{"title":"Theory","description":"","products":[{"product_id":"a-e-i-ou","title":"A E I OU","description":"\u003cp\u003e+++Articles, Essays, Interviews and Out-takes by Tony Fretton+++\u003c\/p\u003e\n\u003cp\u003e+++Tony Fretton+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-70-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStudio Joost Grootens, Joost Grootens, Dimitri Jeannottat\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e160\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e13.5 x 21 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: February 2018\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by the Creative Industries Fund NL. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information: \u003ca href=\"http:\/\/www.tonyfretton.com\" title=\"%22tf%22\"\u003ewww.tonyfretton.com\/ \u003c\/a\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eA E I OU Articles, Essays, Interviews and Out-takes\u003c\/em\u003e. The name itself says something of the nature of Tony Fretton's collected writing.\u003c\/p\u003e\n\u003cp\u003eAs an architect he has said 'Words, the most collective form of communication, thread their way through the projects, in explanations to clients and constructors, and as my means, along with drawings, of explaining the projects to my collaborators, to myself and to the wider world.'\u003c\/p\u003e\n\u003cp class=\"%22Default%22\"\u003eAs Professor of Architectural Design-Interiors at TU Delft, he wrote:  'Interior design accommodates peoples physical and emotional comfort and rituals of use directly in the material of buildings, and offers freedom, directness and social meaning to architecture'. \u003c\/p\u003e\n\u003cp\u003eBetween these two professional poles lies a series of articles on other architects, essays on the historical currents in architecture, interviews in which Fretton lays out the developing bases of his practices, and out-takes: ideas and phrase retrieved from early drafts and unpublished writing.   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eTony Fretton is a principal of Tony Fretton Architects with James McKinney, David Owen and Guy Derwent. Buildings designed and realised by the practice include the Lisson Gallery London, Red House Chelsea, Fuglsang Kunstmuseum in Denmark, which was shortlisted for the Stirling Prize, the new British Embassy in Warsaw, Solid 11, a multi-purpose building in Amsterdam, and most recently two apartment towers in Antwerp Harbour and the City Hall in Deinze Belgium.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eTony Fretton was Chair of Architectural Design-Interiors at the Technical University of Delft in the Netherlands 1999-2013. He was visiting professor at the Graduate School of Design, Harvard in 2005-2006, at ETH Zurich in 2011-2012 and Oslo School of Architecture in 2015-16. In Autumn 2016 he will be visiting professor at the University of Navarre in Spain. Currently he is Master of Diploma Unit 2 at the Cass School London and visiting professor at the University of East London. Tony Fretton is a trustee of Docomo London. Project models and drawings of Tony Fretton Architects are in the Drawing Matter Trust collection. \u003cem\u003eBuildings and their Territories\u003c\/em\u003e a monograph on the work of the practice was published by Birkhäuser 2013.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tony Fretton","offers":[{"title":"Default Title","offer_id":28824131986,"sku":"id_00164","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/Fretton_AEIOU_Cover_Front-low.jpg?v=1516015745"},{"product_id":"demystified","title":"Demystified","description":"\u003cp\u003e+++The European Ceramic Workcentre as Centre of Excellence+++\u003c\/p\u003e\n\u003cp\u003e+++Nick Renshaw+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-71-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMontse Hernández i Sala\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e300\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: March 2017\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by the Creative Industries Fund NL, Stichting van Achterbergh Domhof, and EKWC.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"%22http:\/\/www.nickrenshaw.com%22\" title=\"%22nick%22\"\u003ewww.nickrenshaw.com\u003c\/a\u003e\u003ca href=\"%22https:\/\/sundaymorning.ekwc.nl%22\" title=\"%22ekwc%22\"\u003ehttps:\/\/sundaymorning.ekwc.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe European Ceramic Workcentre (EKWC) is regarded widely as a world-leading organisation. A world-leader through its work as artist in residence centre where practice using the ceramic material is hosted, and a world-leader through its work as institution where the innovative use of this material in all areas of design and the visual arts is promoted. Though carrying an intrinsically global reach it is an institution rooted deeply in the very unique cultural history of the Netherlands, a fundamental factor in any discussion of its behaviour and one that is emphasised appropriately in this study.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe high regard with which the EKWC is appreciated is recognised throughout the wider visual arts, across borders as well as much further afield. By the thousands of individuals who have either already passed through its doors as temporary, invited or guest residents or by the many who remain eager to do so in future. By a wide range of related organisations, either other residence centres, art academies, individual ceramic studios, conference administrations, biennials or symposia that see the EKWC as the role model on which to base their own practice. And by theoreticians, critics, journalists and politicians who have each come to recognise the leading position of the EKWC and its lasting theoretical impact in countless articles, journals, reports, catalogues and all manner of other published material.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThat the centre may be regarded so highly within just one of these groups would make it worthy of further attention. That it is acknowledged equally significantly across multiple fields makes it clearly a special case indeed. In keeping with an organisation so highly regarded an extensive degree of documentation exists which recognises the work undertaken by this centre. What though is apparent throughout this recognition is that it has remained by and large precisely that. A recognition of the Centre's standing rather than the offering of a clear understanding into the reasoning behind its success.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eDemystified: The European Ceramic Workcentre as Centre of Excellence \u003c\/em\u003edeciphers for the first time the specific and fundamental reasoning for the successes behind this world leader. It describes the complex system of operation that exists throughout the entire organisation, a system that has matured and been refined over the course of the previous four decades. It explains how such an ideal working environment has developed, why this is unique to the EKWC, and why such excellence in practice is difficult to find in other related organisations around the world.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRather than focus attention on the already documented, innumerable results and artefacts of countless collaborations and working partnerships over previous decades, this survey describes with text and a comprehensive image base how it is that such results have been achieved. It explains how the nature of this work is influenced by prevailing circumstances and decision-making, be they of a logistical, directorial or theoretical nature. It is a demystification of previously unidentified interrelationships which explains how the interactive nature of an organisation such as the EKWC impacts on those working within it, and subsequently how it influences a much wider community outside.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis study can be seen as important and of interest to a potentially wide and eclectic audience both within and outside the visual arts, ceramic and design fields. To artists, ceramists, designers as well as other individuals in the art world who are able to understand the practical relevance for application to their own activity. To those either already involved in or who wish to take part in the artist in residence field. To other organisations across the wider visual arts, design and ceramic fields who could use the identified system in place at the EKWC as basis for their own future development. To universities and art and design academies who could apply aspects of the Centre's successful operation to their own institutions. And to potentially countless organisations outside the visual arts whose practice may at first seem unrelated but who could use the excellence of practice supported by the EKWC as a model from which to develop similar innovative behavior within their own organisations.    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003eVisual artist and researcher Nick Renshaw (PhD) maintains studios in Amsterdam, the Netherlands and in Xiamen, southern China. His doctoral research into the field of international ceramic art residencies, entitled 'The European Ceramic Workcentre as Successful Model: Evaluating the Standing, Nature and Potential for Practice in Ceramic Art Residencies', was an Arts and Humanities Research Council (AHRC) supported collaboration with the University of Sunderland (UoS) in the United Kingdom. This research was borne from Renshaw's extensive work with institutions working in the field of ceramic and art residence activity over the previous two decades, particularly so with regard to the European Ceramic Workcentre in the Netherlands. \u003c\/p\u003e\n\u003cp\u003eHis previous studies include an MA through the Sandberg Instituut in Amsterdam, the Netherlands, during which time he also studied at Pratt Institute in Brooklyn, the United States. His undergraduate studies included a BA with Cum Laude from the Gerrit Rietveld Academie in Amsterdam, the Netherlands, as well as a BA from Manchester Polytechnic in Manchester, the United Kingdom. While at Manchester he also studied at the world-renowned New York State College of Ceramics and Glass at Alfred University in the United States.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRenshaw's sculptures and works as visual artist have been exhibited, collected and commissioned worldwide through independent galleries, museums and a range of public spaces. Recent presentations and commissions include: \u003cem\u003eClay! One Hundred Years Ceramics at the Gerrit Rietveld Academie\u003c\/em\u003e at the Gemeentemuseum Den Haag; \u003cem\u003eFifteen Year Anniversary\u003c\/em\u003e exhibition at the Chinese European Art Center (CEAC), Xiamen, P.R China;\u003cem\u003e Six McKnight Artists\u003c\/em\u003e at the Northern Clay Center, Minneapolis, USA;\u003cem\u003e Other Origins\u003c\/em\u003e at Galerie De Witte Voet in Amsterdam;\u003cem\u003e Rolling Snowball III\u003c\/em\u003e at the Redtory Art + Design Factory in Guangzhou, P.R China; and \u003cem\u003eSitting\/Standing\u003c\/em\u003e for the new city hall of Ouderkerk aan de Amstel in the Netherlands.\u003c\/p\u003e\n\u003cp\u003eRenshaw's visual arts practice draws on myriad references, both historical and contemporary. His sculptures are reminiscent of the archaeological finds, pre-historic images, and ancient iconography of his upbringing in the historic city of York in England, as well as being depictions and representations of imagery referencing issues of current cultural concern. \u003c\/p\u003e\n\u003cp\u003eHe is currently teaching at Xiamen University in the south of China, and part of a new body of works entitled \u003cem\u003eTong An\u003c\/em\u003e can currently be seen at the British Centre in the IFC Tower in Guangzhou and was recently presented in the exhibition \u003cem\u003eBoundless Material\u003c\/em\u003e at Kui Yuan Gallery, also in Guangzhou.\u003ca name=\"%22_GoBack%22\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/a736c4789c084c28a0a4a52878644f1c.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Nick Renshaw","offers":[{"title":"Default Title","offer_id":28824131922,"sku":"id_00155","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/1-EKWC-VOOROMSLAG-VOOR_JAPSAM.jpg?v=1550756541"},{"product_id":"the-new-delta","title":"The New Delta","description":"\u003cp\u003e+++The Rhine-Meuse-Scheldt-Delta in Transition+++\u003c\/p\u003e\n\u003cp\u003e+++Bianca de Vlieger. Edited by Han Meyer en Joost Schrijnen+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-74-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eIDA | Identity \u0026amp; Design by Anne van Riet i.c.w. \u003cspan\u003eWentelwereld Grafische Vormgeving en Uitvoering\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e244\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 21 cm oblong\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eTranslation: Michael Meert. Art English\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp line-height:=\"\" normal=\"\" font-family:=\"\" verdana=\"\"\u003ePublished in co-operation and with the support of the Faculty of Architecture, Delft University of Technology \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe Delta works in the Dutch-Flemish Delta of the Rhine, Meuse and Scheldt are among the most iconic monuments of our country, in part because of the strong, defining image of the dams and dikes. Striking, in particular, is the Eastern Scheldt Barrier, a wonder of the world, born from the desire to make the Delta safe after the North Sea flood of 1953. After the realization of the Delta Works, a large number of new projects for water safety were realized about which very little is known. Most of these new generation projects, realized between 1985 and the present, are not just merely about water safety.\u003c\/p\u003e\n\u003cp\u003eWhat happened in the Delta of the Rhine, Meuse and Scheldt after the completion of the Delta works? Which trajectories, new developments and constants are there to be discovered amongst this generation of projects realized between the end of the first Delta program and the start of the second Delta program (2015)? These are the key questions of the research conducted by Bianca de Vlieger upon the invitation of the Delft University of Technology and the HZ University of Applied Sciences, in cooperation with the Directorate-General for Public Works and Water Management (Rijkswaterstaat), the Forestry Commission (Staatsbosbeheer) and the WWF (Wereld Natuur Fonds).