioner, and blogs by Kas Oosterhuis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eKas Oosterhuis (series editor - iA)\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003e'What is Interactive Architecture? Let me first clarify what it is not. Interactive Architecture - from here on abbreviated as iA - is not simply architecture that is responsive or adaptive to changing circumstances. On the contrary, iA is based on the concept of bi-directional communication, which requires two active parties. Naturally, communication between two people is interactive; they both listen [input], think [process] and talk [output]. But iA is not about communication between people, it is first defined as the art of building relationships between built components and second, as building relations between people and built components.'\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eContributors to this first issue of \u003cem\u003eiA \u003c\/em\u003eare Cas Aalbers, Ayssar Arida, Henriette Bier, Nimish Biloria, Michael Bitterman, Sven Blokker, Sander Boer, Lukas Feireiss, Christian Friedrich, Hans Hubers, Tomasz Jaskiewicz, Chris Kievid, Kas Oosterhuis, Dominik Otto, Dimitris Theocharoudis and Xin Xia.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kas Oosterhuis, Xin Xia [red.]","offers":[{"title":"Default Title","offer_id":28824117714,"sku":"id_00042","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/ia1_m.jpg?v=1481879235"},{"product_id":"game-set-and-match-ii","title":"Game Set and Match II","description":"\u003cp\u003e+++On Computergames, Advanced Geometries and Digital Technologies+++\u003c\/p\u003e\n\u003cp\u003e+++Lukas Feireiss, Kas Oosterhuis [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-036-6 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMinke Themans\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e616\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003eWith new technical possibilities of worldwide electronic networking and the ubiquitous employment of new media and digital technology in various fields of research and practice, conventional disciplines gradually dissolve as new transdisciplines occur. Contemporary architecture too resides in a state of transgression that gives rise to new architectural conceptions benefiting from a multitude of influences.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication brings together the manifold, international and interdisciplinary contributions to the 'GameSetandMatch II Conference - The Architecture Co-Laboratory,' directed by Kas Oosterhuis, professor at the Faculty of Architecture of the Delft University of Technology, the Netherlands. It addresses contemporary and future changes within and across the boundaries of digitally driven architectural and design practices. The notion of architecture as a co-laboratory accentuates this strong devotion to experimentation and collaboration. In so doing it offers a kaleidoscopic view of, rather than a defined perspective on current developments in the digital design domain.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe authors of the essays and papers included in this book come from very diverse backgrounds ranging from architecture and design to technology and engineering as well as computer sciences and humanities. An interlaced series of three thematic areas - 'Play', 'Geometry ++' and 'Open Source' - will relate diverse sources of knowledge and enable the reader to cross reference, question, recontextualize, and even create new connections among the content presented.\u003cbr\u003e This collection of writings serves the generally interested reader as well as the scientific reader and provides a source of discussion to draw inspiration and motivation from.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eGameSetandMatch II\u003c\/em\u003e includes contributions from Robert Aish, Ole Bouman, Raoul Bunschoten, Bernard Cache, Jan Edler and Tim Edler, Georg Flachbart, John Frazer, Mark Goulthorpe, Branko Kolarevic, Anne Nigten, Marcos Novak, Kas Oosterhuis, Antonino Saggio, Katie Salen, Norbert Streitz, Tom Verebes, Peter Weibel and many more. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lukas Feireiss, Kas Oosterhuis [red.]","offers":[{"title":"Default Title","offer_id":28824116754,"sku":"id_00071","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/gsmii230.jpg?v=1481879252"},{"product_id":"retail-interior-design","title":"Retail \u0026 Interior Design","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Raphael van Amerongen, Henri Christiaans [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-007-6 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eLonne Wennekendonk\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e200\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24.5 x 17.5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \/ Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe essays in this \u003cem\u003eRetail \u0026amp; Interior Design\u003c\/em\u003e give an impression of the diversity of retail design, the profession of retaildesigner and the MA course Retail \u0026amp; Interior Design at the Piet Zwart Institute, Rotterdam. This publication contains contributions by Lieven De Cauter, Marc Dubois, Mark van der Geest, Rodney Fitch, Patrick Kruithof, Hans van der Loo, Luc Pauwels and Michel van Tongeren.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRetail \u0026amp; Interior Design\u003c\/em\u003e is about branding, design, experience and emotion, theatricality, continuity and sustainability. Developments in interior architecture and retail design in the last decade have been gripping. Although architecture has long been renowned as the 'mother of the art', interior architecture has always been regarded as a tradition of decoration or arrangement. Retail design had extended its boundaries beyond the arrangement or decoration of space. The design process starts with analysis of the brand identity and finishes only when delivery is completed. Included in and completing this process are components such as visual merchandising, lighting, circulation and all forms of communication relevant to the retail space.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eSOLD OUT\u003c\/h6\u003e\n\u003c\/div\u003e","brand":"Raphael van Amerongen, Henri Christiaans [red.]","offers":[{"title":"Default Title","offer_id":28824116114,"sku":"id_00044","price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/retail_m.jpg?v=1481879263"},{"product_id":"see-play-eat-walk","title":"see play eat walk","description":"\u003cp\u003e\u003cstrong\u003e+++Gwangju Folly III: Where the everyday and the unexpected intersect+++\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e+++Chun, Eui-Young; Yoo, Uoo Sang; Wee, Jinbok; Kim, Hongsung; Eleonoor Jap Sam (eds)\u003c\/strong\u003e+++\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eISBN\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e978-94-90322-86-1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eEditorial team\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChun, Eui-Young, Yoo, Uoo Sang, Wee, Jinbok, Kim, Hongsung, Eleonoor Jap Sam\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003eGraphic designer\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eKerb, Seoul (art direction Kim, Hongsung, image editing \u0026amp; layout Jung, Sarok)\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eProduction \u0026amp; coordination team\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eLee, Bohyun, Kim, Hongsung, Eleonoor Jap Sam\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003ePhotography\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eUnreal Studio\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eTranslation\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eserenes lab with Leam, Sooyoung, Hong, Seunghae \u0026amp; Lim, Liwon\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003eProofreaders\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eRichard Harris (English), KOH, Angela (Korean)\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003eNumber of pages\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e376\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003eBook size\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e13 x 19 cm\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003eBinding\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eSoftcover\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eEnglish \/ Korean\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis publication has been made possible with the generous support of the Creative Industries Fund NL, Crown-Haiti Confectionery\u0026amp;Foods, Gwangju Metropolitan City, Gwangju Biennale Foundation.\u003c\/p\u003e\n\u003cp\u003eThis publication has been published in cooperation with the Gwangju Biennale Foundation. \u003cem\u003e\u003ca href=\"http:\/\/www.gwangjubiennale.org\" title=\"www.gwangjubiennale.org\"\u003ewww.gwangjubiennale.org\u003c\/a\u003e \u003ca href=\"http:\/\/www.gwangjufolly.org\" title=\"www.gwangjufolly.org\"\u003ewww.gwangjufolly.org\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.kerb.kr\" title=\"http:\/\/www.kerb.kr\"\u003e\u003cem\u003ewww.kerb.kr\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e +++\u003c\/p\u003e\n\u003cp\u003eFounded in 1995 in memory of the April Revolution in 1960 and the May 18 Gwangju Democratization Movement in 1980, the Gwangju Biennale is one of the oldest and most renowned modern art biennales in Asia.\u003c\/p\u003e\n\u003cp\u003eUnder the direction of such prominent curators as Yong-woo Lee, Massimiliano Gioni, Okwui Enwezor, Charles Esche, Hou Hanru, Hong-hee Kim, Kwangsoo Oh, Wan-kyoung Dung, Young-chul Lee, Kerry Brougher, Suk-won Chang, and Harald Szeemann, Gwangju Biennale has established itself as a major player in the international contemporary art biennale scene. \u003c\/p\u003e\n\u003cp\u003eThe Gwangju Folly project was initiated as part of the 2011 Gwangju Design Biennale led by co-artistic directors Seung H-Sang and Ai Weiwei. Following its second edition in 2013 with Nikolaus Hirsch, 2016 Gwangju Folly III is conceived by Eui-Young Chunand introduces a series of new follies in the urban space of Gwangju in South Korea.\u003c\/p\u003e\n\u003cp\u003eUnder the theme of Folly \u0026amp; Everyday Life – Taste and Beauty, Gwangju Folly III designed verbs to experience taste and beauty.\u003c\/p\u003e\n\u003cp\u003eThis book presents the four follies, new commissioned works from architects and artists to challenge the perception of public space: View Folly, GD (Gwangju Dutch) Folly, Cook Folly, Fun Pun Folly and Mini Folly as a sub-folly.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eFour different covers focusing on the verbs: \u003cem\u003esee\u003c\/em\u003e, \u003cem\u003eeat\u003c\/em\u003e, \u003cem\u003eplay\u003c\/em\u003e and \u003cem\u003ewalk\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eGwangju Folly III perceives follies as a new and creative spatial alternative that is able to overcome the contextual limitations of existing urban cities and facilitate greater communication with the public.\u003c\/p\u003e\n\u003cp\u003eThe Gwangju Folly Ⅲ Project, thus, attempts to create an unconventional and participatory project where the everyday and the unexpected intersect. \u003c\/p\u003e\nThe design of the book embodies the creative possibility which urban folly can make for the city through unexpected encounter of photography, illustration and typography that evokes the diverse layers of the city. An active use of grid system allows organizing various materials, such as photographs; drawings; maps; and essays from curators, architects, artists, professors in multilingual texts set in both English and Korean. Kerb also created all illustrations and cartography for the book.\u003c\/div\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\u003cstrong\u003eWith follies by Hoon Moon (Korea), realities:united, Tim Edler \u0026amp; Jan Edler (Germany), ByoungSoo Cho (Korea), Jinwoo Jang, Changjoong Kim \u0026amp; Siyon Jin (Korea), Hyoung-Gul Kook + Sue Gyong, (Korea) Leif Høgfeldt Hansen (Denmark), and Winy Maas MVRDV (the Netherlands).\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":866040446994,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/kerb_GF3_cover_see_play_eat_walk04.jpg?v=1512380563"},{"product_id":"cubic-journal-volume-1-issue-1-design-social-technology-activism-anti-social","title":"CUBIC JOURNAL issue #1 DESIGN SOCIAL","description":"\u003cp\u003e+++Technology - Activism - Anti-Social+++\u003c\/p\u003e\n\u003cp\u003e+++Gerhard Bruyns \u0026amp; Peter Hasdell [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-92852-05-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eGabrielle Lai and Markus Wernli\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e216\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e20 x 26.5 cm \/ 7.87 x 10.43 inch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eCopy editor: Shannon Ross - Make No Bones Studio, Hong Kong\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Spring\/Summer 2018\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eISSN 2589-7090 (print) ISSN 2589-7101 (online)\u003c\/p\u003e\n\u003cp\u003ePublished in cooperation with The Hong Kong Polytechnic University, Environmental \u0026amp; Interior Design, School of Design. Published with the support of The School of Design, The Hong Kong Polytechnic University and The Cubic Research Network.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCubic Journal \u003c\/em\u003eis published in conjunction with Cubic Society and the Cubic Research Network as an academic platform aimed at the dissemination of design related research. Operating from within The  \u003cspan\u003eHong Kong Polytechnic University's School of Design, the platforms aims to draw together global scholars in order to generate, exchange and discuss contemporary questions within the pursuit of advancing \u003c\/span\u003eknowledge through and within a number of design disciplines.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"www.cubicjournal.org\" href=\"http:\/\/www.cubicjournal.org\"\u003ewww.cubicjournal.org\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eThe inaugural issue of\u003cem\u003e Cubic Journal\u003c\/em\u003e questions the conditions of design-social in a wide range of different disciplines, groups,and stakeholders,in dynamic communities of practice that can lead design beyond its mere capabilities of synthesis into new forms of a social design praxis,whereby design is co-dependent on synthesis as well as analytic practices.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe emergence of social media and the networked society, as exemplified by (but not limited to) the Internet of things, generates enormous potentialsthat reposition design as a means to synthesise emerging social complexities into new constellations. These have the capacity to foster new social forms and social design as a knowledge field in its own right.\u003c\/p\u003e\n\u003cp\u003eOne of the ways design in this context becomes reconfigured is as the dynamic interconnections betweenpeople, practices and artefacts, in which the interactions lead to relational rather than objectified forms of design. Such approaches tend to be process driven rather than outcome based and activate design’s potential within both knowledge generation and knowledge transfer processes - that can be understood as ‘information’ or as design before design and design after design. Often misconstrued as purely a design approach, participatory design is,in fact,a rigorous research methodology involving a complex system of knowledge generation and co-design processes where the interactions of people, design artefacts, \u003cem\u003etechnologies\u003c\/em\u003e, practices (\u003cem\u003eactivism\u003c\/em\u003e) and knowledge, steers a course between participants’ tacit knowledge and the designer-researchers’analytical or technical knowledge. Design in this context is a complex mesh of tangible and intangible factors, \u003cem\u003e(anti) social\u003c\/em\u003eforms and networks, information, contexts,and people, able to frame design processes and praxis that are adaptable for inter-disciplinary collaboration (horizontal); and for user and designer collaboration (vertical).\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eContributors to this issue include: \u003cem\u003eArie Graafland, Khaya Mchunu \u0026amp; Kim Berman, Gerhard Bruyns, \u003c\/em\u003e\u003cem\u003eKacey Wong, Luke Tipene, Patrick Healy, Simone AbudMaliq Simone, Marko Stanojevic, Peter Hasdell, Jamie, Hanna Wirman\u003c\/em\u003eand \u003cem\u003eLukáš Likavčan.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cdiv\u003e\n\u003cp sans-serif=\"\" verdana=\"\" font-family:=\"\" rgb=\"\" color:=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Gerhard Bruyns \u0026 Peter Hasdell [eds.]","offers":[{"title":"Default Title","offer_id":12956060352595,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/Cubic-Journal-Issue1.jpg?v=1537276985"},{"product_id":"eric-van-hove-fenduq","title":"Éric Van Hove - Fenduq","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Eelco van der Lingen\u003cspan\u003e \u003c\/span\u003e[ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-92852-11-3\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic design\u003c\/strong\u003e\n\u003cp\u003eStudio Janneke Hendriks\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e172\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e16 x 24 cm \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003epaperback \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp line-height:=\"\" normal=\"\" font-family:=\"\" verdana=\"\"\u003eRelease date: Spring 2019\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \/ Dutch\u003c\/p\u003e\n\u003cp\u003eFinal editor: Sanneke Huisman\u003c\/p\u003e\n\u003cp\u003eTranslators: Michael Meert, Julienne Peeters-Huybrechts\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in cooperation with the Fries Museum, Leeuwarden\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eWith text contributions by Robin van den Akker, Kris Callens, Tarek El-Ariss, Telco van der Lingen, Ugochukwu-Smooth C. Nzewi, Timotheus Vermeulen.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eÉric Van Hove (Algeria, 1975) researches the relevance of local crafts in a highly globalised world economy. He does this by reproducing industrial products together with craftsmen.\u003c\/p\u003e\n\u003cp\u003eIn Van Hove’s work, the local and the global come together and handicrafts are placed in a contemporary context. His oeuvre stimulates a re-evaluation of handiwork and craftsmanship and links tradition to innovation.\u003c\/p\u003e\n\u003cp\u003eThis publication is published by Jap Sam Books in cooperation the Fries Museum to accompany the exhibition '\u003cspan\u003eÉric Van Hove - Fenduq', February 2019 - January 2020. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘Éric Van Hove has developed a cosmopolitan consciousness that is markedly evidenced in his artistic practice. He works in multiple genres and with a range of media including installation, performance, writing, photography, video and sculpture. He has visited more than 150 countries and has created challenging works in situ in over 100 of them. His creative practice, intellectual pursuits, and deep engagement with some of the compelling issues of today - such as climate change, social inequality, capitalism, political dogma, and intolerance - reflects a socially conscious artist who has his fingers on the pulse of our contemporary times.’ - \u003ci\u003eUgochukwu-Smooth C. Nzewi\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘The Fries Museum will house artist Éric Van Hove’s exhibition ‘Fenduq’ for one year. The impact of this magnificent project will continue to be felt for a\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003elong time in the province of Friesland. Van Hove offers us a look at the world that seem far away, worlds full of traditional crafts. At the same time, his work also engages with the here and now. It speaks of how we relate to the world and how our identity is shaped and influenced. This book is the lasting memory of this key moment.’ - \u003ci\u003eKris Callens,\u003c\/i\u003e director Fries Museum\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘Van Hove’s work invites us to consider a model of development that refuses to be interpolated by the binaries of backward\/advanced, tradition\/modernity, heart\/engine, pre-industrial\/industrial, and the bricoleur\/engineer. His Fenduq is a startup building of modern production and craftsmanship at the same time, erasing the ideological boundaries constitutive of the narrative of progress imagined by colonial and neoliberal discourse.’ - \u003ci\u003eTarek El-Ariss\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 class=\"ui-title-bar__title\"\u003e\u003c\/h1\u003e\n\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/fenduq.mp4?v=1637666959\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Eelco van der Lingen [ed.]","offers":[{"title":"Default Title","offer_id":21375700533331,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/56_01_LOVanHove_omslag_voor.jpg?v=1549057458"},{"product_id":"cubic-journal-issue-2-gender-in-design","title":"CUBIC JOURNAL issue #2  Gender in Design","description":"\u003cp\u003e+++The GREAT small: Gender Design \/ Other - Different - Wilfull+++\u003c\/p\u003e\n\u003cp\u003e+++ Hanna Wirman \u0026amp; Uta Brandes [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-92852-09-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eGabrielle Lai and Markus Wernli\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e120\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e20 x 26.5 cm \/ 7.87 x 10.43 inch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eCopy editor: Shannon Ross - Make No Bones Studio, Hong Kong\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Spring\/Summer 2019\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eISSN 2589-7090 (print) ISSN 2589-7101 (online)\u003c\/p\u003e\n\u003cp\u003ePublished in cooperation with The Hong Kong Polytechnic University, Environmental \u0026amp; Interior Design, School of Design. Published with the support of The School of Design, The Hong Kong Polytechnic University and The Cubic Research Network.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCubic Journal \u003c\/em\u003eis published in conjunction with Cubic Society and the Cubic Research Network as an academic platform aimed at the dissemination of design related research. Operating from within The  \u003cspan\u003eHong Kong Polytechnic University's School of Design, the platforms aims to draw together global scholars in order to generate, exchange and discuss contemporary questions within the pursuit of advancing \u003c\/span\u003eknowledge through and within a number of design disciplines.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"www.cubicjournal.org\" href=\"http:\/\/www.cubicjournal.org\"\u003ewww.cubicjournal.org\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e+++ \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eContributors to \u003cem\u003eCubic Journal issue #2 \u003c\/em\u003einclude: Katja Becker, Uta Brandes, Gerhard Bruyns, Leon Buker, Luisa Maria Calabrese, Tanja Godlewsky, Sugandha Gupta, Claudia Herling, Akkelies Van Nes, Sandy Ng, Hanna Wirman.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFollowing Beauvoir, Butler, Barad, and numerous thinkers before and after, we concur that gender is constantly constructed through the regulated repetition of acts. Here we accept the role that both design and design practice have in creating gender(s). Designed products are both the results and the material processes of constructing gender as individuals and as socio-cultural notions. As such, they are not separate entities that would merely incarnate some pre-existing conceptions. Furthermore, intersectionality allows us to consider how ethnicity, class, and regional identities, such as those best addressed through a postcolonial framework, earmarks ‘gender in design’ as a positively messy and dynamic topic. Finally, as an acknowledgement of the ‘other’ genders involved, it is hoped that an expanded discussion will further address queer identities and design concerns specific to LGBTQI creators and audiences.\u003c\/p\u003e\n\u003cp\u003eThe debate here commences from the valuable yet at times difficult discussions held at \u003cem\u003eThe GREAT small: Gender Design Conference\u003c\/em\u003eco-organised by the issue editors at the Hong Kong Polytechnic University in 2014. Gender in Design within ‘the mind’ or as a ‘discussion’, as already implied by design, is often the work of \u003cem\u003ewilful subjects\u003c\/em\u003ewhere obedience, dismissal, moral law, and negative emotions meet in face of injustices.\u003c\/p\u003e\n\u003cp\u003eIssue 2 critically and analytically problematisesgender, its questions, and its appropriateness in relation to design. The interest here is centred on the question of ‘how’ genders are present and constructed through conflicts, gender fluidity, and manners of interpreting design approaches and problems. We further ask, ‘how’ the multitude of genders contributes to shaping the disciplinary course or reframes their understandings? Has the question of gender become a burden or catalyst for designers? What is the future that design should be looking at when considering gender?\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cdiv\u003e\n\u003cp sans-serif=\"\" verdana=\"\" font-family:=\"\" rgb=\"\" color:=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":30093585514579,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_cubic_journal_2.jpg?v=1573555252"},{"product_id":"the-world-as-project","title":"The World as Project","description":"\u003cp\u003e+++A Political Theory of Design+++\u003c\/p\u003e\n\u003cp\u003e+++Friedrich von Borries+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-92852-23-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eIngo Offermanns\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e48\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e210 x 303 mm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover - Stitch binding (Singer)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eTranslation: Ian Pepper. Proofreading: Aaron Bogart, Eleonoor Jap Sam. Printed by Graphius, Belgium.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible with the support of HFBK Hamburg. \u003ca href=\"https:\/\/www.hfbk-hamburg.de\/en\/\" title=\"https:\/\/www.hfbk-hamburg.de\/en\/\"\u003ewww.hfbk-hamburg.de\/en\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: May 2020. First edition in English. Previously published in German as \u003cem\u003eWeltenwerfen: Eine politische Designtheorie\u003c\/em\u003e, Suhrkamp, Berlin 2016.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn the past, designers created objects. Today, practically everything is designed: the climate, processes, refugee camps. But when everything is designed, it is high time to stop judging design solely on aesthetic criteria. According to Friedrich von Borries, we need a political theory of design. Man is forced to design the conditions under which he lives. If this happens in such a way that options for action are reduced, we are dealing with subjugation.\u003cbr\u003eIn his manifesto \u003cem\u003eThe World as Project. A Political Theory of Design\u003c\/em\u003e, Friedrich von Borries argues for a design (of survival, society, the self) that evades the totalitarian logic of securitization and imagines new forms of living together against the ideology of lack of alternatives.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the author: \u003c\/strong\u003eProf. Dr. Friedrich von Borries, born 1974, is an architect and since 2009 Professor for Design Theory at the HFBK Hamburg University of Fine Arts. He studied architecture at the Berlin University of the Arts, the ISA St. Luc Bruxelles and the Karlsruhe,Institute of Technology (KIT), where he received a Ph.D. in 2004. He also worked as research assistant and lecturer at the Berlin Technical University (2001-2003) and the Bauhaus Dessau Foundation (2002-2005) and was research fellow at the ETH Zurich (2007-2008) and The MIT, Massachusetts. In 2007, he became visiting professor for Urban Research at the Nuremberg Academy of Fine Arts. From 2003 to 2009 he run the office raumtaktik in Berlin together with Matthias Böttger. In 2008, he was general commissioner and curator of the German Contribution to the XI. Venice Architectural Biennal.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the HFBK Hamburg and in his Berlin based »Projektburo«, Friedrich von Borries works with a flexible, interdisciplinary Team, being reassembled for every project according to its demands. The methods and practices of different disciplines flow into the projects, including: Design, Architecture and Urban Planning, which meet Art, Dance and Theatre, Theory of Design, Architecture, Urbanity as well as Media Sciences, Cultural Studies, Philosophy, Politics and History.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"www.friedrichvonborries.de\" title=\"www.friedrichvonborries.de\"\u003ewww.friedrichvonborries.de\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/the_world_as_project.mp4?v=1637248155\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Friedrich von Borries","offers":[{"title":"Default Title","offer_id":31707629846611,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/The_World_as_Project_Cover_Front.jpg?v=1588253706"},{"product_id":"cubic-journal-issue-3-design-making","title":"CUBIC JOURNAL issue #3 DESIGN MAKING","description":"\u003cp\u003e+++The Values Had, The Object Made, The Value Had | Practice . Making . Praxis+++\u003c\/p\u003e\n\u003cp\u003e+++Daniel Keith Elkin, James Stevens[eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-92852-10-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eGabrielle Lai and Daniel Echeverri\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e216\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e20 x 26.5 cm \/ 7.87 x 10.43 inch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eCopy editor: Khokela K. A. Daula\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Spring\/Summer 2020\u003c\/p\u003e\n\u003cp\u003eISSN 2589-7090 (print) ISSN 2589-7101 (online)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in cooperation with The Hong Kong Polytechnic University, Environmental \u0026amp; Interior Design, School of Design.Published with the support of The School of Design, The Hong Kong Polytechnic University and The Cubic Research Network.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCubic Journal \u003c\/em\u003eis published in conjunction with Cubic Society and the Cubic Research Network as an academic platform aimed at the dissemination of design related research. Operating from within The  \u003cspan\u003eHong Kong Polytechnic University's School of Design, the platforms aims to draw together global scholars in order to generate, exchange and discuss contemporary questions within the pursuit of advancing \u003c\/span\u003eknowledge through and within a number of design disciplines.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"www.cubicjournal.org\" href=\"http:\/\/www.cubicjournal.org\"\u003ewww.cubicjournal.org\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e'This issue of Cubic Journal concerns making, and the value-structures connected to the premise, before and after execution. Fifteen authors and constituent research teams present their work in manifested design research here. In this work, physical, semi-physical, and transitionally physical embodiments of objects, spaces, and prototypical design conjectures are part and parcel of the researchers’ progress. Embodiment neither preempts, nor follows their work, but is essentially the substance of research itself within these manuscripts. The editors collected this work as status-taking for a broad range of creative and scholarly enterprises in several regions of the world. European, Southeast Asian, and American authors in architectural and product design fields provide perspectives on making-centric design research, across manual, digital, post-digital, and post-consumer spectra\u003cbr\u003eof fabrication. But as an assemblage, these works are more than a catalogue. They prompt retrospective thought on the values held, and the value given, by these authors’ conjectural experiments in material form.' - from the introduction by the editors\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAs the twenty-first century moves forward, technological changes re-propose the act of\u003cem\u003emaking\u003c\/em\u003e, the actualization of design agency, in different contexts. New notions of craft redefine movement from desire to reality as continuous and decentralized in the assignation of value. The liquidity of the archive of things-about-to-be and things which will only ephemerally be define a new schema of what it means to \u003cem\u003emake\u003c\/em\u003eat all and limits of this boundary ask profound questions about the value of bodily experience. Within and without technological advancements, \u003cem\u003edesign making\u003c\/em\u003eimposes demands upon design praxis in both disciplinary and professional contexts. The adjoining of the two words implies distinction from centrist practice where the immediacy of making is absent. What are the starting biases privileging this immediacy? In most cases, the value structures are indelible or internal. In practice and pedagogy, clients and young designers each wonder why design-makers insist upon expensive and time-consuming processes moving objects from desire to actualisation. In the process, designers become something between and \u003cem\u003eother\u003c\/em\u003e\u003cem\u003efrom\u003c\/em\u003enormative practitioners and fabricators, articulating a definition of what design-makers uniquely contribute. But theirs is a difficult path to justify. How do design-makers continue, and what do they, and the society around them, gain through their work?\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eContributors to this issue include: Daniel Keith Elkin, James Stevens (editors), David Schafer, Sara Codarin, Lee Y.H. Brian, Guan Lee, Daniel Widrig, Philippe Casens, Nathalie Bruyère, Kuo Jze Yi, Eddie Chan, Fernando Bales, Elise Dechard, Daniel Echeverri.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cdiv\u003e\n\u003cp sans-serif=\"\" verdana=\"\" font-family:=\"\" rgb=\"\" color:=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/cubic_journal_3.mp4?v=1637323448\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Daniel Keith Elkin, James Stevens[eds.]","offers":[{"title":"Default Title","offer_id":31730188451923,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/CUBIC3-cover-front.jpg?v=1588756092"},{"product_id":"cubic-journal-issue-4-design-education","title":"CUBIC JOURNAL issue #4 Design Education","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Pedagogy - Critique - Transformation+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Jae-Eun Oh \u0026amp; Francesco Zurlo [eds.]+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eISBN\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e978-94-92852-28-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDaniel Echeverri\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e128\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBook size\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e20 x 26.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBinding\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSoftcover\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRelease date: Fall 2021\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCopy editor: Nora Yong\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePublished in cooperation with The Hong Kong Polytechnic University, Environmental \u0026amp; Interior Design, School of Design. Published with the support of The School of Design, The Hong Kong Polytechnic University and The Cubic Research Network.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCubic Journal\u003c\/em\u003e is a peer-reviewed journal, published in conjunction with Cubic Society and the Cubic Research Network as an academic platform aimed at the dissemination of design-related research.\u003c\/p\u003e\n\u003cp\u003eOperating from within The Hong Kong Polytechnic University School of Design, the platforms aims to draw together global scholars in order to generate, exchange and discuss contemporary questions within the pursuit of advancing knowledge through and within a number of design disciplines.\u003c\/p\u003e\n\u003cp\u003eHow can technological development today help studio-based learning take place in virtual space? Can technologies transform and reform design education? Can online learning replace face-to-face tutorials across different disciplines within design education? And how should design educators adapt to the new direction this era is facing?\u003c\/p\u003e\n\u003cp\u003eHow has technology empowered us, and what has it taken away from us? What has it done to enhance our learning and teaching methodologies? How are teachers using technology to guide students in their teaching and learning experience? How can we help students engage in meaningful learning? How has technology transformed our education scenes, and how might it affect our education scene in the future? How can design deal with the dematerialization of education? How does design education change in contextual settings? How can educators help students become more aware of these changes, specifically in design education? How do we educate our students with the mindset of transformation and reformation? To get answers to these questions the editors of this issue compiled contributions from a wide range of design educational sectors.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.cubicjournal.org\/index.php\/cubic\/index\"\u003ewww.cubicjournal.org \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/h3\u003e\n\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/cubic_journal_4.mp4?v=1643719869\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":39486655987795,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/978-94-92852-28-1.jpg?v=1634291209"},{"product_id":"celebrating-patterns-christie-van-der-haak","title":"Celebrating Patterns. Christie van der Haak","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e++++++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Christie van der Haak, Eleonoor Jap Sam, Studio Renate Boere\u003cspan data-mce-fragment=\"1\"\u003e [eds]\u003c\/span\u003e+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eISBN\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e978-94-92852-52-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStudio Renate Boere\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e288\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBook size\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e31,2 x 24,3 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBinding\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSoftcover\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eTranslation\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMarie Louise Schoondergang\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eTexts\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArthur Crucq, Jeannine Hövelings, Yvonne Oordijk \u0026amp; Philip Peters\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eCopy editing\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRonja Driessen, Eleonoor Jap Sam, Marie Louise Schoondergang\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eFinal editor\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEleonoor Jap Sam\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003ePrint\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGraphius Group Ghent, (BE)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRelease date: January 2022\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eEnglish Dutch\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis publication is published by Jap Sam Books and made possible by Jaap Harten fonds, Prins Bernhard Cultuurfonds\/Elisabeth Vermaat Müller, Stimuleringsfonds Creative Industrie \u0026amp; Stedelijk Museum Kampen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor more information about the artist\/designer: \u003ca href=\"https:\/\/www.christievanderhaak.nl\" data-mce-href=\"https:\/\/www.christievanderhaak.nl\"\u003ewww.christievanderhaak.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHer major exhibition \u003cem\u003eChristie van der Haak Nouveau Deco. Every Pattern Has a Meaning \u003c\/em\u003ewas on show from June 19th 2021 until January 30th 2022 at Stedelijk Museum Kampen: \u003ca href=\"https:\/\/stedelijkmuseumkampen.nl\/cms\/index.php\/uploaden\/actuele-expo\/304-christie-van-der-haak-nouveau-deco\"\u003ewww.stedelijkmuseumkampen.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom May 22nd 2022 \u003cspan data-mce-fragment=\"1\"\u003euntil March 6th 2023\u003c\/span\u003e you can visit her exhibition \u003cem\u003eDe Golvende Lijn \u003c\/em\u003eat Cuypershuis on: \u003ca href=\"https:\/\/www.cuypershuisroermond.nl\/nl\" title=\"Cuypershuis\"\u003ewww.cuypershuisroermond.nl\/nl\u003c\/a\u003e  \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePromotional photographs: Studio Renate Boere\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\"I want the work to simultaneously dazzle and be insightful. In the final instance I think if ut as a multidimensional celebration of human existence and the infinite possibilities it offers, prompted by the motto 'Everything has a soul.'\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Christie van der Haak\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\n\u003cem\u003eCelebrating patterns. Christie van der Haak\u003c\/em\u003e is a sequel to the award-winning publication \u003cem\u003eSproken | Fairy Tales. Christie van der Haak\u003c\/em\u003e published by Jap Sam Books and Stroom Den Haag and contains over 200 original patterns.\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cem\u003eCelebrating Patterns. Christie van der Haak\u003c\/em\u003e contains a collection of patterns by Dutch designer and visual artist Christie van der Haak. Van der Haak started her career as a painter and later began designing fabrics that can function as autonomous artworks, but can also be used as upholstery, wall coverings and tablecloths. This publication includes an overview of her recent commissions, installations, and exhibitions, such as Stedelijk Museum Kampen (NL), Kunstmuseum Den Haag (NL), Museum De Lakenhal (NL), Kasteel Helmond (NL), The Wolfsonian Museum (US), and many more.\u003c\/h4\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\"My patterns are nothing more than a representation, a reflection of the entire world in the broadest sense of the word. Each pattern is a particle of a particle of the infinite whole that cannot be depicted, but van be further contemplated.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Christie van der Haak\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/celebrating_patterns_christie_van_der_haak.mp4?v=1643719866\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":39537624219731,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/CelebratingPatterns_Voorkant.png?v=1637840070"},{"product_id":"the-joy-of-daily-drawing","title":"The Joy of Daily Drawing","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e++++++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Bob Custers+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eISBN\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e978-94-92852-61-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStudio Renate Boere\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e608\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBook size\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e13.8 x 18.4 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e Language\u003c\/strong\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEnglish \u0026amp; Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStudio Renate Boere\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e Text\u003c\/strong\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRenate Boere, Eleonoor Jap Sam, Liesbeth van der Pol, Bob Custers\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e Translation\u003c\/strong\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRobert van de Walle\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e Binding\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e Printer\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOro Grafisch Projectmanagement\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e October 2022\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++\u003c\/p\u003e\n\u003cp\u003e \u003cspan data-mce-fragment=\"1\"\u003eBob Custers is architect and founder of VOCUS Architects. In \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Joy of Daily Drawing. Bob Custers\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, he shows a unique and complete development in drawing of 50 years, in which the growth from child to adult architect can be seen. The result is a book of more than 600 pages that contains a wealth of images, texts and insights. The book shows the value of drawing as a means of reflection, introspection and research, but above all contains an inspiring message for young designers and architecture students who are at the start of their development: keep drawing!\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'During drawing, a new reality unfolds on paper. You create a world of your own, without rules or laws of others. For me, drawing equals experiencing total freedom.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'In a handmade sketch you directly open up the reservoir of memories, ideas, images and fantasies, and space for research and exploration emerges.'  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Custers (1968) is a Dutch architect and founder of VOCUS Architecten. He works as an independent architect, freelance illustrator and painter. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/bobcusters.nl\/\" title=\"www.bobcusters.nl\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.bobcusters.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.renateboere.nl\/\" title=\"www.renateboere.nl\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.renateboere.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.vocus.nl\/\" title=\"www.vocus.nl\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.vocus.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/50933c6474674a9ca6a1aa72ef64544e.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\n\n","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":40088245665875,"sku":"","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/220922-3.6-BobCusters-FrontCover.jpg?v=1663852179"},{"product_id":"solar-futures","title":"Solar Futures","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++How to Design a Post-Fossil World with the Sun+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Marjan van Aubel+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eISBN \u003c\/strong\u003e978-94-92852-65-6\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice € \u003c\/strong\u003e39,95\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAuthor \u003c\/strong\u003eMarjan van Aubel\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eFinal editing\u003c\/strong\u003e Marjan van Aubel, Eleonoor Jap Sam\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAdditional text contributions \u003c\/strong\u003eMatylda Krzykowski, Sander Mann\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eGraphic design \u003c\/strong\u003eSJG (Joost Grootens, Dimitri Jeannottat, Julie da Silva)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrinter\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Wilco Art Books\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eNumber of pages 288\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBook size \u003c\/strong\u003e17 x 24 cm\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBinding \u003c\/strong\u003eHardcover\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e September 2022\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books, and made possible with the support of Creative Fund NL, Prins Bernhard Cultuurfonds and the Sandberg Institute.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003ePromotional book photos\u003c\/strong\u003e: The Book Photographer\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eSHORTLIST DAM ARCHITECTURAL BOOK AWARD 2023\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e| The past, present and future of solar energy mapped out by award-winning solar designer Marjan van Aubel.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e| For this book Marjan Van Aubel interviewed various experts from the field: Pallas Agterberg (Alliander), Habiba Ali (Sosai Renewable Energies), Paola Antonelli (MoMA),  Ben van Berkel (UNStudio), Pauline van Dongen, Felix Hallwachs (Little Sun), Lex Hoefsloot (LightYear), Hella Jongerius, Marjan Minnesma (Urgenda Foundation), Alex Nathanson (Solar Protocol), Daan Roosegaarde, Wim Sinke (UvA), Neel Tamhane (Space10\/IKEA), Karl Wagner (Solar Museum).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSolar Futures: How to Design a Post-Fossil World with the\u003c\/em\u003e \u003cem\u003eSun\u003c\/em\u003e by solar designer Marjan van Aubel\u003cem\u003e \u003c\/em\u003eexplores the future of solar energy.\u003c\/p\u003e\n\u003cp\u003eSolar energy needs a new narrative - one that says goodbye to old perspectives and only talks about the efficiency and the payback time of blue solar panels. This publication illustrates what we need to know to transition from solar technology to solar design using everyday integrated aesthetic solutions.\u003c\/p\u003e\n\u003cp\u003eThe book is divided into three parts: the first part explains how we designed \u003cem\u003ewith \u003c\/em\u003ethe sun in the past, providing a visual timeline of the historical development of solar power. The second part discusses the present: Where are we now and what is solar design? It provides examples of innovative solar design in architecture, fashion, mobility and product design. Finally, the last part looks at the future and asks how we can ensure solar energy does not become the asbestos of the 21\u003csup\u003est\u003c\/sup\u003e century.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e'What makes energy unique is its alluring, intangible force – you cannot touch or hold it, yet everything is imbued with it. As Marjan van Aubel says: ‘You can bring, make, give and consume energy. We have to figure out how to do it.’\u003c\/em\u003e \u003cem\u003e– \u003c\/em\u003eMatylda Krzykowski, designer, curator and artist\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eMarjan van Aubel \u003c\/strong\u003e(1985) is an award-winning innovative solar designer who brings solar energy into daily life. She designs for a positive future by combining the field of sustainability, design and technology. Van Aubel’s goal is to make solar power more accessible for everyone. She has created lasting change through solar design, integrating solar power seamlessly into the buildings and objects that surround us. Her most notable works are Sunne, Current Table, Power Plant and the roof of the Netherlands Pavilion at the World Expo 2020 in Dubai. With Pauline van Dongen she is the co-founder of The Solar Biennale\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e‘It’s time for the transition from solar technology to solar design, where we use the power of beauty to help facilitate change.’ – Marjan van Aubel\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/marjanvanaubel.com\/\"\u003ewww.marjanvanaubel.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/thesolarbiennale.com\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cspan\u003ewww.thesolarbiennale.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\" data-mce-style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/5609f20f43044a40921496ea09c5643c.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":40133841059923,"sku":"","price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/Solar_Cover_Promo.jpg?v=1660639776"},{"product_id":"cubic-journal-issue-5-alternative-knowledges","title":"Cubic Journal Issue #5 Alternative Knowledges","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Communities - Creativity - Narration+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Peter Benz, Huaxin \u0026amp; Justin Chiu-Tat Wong+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eISBN \u003c\/strong\u003e978-94-92852-63-2\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice € \u003c\/strong\u003e25,00\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eIssue editors \u003c\/strong\u003ePeter Benz, Huaxin Wei \u0026amp; Justin Chiu-Tat Wong\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eOperational editor \u003c\/strong\u003e\u003cspan\u003eGerhard Bruyns\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCopy editor \u003c\/strong\u003eChan Nin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eDesign \u003c\/strong\u003eDaniel Echeverri\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eNumber of pages \u003c\/strong\u003e150\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e20 x 26 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBinding\u003c\/strong\u003e Softcover\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e Fall 2022\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCo-publisher \u003c\/strong\u003e\u003cspan\u003eJap Sam Books The Hong Kong Polytechnic University Environmental \u0026amp; Interior Design School of Design\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eMade possible with the support of Cubic Society, and Cubic Research Network\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e‘\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eOur call accepts that there may be an infinite number of equally valid, but possibly less accessible – or merely accessible by certain communities – knowledge systems, much like concurrent physics is considering the existence of a multiverse of parallel universes.\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003e’\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e| \u003c\/span\u003eA peer-reviewed journal published in conjunction with Cubic Society and Cubic Research Network\u003c\/p\u003e\n\u003cp\u003e| An academic discussion within the pursuit of advancing knowledge via design disciplines\u003c\/p\u003e\n\u003cp\u003e| A reflection on the existence of different knowledge forms\u003c\/p\u003e\n\u003cp\u003eMany knowledge forms are predominantly practical in nature and aligned with creative practices in the arts. The arts themselves are alternative knowledge systems on their own right. When conventional formats have exhausted their possibilities, creative workers like artists and designers create a space for exchange between themselves and their audience. Creative production is thus about making previously inaccessible knowledge available by giving it form. This issue is a reflection on the different knowledge forms that are informed, established and passed on within communities in non-academic ways. The featured contributions seek to experiment with narrative forms, recombine research materials, represent public communities and integrate algorithmic principles to uncover the unseen.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.cubicjournal.org\"\u003ewww.cubicjournal.org\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n  \u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/50560714956f47a7a4a2836c721db1f2.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":40256469893203,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/978-94-92852-63-2FRONT.jpg?v=1661955885"},{"product_id":"the-civic-empowerment-toolbox","title":"The Civic Empowerment Toolbox","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Action Design for Urban Futures+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Ben Schouten et al.+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eISBN \u003c\/strong\u003e978-94-92852-71-1\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice € \u003c\/strong\u003e30,00\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAuthor \u003c\/strong\u003eBen Schouten et al.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eFinal editing \u003c\/strong\u003eEleonoor Jap Sam, Aaron Bogart\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eGraphic design \u003c\/strong\u003eWVDV \/ Willem van de Ven\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eNumber of pages \u003c\/strong\u003e320\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBook size \u003c\/strong\u003e16.5 x 23.5 cm\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBinding \u003c\/strong\u003eBoxset\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e November 2022\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003ePartners \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eEindhoven University of Technology (TU\/e), Amsterdam University of Applied Sciences (AUAS)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| Boxset with 6 cahiers: Introduction, Practice, Theory, Media, Education, and Inspiration.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| Including Get Started! Planning Tool for Civic Empowerment, consisting of 1 board game, 45 cards, 1 manual and pre-packed inspiration.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe influence of media, big data and artificial intelligence on our daily lives is becoming increasingly tangible. \u003c\/span\u003e\u003cspan\u003eThe Civic Empowerment Toolbox \u003c\/span\u003e\u003cspan\u003efocuses on the design of active citizenship and citizen participation, offering many examples as well as opportunities to kickstart your own initiative. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTogether, the six cahiers, including the introduction, offer a complete overview of design for civic empowerment where practice and theory come together, resulting in design recommendations, examples and future opportunities for research and education. The book is an analogue read from start to finish, but you can also read it crisscross, starting with any of the book’s key concepts, subdivided in twenty themes, allowing you to delve deeper into the fascinating elements of civic empowerment. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe twenty themes o\u003c\/span\u003e\u003cspan\u003eff\u003c\/span\u003e\u003cspan\u003eer a wide variety of di\u003c\/span\u003e\u003cspan\u003eff\u003c\/span\u003e\u003cspan\u003eerent angles for societal change, illustrated with many examples such as hope, bottom-up instead of top-down approach, power and scale, the role of community, data, the possibility to fail, value \u0026amp; care, online platforms and o\u003c\/span\u003e\u003cspan\u003effl\u003c\/span\u003e\u003cspan\u003eine rituals, and storytelling. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book is intended for (future) designers, scholars, students and policymakers as well as those interested in design for and with the (local) community, but above all, for those that want to change the world for the better. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-contrast=\"none\" lang=\"EN-GB\" class=\"TextRun Highlight SCXW38593913 BCX0\" data-mce-fragment=\"1\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eP\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003erofessional community contributors to the Toolbox: \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eQuirine André de la Porte, Bart \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eAptroot\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eYagmur\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eAydogmus\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eCeren\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBagatar\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Federica \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBardelli\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Saskia Beer, Tilde \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBekker\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Danique de \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBies\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Laura Bijl, \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eMacKayla\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e van \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBinsbergen\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Aaron Bogart, Bambi Boland, Brennen Bouwmeester, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eLilet\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBreddels\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Nicolai \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBroderson\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Hansen, Anette \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBrons\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Sascha Brouwer, Jasper \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBunschoten\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Gabriel de Castro Freitas, Silvia \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eCazacu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Claire Crawford, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eKees\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eDorst\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Leila \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eFarhood\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Gabriele \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eFerri\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Laura \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eFreixas\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Linas \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eGabrielaitis\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eKourosh\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eGharehdaghi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Eric Gordon, Maarten Groen, Noy \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eGvishi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Floris de \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eHaan\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Jurgen \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eHoogendoorn\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Noa van der Horst, Beatriz \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eIbeas\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eEleonoor\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Jap Sam, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eBenthe\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eKeetels\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eGwen \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eKlerks\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eOndrěj\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eKocholaty\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eFemke\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eKocken\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eGenèviéve\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Korte, Ben \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eKröse\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Jessica \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eLivon\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Andrea Low, Richard Lundquist, Maarten Mulder, Madeleine Maaskant, Daisy O'Neill, Sabine \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eNiederer\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Anne \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eNieuwenhuijs\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eNiovi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Dimitra \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eChatzipoufli\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Arjen \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eOosterman\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Mayra Ortega Maldonado, Tamara \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003ePinos\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Cisneros, Peter \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003ePolacsek\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Boaz \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003ePrinzen\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Tim van de \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003ePuttelaar\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eDaniëlle\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Ramp, Roel Smits, Steve Savage, Ben Schouten, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eOdin Shadmi, Lara van der \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eSluijs\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Casper Smits, Erik van der Spek, Kevin \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eSu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Alexandra \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eSykioti\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Vera \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eTak\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eEkim\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Tan, Vera \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eTeigeler\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Tenjin Fujita, Oscar \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eTomico\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Alice \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eTwemlow\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, Denise Vega de Santiago, Willem van de Ven, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eJochem\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eVlug\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eLoes\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eVoermans\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eSiebren\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e de Vos, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eMartijn\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e de Waal, Elliott Walker, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eMerel\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Willemsen, Bas de Wit, Ihsan Yahya, Dylan van \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eZanten\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003eXumeng\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW38593913 BCX0\" data-mce-fragment=\"1\"\u003e Zhang.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW38593913 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"TextRun Highlight SCXW159672918 BCX0\" lang=\"EN-GB\" data-contrast=\"none\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW159672918 BCX0\"\u003e\u003cstrong\u003eBen Schouten \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003egraduated in 1983 from the Rietveld Academy for Visual Arts. He works as a designer and was appointed full professor of Playful Interactions at the Department of Industrial Design at the Eindhoven University of Technology in 2010 and as a lector of Play \u0026amp; Civic Media at the Amsterdam University of Applied Sciences in 2013. His work focuses on play and design for social innovations, citizen empowerment and culture. Together with Menno Deen, Schouten is working on another major publication about the Role of Play in Society to be published by Jap Sam Books medio 2023.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/roleofplay.nl\/\" target=\"_blank\"\u003ewww.roleofplay.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/429f482eee6643c993ab4f58a4f6d4ab.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":40323908370515,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/voorkant_RGB.jpg?v=1664429593"},{"product_id":"stitch-your-brain","title":"Stitch Your Brain","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e++++++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Monika Auch+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eISBN \u003c\/strong\u003e978-94-92852-77-9\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice € \u003c\/strong\u003e30,00\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAuthor \u003c\/strong\u003e\u003cspan\u003eMonika Auch\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAdditional texts \u003c\/strong\u003eProf. R. Zwijnenberg, Dr. Marieke Hendriksen, Charlotte Steels, Mané van Veldhuizen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditor \u003c\/strong\u003eEleonoor Jap Sam \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eGraphic design \u003c\/strong\u003eSJG \/ Joost Grootens\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eNumber of pages \u003c\/strong\u003e256\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBook size \u003c\/strong\u003e17 x 24 cm\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBinding \u003c\/strong\u003esoftcover\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e November 2023\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eMade possible by Creative Industries Fund NL, Gawthorpe Textiles Collection, Stichting Stokroos and stichting VoorVrouwenDoorVrouwen. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| Unique hybrid project touching both the fields of science and art by textile artist and former M.D. Monika Auch.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| Beautifully designed by Studio Joost Grootens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| Stitch Your Brain celebrates its 10th anniversary in 2023!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eStitch Your Brain\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e is a long-term study into the intelligence of the hand by artist and former medical doctor Monika Auch. The book reflects the results of the empirical study Auch worked on for the past decade about the importance of creating with your hands in our digital age and the effects of slow creation on neuro cognitive learning, health, and well-being.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe detailed images of a collection of 100+ stitched brains created by participants and their personal comments illustrate the influence of medical image making on body-identity and brain awareness. The creations are in fact a tactile, textile multitude of intimate self-portraits. At the same time, they are a dynamic documentation of changing visions and concerns on global issues throughout the past 10 years. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe data analysis and interpretation by Monika Auch provides insights in the relationship between creativity, stress management, age, well-being, and skill learning. Experts in art history, art, science interactions, and neuroscience who were involved early on in the project comment on the research and place it in a broader context. Contributions by Prof. R. Zwijnenberg, Dr. Marieke Hendriksen, Charlotte Steels (director of the Gawthorpe Textiles Collection), and Mané van Veldhuizen. The texts include topics such as the importance of coexistence of art and science and why they need each other, ethical and esthetical changes of self-perception due to modern brain research, the history of medical imagery of the brain and brain imagery using art and textile design in the past and present, among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMonika Auch\u003c\/b\u003e (1955, Germany) lives and works in Amsterdam where she received her education in medicine (UvA) and art. While practicing as M.D. she attained a degree in textile design and printmaking at the Gerrit Rietveld Academy (2000). Since 2001 she works as a visual artist with a focus on visual work through weaving. A hybrid of art and science, her work focussed on the ‘intelligence of the hand’ in both her visual work and artistic research, based on empirical models. She researches the Intelligence of the Hand in the projects STITCH_MY_BRAIN and WeefLab. Monika Auchs’ practice is informed by regular publications on the material based making of art for Dutch\u003ci\u003e kM\u003c\/i\u003e magazine. She teaches design on all levels, drawing from a rich archive of material and a commitment about the importance of creativity, hands-on making and personal growth of students.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"http:\/\/www.monikaauch.com\" data-mce-href=\"http:\/\/www.monikaauch.com\"\u003ewww.monikaauch.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"http:\/\/www.weeflab.com\" data-mce-href=\"http:\/\/www.weeflab.com\"\u003ewww.weeflab.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"http:\/\/www.cargocollective.com\/stitchyourbrain\" data-mce-href=\"http:\/\/www.cargocollective.com\/stitchyourbrain\"\u003ewww.cargocollective.com\/stitchyourbrain\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n  \u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/88aa620920a14c11bed73b6affbb77ab.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":40323908632659,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/Schermafbeelding2023-04-18om15.14.44.png?v=1681823732"},{"product_id":"daily-spins-thomas-trum","title":"Daily Spins. Thomas Trum","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e++++++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Thomas Trum+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eISBN \u003c\/strong\u003e978-94-92852-86-1\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice \u003c\/strong\u003e€ 6\u003cspan data-mce-fragment=\"1\"\u003e5,00\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eArtist \u003c\/strong\u003e\u003cspan\u003eThomas Trum\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTexts \u003c\/strong\u003eCharlotte Hoitsma, Irene Fortuyn, Hannah Sweering\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePhotography \u003c\/strong\u003eArturo Sanchez (pp28 30, 42, 52), Titia Hahne (pp76, 78, 210, 212, 534, 536, 538, 550, 552, 554), Iris Rijskamp (pp115, 130, 243, 258, 371, 386, 499, 514), Bas Czerwinski (p120), Jhoeeko (p162), Ronald Smits (pp195, 196, 330), Peter Cox (pp198, 199, 200, 201, 206, 207, 208, 209), Stijn Borghs (p524), Dana de Rooij (p260), Yves Krol (p276), Hubert Klotzeck (p389), Jan Adriaans (pp404, 406), Rubén Dario Kleimeer (p432), Naomi Venetiaan - N \/ J Studio (pp437, 438, 440), Johan Horst (p513), Ralph Roelse (pp602, 607, 612), all other photos, Thomas Trum and team\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditorial team \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eThomas Trum, Mieke Billekens, Team Thursday (Simone Trum, Loes van Esch), Eleonoor Jap Sam\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eDesign \u003c\/strong\u003eTeam Thursday (Loes van Esch \u0026amp; Simone Trum)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eTranslation \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Art of Translation (Marie Louise Schoondergang, Hannah Sweering\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eNumber of pages \u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e640\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBook size \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e16.5 x 24 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\" class=\"\"\u003ePrinting \u003c\/strong\u003e\u003cspan\u003eZwaan Lenoir\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eLithography \u003c\/strong\u003eMarco Kokkelkoren\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e June 13, 2023\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003ePromotional images by Iris Rijskamp\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThis book has been made possible with the generous support of all buyers of the Edition \u003cem\u003eDaily Spins\u003c\/em\u003e and the Jaap Harten Fonds\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| \u003cem\u003eDaily Spins. Thomas Trum \u003c\/em\u003eshows almost 600 powerful artworks in the clearly recognizable, colorful, abstract-geometric visual language of the artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cmeta charset=\"UTF-8\"\u003e| \u003cem\u003eDaily Spins. Thomas Trum \u003c\/em\u003eis beautifully designed by Team Thursday (Loes van Esch \u0026amp; Simone Trum). Every cover is sprayed with two colours by Team Thomas Trum and this makes every edition of this monograph unique. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Standaard\"\u003e\u003cspan lang=\"EN-US\"\u003eThomas Trum (Rosmalen, 1989) is a painter. He often creates his works on a large scale and uses tools such as giant homemade felt-tip pens and rotating spraying machines. \u003c\/span\u003eResearch into materials, techniques, and composition are at the heart of his work. He is particularly fascinated by the idea of leaving behind traces of his creation; a hangover from his time on the graffiti scene. He is also intrigued by large vehicles, such as agricultural machinery, which also leave behind traces of a rhythmic pattern. By experimenting with these machines, Trum is continually discovering new ways to create images.\u003c\/p\u003e\n\u003cp class=\"Standaard\"\u003e \u003c\/p\u003e\n\u003cp class=\"Standaard\"\u003e\u003cspan lang=\"EN-US\"\u003eThe book \u003c\/span\u003e\u003ci\u003e\u003cspan lang=\"EN-US\"\u003eDaily Spins\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eshows both Thomas Trum’s work and experiments. A big stack of his paintings are printed and complemented with photos and stills of his murals, experiments and process, printed on blueback paper. This poster paper subtly refers to his former preference to make (il)legal works on the streets. The order of the works and the extended index of his works subtly give hints about how Thomas Trum's works. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standaard\"\u003e\u003cspan lang=\"EN-US\"\u003eA text by Charlotte Hoitsma and a conversation with Irene Fortuyn are also included in the book. \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eThe title \u003ci\u003eDaily Spins\u003c\/i\u003e refers to Trum's daily routine in his studio in 's-Hertogenbosch.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standaard\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003cem\u003eDaily Spins\u003c\/em\u003e is designed by Team Thursday (Loes van Esch \u0026amp; Simone Trum). Every cover of the 1,500 books is sprayed by team Thomas Trum. \u003c\/span\u003eAs a result, the books themselves are a series of colour experiments: one colour on the front and another on the back mix to create a new colour on the spine. This makes each copy of the book unique.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHis work is represented in collections of the Noord Brabants Museum, Erasmus University Rotterdam, Akzo Nobel Art Foundation, NN Group, Ministry of education culture and science (OCW), Ministry of infrastructure and water management and the Royal collection. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"http:\/\/www.thomastrum.nl\" data-mce-href=\"http:\/\/www.thomastrum.nl\" target=\"_blank\"\u003ewww.thomastrum.nl \u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/teamthursday.com\" data-mce-href=\"https:\/\/teamthursday.com\" target=\"_blank\"\u003ewww.teamthursday.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n  \u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/cf29bfa152a846d9bbd5f850ff91ef9c.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":40538684227667,"sku":"","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/Thomastrumfront2.jpg?v=1688467830"},{"product_id":"cubic-journal-issue-6-design-economies-1","title":"Cubic Journal Issue #6 Design Economies","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Influence - Management - Capital+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJörn Bühring, Brigitte Borja de Mozota, Patricia Moore [eds.]