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe overview presents a dozen programs with more than one hundred and fifty projects strewn across the area between land and water along the Dutch-Flemish Delta. What is this New Delta that is emerging from the massive and ongoing development, and how is this vast undertaking steered? Seventeen projects have been selected from this wide range of operations and are explored more in depth. A number of essays by a group of experts discuss the urgency of the research, and present a closer examination of the spatial, scenic, ecological, economic and civil technical changes that typify these particular projects.\u003c\/p\u003e\n\u003cp\u003eIn short, this book traces the surprising contours of the New Delta and is a must-read, not only for professionals and students, but certainly also for the general public. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith additional text contributions by Han Meyer, Joost Schrijnen, Bas Jonkman, Gigi van Rhee, Jandirk Hoekstra, Jitske van Popering – Verkerk, Patrick Meire\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bianca de Vlieger. Onder redactie van Han Meyer en Joost Schrijnen","offers":[{"title":"Default Title","offer_id":28824131858,"sku":"id_00158","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/thenewdeltacover.jpg?v=1481878980"},{"product_id":"de-nieuwe-delta","title":"De Nieuwe Delta","description":"\u003cp\u003e+++De Rijn-Maas-Schelde-Delta in verandering+++\u003c\/p\u003e\n\u003cp\u003e+++Bianca de Vlieger. Edited by Han Meyer en Joost Schrijnen+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-73-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eIDA | Identity \u0026amp; Design by Anne van Riet i.s.m. Wentelwereld Grafische Vormgeving en Uitvoering\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e244\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 21 cm oblong\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp verdana=\"\" font-family:=\"\" normal=\"\" line-height:=\"\"\u003ePublished in co-operation and with the support of the Faculty of Architecture, Delft University of Technology \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe Delta works in the Dutch-Flemish Delta of the Rhine, Meuse and Scheldt are among the most iconic monuments of our country, in part because of the strong, defining image of the dams and dikes. Striking, in particular, is the Eastern Scheldt Barrier, a wonder of the world, born from the desire to make the Delta safe after the North Sea flood of 1953. After the realization of the Delta Works, a large number of new projects for water safety were realized about which very little is known. Most of these new generation projects, realized between 1985 and the present, are not just merely about water safety.\u003c\/p\u003e\n\u003cp\u003eWhat happened in the Delta of the Rhine, Meuse and Scheldt after the completion of the Delta works? Which trajectories, new developments and constants are there to be discovered amongst this generation of projects realized between the end of the first Delta program and the start of the second Delta program (2015)? These are the key questions of the research conducted by Bianca de Vlieger upon the invitation of the Delft University of Technology and the HZ University of Applied Sciences, in cooperation with the Directorate-General for Public Works and Water Management (Rijkswaterstaat), the Forestry Commission (Staatsbosbeheer) and the WWF (Wereld Natuur Fonds).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe overview presents a dozen programs with more than one hundred and fifty projects strewn across the area between land and water along the Dutch-Flemish Delta. What is this New Delta that is emerging from the massive and ongoing development, and how is this vast undertaking steered? Seventeen projects have been selected from this wide range of operations and are explored more in depth. A number of essays by a group of experts discuss the urgency of the research, and present a closer examination of the spatial, scenic, ecological, economic and civil technical changes that typify these particular projects.\u003c\/p\u003e\n\u003cp\u003eIn short, this book traces the surprising contours of the New Delta and is a must-read, not only for professionals and students, but certainly also for the general public. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith additional text contributions by Han Meyer, Joost Schrijnen, Bas Jonkman, Gigi van Rhee, Jandirk Hoekstra, Jitske van Popering – Verkerk, Patrick Meire.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bianca de Vlieger. Onder redactie van Han Meyer en Joost Schrijnen","offers":[{"title":"Default Title","offer_id":28824131794,"sku":"id_00159","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_nieuwedeltanl.jpg?v=1481878982"},{"product_id":"diy-klarenstraat","title":"DIY KLARENSTRAAT","description":"\u003cp\u003e+++Zelfbouw en de herontdekking van de portiekflat \/ A new perspective on the post-war social housing block+++\u003c\/p\u003e\n\u003cp\u003e+++Edited by Patricia van Ulzen, Antoin Buissink and Rufus de Vries+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-66-3\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eAntoin Buissink\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e224\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDutch \/ English \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: July 2017\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eMade possible with the support of Creative Industries Fund NL, the Van Eesteren-Fluck \u0026amp; Van Lohuizen Stichting, and gemeente Amsterdam, stadsdeel Nieuw West, Provincie Noord-Holland, Urbannerdam, Vanschagen Architects, Coffeemania.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe project 'Klussen op de Klarenstraat' is winner of the Amsterdam Architectuurprijs 2015 (Gouden A.A.P. 2015,) Beste vier ARC14 Award, Nominatie Zuiderkerkprijs 2014\u003c\/p\u003e\n\u003cp\u003eOn the Shortlist of the DAM ARCHITECTURAL BOOK AWARD 2017.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe Staalmanplein neighbourhood in Cornelis van Eesteren's Westelijke Tuinsteden (Western Garden Cities) in Amsterdam, has been undergoing a radical regeneration operation since 2008. Whereas most housing blocks in this neighbourhood from the 1950s were demolished and replaced by new buildings, the social housing block in the U.J. Klarenstraat was selected for an experiment: in 2012 the whole block was put up for sale as Do It Yourself apartments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe apartment building from 1956 at the U.J. Klarenstraat has been drastically transformed by a group of buyers into a residential building with a highly varied programme. Vanschagen Architects advised the thirty buyers in the development of the project, its design and its realisation.\u003c\/p\u003e\n\u003cp\u003eThis experiment can be considered a success. Reviews in professional journals and the local press were positive, the project was nominated for three awards of which it won one, the residents are satisfied with their self-designed apartments, and the housing corporation perceives beneficial social effects of the project on the neighbourhood.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eVincent van Rossem, Patricia van Ulzen, Rufus de Vries (photography), Arjan Gooijer, Sander Gelinck, Maaike Schravesande, Frans van Hulten\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBook launch\u003c\/strong\u003e July 20, 2017, 19.30 hrs, Pakhuis De Zwijger, \u003ca href=\"https:\/\/www.japsambooks.nl\/blogs\/news\/book-launch-diy-klarenstraat\" title=\"blogDIY\"\u003e\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/diy_klarenstraat.mp4?v=1637658742\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Onder redactie van Patricia van Ulzen, Antoin Buissink, Simea Knip en Rufus de Vries","offers":[{"title":"Default Title","offer_id":28824131730,"sku":"id_00156","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/Klarenstraat_omslag_DEF.jpg?v=1498814190"},{"product_id":"stefanos-tsivopoulos-archive-crisis","title":"Stefanos Tsivopoulos ARCHIVE CRISIS","description":"\u003cp\u003e+++Shaking up the Shelves of History: A Visual Essay on Media Images from the Recent Political Past of Greece+++\u003c\/p\u003e\n\u003cp\u003e+++Stefanos Tsivopoulos, Hilde de Bruiijn (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-44-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e176\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 28 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e548 grms\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eMade possible with support of the Mondriaan Fund\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Summer 2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information about the work of Stefanos Tsivopoulos, see \u003ca href=\"%22http:\/\/www.stefanostsivopoulos.com%22\" title=\"%22st%22\"\u003ewww.stefanostsivopoulos.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eArchive Crisis\u003c\/em\u003e is a visual essay based on a series of previously unpublished images from Greek (media) archives collected by visual artist Stefanos Tsivopoulos. The book explores the mechanisms of visual culture in a mediatized democracy, and their effect on the production of collective memory. \u003c\/p\u003e\n\u003cp\u003eTsivopoulos' multi-layered visual essay – which builds the main body of this book – not only reveals the patterns, idiosyncrasies, textures, and tactility of these images but ultimately inquires the extent to which photographic, archival documents provide us with knowledge. \u003c\/p\u003e\n\u003cp\u003eThe book's fascinating image material is of a diverse nature and is intrinsically linked to a broader European and global context such as the Cold War, Greek-US relationships, and more recent crisis. Essays from authors provide academic reflection and link these historical images to a broader contemporary context.\u003c\/p\u003e\n\u003cp\u003eWith contributions by Dimitris Antoniou and Alfredo Cramerotti.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAt the forefront of Stefanos Tsivopoulos' artistic endeavor is an investigation into mediated reality, with a focus on mass media aesthetics and the historicity of moving image. Concurrent with the artist's fascination with the technology of image runs a continuous research and experimentation with the fine line between reality and its fictional reconstruction, the authentic and the scripted, the fictional and the factual. Tsivopoulos works primarily with film that combines the artist's strong cinematic images with archives and found footage to create a genre that he calls documentary-science fiction. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the artist\u003c\/h6\u003e\n\u003cp\u003eStefanos Tsivopoulos was born in 1973 in Prague, he lives and works in Amsterdam and New York. He studied fine arts at the Superior Academy in Athens, the Gerrit Rietveld Academie and the Rijksakademie van beeldende kunsten in Amsterdam. \u003c\/p\u003e\n\u003cp\u003eSolo exhibitions include Greek Pavilion 55th Biennale di Venezia  (2013); ISCP, New York (2011); Heidelberg Kunstverrein (2010); Smart Project Space, Amsterdam (2010); and Art Forum, Berlin (2009). \u003c\/p\u003e\n\u003cp\u003eGroup exhibitions include Manifesta 8, Murcia (2010); Witte de With, Rotterdam (2010); BFI Southbank, London (2009); ev+a, Limerick (2009); Athens Biennale (2007); and Thessaloniki Biennale (2007). \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/2922266f26eb49a1801b791caee05eae.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Stefanos Tsivopoulos, Hilde de Bruiijn (red.)","offers":[{"title":"Default Title","offer_id":28824131218,"sku":"id_00123","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/150921_ac_book_cover_jpeg.jpg?v=1481879009"},{"product_id":"the-extras","title":"The Extras","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Bert Danckaert+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-68-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eThomas Soete\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e80\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 23 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eTranslation Rosie Heinrich\u003c\/p\u003e\n\u003cp\u003eProofreading Aaron Bogart\u003c\/p\u003e\n\u003cp class=\"%22colofon%22\"\u003eThis publication was originally published in Dutch in 2013 by EPO, paperback, 117 pages.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: Fall, 2016, September\/October\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"%22kopjecolofon%22\"\u003eBert Danckaert is POC (Piece of Cake) member, an international network of contemporary photographers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ca href=\"%22http:\/\/www.bert-danckaert.be\/%22\" title=\"%22bd%22\"\u003ewww.bert-danckaert.be\u003c\/a\u003e\u003ca href=\"%22http:\/\/www.pocproject.com\/%22\" title=\"%22pos%22\"\u003ewww.pocproject.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is in part the result of the PhD research project \u003cem\u003eSimple Present \u003c\/em\u003eat the Royal Academy of Fine Arts, AP University College, Antwerp and is published with their support.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"%22https:\/\/www.ap.be\/koninklijke-academie\/%22\" title=\"%22ap%22\"\u003ehttps:\/\/www.ap.be\/koninklijke-academie\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eA photographer lands on a film set in Bollywood. He wants to photograph the décors as part of his PhD research in the arts. Posing as an extra, he infiltrates the set of \u003cem\u003eTezz\u003c\/em\u003e, a romantic terrorist film. But nothing goes as the photographer had imagined. In among thirty other extras, he winds up on the least photogenic set. During the long day's shoot he enters into various conversations about photography and society, with the overpopulated and poverty-stricken Mumbai and its surrealistic Bollywood featured as the backdrop.