\u003c\/span\u003e+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eISBN \u003c\/strong\u003e978-94-92852-81-6\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice € \u003c\/strong\u003e25,00\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eIssue editors \u003c\/strong\u003eJörn Bühring, Brigitte Borja de Mozota, Patricia Moore\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eOperational editor \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eGerhard Bruyns\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCopy editor \u003c\/strong\u003eChan Nin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eDesign \u003c\/strong\u003eDaniel Echeverri\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eNumber of pages \u003c\/strong\u003e120\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBook size\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e20 x 26 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBinding\u003c\/strong\u003e Softcover\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e Summer 2023\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCo-publisher \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eJap Sam Books The Hong Kong Polytechnic University Environmental \u0026amp; Interior Design School of Design\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eMade possible with the support of Cubic Society, and Cubic Research Network\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e| \u003c\/span\u003eA peer-reviewed journal published in conjunction with Cubic Society and Cubic Research Network\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e| An academic discussion within the pursuit of advancing knowledge via design disciplines\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe world is changing, and so are the demands that these changes exert upon the design industry, on businesses and society as a whole. In this issue, we focused our attention on design as a strategic asset to the organization, one which can be harnessed in an effort to identify opportunities for new design activities and outcomes. As our research demonstrates, design (in theory and practice) tends to elevate and enhance the role of the organization as a catalyst for change, influencing strategic decisions, producing clear visions, shared beliefs, and values which assume a more holistic conception of sustainable development. To make up for shortcoming in our ability to gain a holistic view of designs core capabilities, theories, and methods in business economics, as well as the pertinence the design function and job position (e.g., design leadership) has in organizations, we introduced a conceptual model with the aim to synthesize the question of design strategy and business strategy and its relationship to achieving its goals when faced with the challenges of our time. In summary, we have reached consensus on two critical issues: first, the need for a continuous “survey” process with Design industry stakeholders around the variables which make up the key performance indicators (KPI) of Design value. Second, a more collaborative approach between research labs welcoming designers, academics, and strategy practitioners. This issue includes both the papers from academia and professionals we received through our \u003ci\u003ecall, \u003c\/i\u003eas well as the results of a complementary survey conducted by the editors with Chief Design Officers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"http:\/\/www.cubicjournal.org\/\" data-mce-fragment=\"1\"\u003ewww.cubicjournal.org\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":47039844680013,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/cuibc6.jpg?v=1690890562"},{"product_id":"role-of-play","title":"Role of Play","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++New Games, New Chances. A Future Perspective on Play in Society+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Ben Schouten, Menno Deen+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eISBN \u003c\/strong\u003e978-94-92852-97-7\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice € \u003c\/strong\u003e30,-\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAuthor \u003c\/strong\u003eBen Schouten, Menno Deen\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eProject Management \u003c\/strong\u003eBen Schouten, Andrea Mologni, Eleonoor Jap Sam\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eResearch Team\u003c\/strong\u003e Ben Schouten, Gabriele Ferri, Menno Deen, Andrea Mologni\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eContributors \u003c\/strong\u003eEd van Hinte, Mees Drissen, Joost Raessens, Troy Innocent, Kummargi Yulendj, Bambi Boland, Beatriz Ibeas, Genèviéve Korte, Ondrej Kocholaty, Chris Gruijters \u0026amp; Gijs Houdijk, Martijn Kors\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eProofreading \u003c\/strong\u003eAaron Bogart\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eFinal Editing \u003c\/strong\u003eEleonoor Jap Sam\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eGraphic design \u003c\/strong\u003eStudio Renate Boere\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eNumber of pages \u003c\/strong\u003e296\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBook size\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e17 x 23 cm\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBinding \u003c\/strong\u003eSoftcover\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e October 2023\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinter \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eGraphius\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eMade possible by Creative Industries Fund NL, Amsterdam University of Applied Sciences, Department of Industrial Design, Eindhoven University of Technology, and Dutch Research Council (Grant # 652.001.005)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| \u003cem\u003eRole of Play \u003c\/em\u003einvestigates what new rules of play are to come, several decades after the advent of videogames. Do we need more or no rules at all, or do other rules apply? Who determines which rules we play by? Play is always under construction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eRole of Play: New Games, New Chances. A Future Perspective on Play in Society \u003c\/em\u003eoffers a refreshing take on modern game design and play. It underlines the significance of digital play for contemporary culture. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith 400+ illustrations, the authors sketch a wide variety of examples from analogue play to video games, from digital treasure hunts to flying a plane, from waging galactic wars with aliens to designing your home, from battling cancer to behaviour change, from puzzle games to urban planning.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book addresses the latest trends in serious games and playification, for purposes other than pure entertainment. In their free-play form, these playful interactions increasingly contain reflections on social issues such as climate change or inclusiveness.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs change is a sign of our time, the authors show how to play with the rules that underpin society and its positive outcomes. \u003cem\u003eRole of Play \u003c\/em\u003eis intended for a wider audience, including game--and social designers, policy makers, developers, and students.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"This book is dedicated to those who embrace new scenarios and alternative futures through play.\" - Ben Schouten\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" data-contrast=\"none\" lang=\"EN-GB\" class=\"TextRun Highlight SCXW159672918 BCX0\" xml:lang=\"EN-GB\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"NormalTextRun SCXW159672918 BCX0\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Schouten \u003c\/strong\u003e(PhD) is an artist-designer and professor emeritus of Playful Interaction at Eindhoven University of Technology, Department of Industrial Design as well as lector emeritus in Play and Civic Media at the Amsterdam University of Applied Sciences. He founded the master in digital design programme in Amsterdam and until 2020 worked as its scientific director. His research focuses on play and design for social innovations, citizen empowerment and culture. Ben Schouten develops games within the domain of health care, education and urban planning, focussing on playful empowerment and (co-)authored seven books and 100-plus publications at the intersection of play, games, participatory design and citizen empowerment.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMenno Deen \u003c\/strong\u003e(PhD) is a game designer and researcher, exploring game design in new and unexpected contexts. Amongst others, he created games in swimming pools, therapeutic sessions, and forests. By creating games with professionals, students and non-game developers, Menno builds bridges between industries, disciplines and people. He organizes meetups and showcases called Dutch Courage, connects game students through various projects and brings professionals together within the organization Games [4Diversity], fostering the inclusion of new perspectives and domains into the creative industry of game development. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePromotional photo's: Studio Renate Boere and Jap Sam Books\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/roleofplay.nl\/\" target=\"_blank\"\u003ewww.roleofplay.nl \u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/65fcf9d9900e4df1b5003a8944c3f7ca.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":47040031523149,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/230829_PlayBook_Preview_WithlettersonFront_Backcovers.jpg?v=1693311178"},{"product_id":"interwoven-diana-scherer","title":"Interwoven. Diana Scherer","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Exercises in Root System Domestication+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Diana Scherer+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-03-4\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e€ 39,95\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditing, compilation \u0026amp; concept  \u003c\/strong\u003eEleonoor Jap Sam, Mainstudio (Edwin van Gelder), Diana Scherer\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eTexts \u003c\/strong\u003eGiovanni Aloi, Phillip Fimmano, Colin Huizing, Herbert Kopp-Oberstebrink, Norbert Peeters, Judith Elisabeth Weiss, Jiwei Zhou\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTranslation \u003c\/strong\u003eChristina Oberstebrink, Caspar Wijers\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eDesign \u003c\/strong\u003eMainstudio (Edwin van Gelder)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003ePrinter \u003c\/strong\u003eNPN Drukkers\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eLithography \u003c\/strong\u003eMarc Gijzen\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eNumber of pages \u003c\/strong\u003e208\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBook size\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e23 x 32 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBinding \u003c\/strong\u003esoftcover, American dust jacket\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e October 2023\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eMade possible with the kind support of the Mondriaan Fund, Creative Industries Fund NL, Jaap Harten Fonds, Prins Bernhard Cultuurfonds, and Museum Kranenburgh\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cem\u003eInterwoven \u003c\/em\u003eis published in conjunction with the large solo exhibition \u003cem\u003eFarming Textiles \u003c\/em\u003ein Museum Kranenburgh in Bergen, the Netherlands (October 1, 2023 -April 10, 2024).\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAWARDED BEST DUTCH BOOK DESIGNS 2023\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e+++\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| With a beautiful design by Mainstudio with a dust jacket and a range of beautiful paper types\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong\u003e| An innovative research in grown plant root textiles and material by artist Diana Scherer\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eVisual artist Diana Scherer (1971, DE) is one of the pioneers in bio tech art. Scherer lives and works in Amsterdam, the Netherlands, where she studied fine art at the Rietveld Academy in Amsterdam. Her work comprises botany, installations, textile and biotechnology. Scherer explores the relationship of people versus their natural environment. Through her installations she examines the boundaries between plant culture and nature. At the core of her botanical installations and textiles lies a great curiosity about what neurobiologists call ‘the brain of plants’. Scherer studies plants and root systems and applies the intelligence of plants in her work. \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eRecent shows include \u003cem data-mce-fragment=\"1\"\u003eIntelligence of Plants\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e Frankfurter Kunstverein, Biennale of Sydney 2022, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eEarth Matters;\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e Textile Museum Tilburg, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eStill Life\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e -Foam Amsterdam \u0026amp; Himalayas Museum Shanghai, Stedelijk Museum Amsterdam and  \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFashioned from Nature \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eat the Victoria \u0026amp; Albert Museum in London and Shenzhen. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eDiana Scherer was selected by the jury of the 2016 New Material Award as the New Material Fellow. She was awarded the fellowship for her project \u003cem data-mce-fragment=\"1\"\u003eInterwoven\u003c\/em\u003e. The New Material Award is a biennial prize organized by Nieuwe Instituut in cooperation with Fonds Kwadraat and Stichting Doen, that challenges artists and designers to develop and apply sustainable materials and innovative technologies\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThis book summarized the project \u003cem data-mce-fragment=\"1\"\u003eInterwoven \u003c\/em\u003eand its results over the past eight years. The book with a conceptual design addresses biotechnology and research, in addition to the final results and artworks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThe invited authors highlight \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethe various sides of the project from their fields of expertise. The design of the publication is made by Mainstudio (Edwin van Gelder, Moritz Eggmann), with texts by Giovanni Aloi, Colin Huizing, Judith Elisabeth Weiss \u0026amp; Hertbert Kopp-Oberstebrink, Philip Fimmano, Jiwei Zhou, and Norbert Peeters.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/dianascherer.nl\/\" target=\"_blank\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewww.dianascherer.nl\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/mainstudio.com\/\" target=\"_blank\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewww.mainstudio.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/4ea35bf51d8e46d3a80070a9e615e24c.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":47095100703053,"sku":"","price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/Cover-mockup-Interwoven.jpg?v=1692112491"},{"product_id":"six-impossible-things-before-breakfast","title":"Six impossible things before breakfast","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e++++++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Ingrid De Coster+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-05-8\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice \u003c\/strong\u003e€ 45.00\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eIdea \u003c\/strong\u003eIngrid De Coster\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eFellow travellers \u003c\/strong\u003eBas Schevers, Loes Verstappen\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eText\u003c\/strong\u003e Bruno De Wachter, Ingrid De Coster\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003ePhotography\u003c\/strong\u003e Bas Schevers with Ingrid De Coster\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eText editing \u003c\/strong\u003eEleonoor Jap Sam, Loes Verstappen\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTranslation \u003c\/strong\u003e Patrick Lennon\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eDesign \u003c\/strong\u003eLoes Verstappen with Ingrid De Coster\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e Lithography\u003c\/strong\u003e\u003cb\u003e \u003c\/b\u003eMarc Gijzen\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eNumber of pages \u003c\/strong\u003e296 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBook size\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e17 x 22.95 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\" class=\"\"\u003eBinding \u003c\/strong\u003eSoftcover unbound\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish \/ Dutch\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e November 2023\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinter \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eZwaan Lenoir\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eBinder\u003c\/strong\u003e Patist\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAWARDED BEST DUTCH BOOK DESIGNS 2023\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePromotional images by The Book Photographer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e |  Besides the regular edition, the book has a special hand-punched cover edition of 120 copies, €67.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHow do you make a book about a period that is behind you? The publication \u003ci data-mce-fragment=\"1\"\u003eSix impossible things before breakfast\u003c\/i\u003e is a journey across twenty-five years of Verzameld Werk [Collected Work] and beyond. Verzameld Werk was an open house in the heart of Ghent. A playground for designers and guests, architects and artists. Tailor-made by thinkers and doers. It was founded in 1991, with Ingrid De Coster as one of its founders.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor this book, Ingrid De Coster collaborated with Loes Verstappen and Bas Schevers. Their point of departure, the motley collection of images from in and around Verzameld Werk, spread out on a table. Bruno De Wachter was invited to respond to the newly formed configurations and he did so with a prose poem. Along these lines, Verzameld Werk rewrote and continues to rewrite itself through the gaze of the other. Leaf by leaf.\u003cspan data-mce-fragment=\"1\" class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"page\" title=\"Page 91\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"section\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"layoutArea\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"column\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca title=\"http:\/\/www.ingriddecoster.com\" href=\"http:\/\/www.ingriddecoster.com\"\u003eingriddecoster.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca title=\"https:\/\/www.loesverstappen.nl\" href=\"https:\/\/www.loesverstappen.nl\"\u003eloesverstappen.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca title=\"https:\/\/bdewachter.be\" href=\"https:\/\/bdewachter.be\"\u003ebdewachter.be\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n  \u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/eca34e2f91e245ddb44e38fbeb690aea.