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Extras\u003c\/em\u003e is about how doubt and incapacity drive the artistic process. The book is also a reflection on the oeuvre of photographers working along the boundaries of fiction and reality in a globalized world, where it is increasingly difficult to take a clear position (or photographic point of view).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eBert Danckaert\u003c\/strong\u003e is a photographer and professor of photography at the Royal Academy of Fine Arts in Antwerp. He received a PhD in 2014 from the University of Tilburg (NL), with his thesis \u003cem\u003eThe Extras\u003c\/em\u003e and photography book \u003cem\u003eSimple Present \u003c\/em\u003e(published by Lannoo). \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/the_extras.mp4?v=1637666958\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Bert Danckaert","offers":[{"title":"Default Title","offer_id":28824129554,"sku":"id_00154","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/covertheextras.jpg?v=1481879021"},{"product_id":"it-s-all-happening-so-fast","title":"It's All Happening So Fast","description":"\u003cp\u003e+++A Counter-History of the Modern Canadian Environment+++\u003c\/p\u003e\n\u003cp\u003e+++Mirko Zardini, Lev Bratishenko [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-78-6 [English Edition] \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eChristian Lange, Ibrahim Öztaş\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e384\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003eINSIDE PAGES: \u003ca href=\"https:\/\/issuu.com\/japsambooks\/docs\/it_s_all_happening_so_fast_excerpt_en\" title=\"https:\/\/issuu.com\/japsambooks\/docs\/it_s_all_happening_so_fast_excerpt_en\"\u003eISSUU\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e978-94-90322-78-6 [ISBN JSB] 978-1-927071-44-1 [ISBN CCA]\u003c\/p\u003e\n\u003cp\u003eFrench\u003c\/p\u003e\n\u003cp\u003e978-94-90322-79-3 [ISBN JSB] 978-1-927071-45-8 [ISBN CCA] \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCo-published with the Canadian Centre for Architecture, Montreal \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"%22http:\/\/www.cca.qc.ca\/en\/%22\" title=\"%22cca%22\"\u003ehttp:\/\/www.cca.qc.ca\/en\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: November 2016\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with nature. Today, Canada's environmental record is among the poorest when compared to other wealthy nations, a fact that suggests ambivalence, and the actions of competing interests, which are most often exposed in moments of disorder and disregard for the unexpected consequences of managing the country's seemingly endless bounty.\u003c\/p\u003e\n\u003cp\u003eThe 15 case studies presented here reframe Canada since 1945, and these surprising events are grounded in conversations about cultural myths and the legal environment, changing ideas of natural resources and environmental risk, indigenous engagement with environmentalism and development, and the impacts of the environmentalist movement.  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAbout the editors:  Curator and architect Mirko Zardini is the Director of the Canadian Centre for Architecture since 2005. His research engages the transformation of contemporary architecture and its relationship with the city and the environment by questioning the assumptions on which architects operate today.\u003c\/p\u003e\n\u003cp\u003eLev Bratishenko is a writer and curator. His previous book with the Canadian Centre for Architecture was \u003cem\u003eThe Other Architect \u003c\/em\u003e(2015) with Giovanna Borasi. He curated 'Error 404: The object is not online' (2010).\u003c\/p\u003e\n\u003cp\u003eWith contributions by Taiaiake Alfred, Brian Brennan, Dean Bavington, David R. Boyd, David Cayley, Douglas Coupland, Elizabeth R. DeSombre, Caroline Desbiens, Emily Eaton, David Gray-Donald, Marianne Nicolson, Andrew Nikiforuk, Margo Pfeiff, Christopher Pollon, John Ralston Saul, Ed Struzik, David Suzuki, Martha Troian, Charles Wilkins, Terri-Lynn Williams-Davidson, Chris Windeyer, and Graeme Wynn.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mirko Zardini, Lev Bratishenko [red.]","offers":[{"title":"Default Title","offer_id":28824127634,"sku":"id_00165","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/its_all_happening_so_fast_en_cover.jpg?v=1481879026"},{"product_id":"and-as","title":"AND\/AS","description":"\u003cp\u003e+++Art and\/as Research at the Royal Academy of Fine Arts Antwerp+++\u003c\/p\u003e\n\u003cp\u003e+++Els De bruyn, Johan Pas [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-65-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eBas Rogiers\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e344\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e14 x 19 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover with plastic dust jacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Fall 2016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in co-operation with the \u003ca title=\"AP\" href=\"https:\/\/www.ap.be\/koninklijke-academie\/\"\u003eRoyal Academy of Fine Arts Antwerp \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003eAND\/AS documents the research in visual arts performed at the Royal Academy of Fine Arts Antwerp over the past five years. \u003c\/p\u003e\n\u003cp\u003eThrough texts and images, the essays provide reflections on what research in the arts means for the artist, for art education, and for the art world. \u003c\/p\u003e\n\u003cp\u003e The core of the book offers a visual insight in the strategies, processes and results of artistic research in diverse disciplines and domains, hereby revealing the unique approach of artists-researchers at the Antwerp Academy. \u003c\/p\u003e\n\u003cp\u003e A register with brief research summaries at the end gives a clear overview of the research conducted in the period 2010-2015.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/and_as.mp4?v=1637666959\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Els De bruyn, Johan Pas [red.]","offers":[{"title":"Default Title","offer_id":28824126546,"sku":"id_00148","price":19.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/andas_promo__br_2.jpg?v=1485351346"},{"product_id":"the-public-interior-as-idea-and-project","title":"The Public Interior as Idea and Project (second edition)","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Mark Pimlott+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-52-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\"\u003eEditor\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cp\u003eEleonoor Jap Sam\u003c\/p\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStudio Joost Grootens, Joost Grootens, Silke Koeck, Simon Ruaut\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e302\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: October 2016. Second edition: May 2022.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by the Creative Industries Fund NL. \u003c\/p\u003e\n\u003cp\u003eThis publication was made possible with the support of Delft University of Technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe interior is that space that architecture makes, which is at once set apart from the world and in its midst. Regardless of its scale, whether that of a dwelling, a temple, a settlement, a city or a continental territory, the interior is informed and shaped by ideas. These ideas appear in architecture and in the great variety of its interiors that we take to be public: those within which we consider ourselves to be free individuals, and where we see ourselves among others; those within which we are conscious of our place in society and in the world. Public interiors have been designed to affect and condition our consciousness and our behaviour, our relations to others and to authority.\u003c\/p\u003e\n\u003cp\u003eThe structure of this publication by Mark Pimlott originates from a series of lectures called 'Fundamentals' given to students of the course 'The Architecture of the Interior' at Delft University of Technology, which concerned public interiors in the West through history, and significant ideas that had contributed to their realisation and their reception.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRather than attempting an encyclopaedic overview, the author proposed six potent interpretive themes—the Palace, the Garden, the Ruin, the Shed, the Network and the Machine—through which many exemplary interiors could be considered, so that the public interior might become more available to the imaginations of those who design them. All together here, the chosen exemplars form a kind of canon of the public interior. Submitted to interpretation in the context of these themes, they offer another lens through which they might be seen: as manifestations of ideas inscribed within material culture.    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003eMark Pimlott (Montréal, 1958) is an artist, architectural designer and writer, whose practice encompasses installation, photography, film, art for public spaces and architecture, particularly, interiors. He has taught architecture and visual arts since 1986. He was Professor in relation to practice in Architecture at TU Delft (2002-2008), and is now assistant professor in TU Delft's Chair The Architecture of the Interior. He is the author of \u003cem\u003eWithout and within: essays on territory and the interior\u003c\/em\u003e (episode publishers, 2007) and \u003cem\u003eIn passing: Mark Pimlott photographs\u003c\/em\u003e (Jap Sam Books, 2010). His articles and essays are published in numerous journals of architecture, and he lectures widely.\u003cbr\u003e\u003cbr\u003eRealised works include Neckinger Mills interiors, London (1988; 1994); Red House interiors, London (2001; 2004; 2011; 2014) in collaboration with Tony Fretton architects; Guinguette, Birmingham (2000); La scala, Aberystwyth (2003); restaurant Puck, The Hague (2007), in collaboration with Zeinstra Van Gelderen architecten; and World, a public square at BBC's Broadcasting House in central London (2013).\u003c\/p\u003e\n\u003cp\u003eSolo exhibitions include \u003cem\u003eStudiolo \u003c\/em\u003eand \u003cem\u003e1965 \u003c\/em\u003e(Todd Gallery, London (1995; 1998); \u003cem\u003eIch bin der Welt abhanden gekommen\u003c\/em\u003e, (NAi, Rotterdam, 2005) and All things pass (Stroom, The Hague, 2008). The installation\u003cem\u003e Piazzasalone\u003c\/em\u003e (in collaboration with Tony Fretton) was shown in the Corderie dell'Arsenale at the 12th Biennale internazionale di Architettura di Venezia.\u003c\/p\u003e\n\u003cp\u003eReview Nick de Klerk in \u003cem\u003eArchDaily\u003c\/em\u003e: \u003ca href=\"http:\/\/www.archdaily.com\/804164\/understanding-the-public-interior-from-the-palace-to-the-garden-mark-pimlott\" title=\"ArchDaily_The Public Interior as Idea and Project\"\u003ehttp:\/\/www.archdaily.com\/804164\/understanding-the-public-interior-from-the-palace-to-the-garden-mark-pimlott\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/nicholasdeklerk.com\/The-Public-Interior-as-Idea-and-Project\" title=\"review NicholasdeKlerk\"\u003ehttp:\/\/nicholasdeklerk.com\/The-Public-Interior-as-Idea-and-Project\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBest books of 2016: Architecture and Design, reviewed by Edwin Heathcote, \u003cem\u003eFinancial Times\u003c\/em\u003e: 'Pimlott’s understanding of the interior is broad: everything from the borders of a nation to a garden, a temple, a room, a shopping mall or a city. His categories of interiors — Garden, Palace, Ruin, Shed, Machine and Network — are enough in themselves to provoke and the book is a fascinating and readable study of how the public interior shapes our everyday existence and articulates the nature of the society that builds them.'\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/a1cf9dabd1bf46c6b9019711f0fda46c.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003c\/p\u003e","brand":"Mark Pimlott","offers":[{"title":"Default Title","offer_id":28824126354,"sku":"id_00135","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/thepublicinteriorlow.jpg?v=1486642320"},{"product_id":"critical-and-clinical-cartographies","title":"Critical and Clinical Cartographies","description":"\u003cp\u003e+++International Conference Proceedings+++\u003c\/p\u003e\n\u003cp\u003e+++Andrej Radman, Stavros Kousoulas (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-58-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMeagan Kerr\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e86\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e19 x 25.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Proceedings are published in collaboration: Jap Sam Books and the Architecture Theory Chair. Faculty of Architecture and The Built Environment. Delft University of Technology. \u003ca href=\"%22http:\/\/www.tudelft-architecture.nl\/chairs\/architecture-theory%22\" title=\"%22at%22\"\u003ewww.tudelft-architecture.nl\/chairs\/architecture-theory\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eScientific Committee: Heidi Sohn, Andrej Radman, Patrick Healy, Stavros Kousoulas\u003c\/p\u003e\n\u003cp\u003eArchitecture Theory Interim Chair: Carola Hein\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eWhat is the relation between the human body as a living organism and the machine technologies applied in medical care? Organized around four thematics – embodiment, technology, care and design-, the Critical and Clinical Carthopgrahies Conference evoked the practice of cartography as a means to map the elusive and shifting thresholds between the organic and the inorganic, the innate and the acquired.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCritical and Clinical Carthographies\u003c\/em\u003e arises from a transdisciplinary conference organized by the Theory  Section and Hyperbody of the TU Delft Architecture Department in cooperation with the Bio Mechatronics and Bio Robotics Section of the Department of Bio Mechanical Engineering, TU Delft.    \u003c\/p\u003e\n\u003cp\u003e'The critical […] and the clinical […] may be destined to enter into a new relationship of mutual learning. […] In place of a dialectic which all too readily perceives the link between opposites, we should aim for a critical and clinical appraisal able to reveal the truly differential mechanisms as well as the artistic originalities.' Deleuze, 1967 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e'The ambition of \u003cem\u003eCritical and Clinical Cartographie\u003c\/em\u003es is to rethink medical and design pedagogies in the context of both Affective and Digital Turns. […] The practice of carthograpy is employed for exploring relations between the body, and the machine technologies used in medical care and architecture design, in order to map the ever-shifting thresholds between the organic and the inorganic, the innate and the acquired. The present volume affords the reader a chance to encounter diverse research trajectories in development. The Conference Proceedings, with its intricate entanglement of diverse contributions, constitutes cartography in its own right with an ambition to rethink the established theoretical frameworks.' - Andrej Radman, Stavros Kousoulas\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eAndrej Radman, Stavros Kousoulas, Robert Alexander Gorny, Dulmini Perera, Katharina D. Martin, Halbe Hessel Kuipers, Arthur Waisblat. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Andrej Radman, Stavros Kousoulas (red.)","offers":[{"title":"Default Title","offer_id":28824126162,"sku":"id_00143","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/coverccclowlow.jpg?v=1481879044"},{"product_id":"footprint-18-vol-10-1-constellation-of-awakening-benjamin-and-architecture","title":"Footprint 18 Vol 10\/1 Constellation of Awakening: Benjamin and Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Patrick Healy, Andrej Radman [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-64-9\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMeagan Kerr\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e144\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e19 x 25.7 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003epaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp line-height:=\"\" normal=\"\" font-family:=\"\" verdana=\"\"\u003eRelease date: Spring\/Summer 2016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eCopy editor: Heleen Schröder\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in cooperation with Architecture Theory Chair (TU Delft) and Stichting Footprint: \u003ca href=\"%22http:\/\/footprint.tudelft.nl\/%22\" title=\"%22fp%22\"\u003ehttp:\/\/footprint.tudelft.nl\/\u003c\/a\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor a subscription: \u003ca href=\"%22https:\/\/www.bruil.info\/product\/footprint\/%22\" title=\"%22bs%22\"\u003eBruil \u0026amp; Van de Staaij\u003c\/a\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003ePatrick Healy, Andrej Radman (introduction), Stefan Koller, Lutz Robbers, Jolien Paeleman, Frances Hsu, Ross Lipton, Sarah K. Stanley, Rodrigo Rieiro Díaz, Stéphane Symons, Stephen Michael Witherford    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn \u003cem\u003eDas Passagen-Werk\u003c\/em\u003e Benjamin cites a letter from Marx to Ruge, 'the reform of consciousness consists solely in [...] the awakening of the world from its dream about itself.' This idea of awakening recurs in Benjamin's methodological considerations and his many metaphors during the final thirteen years of his life. Benjamin set himself the pedagogical task of awakening 'the image-making medium within us, raising it to a stereoscopic and dimensional seeing into the depths of historical shadows.' His ambition was to develop the art of citing without quotation marks, a concept intimately related to that of montage.\u003c\/p\u003e\n\u003cp\u003eThe importance of architectural theory for Benjamin is most evident in his last work. From his writings on Berlin childhood, his essay on Moscow and Naples, Benjamin's interest in urban topography can be seen to develop into a full analysis of the city, by developing a method which he refers to as physiognomic and in which, inspired by contemporary surrealist practise, the method of montage becomes critical for his showing how the 'now of recognition' in the image opens the historical to awareness, and constitutes the reality of history. He cites Giedion and sees his own work as engaged in a similar task: 'just as Giedion teaches us to read off the basic features of today's architecture in the buildings erected around 1850,' Benjamin writes, 'we in turn would recognise today's forms, in the life and in the apparently secondary lost forms of that epoch.' \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIt was a matter of immediate concern for Benjamin to examine the secondary, the excluded. By a displacement of the angle of vision a positive element would emerge, something different from that previously signified. History is in the nuance, the dialectical contrast as revealed in Benjamin's Parisian studies of the expressive character of the earliest industrial architecture, machines, department stores and advertisements. Nevertheless, as is clear from his note of the comment from Max Raphael's \u003cem\u003eProudhon, Marx, Picasso\u003c\/em\u003e, Benjamin reproaches Marx for not having advanced along this way in the full measure of the possibilities of historical materialism.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eFootprint 18\u003c\/em\u003e investigates the following issues: what Benjamin understands by the 'constellation of awakening', how he conceptualises 'dialectical images', his deployment of montage, his refusal of a conception of either progress or decline, and his undertaking to show that the images belong not only to a particular time but attain legibility only at a particular time. Famously, according to Benjamin, image is that wherein what has been comes together in a flash with the now to form a constellation. With regard to the architectural theory Benjamin engaged directly with the tectonic tradition, especially the work of Bötticher. He posited the tectonic unconscious and the deployment of optical instruments as crucial for understanding the development which architecture carried from the \u003cem rgb=\"\" font-family:=\"\" verdana-italic=\"\" color:=\"\"\u003eluxus\u003c\/em\u003e capitalist forms of commodity. In light of technical innovations in iron and glass, it expressed a form of projective dream work of the architectural around material realisations as products of the industrial revolution, with long consequences for the future. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eFootprint\u003c\/em\u003e is an academic journal dedicated to publishing architecture and urban research. Architecture and urbanism are the points of departure and the core interests of the journal. From this perspective, the journal encourages the study of architecture and the urban environment as a means of comprehending culture and society, and as a tool for relating them to shifting ideological doctrines and philosophical ideas. The journal promotes the creation and development – or revision - of conceptual frameworks and methods of inquiry. It is engaged in creating a body of critical and reflexive texts with a breadth and depth of thought which would enrich the architecture discipline and produce new knowledge, conceptual methodologies and original understandings.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Patrick Healy, Andrej Radman [red.]","offers":[{"title":"Default Title","offer_id":28824126034,"sku":"id_00150","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/fp18cover.jpg?v=1481879050"},{"product_id":"beelden","title":"BEELDEN","description":"\u003cp\u003e+++Stadsverfraaiing in Rotterdam sinds 1940+++\u003c\/p\u003e\n\u003cp\u003e+++Siebe Thissen+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-62-5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStudio Minke Themans\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e528\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e22 x 28 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003cp\u003ePreface: Sjarel Ex\u003c\/p\u003e\n\u003cp\u003eCopy editing Gerda ten Cate\u003c\/p\u003e\n\u003cp\u003eImage research and image editing: Nienke Post Joop de Jong, Minke Themans\u003c\/p\u003e\n\u003cp\u003ePhoto essay: Otto Snoek\u003c\/p\u003e\n\u003cp\u003eCoordinating editor Eleonoor Jap Sam\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information: \u003ca href=\"%22http:\/\/www.cbkrotterdam.nl%22\" title=\"%22cbk%22\"\u003eCBK Rotterdam \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: June 2016 \u003c\/p\u003e\n\u003cp\u003eMR. J. DUTILHPRIJS 2018\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003ePreview:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/issuu.com\/cbkrotterdam\/docs\/beelden_def_lr_h1\" title=\"%2204%22\"\u003ehttps:\/\/issuu.com\/cbkrotterdam\/docs\/beelden_def_lr_h1  \u003c\/a\u003e   \u003c\/p\u003e\n\u003cp\u003ePhoto: Aad Hoogendoorn\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/beelden.mp4?v=1637658674\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Siebe Thissen","offers":[{"title":"Default Title","offer_id":28824125970,"sku":"id_00151","price":37.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/cover_cbk_beeldenlow.jpg?v=1481879053"},{"product_id":"walls-that-teach","title":"Walls that teach","description":"\u003cp\u003e+++On the Architecture of Youth Centres+++\u003c\/p\u003e\n\u003cp\u003e+++Susanne Pietsch, Andreas Mueller (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-42-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eSandra Kassenaar \/ David Bennewith (Colophon)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e264\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e27,5 x 21 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in co-operation and with the support of the Faculty of Architecture, Delft University of Technology \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e855 grms\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eTranslators: Julienne Peeters-Huybrechts, Cornelia Durka\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Winter 2014 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAwarded with the \u003ca href=\"%22http:\/\/www.dam-online.de\/%22\" title=\"%22DAM%22\"\u003eDAM ARCHITECTURAL BOOK AWARD 2015\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAwarded \u003ca href=\"%22http:\/\/www.bestverzorgdeboeken.nl\/en\/%22\" title=\"%22bvb%22\"\u003eBest Dutch Book Design 2015\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e“In this house the walls will teach” declared the Soviet news agency Pravda at the inauguration of the Moscow Palace of Young Pioneers in 1962. This statement casually formulates a recurring motif in the history of architecture for youth: the claim to educate through the built environment. Young people were considered ideal targets for this approach of social constructivism due to their ambivalent status as objects of social rights but not yet subjects of political rights. The organisation of youth centres around leisure time activities partially concealed their educational goals and consequently made them all the more pervasive. The pedagogical power of their architecture is found not only in design but also in modes of using, appropriating and inhabiting them.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContaining 14 essays and 25 case studies, this book traces the manifestations of the idea of pedagogical architecture of youth centres throughout the 20th century.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eSusanne Pietsch and Andreas Mueller (editors\/introduction), Tom Avermaete, Marina van den Bergen, Dolf Broekhuizen, Peter Blundell Jones, Matthias Donath, Jennifer Mack, Marco di Nallo, Susan Reid, Sue Robertson, Piet Vollaard\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the editors\u003c\/h6\u003e\n\u003cp\u003eAndreas Mueller works as an architect in Berlin. He is founder and co-publisher of the magazine An Architektur and was teaching Urban Design at HafenCity University Hamburg. Present he is Professor for exhibition design at the Karlsruhe University of Arts and Design.Within the Kooperative für Darstellungspolitik he designs exhibitions and display concepts for public spaces.\u003c\/p\u003e\n\u003cp\u003eSusanne Pietsch is trained as an interior architect and architect. Her practice is based in Rotterdam. She has taught at Trier University of Applied Sciences and the University of Buenos Aires, where she also conducted research on the spatial effects of self-organized social and cultural institutions on the public domain. Since 2006 she has been engaged at the Architecture Faculty of the TU Delft as a teacher and coordinator in the Chair of the Architecture of the Interior.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/walls_that_teach.mp4?v=1637659193\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Susanne Pietsch, Andreas Mueller (red.)","offers":[{"title":"Default Title","offer_id":28824125906,"sku":"id_00122","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/walls_coverbluefront.jpg?v=1481879055"},{"product_id":"company-movements-deals-and-drinks","title":"Company: Movements, Deals and Drinks","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Myvillages, Kathrin Bohm, Miranda Pope (eds.), with textcontribtions by Kathrin Bohm, David Boyle, Céline Condorelli, Seb Emina, Gilda O'Neill, Doina Petrescu and Constantin Petcou, Miranda Pope, Marijke Steedman+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-56-4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eNiels Schrader, Mind Design\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e240\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15.5 x 22 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information: \u003ca href=\"%22http:\/\/c-o-m-p-a-n-y.info\/%22\" title=\"%22co%22\"\u003ehttp:\/\/c-o-m-p-a-n-y.info\/ \u003c\/a\u003e\u003ca href=\"%22http:\/\/www.createlondon.org%22\" title=\"%22create%22\"\u003ewww.createlondon.org \u003cbr\u003e\u003c\/a\u003e\u003ca href=\"%22http:\/\/www.createlondon.org%22\" title=\"%22create%22\"\u003e\u003c\/a\u003e\u003ca title=\"%22my%22\" href=\"%22http:\/\/www.myvillages.org%22\"\u003ehttp:\/\/www.myvillages.org\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e439 grms\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: October 2015. Book launch during Frieze London, and Frankfurt Book Fair.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eCompany: Movements, Deals and Drinks\u003c\/em\u003e is the winner of the 2014 Create Art Award by Create London and supported by Bank of America Merrill Lynch. \u003cbr\u003eThe London Borough of Barking and Dagenham supports the project since 2014.