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":47287032185165,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/IngriddeCoster_publicatie_omslagcatalogus20_9.jpg?v=1695208225"},{"product_id":"special-signed-edition-six-impossible-things-before-breakfast","title":"Special signed edition - Six impossible things before breakfast","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e++++++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e+++Ingrid De Coster - special edition+++\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eISBN \u003c\/strong\u003e978-94-93329-05-8\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrice \u003c\/strong\u003e€ 67.00\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eIdea \u003c\/strong\u003eIngrid De Coster\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eFellow travellers \u003c\/strong\u003eBas Schevers, Loes Verstappen\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eText\u003c\/strong\u003e Bruno De Wachter, Ingrid De Coster\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003ePhotography\u003c\/strong\u003e Bas Schevers with Ingrid De Coster\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eText editing \u003c\/strong\u003eEleonoor Jap Sam, Loes Verstappen\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTranslation \u003c\/strong\u003e Patrick Lennon\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eDesign \u003c\/strong\u003eLoes Verstappen with Ingrid De Coster\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e Lithography\u003c\/strong\u003e\u003cb\u003e \u003c\/b\u003eMarc Gijzen\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eNumber of pages \u003c\/strong\u003e296 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBook size\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e17 x 22.95 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong class=\"\" data-mce-fragment=\"1\"\u003eBinding \u003c\/strong\u003eSoftcover unbound, \u003cstrong\u003e\u003c\/strong\u003especial hand-punched cover edition\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLanguage \u003c\/strong\u003eEnglish \/ Dutch\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eRelease date\u003c\/strong\u003e November 2023\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinter \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eZwaan Lenoir\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eBinder\u003c\/strong\u003e Patist\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAWARDED BEST DUTCH BOOK DESIGNS 2023\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e |  This is not the regular edition, but the special hand-punched cover edition of 120 copies, €67.-. Signed by Ingrid De Coster.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHow do you make a book about a period that is behind you? The publication \u003ci data-mce-fragment=\"1\"\u003eSix impossible things before breakfast\u003c\/i\u003e is a journey across twenty-five years of Verzameld Werk [Collected Work] and beyond. Verzameld Werk was an open house in the heart of Ghent. A playground for designers and guests, architects and artists. Tailor-made by thinkers and doers. It was founded in 1991, with Ingrid De Coster as one of its founders.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor this book, Ingrid De Coster collaborated with Loes Verstappen and Bas Schevers. Their point of departure, the motley collection of images from in and around Verzameld Werk, spread out on a table. Bruno De Wachter was invited to respond to the newly formed configurations and he did so with a prose poem. Along these lines, Verzameld Werk rewrote and continues to rewrite itself through the gaze of the other. Leaf by leaf.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 91\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca title=\"http:\/\/www.ingriddecoster.com\" href=\"http:\/\/www.ingriddecoster.com\"\u003eingriddecoster.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca title=\"https:\/\/www.loesverstappen.nl\" href=\"https:\/\/www.loesverstappen.nl\"\u003eloesverstappen.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca title=\"https:\/\/bdewachter.be\" href=\"https:\/\/bdewachter.be\"\u003ebdewachter.be\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n  \u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/eca34e2f91e245ddb44e38fbeb690aea.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":48778403774797,"sku":"","price":67.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/978-94-93329-05-8SiximpossiblethingsbeforebreakfastFRONT.jpg?v=1715336565"},{"product_id":"tju-ho","title":"Tju|ho","description":"\u003cp\u003e+++Thoughtful ways of making and walking \/\u003cstrong\u003e \u003c\/strong\u003eǂ’Ang Jansin sa o tci Du kota Nǂhaoh\u003cspan style=\"font-size: 0.875rem;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+++Catherine Willems, Festus Soroab, Anca Ușurelu [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-42-3\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice \u003c\/strong\u003e€ 29,95\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eEditors \u003c\/strong\u003eCatherine Willems, Festus Soroab, Anca Ușurelu\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eText contributions \u003c\/strong\u003eFlora Blommaert, Andreas Muronga, Fransina Ghauz, Cguni Rebecca Komtsa, Catherine Willems, Dori Tunstall, \u003cspan class=\"s1\"\u003eǂ\u003c\/span\u003eOma \u003cspan class=\"s1\"\u003eǀ\u003c\/span\u003eKunta, \u003cspan class=\"s1\"\u003eǀ\u003c\/span\u003eKunta Boo, Festus Soroab, Megan Biesele, Nina Maritz, Bob Hitchcock, Kileni Fernando, Erasmus !Nani, |Koce Ghau\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePhotography \u003c\/strong\u003eKomsta Kashe, N!haokxa Tsamkxao, |Kun Kunta, David Willems, Kristiaan D’Août, Willem Vrey, Chadia Guerti, Marcel Lennartz, 400 seats\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDrawings\u003c\/strong\u003e Phillemon Ngeni, Andreas Muronga Nina Maritz Daqm Debe, Fillipus Shikomba\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTranslation\u003c\/strong\u003e |Ai!ae Fridrick |Kunta, Cwi Charlie Nqeisji\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDesign \u003c\/strong\u003eMarcel Lennartz\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrinting \u0026amp; binding \u003c\/strong\u003eGraphius\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eNumbers of pages\u003c\/strong\u003e 252\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e17 x 24 cm\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage\u003c\/strong\u003e English \/ Ju|'hoan\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e October 2025 (preview  in Africa April 2025)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePublishing partner \u003c\/strong\u003eKASK \u0026amp; Conservatorium (HOGENT-Howest) and Future Footwear Foundation\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMade possible with the support of KASK \u0026amp; Conservatorium (HOGENT - Howest) Affiliated with the research cluster 'the body plural'. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cem\u003eTju|ho \u003c\/em\u003eis a publication on thoughtful design, exploring how place and community shape sustainable ways of making and walking. It centres on the re-creation of the traditional hunting sandal N!ang N|osi in Nhoma, Namibia, and its true owner, the Eland. \u003c\/h3\u003e\n\u003ch3 class=\"p1\"\u003eIt brings together cobblers, photographers, hunters, storytellers, architects, scholars, and scientists to present a vivid montage of visuals, reflections, and initiatives examining what it means to belong to a place and to create footwear that embodies this connection.\u003c\/h3\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cem\u003eTju|ho\u003c\/em\u003e promotes a dynamic and interconnected understanding of knowledge and identity. By doing so, it facilitates system-altering uses of information and strengthens the epistemic authority of Indigenous peoples. \u003cem\u003eTju|ho\u003c\/em\u003e exemplifies a multi-method approach to knowledge integrating biomechanical quantitative data with qualitative, experiential, and embodied knowledge. This approach recognizes that knowledge is not only acquired through verbal transmission but also through movement, practice, and sensory engagement—with our ears, but also with our hands and feet.\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.futurefootwearfoundation.com\" title=\"https:\/\/www.futurefootwearfoundation.com\"\u003efuturefootwearfoundation.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"https:\/\/schoolofartsgent.be\" href=\"https:\/\/schoolofartsgent.be\"\u003eschoolofartsgent.be\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/heyzine.com\/flip-book\/1946fd6fae.html#page\/7\" title=\"https:\/\/heyzine.com\/flip-book\/1946fd6fae.html#page\/7\"\u003ePreview content \u0026gt;\u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/c1b1ff149e8d451d81b0112febe7e06d.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":51570596184397,"sku":"","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/TJU-FrontCover170mmx240mm.jpg?v=1756987452"},{"product_id":"wij-zijn-natuur","title":"WIJ ZIJN NATUUR","description":"\u003cp\u003e+++\u003cspan style=\"font-size: 0.875rem;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+++Singer Laren+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-39-3\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice \u003c\/strong\u003e€ 39,95\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAuthors \u003c\/strong\u003eIrene van Lippe-Biesterfeld, Jan Rudolph de Lorm, Bram Steenhuisen, Matthijs Schouten, Edo Dijksterhuis\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eImage editing\u003c\/strong\u003e Nanine van Smoorenburg\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eArt director \u0026amp; curator\u003c\/strong\u003e Maarten Spruijt + technical partner Felipe Gonzales Cabezas\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFinal editing\u003c\/strong\u003e Fusien Bijl de Vroe, Eleonoor Jap Sam\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\"\u003e\u003cspan\u003eDesign\u003c\/span\u003e\u003c\/strong\u003e Loes Claessens\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLithography \u003c\/strong\u003eAlex Feenstra\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong class=\"\"\u003eNumber of pages \u003c\/strong\u003e164\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e22.5 x 30.5 cm \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrinter \u003c\/strong\u003eTuijtel \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding \u003c\/strong\u003esoftcover\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage \u003c\/strong\u003eDutch\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e May 2025\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePartner\u003c\/strong\u003e Singer Laren\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003ePUBLISHED IN A DUTCH EDITION ONLY\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eThis publication was published on the occasion of the exhibition \u003ci\u003eWIJ ZIJN NATUUR \u003c\/i\u003eat Singer Laren, Laren, (22 May \u003ci\u003e– \u003c\/i\u003e31 August 2025)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMade possible by Singer Laren, Gifted Art\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003eThe publication and exhibition WIJ ZIJN NATUUR (We Are Nature) is inspired by the ideology of Princess Irene van Lippe-Biesterfeld.\u003c\/h3\u003e\n\u003ch3\u003eThrough this publication and accompanying exhibition, she once again calls our attention to the deep bond between humans and nature. She feels that human beings have placed themselves outside of and above nature, with all the consequences that entails.\u003c\/h3\u003e\n\u003cblockquote\u003e\n\u003ch3\u003e‘We have cut ourselves off from nature, even though we are an inextricable part of it. By connecting with nature—and therefore with one another—we can work together to build a shared future that does justice to the well-being of all forms of life.’\u003c\/h3\u003e\n\u003c\/blockquote\u003e\n\u003ch3\u003eIn cooperation with renowned artists from around the globe, and together with the curator of this exhibition, art director Maarten Spruyt, she presents a powerful case for her vision.\u003c\/h3\u003e\n\u003cblockquote\u003e\n\u003ch3\u003e‘I hope to use art as a means to touch people’s hearts.’\u003c\/h3\u003e\n\u003c\/blockquote\u003e\n\u003ch3\u003eThe works on display—from artists including Henrique Oliveira, Jackie Mulder, Tomáš Libertíny, Sun-Hyuk Kim, Tony Matelli and Tineke van der Pouw Kraan—act as windows, offering us an intimate glimpse of the interconnected nature of all life. It is a serene journey that transports us to a world of tranquillity and time for reflection, and which invites us to rediscover our place within nature.\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ca href=\"https:\/\/www.singerlaren.nl\/\" title=\"https:\/\/www.singerlaren.nl\/\"\u003esingerlaren.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\"\u003e\n  \u003csource type=\"video\/mp4\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/0fb29bcda3594ef48a18dcd4f3f497ab.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":51624958394701,"sku":"","price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/SL_WZN_OMSLAG_Voor.jpg?v=1746617433"},{"product_id":"envisioning-spatial-justice","title":"Envisioning Spatial Justice","description":"\u003cp\u003e+++\u003ci\u003eExplorations, Reflections, Design\u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+++Caroline Newton+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-44-7\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice \u003c\/strong\u003e€ 27,50\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eCompilation, editor \u0026amp; author \u003c\/strong\u003eCaroline Newton\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAdditional texts \u003c\/strong\u003eRoberto Rocco, Juliana Gon.alves, Rodrigo Viseu Cardoso, Johnathan Subendran, Divya Gunnam, Oliwia Jackowska, Wendy van der Horst, Jonah van Delden, Daniëlle Lens, Marh Echtai, Gosia Rybak, Hilde Blank\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eEditorial assistance\u003c\/strong\u003e Sarah D. Westwood\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eFinal editor\u003c\/strong\u003e Eleonoor Jap Sam\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\"\u003e\u003cspan\u003eDesign \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eMainstudio (Edwin van Gelder, Ludwig Galla)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong class=\"\"\u003eNumber of pages  \u003c\/strong\u003e304\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e16\u003cstrong class=\"\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ex 24 cm\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrinter \u003c\/strong\u003eWilco Art Books \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLithography \u003c\/strong\u003eAlex Feenstra\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding \u003c\/strong\u003esoftcover\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage \u003c\/strong\u003eEnglish \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e June 13, 2025\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePartner \u003c\/strong\u003eEFL Stichting \/ TU Delft \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eThis publication is supported by the EFL Foundation, the Department of Urbanism at the Faculty of Architecture and the Built Environment, Delft University of Technology, and the Centre for the Just City and was made possible through the Van Eesteren Fellowship awarded to Caroline Newton in 2019.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 style=\"margin-bottom: 0cm; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\n\u003cspan style=\"font-size: 15.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJust like the rebels in \u003ci\u003eStar Wars\u003c\/i\u003e fighting for freedom against oppressive forces, urban planner, architect and political scientist Caroline Newton was drawn to the struggles over space and rights around the world. This fascination grew into an inquiry into the entanglements of spatial organisation and structures of power. Over the years, her work has been driven by a desire to understand – and intervene in – the spatial conditions \u003c\/span\u003e\u003cspan style=\"font-size: 15.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ethat shape human lives and social relations. In 2019, the Van Eesteren Fellowship enabled her to deepen her exploration of ways to reimagine urban environments that foster equity, care, and inclusivity, especially in response to today’s environmental and political urgencies.\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch3 style=\"margin-bottom: 0cm; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 15.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3 style=\"margin-bottom: 0cm; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan style=\"font-size: 15.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEnvisioning Spatial Justice \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 15.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eis both a reflection and a proposition. It synthesises insights accumulated through research and teaching and from years of collaborating with students whose graduation projects placed justice at the core of their spatial investigations. Structured around theory, reflection, and design, the book explores what it means to design with justice in mind. Challenging neoliberal paradigms and drawing on feminist, post-colonial, and radical urban theory, it insists on the political power of imagination. It calls for developing new ethical foundations for spatial practice. Part provocation, part toolkit, part manifesto, \u003ci\u003eEnvisioning \u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 15.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSpatial Justice\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 15.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e speaks to urbanists, designers, educators, and activists committed to co-creating more just and inclusive futures.\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch5\u003eAbout the author: \u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCaroline Newton is an architect, urban planner, and political scientist whose work centres on the intersection of design, spatial justice, and social change. Her career illustrates a commitment to combining scholarly insight with advocacy, illustrating how architecture, planning, and policy can collaboratively address contemporary urban challenges. In her doctoral work, Newton investigated social housing, urban policy, and social capital in Cape Town’s post-apartheid context – an early indication of her lifelong concern with the ways space and power intersect to (re)produce inequalities. Throughout her subsequent roles at universities across Europe, including KU Leuven and University College London’s Development Planning Unit, Newton’s research consistently interrogated entrenched urban inequities and advocated for more inclusive planning practices.\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003ch5 style=\"margin-bottom: 0cm; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/h5\u003e\n\u003ch5 style=\"margin-bottom: 0cm; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIn her current position at TU Delft, Caroline Newton embraces both pedagogy and research as engines of transformation. Central to Newton’s approach is her conviction that planning has the potential to be an act of resistance. She argues that strategic interventions in the built environment can unsettle oppressive power structures and reimagine alternative social, economic, and political possibilities. Her teaching draws on critical theorists, particularly Marcuse and Soja, and feminist scholars, such as hooks and Mohanty, encouraging students to question the status quo, engage with complexity, and envision new urban futures. Newton cultivates a classroom culture of ownership, agency, and creativity. Students are encouraged to identify and expose injustices, examine their own positions, and value diverse standpoints. Influenced by Mohanty, her pedagogy encourages students to engage with difference and dissent, reflecting an awareness of how power, privilege, and conflict shape both knowledge production and spatial realities. Caroline Newton’s commitment to translating theory into action is evident in her co-founding of the Centre for the Just City, in collaboration with Roberto Rocco. This platform brings practitioners, scholars, and students together to develop, share, and critique methods for creating equitable urban spaces. The Centre’s activities, including its Manifesto for the Just City initiative, convene international dialogues on pressing issues of spatial exclusion, climate adaptation, conflict and participatory planning.