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eMyvillages is a pan-national artist group founded in 2003 by Kathrin Böhm, Wapke Feenstra, and Antje Schiffers. Its work addresses the evolving relationship between the rural and the urban, looking at different forms of production, pre-conceptions and power relationships.\u003c\/p\u003e\n\u003cp\u003eCurrent and recent projects include \u003cem\u003eInternational Village Show\u003c\/em\u003e (2014 – 16) for the Museum of Contemporary Art Leipzig, Germany, \u003cem\u003e Forms of Lending Shapes\u003c\/em\u003e, A-Z Marzona Collection, Hamburger Bahnhof, Berlin, \u003cem\u003eUmeå Pantry\u003c\/em\u003e for Bildmuseet Umeå, Sweden and \u003cem\u003eFarmers and Ranchers\u003c\/em\u003e with M12, Colorado, USA and Fries Museum, the Netherlands.\u003c\/p\u003e\n\u003cp\u003eMyvillages works on a number of long-term projects with a focus on the particular local, but all projects develop trans-local connections within pan cultural and  pan national networks, for example in projects such as \u003cem\u003eI like being a farmer and want to stay one\u003c\/em\u003e, \u003cem\u003ethe Bibliobox\u003c\/em\u003e and \u003cem\u003ethe International Village Sho\u003c\/em\u003ep, all started around 2005 and ongoing.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eOne of London's well-remembered but fairly unknown histories is that between the early 1800s to the 1950s up to 250,000 working-class Londoners – mainly women and children – would leave the East End to spend the late summer weeks in the Kent countryside to 'go picking', creating a unique urban-rural relationship and lived culture.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCompany: Movements, Deals and Drinks\u003c\/em\u003e is a long-term art project by Myvillages to revisit the 'picking days' while at the same time opening up a full circle of fruit harvest, beverage production and drinks trade as a collective endeavour. \u003c\/p\u003e\n\u003cimg class=\"%22image-center\" src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/company_layout_138139low\/company_layout_138139low_350x248.jpg\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eCompany: Movements, Deals and Drinks\u003c\/em\u003e looks at the complex social currency, histories and politics of access to the countryside, food production, everyday culture and current interest in commoning. These ideas are explored by navigating relationships between rural processes, urban communities and local land use in order to establish a new kind of company.\u003c\/p\u003e\n\u003cp\u003eIn its proposition, \u003cem\u003eCompany: Movements, Deals and Drinks\u003c\/em\u003e is reminding us that rural and urban conditions are inherently connected in multiple ways, and the book follows the productive and reproductive cycles of the project in order to describe and expand on the different anticipated and practiced meanings of the project's four word title.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the editors\u003c\/h6\u003e\n\u003cimg class=\"%22image-center%22\/\" src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/company_layout_044045low\/company_layout_044045low_350x248.jpg\"\u003e\n\u003cp\u003eKathrin Böhm is a founding member of Myvillages and the London-based art and architecture group Public Works, whose participatory and collaborative public realm and design works include Park Products for Serpentine Galleries, London and 1000 bags here and now for Whitechapel Gallery, London. Böhm has recently curated\u003cem\u003e Trade Show\u003c\/em\u003e, together with Gavin Wade, for Eastside Projects in Birmingham and RUrban in Paris and is a co-organiser of the trans-local Eco Nomadic School network. Böhm is running monthly \u003cem\u003eHaystacks \u003c\/em\u003ein London, a series of informal events about rural realities and links.\u003c\/p\u003e\n\u003cp\u003eMiranda Pope is a writer, curator and researcher in the department of Art at Goldsmiths. She is developing a notion of the ecological that is understood as an on-going process of thinking and doing that exposes and questions interests of all entities within assemblages, along with the intertwined politics of doing this, and exploring the possibilities for new curatorial forms to emerge out of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/company-_movements_deals_and_drinks.mp4?v=1637666959\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Myvillages, Kathrin Bohm, Miranda Pope (red.), met tekstbijdragen van Kathrin Bohm, David Boyle, C\u0026eacute;line Condorelli, Seb Emina, Gilda O\u0026#039;Neill, Doina Petrescu and Constantin Petcou, Miranda Pope, Marijke Steedman","offers":[{"title":"Default Title","offer_id":28824125714,"sku":"id_00139","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/company_omslag_front.jpg?v=1481879064"},{"product_id":"urbanized-deltas-in-transition","title":"Urbanized deltas in transition","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Han Meyer, Steffen Nijhuis (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-8594-054-8 [techne press]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eLinda Swaap, Accu grafisch ontwerpers\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e104\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 33 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: May 2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eMade possible by Delft University of Technology\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eUrbanized deltas are highly complex systems. They are the most densely urbanized and industrialized areas in the world; at the same time they face many threats from climate change, being extremely vulnerable to flooding, erosion, and silting up of ports. At the beginning of the 21st century, most of the world's urban deltas face a 'critical transition', in response to increasing imbalances. Climate changes and societal developments lead to conflicting land use claims, with space for water on the one hand and urbanization, industry and agriculture on the other. In order to survive in the long term, urban deltas need to be approached from new perspectives, as adaptive systems. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUrbanized Deltas in Transition\u003c\/em\u003e compares eight international urban deltas. Exploiting the power of Geographic Information Systems (GIS) and employing high-quality global datasets, it studies the mutual relations among different components in a series of urban deltas, and proposes new perspectives for enhancing the adaptability of these vital regions.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/p.17urbanized_deltalow\/p.17urbanized_deltalow_350x481.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eContributions by Robert Broesi, MUST; Richard Campanella, Tulane School of Architecture; Thomas Colbert, University of Houston, Joao Pedro Costa, University of Lisbon; Wolbert van Dijk;  Marcel Marchand, Deltares; Han Meyer, TU Delft; Dirk Neumann, MUST; Steffen Nijhuis, TU Delft; Pham Quang Dieu, University of Ho Chi Minh City; Michiel Pouderoijen, TU Delft; Joao Figueira de Sousa, University of Lisbon; Trang Le, National University of Hanoi, Paola Viganò, University of Venice, IUAV; Veronica Zagare, University of Buenos Aires, and a preface by Patricia Belton Oliver (Dean Gerald D. Hines College of Architecture, University of Houston).\u003c\/p\u003e\n\u003cp\u003eKeywords: Delta urbanism, Mapping in landscape architecture and urban design, Urbanization, Resilience, Sustainable urban planning, Comparative research, Design research, Research-by-Design, Geographic Information Systems, Global datasets. \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/p.24urbanized_deltalow\/p.24urbanized_deltalow_350x481.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e","brand":"Han Meyer, Steffen Nijhuis (red.)","offers":[{"title":"Default Title","offer_id":28824125522,"sku":"id_00132","price":29.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/74.jpg?v=1481879071"},{"product_id":"footprint-17-vol-9-2-the-bread-butter-of-architecture","title":"Footprint 17 Vol 9\/2 The 'Bread \u0026 Butter'of Architecture","description":"\u003cp\u003e+++Investigating Everyday Practices+++\u003c\/p\u003e\n\u003cp\u003e+++Nelson Mota, Ricardo Agarez [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-61-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMeagen Kerr\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e184\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e19 x 25.7 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eCopy editor: Heleen Schröder\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Autumn\/Winter 2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in cooperation with Architecture Theory Chair (TU Delft) and Stichting Footprint: \u003ca href=\"%22http:\/\/footprint.tudelft.nl\/%22\" title=\"%22fp%22\"\u003ehttp:\/\/footprint.tudelft.nl\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor a subscription: \u003ca href=\"%22https:\/\/www.bruil.info\/product\/footprint\/%22\" title=\"%22bs%22\"\u003eBruil \u0026amp; Van de Staaij\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp color:=\"\" rgb=\"\" font-family:=\"\" verdana=\"\" sans-serif=\"\"\u003eThe canon of western contemporary architecture has overlooked everyday, 'salaried' architecture – overwhelming as it may have turned out to be in our built environment – praising instead the solo designer and his ground-breaking work. \u003c\/p\u003e\n\u003cp color:=\"\" rgb=\"\" font-family:=\"\" verdana=\"\" sans-serif=\"\"\u003e Since World War I, the social role of the architect (in terms both of his or her place in social hierarchies and of his or her contribution for social betterment) seems to have been primarily tested, and largely consolidated, in 'departmental architecture'. Yet the work of county, city and ministerial architects, heads of department in welfare commissions, guilds and cooperatives, is seldom discussed as such: its specificity as the product of institutional initiatives and agents, as the outcome of negotiation between individual and collective agendas, remains little explored, even when authors celebrate the many public-designed projects that are part of the canon. On the other hand, commercially driven architecture and the business side of the profession are still anathema for many, despite being essential factors in the discipline's position in society.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eFootprint 17\u003c\/em\u003e addresses the architectural production of those who played their part in inconspicuous offices and unexciting departments, and that contribute insights to discuss the place of the architecture of 'bread \u0026amp; butter' in architectural history studies and in the politics of architectural design and theory. \u003c\/p\u003e\n\u003cp\u003eThis issue of \u003cem\u003eFootprint \u003c\/em\u003eexplores intellectual frameworks, didactic practices, research methods and analytical instruments that project the disciplinary focus further than the work of the 'prime mover', discussing the relevance of 'salaried' architects and institutional agency in shaping the spatial and social practices of the everyday. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith text contributions by: Ricardo Agarez, Nelson Mota (editors), Nick Beech, Amir Djalali, Andri Gerber, Ellen Rowley, Tim Gough, Elizabeth Keslacy.  A visual essay by João Paulo Martins, Sofia Diniz. And review articles by Karen Lisa Burns, Justine Clark, Jullie Willis; Tahl Kaminer; Javier Arpa.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eFootprint\u003c\/em\u003e is an academic journal dedicated to publishing architecture and urban research. Architecture and urbanism are the points of departure and the core interests of the journal. From this perspective, the journal encourages the study of architecture and the urban environment as a means of comprehending culture and society, and as a tool for relating them to shifting ideological doctrines and philosophical ideas. The journal promotes the creation and development – or revision - of conceptual frameworks and methods of inquiry. It is engaged in creating a body of critical and reflexive texts with a breadth and depth of thought which would enrich the architecture discipline and produce new knowledge, conceptual methodologies and original understandings.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Nelson Mota, Ricardo Agarez [red.]","offers":[{"title":"Default Title","offer_id":28824125394,"sku":"id_00147","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/coverfootprint17low.jpg?v=1481879076"},{"product_id":"the-making-of-polder-cities","title":"The Making of Polder Cities","description":"\u003cp\u003e+++A Fine Dutch Tradition+++\u003c\/p\u003e\n\u003cp\u003e+++Fransje Hooimeijer+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-50-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStudio Minke Themans\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e264\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e25 x 28 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1143 grms \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is published with the support of Delft University of Technology\/DIMI, EFL Stichting, Stichting Job Dura Fonds, Stichting Bevordering Volkskracht\/Jurriaanse, G.Ph. Verhagen-Stichting, Stadsarchief Rotterdam, Deltaprogramma NHS, Stichting N.H. Bos, Delft University of Technology\/Environmental Technology and Design \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn the Netherlands, climate change has brought more frequent and extreme rainfall causing pluvial flooding.  Though the Dutch have dealt with water for centuries, since the Industrial Revolution urban water systems have become very inflexible and are now unable to deal with these new conditions. Despite the long tradition of building in wet and soft soil conditions, there has been little systematic research on building-site preparation and its relation to urban development and design. \u003c\/p\u003e\n\u003cp\u003eThis book addresses this issue, investigating the relation between the available technology, the attitude towards the natural conditions, and the urban design in a framework of seven phases. Until the Industrial Revolution, methods of construction, specifically the way the city could be made, were the basis for the urban design. However, since technology has made it possible to start with the urban design, the connection with the natural system of the landscape has been lost. By understanding the hydrological system and appropriate methods of building-site preparation, we can reconnect urban design to the natural system.