\u003c\/span\u003e\u003c\/h5\u003e\n\u003ch5 style=\"margin-bottom: 0cm; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/h5\u003e\n\u003ch5 style=\"margin-bottom: 0cm; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAs the Van Eesteren Fellow from 2019 to 2024, Caroline Newton explored how spatial justice can be embedded in design practice at all scales – neighbourhood, city, and region. Reflecting on her journey in the introduction to this book, she underscores the importance of never losing sight of dreaming big while grappling with institutional and political complexities. By championing imagination and hope alongside rigorous critique, Caroline Newton exemplifies an engaged urban scholar whose work seeks to redefine the foundations of design education and urban planning to serve a more just world.\u003c\/span\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003ca title=\"https:\/\/carolinewton.com\" href=\"https:\/\/carolinewton.com\"\u003ecarolinewton.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca title=\"https:\/\/just-city.org\" href=\"https:\/\/just-city.org\"\u003ejust-city.org\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/ac90fe9507ff4efcbc3b8cfddd8abb74.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\n","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":51773682450765,"sku":"","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/Cover-Envisioning-SpatialJustice-front.jpg?v=1748930323"},{"product_id":"private-view-cees-de-rooij","title":"Private View - Cees de Rooij","description":"\u003cp\u003e+++Tomas Dirrix, Team Thursday (Loes van Esch \u0026amp; Simone Trum)\u003cspan style=\"font-size: 0.875rem;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++++++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-47-8\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice \u003c\/strong\u003e€ 35,00\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eEditing \u0026amp; compilation  \u003c\/strong\u003eTomas Dirrix, Team Thursday (Loes van Esch \u0026amp; Simone Trum)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eText \u003c\/strong\u003eMaurits de Bruijn\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eVisual essay \u003c\/strong\u003eSimon Wald-Lasowski\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePhotography \u003c\/strong\u003eTitia Hahne (quilts), Tomas Dirrix, Simone Trum\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eTranslator\u003c\/strong\u003e Anna van de Berg\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\"\u003e\u003cspan\u003eDesign \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eTeam Thursday\u003c\/span\u003e\u003cspan\u003e\u003cstrong class=\"\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrinter \u003c\/strong\u003eNPN Printing\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eBinder \u003c\/strong\u003eVan Hees \/ Patist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding \u003c\/strong\u003esoftcover\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage \u003c\/strong\u003eEnglish \/ Dutch\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong class=\"\"\u003eNumber of pages  \u003c\/strong\u003e128\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e22\u003cstrong class=\"\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ex 32.4 cm\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e July 2025\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"p1\"\u003eThis book is an initiative of architect Tomas Dirrix. On a family visit to Cees de Rooij, he became fascinated by the interior as a place for undisturbed and endless creation.\u003c\/h2\u003e\n\u003ch2 class=\"p1\"\u003eThis meeting formed the starting point for a project that unfolds this inner world, as if it were a guided tour for a wider audience.\u003c\/h2\u003e\n\u003ch2 class=\"p1\"\u003e\n\u003cem\u003ePrivate View \u003c\/em\u003ereveals a world that never seemed intended for other people’s eyes. Paper sculptures, cardboard models, photo collages, garments, portraits and life-sized textile works are stacked up high within the walls of an Amsterdam apartment. A cavernous space, a forty five square metre-sized tangle of artistry.\u003c\/h2\u003e\n\u003ch2 class=\"p1\"\u003eThis book about Cees de Rooij (1941) brings together encounters, documentation, and conversations. Visual artist Simon Wald-Lasowski explored the apartment and captured it in a photo series filled with tender compositions and personal vistas. In a two-part essay, writer Maurits de Bruijn examines not only the boundaries of what it means to be an artist, but also themes of queerness, visibility, care, and the transience of things and memories.\u003c\/h2\u003e\n\u003ch2 class=\"p1\"\u003e\n\u003cem\u003ePrivate View\u003c\/em\u003e does not start with an oeuvre, but with a way of living—one in which nothing is discarded and everything is marked by the love of making and remaking. What does it mean to create without an audience, or without the act of giving? Is art still art if no one sees it?\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5 style=\"margin-bottom: 0cm; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\n\u003cspan style=\"font-size: 15.0pt; font-family: 'Times New Roman',serif; mso-font-kerning: 0pt; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/e92e9c6c41274ff8ae71f6fca703541a.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":52058923336013,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/PRIVATEVIEW-cover.jpg?v=1752131597"},{"product_id":"cubic-journal-issue-7-phd-design-and-the-design-phd","title":"CUBIC JOURNAL Issue #7 PhD Design and the Design PhD","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e++++++\u003c\/p\u003e\n\u003cp\u003e+++Anne Boddington, Gerhard Bruyns\u003cspan\u003e [eds.]\u003c\/span\u003e+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-50-8\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice € \u003c\/strong\u003e25.00\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eIssue editors \u003c\/strong\u003eAnne Boddington, Gerhard Bruyns\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEditor in Chief \u003c\/strong\u003e\u003cspan\u003eGerhard Bruyns\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eProduction editor \u003c\/strong\u003eDaniel Echeverri\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eContributors  \u003c\/strong\u003eMaría del Mar Navarro (Herberger Institute for Design and the Arts at Arizona State University), Thea Brejzek (School of Architecture at UTS), Lawrence Wallen (University of Technology Sydney), Liat Lavi (Bezalel Academy of Art and Design Jerusalem), Yoav Friedman (Democracy Institute at the Central European University), Jeroen Boomgaard (Gerrit Rietveld Academie in Amsterdam), Magne Espeland (West Norway University of Applied Sciences), Heitor Alvelos (University of Porto), Ilpo Koskinen, Marney Walker (Sheffield Hallam University), Mette Ramsgaard Thomsen (Royal Danish Academy of Fine Arts), Karen Honour (Royal Danish Academy of Fine Arts) Yun WANG (School of New Media Art and Design of Beihang University), Yingqing XU (Academy of Arts \u0026amp; Design of Tsinghua University), Iain Low (University of Cape Town), Sara Nesteruk (The School of Digital Arts at Manchester Metropolitan University)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eDesign \u003c\/strong\u003eDaniel Echeverri\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages \u003c\/strong\u003e128\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e20 x 26 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e Softcover\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage \u003c\/strong\u003eEnglish \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e Digital (December 2024) Printed issue (Summer 2025)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCo-publisher \u003c\/strong\u003e\u003cspan\u003eJap Sam Books The Hong Kong Polytechnic University Environmental \u0026amp; Interior Design School of Design\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMade possible with the support of Cubic Society, and Cubic Research Network\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e| \u003c\/span\u003eA peer-reviewed journal published in conjunction with Cubic Society and Cubic Research Network\u003c\/p\u003e\n\u003cp\u003e| An academic discussion within the pursuit of advancing knowledge via design disciplines\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eCubic Journal 7 \u003c\/em\u003eexamines the evolving role and nature of the PhD, particularly the \"Design PhD,\" in a rapidly transforming higher education and research landscape shaped by global events and technological advancements. It explores the PhD as a \"threshold\" qualification for future academics, questioning its current standards, regulations, and its ability to equip graduates with necessary skills for a changing world. This number presents critical discussions on research models and outputs within design, aiming to redefine and reposition doctoral studies to be more responsive, interdisciplinary, and relevant.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.cubicjournal.org\/\"\u003ewww.cubicjournal.org\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":52458790322509,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/CUBIC-7_Cover-front.jpg?v=1758554826"},{"product_id":"make-space-for-change","title":"Make Space for Change","description":"\u003cp\u003e+++The Transformative Power of Exhibition Design Explored by Kossmanndejong\u003cspan style=\"font-size: 0.875rem;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+++Femke Bijlsma, Lieke Ketelaars, Maaike Sips [Eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-54-6\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice \u003c\/strong\u003e€ 39.95\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eEditors, compilation \u0026amp; research \u003c\/strong\u003eTeam Kossmanndejong,\u003cstrong\u003e \u003c\/strong\u003eFemke Bijlsma, Lieke Ketelaars, Maaike Sips\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAuthors \u003c\/strong\u003eFemke Bijlsma, Maaike Sips, Colin Sterling\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eCopy editing \u0026amp; proofreading \u003c\/strong\u003eTeam Kossmanndejong, Mark de Jong, Niels de Jong, Robert van der Linde, Benjamin Koolstra, Suzanne Mulder, Aaron Bogart, Eleonoor Jap Sam\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eImage editing \u003c\/strong\u003eTeam Kossmanndejong, Mark de Jong, Lieke Ketelaars, Herman Kossmann, Laura Schut, Rosemarie van der Tol\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLithography\u003c\/strong\u003e Gundula Seraphin, Bad Münstereifel\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\"\u003e\u003cspan\u003eDesign \u003c\/span\u003e\u003c\/strong\u003eHaller Brun\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong class=\"\"\u003eNumber of pages  \u003c\/strong\u003e288\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e17 x 24 cm\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrinter \u003c\/strong\u003eGraphius\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding \u003c\/strong\u003esoftcover\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage \u003c\/strong\u003eEnglish \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e Spring 2026\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePartner\u003c\/strong\u003e Kossmanndejong\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMade possible with the support of the Creative Industries Fund NL, het Cultuurfonds and Kossmanndejong\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cdiv\u003e\n\u003ch3\u003eKossmanndejong (KDJ) is an Amsterdam-based experience design studio founded in 1998 by Herman Kossmann and Mark de Jong. They integrate storytelling with spatial design for museums, cultural institutions, public spaces, and brands. Dissatisfied with the status of exhibition design, they aimed to innovate by incorporating elements from theatre and film, contributing to the rise of 'experience design.'\u003c\/h3\u003e\n\u003ch3\u003eThe studio has grown into a team of over thirty professionals with diverse expertise. After nearly 25 years, Kossmann and de Jong passed leadership to Femke Bijlsma, Niels de Jong, and Robert van der Linde.\u003c\/h3\u003e\n\u003ch3 class=\"p1\"\u003eThis publication is the third one made by KDJ about the practice of exhibition design. The first,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEngaging Spaces\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2010), uses project examples to illustrate the potential of exhibition design, emphasizing the cohesive combination of elements like space, collection, and media. The second,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNarrative Space\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2012), places exhibition design in a broader context, advocating for a story-focused approach where the visitor's experience is key. \u003cbr\u003eThis third publication builds on those foundations, exploring the transformative potential of narrative space. Drawing from their own practice as well as that of other creative pioneers, the authors unpack the key drivers of change in the field of experience design.\u003c\/h3\u003e\n\u003ch3 class=\"p1\"\u003eKossmanndejong views exhibition design as a contemporary medium that reflects the complex interconnections of today’s world. As Femke Bijlsma states in the conclusion of the book:\u003c\/h3\u003e\n\u003cblockquote\u003e\n\u003ch3 class=\"p1\"\u003e'This is an invitation to everyone reading this to take this young medium further and tap into its full potential. There are so many important stories that deserve to be told – stories that have been marginalised, hidden or ignored because they don’t align with the normative narrative. Let’s bring them to the surface. Let’s fill our time and world with stories that matter, and experience them together in ways that connect us, ground us in the here and now, focus our attention and reawaken our imagination. So, we can start thinking in terms of possibilities again, instead of limitations. Let’s embrace all possible creative tools and disciplines to bring these stories to life. Designers, curators, scientists, clients, visitors – everyone can play a role. The possibilities are as limitless as the means.'\u003c\/h3\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/kossmanndejong.nl\/\" title=\"https:\/\/kossmanndejong.nl\/\"\u003ekossmanndejong.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/106aeb7605bd4b7ababe08155ff7a36c.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":52473200804173,"sku":null,"price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/978-94-93329-54-6MakeSpaceforChangeFRONT.jpg?v=1773331677"},{"product_id":"playing-constant","title":"Playing Constant","description":"\u003ch3\u003e+++\u003cspan style=\"font-size: 0.875rem;\"\u003e+++\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e++++++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-70-6\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice \u003c\/strong\u003e€35.00\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eCompilation \u0026amp; editors\u003c\/strong\u003e Zippora Elders, Kim van der Horst, Eleonoor Jap Sam, Our Polite Society\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eContributors \u003c\/strong\u003eZippora Elders, Kim van der Horst, Hanne Hagenaars, Selma Selman, Constant Nieuwenhuys, Floris Alkemade, Jonas Staal, Christophe van Gerrewey, Jan Postma, Thomas Hogeling, Simone Zeefuik, Fiep Bodegem, Mia Lodder, Krien Clevis, Our Polite Society, Sam Samiee, Puck Verkade, Antonis Pittas, Arna Ma\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ečkić, Jaya Pelupessy, Trudy van der Horst\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTranslation \u003c\/strong\u003eRobert van de Walle\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003e\u003cspan\u003eCopy editing \u0026amp; proofreading \u003c\/span\u003e\u003c\/strong\u003eJasmine Carder, Zippora Elders, Kim van der Horst, Eleonoor Jap Sam, Mia Lodder, Robert van de Walle\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003e\u003cspan\u003eDesign \u003c\/span\u003e\u003c\/strong\u003eOur Polite Society\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eP\u003c\/strong\u003e\u003cstrong\u003erinter\u003c\/strong\u003e t.b.d.\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong class=\"\"\u003eNumber of pages \u003c\/strong\u003e208\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e 17 x 24 cm\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding \u003c\/strong\u003esoftcover\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage \u003c\/strong\u003eEnglish \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e Spring 2026\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePublisher \u003c\/strong\u003eJap Sam Books\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePartner\u003c\/strong\u003e Fondation Constant\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMade possible by Jaap Harten Fonds, Mondriaan Fonds, Fondation Constant\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"s6\"\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003e'The Only Constant is Change, Change is the Only Constant'\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch3 class=\"s6\"\u003e\n\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eThis book is not about Constant\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eNieuwenhuys, the individual. It is about the question\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ewhat it means to be human, the conviction that each human being is an artist\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ebut not every artist a human being, and the desire to co-live in a world\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eliberated\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003efrom violent boundaries. It is the unapologetically playful finale of the multi-year project \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eConstant 101\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003e (meandering around 2021) that sought to connect Constant’s oeuvre \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast;\"\u003e–\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003e from Cobra to New Babylon \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast;\"\u003e–\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003e to contemporary art in the Netherlands and beyond (Zippora Elders with\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003e Fondation Constant).\u003c\/span\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast;\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"s6\"\u003e\n\u003cspan class=\"bumpedfont15\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ePlaying Constant\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; font-style: normal;\"\u003ei\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003es\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eitself aimed as a synthetic artwork. It is non-linear, non-hierarchical, non-concrete.