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/themakingofpoldercitiesspread174175low\/themakingofpoldercitiesspread174175low_350x196.jpg\" class=\"%22image-center%22\/\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/themakingofpoldercitiesspread89low\/themakingofpoldercitiesspread89low_350x196.jpg\" class=\"%22image-center%22\/\"\u003e\n\u003cp\u003eFransje Hooimeijer studied Arts and Culture Studies in Rotterdam Erasmus University and has worked as an independent researcher in the fields of architecture, urban design and landscape architecture since 1997. In addition to various publications and exhibits, she has done research for government and corporate clients. \u003c\/p\u003e\n\u003cp\u003eHooimeijer received her PhD in Urbanism from the Faculty of Architecture at the Delft University of Technology in 2011. Since 2009, she has worked as a researcher at the Delft University of Technology and at TNO, investigating the technology of urban development in the light of climate change and the energy transition. One of her main research topics is integrating the subsoil system into above-ground spatial development. Since 2012, she has been Assistant Professor in Environmental Design and Technology, continuing research in technical systems of urban development and transferring this knowledge to master's students of Urbanism. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fransje Hooimeijer","offers":[{"title":"Default Title","offer_id":28824125266,"sku":"id_00129","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/poldercitiesomslag.jpg?v=1481879082"},{"product_id":"high-rise-and-the-sustainable-city","title":"High-rise and the Sustainable City","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Han Meyer, Daan Zandbelt (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-8594-049-4 [techne press]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eIngeborg Scheffers\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e192\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: June 2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFinancially supported by the Dutch Council on Tall Buildings (Stichting Hoogbouw) Rotterdam, and the Faculty of Architecture, Delft University of Technology.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eCan high-rises make a fruitful contribution to making cities more sustainable? Many argue that high-rises deliver positive environmental effects, such as densification, and reduction of traffic and C02 emissions. But is it really that simple?With ten contributions from international architects and urban designers, this book addresses the key elements when considering the role of high-rise in a sustainable urban future.\u003c\/p\u003e\n\u003cp\u003eContributions by Peter Bosselmann, Markus Appenzeller, Lora Nicolaou, Meta Berghauser Pont, Emiel Arends, Frank van der Hoeven, Steffen Nijhuis, Andy van den Dobbelsteen, Kees Kaan, Robert Powell, Daan Zandbelt and Han Meyer.\u003c\/p\u003e\n\u003cp\u003eAbout the editors: Han Meyer is Professor Theory and Methods of Urban Design at Delft University of Technology and his research concerns the transformation of port cities, state of the art of Dutch Urbanism and Delta Urbanism. Daan Zandbelt is the co-owner of Zandbelt@vandenBerg, an office for architecture and urbanism projects.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Han Meyer, Daan Zandbelt (red.)","offers":[{"title":"Default Title","offer_id":28824125202,"sku":"id_00133","price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/highrisecover.front648.jpg?v=1481879085"},{"product_id":"a-decade-of-country-hits","title":"A Decade of Country Hits","description":"\u003cp\u003e+++Art on the Rural Frontier+++\u003c\/p\u003e\n\u003cp\u003e+++Edited by Margo Handwerker | Foreword by Richard Saxton+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-40-3\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003ePeter de Kan\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e544\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 23 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eBound with open spine\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1304 grms \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Spring 2014 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information also see: \u003ca href=\"http:\/\/www.richardsaxton.org\" title=\"%22richardsaxton%22\"\u003ewww.richardsaxton.org\u003c\/a\u003e \u003ca href=\"http:\/\/m12studio.org\" title=\"%22m12%22\"\u003ewww.M12studio.org\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eArt has its Billboard charts. They focus mostly on artists and exhibitions in urban centers.\u003cem\u003e A Decade of Country Hits\u003c\/em\u003e is devoted to uncharted hits thriving instead on rural aesthetics and rural knowledge. \u003c\/p\u003e\n\u003cp\u003eThis richly illustrated volume documents ten years of collective works initiated by artist Richard Saxton in rural communities around the world, from the American Midwest and Southwest to parts of Europe, Australia, and South America. Impossible to attribute to any one artistic genre, the works archived here explore a growing community of artists and researchers drawn to the rural experience in all its complexity. It resembles a sketchbook: with drawings, photographs, and from the hip accounts in the field, as well as contributions from likeminded artists, musicians, poets, and writers. \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/m12_portrait_low\/m12_portrait_low_350x250.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by:\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003eA Decade of Country Hits \u003c\/em\u003eincludes an international roster of contributors. \u003c\/p\u003e\n\u003cp\u003eIt contains interviews with\u003cstrong\u003e Todd Bockley\u003c\/strong\u003e, co-director of the Center for Social Sculpture; \u003cstrong\u003eTwink Metzler\u003c\/strong\u003e, founder of Living Room Studios; architectural historian \u003cstrong\u003eRobert Nauman\u003c\/strong\u003e; and \u003cstrong\u003eWapke Feenstra\u003c\/strong\u003e, artist and co-founder of Myvillages. Featured throughout are new collaborations with \u003cstrong\u003eZach Boddicker\u003c\/strong\u003e, singer and songwriter for 4H Royalty; \u003cstrong\u003eKurt Wagner\u003c\/strong\u003e, singer and songwriter for Lambchop; and \u003cstrong\u003eMatthew Fluharty\u003c\/strong\u003e, director of Art of the Rural. Providing context for the work are essays by artist \u003cstrong\u003eStuart Hyatt\u003c\/strong\u003e, founder of TEAM Records; as well as essays by critics and writers \u003cstrong\u003eJosh Garrett-Davis\u003c\/strong\u003e, author of \u003cem\u003eGhost Dances: Proving Up on the Great Plains\u003c\/em\u003e; \u003cstrong\u003eMimi Zeiger\u003c\/strong\u003e, author of\u003cem\u003e New Museums: Contemporary Museum Architecture Around the World\u003c\/em\u003e,\u003cem\u003e Tiny Houses\u003c\/em\u003e, and\u003cem\u003e Micro Green\u003c\/em\u003e; and \u003cstrong\u003eEnrique Ramirez\u003c\/strong\u003e, whose writing has appeared in \u003cem\u003ePerspecta\u003c\/em\u003e, \u003cem\u003eThresholds\u003c\/em\u003e, \u003cem\u003eAA Files, \u003c\/em\u003eand elsewhere.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/9_m12_slide_bigfeed\/9_m12_slide_bigfeed_350x269.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn addition are essays by award-winning artists \u003cstrong normal=\"\"\u003eMarjetica \u003c\/strong\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003ePotrc\u003c\/strong\u003e, \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eChris Sauter\u003c\/strong\u003e, and \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eFernando García-Dory\u003c\/strong\u003e, founder of \u003cem\u003eA Shepherds School\u003c\/em\u003e; as well as essays by curators, \u003cstrong normal=\"\"\u003eIan Hunter\u003c\/strong\u003e, director of the LITTORAL Arts Trust; \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eMarco Marcon\u003c\/strong\u003e, co-founder of International Art Space, and \u003cstrong normal=\"\"\u003eKirsten Stoltz\u003c\/strong\u003e, programming director of the M12 Collective. \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eThe M12 Collective's \u003c\/strong\u003erecent exhibitions and commissioned works have appeared at the Kalmar Konstmuseum; the 13th International Venice Architecture Biennale; the Chicago Cultural Center, Franklin Street Works; the Wormfarm Institute; the 2011 Australian Biennial spaced: art out of place; and the 2010 Biennial of the Americas. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eEdited by:\u003c\/h6\u003e\n\u003cp\u003e\u003cem style=\"%22mso-bidi-font-style: normal%22;\"\u003eA Decade of Country Hits \u003c\/em\u003eis edited by Margo Handwerker and Richard Saxton. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eMargo Handwerker\u003c\/strong\u003e is a Critical Studies Lecturer in the Department of Architecture \u0026amp; Urban Design at the University of California, Los Angeles. She has co-curated exhibitions at the Museum of Fine Arts, Houston and the NAiM\/Bureau Europa. Her writing has appeared in the \u003cem normal=\"\"\u003eJournal of Architectural Education, Art Lies: A Contemporary Art Quarterly, Abitare, Volume\u003c\/em\u003e, and\u003cem style=\"%22mso-bidi-font-style: normal%22;\"\u003e Pidgin Magazine; as well as in exhibition catalogues for \u003cem\u003eEverything Loose Will Land\u003c\/em\u003e\u003c\/em\u003e, \u003cem\u003espaced: art out of place\u003c\/em\u003e, and \u003cem\u003eNobody's Property: Art, Land, Space, 2000–2010\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eRichard Saxton\u003c\/strong\u003e is a visual artist and educator currently living in Colorado, where he is an Associate Professor in the Department of Art \u0026amp; Art History at the University of Colorado Boulder. He is the founder and creative director of the M12 Collective, an interdisciplinary group that creates and supports experiential projects exploring the value of rural communities and their surrounding landscapes.  \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/m12_ornitarium1\/m12_ornitarium1_350x267.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/a_decade_of_country_hits.mp4?v=1638195358\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Onder redactie van Margo Handwerker | Voorwoord door Richard Saxton","offers":[{"title":"Default Title","offer_id":28824125138,"sku":"id_00116","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/decade_low.jpg?v=1486641281"},{"product_id":"nosso-lar-brasilia","title":"NOSSO LAR, BRASILIA","description":"\u003cp\u003e+++Spiritism - Modernism - Architecture+++\u003c\/p\u003e\n\u003cp\u003e+++Jonas Staal+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-45-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eRemco van Bladel \/ Studio for Graphic Design and typography\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e160\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12.5 x 18.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEditor: Vincent W.J. van Gerven Oei; Editor\/Proofreader: Urok Shirhan; Translation English\/Portugese: Noelly Russo.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by Extra City, Antwerp, Belgium; Ministry of Culture, Brazil; Mondriaan Fund, Amsterdam, The Netherlands; PhDArts, The Hague\/Leiden, The Netherlands; Promoveren in de Kunsten, Amsterdam, The Netherlands.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is produced by Capacete, Rio de Janeiro\/São Paulo, Brazil. \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eNosso Lar, Brasília\u003c\/em\u003e explores the relationship between Spiritism and Modernism in Brazilian architecture. Central to the book is a systematic comparison between the spiritist city of Nosso Lar (1944), as described by the medium Chico Xavier; and the modernist city of Brasília (1956), the country's capital as designed by Lúcio Costa and Oscar Niemeyer.\u003c\/p\u003e\n\u003cp\u003eJonas Staal (1981) is a visual artist whose work deals with the relationship between art, democracy and propaganda. He is the author of among others \u003cem\u003e\u003ca href=\"%22http:\/\/www.japsambooks.nl\/en\/books\/art\/post-propaganda\/82%22\" title=\"%22posty%22\"\u003ePost-Propaganda\u003c\/a\u003e\u003c\/em\u003e (Amsterdam: Foundation BKVB, 2009); \u003cem\u003e\u003ca href=\"%22http:\/\/www.japsambooks.nl\/en\/books\/art\/power-to-which-people\/6%22\" title=\"%22pw%22\"\u003ePower?... To Which People?!\u003c\/a\u003e\u003c\/em\u003e(Heijningen: Jap Sam Books, 2010) and \u003cem\u003eClosed Architecture\u003c\/em\u003e (Eindhoven: Onomatopee, 2011).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/79b5f4c6608c4713839e49d631ed196c.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jonas Staal","offers":[{"title":"Default Title","offer_id":28824124882,"sku":"id_00124","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/nossolarcoverfront_loew.jpg?v=1481879097"},{"product_id":"the-myth-of-artisthood","title":"The Myth of Artisthood","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Camiel van Winkel+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-76936-40-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStout \/ Kramer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e85\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12.4 x 18.6 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eTranslation: Mike Ritchie. Editor: Lex ter Braak. Final editor: Janey Tucker\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis is a publication in a series of essays commissioned by the Mondriaan Fonds (former Netherlands Foundation for Visual Arts, Design and Architecture). \u003c\/p\u003e\n\u003cp\u003eFor more information: \u003ca title=\"%22mondriaan%22\" href=\"%22http:\/\/www.mondriaanfonds.nl\/%22\"\u003eMondriaan Fonds\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eArtisthood is a myth – even today. Just as the aura of the work of art, demolished on countless occasions in the twentieth century, rises repeatedly from the ashes, so too clichéd ideas about the visionary artist and the healing power of art continue to recur. Such commonplaces are the most resilient of all; they have a mythical power. Are all artists, by definition, trapped in the myth of artisthood? Can this myth be ignored, defused or even dismantled? Is any kind of artistic practice conceivable without mystification and a claim to special status?\u003c\/p\u003e\n\u003cp\u003eThe essay was one of the first in a series issued by the Mondriaan Fund (former Fonds BKVB) to promote thinking about art and artisthood. In the years since its original publication, Van Winkel's essay has made a significant contribution to the contemporary discourse on what it means to be an artist today.The text developed out of Van Winkel's work as professor of the research group Visual Arts at AKV|St.Joost, Avans University, 's-Hertogenbosch.\u003c\/p\u003e\n\u003cp\u003eFive years after its publication, the continuing interest shown in the subject by the international art world has now prompted the publication of this English-language edition, prepared in collaboration with the author and with an afterword written by him.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCamiel van Winkel (1964) writes on contemporary art and occasionally curates exhibitions. Based in Amsterdam, he teaches art theory and art philosophy at Sint-Lukas University College of Art and Design in Brussels. He is advisor at the Rijksakademie, Amsterdam. He is the author of \u003cem\u003eModerne leegte. Over kunst en openbaarheid\u003c\/em\u003e (1999), \u003cem\u003eThe Regime of Visibility\u003c\/em\u003e (2005) and \u003cem\u003eDuring the Exhibition the Gallery Will Be Closed. Contemporary Art and the Paradoxes of Conceptualism\u003c\/em\u003e (2012).\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/the_myth_of_artisthood.mp4?v=1637844105\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Camiel van Winkel","offers":[{"title":"Default Title","offer_id":28824124818,"sku":"id_00115","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/mf_essays_covers_japsam_themyth.jpg?v=1481879100"},{"product_id":"creativity-and-other-fundamentalisms","title":"Creativity and Other Fundamentalisms","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Pascal Gielen+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-76936-39-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStout \/ Kramer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e120\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12.4 x 18.6 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eTranslation and final editing: Leo Reijnen. Editor: Mirjam Beerman, Steven van Teeseling\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis is a publication in a series of essays commissioned by the Mondriaan Fonds (former Netherlands Foundation for Visual Arts, Design and Architecture). \u003c\/p\u003e\n\u003cp\u003eFor more information: \u003ca href=\"%22http:\/\/www.mondriaanfonds.nl\/%22\" title=\"%22mondriaan%22\"\u003eMondriaan Fonds\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e248 grms \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe magic word these days is 'creativity'. And not just for artists: managers and policymakers alike demand creativity. Even family therapists and mediators urge us to find more creative solutions. Nowadays, creativity is all about positive morality. We expect nothing but good from it. But what remains of the meaning of the word when just about everybody is using it to death? And where does this hunger for creativity come from? Isn't it instead a sign of a creeping loss of true creativity?\u003c\/p\u003e\n\u003cp\u003eThis essay primarily concerns itself with the social context of creativity. Pascal Gielen relates the story of the process of the social (re)creation of creativity by taking you on an eight-day journey.\u003c\/p\u003e\n\u003cp\u003eThe text is part of a series issued by the Mondriaan Fund to promote thinking about visual art and artisthood.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePascal Gielen (1970) is director of the research center Arts in Society at the Groningen University where he is associate Professor sociology of art. Gielen leads also the research group and book series 'Arts in Society' (Fontys College for the Arts, Tilburg). He has written several books on contemporary art, cultural heritage and cultural politics.  In 2009 Gielen edited together with Paul De Bruyne the book \u003cem\u003eBeing an Artist in Post-Fordist Times\u003c\/em\u003e, and he published his new monograph \u003cem\u003eThe Murmuring of the Artistic Multitude. Global Art, Memory and Post-Fordism\u003c\/em\u003e. In 2011 De Bruyne en Gielen edited the book \u003cem\u003eCommunity Art. The Politics of Trespassing\u003c\/em\u003e and in January 2012 their book \u003cem\u003eTeaching Art in the Neoliberal Realm. Realism versus Cynicism\u003c\/em\u003e was launched. At the moment Gielen is composing the reader \u003cem\u003eInstitutional Attitudes. Instituting Art in a Flat World\u003c\/em\u003e.\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/0ce106f6d990406c97b30ed06ff5da13.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Pascal Gielen","offers":[{"title":"Default Title","offer_id":28824124754,"sku":"id_00114","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/mf_essays_covers_japsam_creativity.jpg?v=1481879103"},{"product_id":"eco3-doendenken","title":"Eco3: Doendenken","description":"\u003cp\u003e+++Rotterdam Vakmanstad \/ Skillcity 2010 - 2012+++\u003c\/p\u003e\n\u003cp\u003e+++Henk Oosterling+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-35-9\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003ePaul Stoute\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e528\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 15,5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: 27 mei 2013\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eEco3: Doendenken \u003c\/em\u003e(Refl\u003cem\u003eactions\u003c\/em\u003e) will be published as a follow up of the book \u003ca title=\"%22waden%22\" href=\"%22..\/..\/..\/..\/..\/en\/books\/philosophy\/woorden-als-daden\/46%22\"\u003e\u003cem\u003eWoorden als Daden\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEco3: Doendenken \u003c\/em\u003e(Refl\u003cem\u003eactions\u003c\/em\u003e) is a speculative account of the executed projects, varying from eco-education in primary schools to the complete approach to problems in big cities, focused on sustainability. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eEco3: Doendenken\u003c\/em\u003e describes and evaluates the scenarios centred around the core themes: health, craftsmanship, sustainability and integration. Consequently, building up the community on a neighbourhood level will have prospects for the entire development of the area and will stand out from a view of sustainability in a physical, social and mental respect (Eco3). Thinking and actions will unite,  starting from a network of theoretical arguments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003eDr. Henk Oosterling studied philosophy, linguistics and Japanese language at the University of Leiden and Erasmus University Rotterdam and now teaches dialectical method, contemporary French philosophy and aesthetics. As coordinator of the Center for Philosophy \u0026amp; Arts (CFK) he initiated and supervises the research program 'Intermediality. On the borders between philosophy, arts and politics'. He is chief-editor of the CFK series CFKj and InterAkta. He was member of the executive board of the International Association for Philosophy and Literature (IAPL) (2001-2005) and now chairs the Dutch Aesthetics Federation (DAF).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/1783a9078cd74034a272a8bdb51b361c.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Henk Oosterling","offers":[{"title":"Default Title","offer_id":28824124498,"sku":"id_00106","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/coverdddef3_low.jpg?v=1481879114"},{"product_id":"ia-5-robotics-in-architecture","title":"iA#5 - Robotics in Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis, Henriette Bier [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-31-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDanielle van Steenbergen\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e108\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 12\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of Release: December 2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possible by the Delft University of Technology.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe theme of \u003cem\u003eiA#5 \u003c\/em\u003eis \u003cem\u003eRobotics in Architecture\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eUnderstanding buildings from a life-cycle perspective with respect to their economical and ecological impact on society at large requires the development of unprecedented concepts and practical applications for interactive, robotic architecture, leading to the emergence of active and pro-active building components, which act and interact in ever-changing environments. Furthermore, this requires the development of seamless, robotics supported design, fabrication, assembly, operation and maintenance processes. The fifth\u003cem\u003e IA\u003c\/em\u003e issue on robotics addresses all these aspects on some level focusing on reconfigurable architecture that is incorporating sensing-actuating mechanisms in order to enable buildings to interact with their users and surroundings. \u003c\/p\u003e\n\u003cp\u003eThe iA-bookazine series brings together interdisciplinary contributions on the topic of 'Interactive Architecture (iA)' from researchers, students, guest lecturers from Hyperbody, Factulty of Architecture, Delft University of Technology and experts from various other organizations. This fifth issue consists of papers, educational reports, workshops, dialogues and related information.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eContributors to this issue of IA:\u003c\/h6\u003e\n\u003cp\u003eHenriette Bier (Germany), Marcus Chaidez (USA), Stefan Dulman (Romania), Christian Friedrich (Germany), Tomasz Jaskiewicz (Poland), Gijs Joosen (the Netherlands), Marta Malé-Alemany (Spain), Kas Oosterhuis (the Netherlands).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/f556d322147e4a8fb4045a131f07f22d.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Kas Oosterhuis, Henriette Bier [red.]","offers":[{"title":"Default Title","offer_id":28824124370,"sku":"id_00101","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_ia5_low.jpg?v=1481879116"},{"product_id":"a-photographic-portrait-of-a-landscape","title":"A Photographic Portrait of a Landscape","description":"\u003cp\u003e+++New Dimensions in Landscape Philosophy+++\u003c\/p\u003e\n\u003cp\u003e+++Pietsie Feenstra, Wapke Feenstra, myvillages.org+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-37-3\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMind Design - Niels Schrader\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e272\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15,5 x 22 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of Release: November 2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn 2010 Jap Sam Books and Myvillages formed an editorial alliance to produce a new series of books.  This is the second publication in this series of books.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eTranslation NL-EN Kathleen van Overzee-McMillian\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe research for this publication was supported by Fryslan 2018 and Villagers of Wjelsryp.\u003c\/p\u003e\n\u003cp\u003eThis publication was made possible by the Mondriaan Fund and the Netherlands Architecture Fund.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cimg class=\"%22image-left%22\/\" src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/b\/b_350x496.jpg\"\u003e\n\u003cp style=\"%22mso-margin-top-alt: auto; margin-bottom: 13.0pt;\" class=\"%22MsoNormalCxSpFirst%22\" none=\"\" mso-add-space:auto=\"\"\u003eThe term 'landscape' lends itself to countless associations and expectations: there is no single, clear-cut definition of landscape. That's what makes landscape such a good starting point for philosophical questions about the dynamics of cultural centres, the views of institutions and the evolution of culture in a natural environment. \u003c\/p\u003e\n\u003cp style=\"%22mso-margin-top-alt: auto; margin-bottom: 13.0pt;\" class=\"%22MsoNormalCxSpFirst%22\" none=\"\" mso-add-space:auto=\"\"\u003eWho actually owned the land? Who created the landscape? Who determined the cultural rhythm? Who laid claim to the soil?  This book unravels these questions and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eA Photographic Portrait of a Landscape\u003c\/em\u003e is a micro study that explores cultural centres and land ownership. The expansion of the European Union has been accompanied by a growing interest in national identity, which uses landscape as a projection screen for envisaged expectations. The theories of Ton Lemaire (\u003cem\u003eFilosofie van het landschap,\u003c\/em\u003e1970) and the post-colonial approach to culture of Homi K. Bhabha (\u003cem\u003eThe \u003cem\u003eLocation of Culture\u003c\/em\u003e\u003c\/em\u003e, 1994) are our guides on a journey through a landscape in the north of the Netherlands. \u003cimg class=\"%22image-left%22\/\" src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/d\/d_350x497.jpg\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePietsie Feenstra's (Sorbonne Nouvelle, Paris III) essay on cultural history takes us on a filmic journey through a terp landscape in the Dutch province of Friesland, interpreting and uncovering its secrets by sifting through photographic images and delving into archives.  She was inspired by an album of photos from 1978 that show the Frisian village of Wjelsryp.\u003cbr\u003e\u003cbr\u003eThe visual essay by Wapke Feenstra (myvillages.org) is a collation of recent landscape photos, photos taken by local residents, poetry, information about the land, and a grass herbarium. The landscape is presented from the perspective of the local dweller. \u003c\/p\u003e\n\u003cp\u003eIn the book eight poems by Beart Oosterhaven included, translated in to English by Geart fan der Mear.