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eArtists\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ewere invited to\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eshare\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003efrom their hearts,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ethey were\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003enot directed\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eto\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eprovide the reader with\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ea\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003esimplified\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eimage\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eor\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eeasily consumable\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eoverview of \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan lang=\"NL\" style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e‘\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003econtemporary Constants\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan lang=\"NL\" style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eThe publication\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003econsists of fragments full of artists’ expressions\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003espanning\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ethe past\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eyears,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eradical imagination, poetic observations and creative responses to Constant’s legacy and therefore to recent\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ehistory:\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003edrawing, painting, design, typography,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003earchitecture,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003emusic,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ephotography,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eliterature, poetry, theatre, philosophy.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eIt\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eevidently\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003equestions Constant’s\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eprivileged\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003epositionality\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ewhile\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eembracing\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003ehis\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003estrive\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003efor a collectively caring attitude in global society - all the more urgent today!\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif;\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"s9\"\u003e\n\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eLet’s keep playing.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eConstant\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: major-fareast; mso-ansi-language: NL;\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003eSpelen\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"bumpedfont15\"\u003e\u003cspan style=\"font-size: 13.5pt; font-family: 'Calibri',sans-serif;\"\u003e.Constantly playing!\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif;\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ca href=\"https:\/\/constant101.nl\/\" title=\"https:\/\/constant101.nl\/\"\u003econstant101.nl\u003c\/a\u003e\u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":52474103300429,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/PlayingConstantcover.jpg?v=1758831299"},{"product_id":"kho-liang-ie-ontwerper-interieurarchitect-netwerker","title":"KHO LIANG IE ontwerper + interieurarchitect + netwerker","description":"\u003cp\u003e+++ \u003cspan style=\"font-size: 0.875rem;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+++Ingeborg de Roode \u0026amp; Eng Bo Kho (samenstelling) +++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-75-1 (Dutch edition)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice \u003c\/strong\u003e€ 45,00\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eEditor in chief\u003c\/strong\u003e Charl Landvreugd \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eConcept en samenstelling  \u003c\/strong\u003eIngeborg de Roode, Eng Bo Kho\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTekstbijdragen \u003c\/strong\u003eMarieke Berkers, Jason Falkenburg, Norman Foster, Ingeborg de Roode\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRedactie \u003c\/strong\u003eIngeborg de Roode, Masha van Vliet\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTekstredactie \u003c\/strong\u003eEls Brinkman, Masha van Vliet\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eBeeldredactie \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003eEng Bo Kho, Ingeborg de Roode, Mara Coveanu\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eBeeldaanvragen \u003c\/strong\u003eDennis ter Wal\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProefcorrectie \u003c\/strong\u003eEls Brinkman, Eleonoor Jap Sam, Aukje Vergeest\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAanvullend onderzoek \u003c\/strong\u003eRichelle Brink, Mara Coveanu, Julliette van der Eng, Rosemarie Kramer (interns Stedelijk Museum Amsterdam)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTranslation EN-NL \u003c\/strong\u003eIris Brouwer\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong class=\"\"\u003e\u003cspan\u003eDesign \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eBeukers Scholma\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eScans, beeldbewerking\u003c\/strong\u003e Hans Bol, Ooiij\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cstrong\u003ePrinting, binding  \u003c\/strong\u003eWilco Art Books\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong class=\"\"\u003eNumber of pages  \u003c\/strong\u003e192\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e22 x 31.5 cm \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding \u003c\/strong\u003esoftcover\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage \u003c\/strong\u003eDUTCH \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e April 2026\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePartner \u003c\/strong\u003eStedelijk Museum Amsterdam\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis publication is published in cooperation with the Stedelijk Museum Amsterdam parallel to the exhibition \u003cem\u003eKho Liang Ie – Mid-Century Modernist, \u003c\/em\u003ecurated by Ingeborg de Roode, in collaboration with Eng Bo Kho, Stedelijk Museum Amsterdam May 14 – October 18, 2026\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"xxmsonormal\"\u003e\u003cspan\u003eDe publicatie is mogelijk gemaakt door het Jaap Harten Fonds.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003ePartners voor de tentoonstelling \u003ci\u003eKho Liang Ie – Mid-Century Modernist\u003c\/i\u003e zijn BPD Cultuurfonds en Schiphol.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"xxmsonormal\"\u003e\u003cspan\u003eHet Stedelijk Museum Amsterdam wordt ondersteund door Gemeente Amsterdam en VriendenLoterij.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAlso available in English, see \u003ca title=\"https:\/\/www.japsambooks.nl\/products\/kho-liang-ie-designer-interior-architect-networker?_pos=2\u0026amp;_sid=985fb6301\u0026amp;_ss=r\" href=\"https:\/\/www.japsambooks.nl\/products\/kho-liang-ie-designer-interior-architect-networker?_pos=2\u0026amp;_sid=985fb6301\u0026amp;_ss=r\"\u003e\u003cem\u003eKho Liang Ie designer + interiorarchitect + networker\u003c\/em\u003e, ISBN 978-94-93329-76-8\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca title=\"https:\/\/www.stedelijk.nl\/nl\/tentoonstellingen\/kho-liang-ie\" href=\"https:\/\/www.stedelijk.nl\/nl\/tentoonstellingen\/kho-liang-ie\"\u003ehttps:\/\/www.stedelijk.nl\/nl\/tentoonstellingen\/kho-liang-ie\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch2 class=\"p1\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"NL-NL\" class=\"TextRun SCXW97758972 BCX4\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW97758972 BCX4\"\u003eKho\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e Liang Ie (1927–1975) geldt als een spilfiguur binnen de Nederlandse vormgeving: een functionalist met een poëtische \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW97758972 BCX4\"\u003etouch\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e en een uitzonderlijk gevoel voor materiaal. Zijn meubels voor onder andere \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW97758972 BCX4\"\u003eArtifort\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e en zijn interieurontwerp voor Schiphol zijn \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003einternationaal \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003eberoemd, maar door zijn vroege overlijden is zijn naam minder bekend. Met diepgravend onderzoek, nieuwe inzichten en het meest uitgebreide – en kleurrijke – beeldmateriaal ooit gepubliceerd, onthult dit overzichtsboek als nooit tevoren de reikwijdte van \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SpellingErrorHighlight SCXW97758972 BCX4\"\u003eKho’s\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e praktijk: van experimentele tentoonstellingsontwerpen en innovatieve interieurs tot grafische vormgeving en iconische meubelontwerpen. Auteurs Marieke \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW97758972 BCX4\"\u003eBerkers\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e, Jason \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW97758972 BCX4\"\u003eFalkenburg\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e, Norman Foster en Ingeborg de Roode tonen hoe \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW97758972 BCX4\"\u003eKho\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e met zijn netwerktalent ontwerpers, kunstenaars en de industrie samenbracht. Met persoonlijke bijdragen en citaten van mensen uit \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003ezijn\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e netwerk laat het boek zien \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003edat\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e zijn ontwerpen tijdloos \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003ezijn \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003een nog altijd zeer geliefd. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003eDe publicatie is samengesteld door I\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003en\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003egeborg de \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003eRoode \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003ein nauwe samenwerking met Eng Bo \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW97758972 BCX4\"\u003eKho\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"NL-NL\" class=\"TextRun SCXW97758972 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\" lang=\"NL-NL\" class=\"TextRun SCXW97758972 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW97758972 BCX4\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW97758972 BCX4\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/i\u003e\n\u003c\/h2\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":53606583042381,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/978-94-93329-75-1-KHOLiangIe-NL-editieomslag-front.jpg?v=1774610405"},{"product_id":"kho-liang-ie-designer-interior-architect-networker","title":"KHO LIANG IE designer + interior architect + networker","description":"\u003cp\u003e+++ \u003cspan style=\"font-size: 0.875rem;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+++Ingeborg de Roode \u0026amp; Eng Bo Kho (compilation) +++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN \u003c\/strong\u003e978-94-93329-76-8\u003cstrong class=\"\"\u003e \u003c\/strong\u003e (English edition)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePrice \u003c\/strong\u003e€ 45,00\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eEditor in chief\u003c\/strong\u003e Charl Landvreugd \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eConcept and compilation \u003c\/strong\u003eIngeborg de Roode, Eng Bo Kho\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong class=\"\"\u003e\u003cspan\u003eDesign \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003eBeukers Scholma\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eText contributions \u003c\/strong\u003eMarieke Berkers, Jason Falkenburg, Norman Foster, Ingeborg de Roode\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eEditors \u003c\/strong\u003eIngeborg de Roode, Masha van Vliet\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eCoordination \u003c\/strong\u003eAukje Vergeest, Masha van Vliet, Carlos Zepeda Aguilar\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eCopy editing \u003c\/strong\u003eEls Brinkman, Masha van Vliet\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eImage editing \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003eEng Bo Kho, Ingeborg de Roode, Mara Coveanu\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eImage requests \u003c\/strong\u003eDennis ter Wal\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProofreading \u003c\/strong\u003eEls Brinkman, Eleonoor Jap Sam, Aukje Vergeest\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAdditional research  \u003c\/strong\u003eRichelle Brink, Mara Coveanu, Julliette van der Eng, Rosemarie Kramer (interns Stedelijk Museum Amsterdam)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTranslation EN-NL \u003c\/strong\u003eIris Brouwer\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eScans, lithography \u003c\/strong\u003eHans Bol, Ooiij\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cstrong\u003ePrinting, binding  \u003c\/strong\u003eWilco Art Books\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong class=\"\"\u003eNumber of pages  \u003c\/strong\u003e192\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e22 x 31.5 cm \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding \u003c\/strong\u003esoftcover\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage \u003c\/strong\u003eENGLISH \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRelease date\u003c\/strong\u003e April 2026\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePartner \u003c\/strong\u003eStedelijk Museum Amsterdam\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis publication is published in cooperation with the Stedelijk Museum Amsterdam parallel to the exhibition \u003cem\u003eKho Liang Ie – Mid-Century Modernist, \u003c\/em\u003ecurated by Ingeborg de Roode, in collaboration with Eng Bo Kho, Stedelijk Museum Amsterdam May 14 – October 18, 2026\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"xxmsonormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThe publication is made possible by the Jaap Harten Fonds.\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"xxmsonormal\"\u003e\u003cspan lang=\"EN-US\"\u003eExhibition partners for \u003ci\u003eKho Liang Ie – Mid-Century Modernist\u003c\/i\u003e are BPD Cultuurfonds and Schiphol.  \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"xxmsonormal\"\u003e\u003cspan\u003eThe Stedelijk Museum Amsterdam is supported by Gemeente Amsterdam and VriendenLoterij.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAlso available in Dutch  see \u003ca href=\"https:\/\/www.japsambooks.nl\/products\/kho-liang-ie-ontwerper-interieurarchitect-netwerker?_pos=1\u0026amp;_sid=29b64741d\u0026amp;_ss=r\" title=\"https:\/\/www.japsambooks.nl\/products\/kho-liang-ie-ontwerper-interieurarchitect-netwerker?_pos=1\u0026amp;_sid=29b64741d\u0026amp;_ss=r\"\u003e\u003cem\u003eKho Liang Ie ontwerper + interieur architect + netwerker\u003c\/em\u003e, ISBN 978-94-93329-75-1\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch5\u003e\u003ca href=\"https:\/\/www.stedelijk.nl\/en\/exhibitions\/kho-liang-ie-2\" title=\"https:\/\/www.stedelijk.nl\/en\/exhibitions\/kho-liang-ie-2\"\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW145411823 BCX4\"\u003ehttps:\/\/www.stedelijk.nl\/en\/exhibitions\/kho-liang-ie-2\u003c\/span\u003e\u003c\/a\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 class=\"p1\"\u003e\n\u003cspan class=\"TextRun SCXW145411823 BCX4\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eKho Liang Ie (1927–1975) is considered a key figure in Dutch design:\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ea functionalist with a poetic touch and an exceptional \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003esensitivity\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003efor \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ematerial.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eHis furniture for \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW145411823 BCX4\"\u003eArtifort\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e and his interior design for Schiphol are internationally \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003erenowned\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e, but due to his \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003epremature\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e death his name is less \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eestablished\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eFeaturing in-depth research, new insights, and the most comprehensive\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e—\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eand colorful\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e—\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003evisual material ever published, this \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ebook provides an \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eoverview \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ethat reveals \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ethe \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003escope\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e of Kho\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e’\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003es practice like never before\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e: \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003efrom experimental exhibition \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003econcepts\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e and innovative interiors to graphic design and iconic furniture.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eAuthors Marieke \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW145411823 BCX4\"\u003eBerkers\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e, Jason Falkenburg, Norman Foster\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e and Ingeborg de Roode show how Kho, with his \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003etalent \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003efor \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003enetworking, brought together designers, artists\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e and the industry.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e Through \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003epersonal contributions and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003einsights \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003efrom \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eindividuals\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e in Kho’s \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ecircles\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e, the book \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eillustrates\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ethe \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003etimeless\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eness of his designs,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ewhich remain\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003epopular even \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003etoday\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003e The publication \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003ewas compiled by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW145411823 BCX4\"\u003eIngeborg de Roode in close cooperation with Eng Bo Kho.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW145411823 BCX4\"\u003e \u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":53606644154701,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/978-94-93329-76-8-KHOLiangIe-ENG-editieomslag-front.jpg?v=1774611857"}],"url":"https:\/\/www.japsambooks.nl\/collections\/vormgeving.oembed?page=5","provider":"Jap Sam Books","version":"1.0","type":"link"}