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the authors\u003c\/h6\u003e\n\u003cimg class=\"%22image-left%22\/\" src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/e\/e_350x486.jpg\"\u003e\u003cstrong\u003ePietsie Feenstra\u003c\/strong\u003e lectures in the Cinéma et Audiovisuel, Arts et Média Department at the Sorbonne Nouvelle, Paris III, where she gained her PhD in 2001. She is part of the Théâtres de la Mémoire research group at the Sorbonne and specialises in the relationship between visual culture and historical writings in changing political contexts. Her latest publications include \u003cem\u003eMiradas sobre pasado y presente en el cine español (1990-2005)\u003c\/em\u003e, Hub. Hermans (ed.), Rodopi, 2008; \u003cem\u003eMémoire du cinéma espagnol 1975-2007\u003c\/em\u003e, (ed.) CinémAction, 2009; \u003cem\u003eNew Mythological Figures in Spanish Cinema. Dissident Bodies under Franco,\u003c\/em\u003e Amsterdam University Press, 2011. \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg class=\"%22image-right%22\/\" src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/f_copy1\/f_copy1_350x487.jpg\"\u003e\n\u003cp\u003e\u003cstrong\u003eWapke Feenstra \u003c\/strong\u003eis an artist who derives her inspiration by tapping into local knowledge. Her projects include Former Farmland (Ars Electronica, Linz 2008 and Oldenburg 2009), which explores how memories on a two-dimensional photographic screen can redefine and question the sites that we encounter. Her Moving Landscape project, which ran from 2009 till 2011 in Genk (Belgium) and the surroundings, was a visual roam through land use and primary industries. Feenstra intervenes in an existing visual experiential ecology, in an existing landscape (usually rural, but not always) in order to coax the locals and visitors into providing new or current readings of that landscape. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003emyvillages.org\u003c\/h6\u003e\n\u003cimg class=\"%22image-right%22\/\" src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/g\/g_350x490.jpg\"\u003eMyvillages.org - In 2003 Kathrin Böhm (London, UK), Wapke Feenstra (Rotterdam, NL) and Antje Schiffers (Berlin, GER) founded myvillages.org, an artists' initiative that explores the rural environment as a place for and of cultural production. Under the umbrella of myvillages.org, they run long-term and collaborative projects such as the \u003cem\u003eBibliobox \u003c\/em\u003eand the \u003cem\u003eInternational Village Shop\u003c\/em\u003e. Working in different constellations, they organise multidisciplinary rural conventions, sell goods in one-hour-village-shops, publish books, screen films and mount exhibitions. Lately, they filled a year-long larder with food, drinks and knowledge to host guests in Haus der Kulturen der Welt in Berlin (2011).\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg class=\"%22image-left%22\/\" src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/h\/h_350x504.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/a_photographic_portrait_of_a_landscape.mp4?v=1637666959\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Pietsie Feenstra, Wapke Feenstra, myvillages.org","offers":[{"title":"Default Title","offer_id":28824124306,"sku":"id_00110","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/a_photogr_portrait_of_cover_low.jpg?v=1488456166"},{"product_id":"hyperbody","title":"Hyperbody","description":"\u003cp\u003e+++First Decade of Interactive Architecture+++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis [et al.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-09-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMind Design (Niels Schrader, Michal Ejdys m.m.v. Erik Boldt, Gilles de Brock, Fernando van der Vlist)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e624\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: June 2012\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eAwarded one of the Best Dutch Book Designs 2012. For more information: \u003cem\u003e\u003ca href=\"%22http:\/\/www.bestverzorgdeboeken.nl\/nl\/%22\" title=\"%22best%22\"\u003ewww.bestverzorgdeboeken.nl\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHYPERBODY, directed by Prof. Kas Oosterhuis, is an information technology driven research and design group operating within the Faculty of Architecture, Delft University of Technology. The group is at the forefront in the development of computationally driven non-standard and interactive architecture, which is parametrically actuated by users and their immediate environment. Interactive, non-standard architecture and urbanism is seen as an active, component-based system that reflects contemporary social and spatial reality. \u003cbr\u003e\u003cbr\u003eHYPERBODY explores interdisciplinary spatial domains via specific practices and academic collaborations in order to develop in-house cutting-edge design tools, techniques and methods for the making of complex non-standard, customized, interactive architectures. HYPERBODY's architecture is based on swarm theory, wherein the built environment is defined as a space that is formed and informed by smart components that interact with each other and users like birds interact in a swarm. Such interactions have been developed and tested in the protoSPACE laboratory, which is operated by HYPERBODY within the larger Internet of Things and People.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHYPERBODY explores digital manufacturing using in-house large industrial robots, laser cutting and rapid prototyping facilities in order to physically construct, analyse and engineer complex parametric building components and their mutual interconnections. HYPERBODY's vision in today's mediated context is geared towards developing strategic design methodologies in order to propagate socially, environmentally and economically performative design solutions and to demonstrate their buildability by developing 1:1 prototypes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eHyperbody\u003c\/em\u003e publication, designed by concept-driven graphic designer Niels Schrader, takes its title literally, as it presents the content in the form of a non-sequential hyper-structure. A network of references connects related pieces of information, and offers the reader the opportunity to instantly jump to other sections in the book. The hyperlinks were established by proprietary software that first scanned the entire content of the book and listed the most frequent keywords for each page. A maximum of 3 words from this page-specific list is then used to find semantically related texts on other pages and create the ultimate interactive reading experience: flipping back and forth between passages of different authors, cross-checking and comparing them. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/hyperbody.mp4?v=1637658967\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Kas Oosterhuis [et al.]","offers":[{"title":"Default Title","offer_id":28824124242,"sku":"id_00051","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/hyperbody_cover_7.jpg?v=1481879119"},{"product_id":"in-search-of-europe","title":"In Search of Europe?","description":"\u003cp\u003e+++Art and Research in Collaboration. An Experiment+++\u003c\/p\u003e\n\u003cp\u003e+++Andrea Heister, Samuli Schielke, Daniela Swarowsky (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-43-4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eEps51, Berlin\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e186\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24,5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish (multi-lingual)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: November 2013 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis publication has been made possible by the German Federal Ministry of Education and Research (BMBF). For more information about the exhibition, research and publication In Search of Europe?: \u003ca href=\"%22http:\/\/www.insearchofeurope.de%22\" title=\"%22iSOE%22\"\u003ewww.insearchofeurope.de \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e'In Search of Europe: Considering the Possible in Africa and the Middle East' is an interdisciplinary research project at the ZMO (Zentrum Moderner Orient) in Berlin funded by the German Federal Ministry of Education and Research (BMBF) in the framework of the funding initiative %22Freedom for Research in the Humanities“, theme %22Junior Research Groups  – Europe Seen from the Outside“ from June 2010 to May 2014. \u003c\/p\u003e\n\u003cp\u003eIn tandem with the six researchers, curator Daniela Swarowsky is working on an artistic exhibition project scheduled for November 2013 at the Kunstraum Kreuzberg\/Bethanien in Berlin.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eCan we speak about Europe without being Eurocentric? How can we meet on equal footing in an unequal world? \u003c\/p\u003e\n\u003cp\u003eThese were questions that emerged from a research project and an experiment of artists and researchers working together towards an art exhibition in Kunstraum Kreuzberg\/Bethanien in Berlin in 2013. \u003c\/p\u003e\n\u003cp\u003eThis group of artists and researchers set out on a journey on which they - together and collaboratively - tried to “Search for Europe”. Europe – long time ago the metaphor for one's own dreams, the paradise for many in their imagination but also the hell of reality for some. With an eye on creativity, political ideologies, traveling, and migration and with a range of research locations from West Africa, the Middle East, and Western Europe to Southeast Africa and the Balkans, the participants set out to understand how people remember the past, strive for a better future, or think about alternatives in an entangled world. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn the course of the exhibition project, seven research-art collaborations evolved and developed these themes into artistic positions. In this book, the researchers, artists, and guest authors document and reflect about the process that resulted in the ISOE exhibition through essays, artwork produced for the exhibition and documentary imagery. The experience of these cooperations\/collaborations tells about the dynamics, possibilities, and limitations of academic-artistic co-working practice in general. Rather than providing definite answers, the coming together of research and art creates a third space of openings and experimental formats of reflection and engagement where the world can be conceived in new and different ways. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAuthors\/Artists:\u003c\/h6\u003e\n\u003cp\u003eMohamed Abdelkarim, Francesca Bayre, Metod Blejec, Esra Ersen, Vanessa Díaz Rivas, Gemuce, Knut Graw, Bettina Gräf, Karem Ibrahim, Maher Sherif and the Iskenderiyan Standards group, Aïssatou Mbodj, Leyla von Mende, Charlotte Menin, Anissa Michalon, Nástio Mosquito, Bonaventure Soh Bejeng Ndikung, Pere Ortín, Samuli Schielke, Arndt Schneider, Daniela Swarowsky.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/01_isoebookpagespreadknutandcharlotte1\/01_isoebookpagespreadknutandcharlotte1_350x255.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/02_isoebookpagespreadgemuce1\/02_isoebookpagespreadgemuce1_350x255.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/03_isoebookpagespreadesra\/03_isoebookpagespreadesra_350x255.jpg\" class=\"%22image-center%22\/\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/04_isoebookpagespreadbettinaandmohamed2\/04_isoebookpagespreadbettinaandmohamed2_350x255.jpg\" class=\"%22image-center%22\/\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/05_isoebookpagespreadanissaandaissatou1_copy1\/05_isoebookpagespreadanissaandaissatou1_copy1_350x253.jpg\" class=\"%22image-center%22\/\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/313634b9d83642dda7a74aebef28a04b.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Andrea Heister, Samuli Schielke, Daniela Swarowsky (red.)","offers":[{"title":"Default Title","offer_id":28824124178,"sku":"id_00121","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/isoe_cover.jpg?v=1481879121"},{"product_id":"unfixed-photography-and-postcolonial-perspectives-in-contemporary-art","title":"UNFIXED. Photography and Postcolonial Perspectives in Contemporary Art","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Sara Blokland, Asmara Pelupessy [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-29-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eYvonne van Versendaal\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e240\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 29,7 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: May 24th, 2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is copublished with Stichting Unfixed Projects.\u003c\/p\u003e\n\u003cp\u003eUNFIXED is a multiplatform project that explores photography's relationship to ideas of ethnicity, culture and identity in contemporary art.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possible by the Mondriaan Foundation, Fonds BKVB, Gemeente Dordrecht, CBK Dordrecht.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003ePre-orderprice:\u003c\/strong\u003e \u003cstrong\u003e€ 24,50\u003c\/strong\u003e instead of \u003cstrong\u003e€ 29,50\u003c\/strong\u003e when you pre-order this publication before \u003cstrong\u003e24.05.2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eEdited by Sara Blokland and Asmara Pelupessy, UNFIXED examines photography in postcolonial perspective through the diverse critical positions of an international group of writers, artists and scholars working within contemporary art, photography and cultural analysis. The publication is the finishing work of a multiplatform project that included an artist residency, exhibition, workshop and symposium. As a whole, UNFIXED engaged topics of cultural identity and history together with strategies of artistic research, photo theory and contemporary practices around making, using, studying and writing about photographs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eProduced especially for this publication, UNFIXED presents new voices and visions in the form of nine visual and textual essays. These essays take unique stands towards photography and its history through an unconventional range of approaches and styles. Together with documentation of the different stages of the project, the essays explore topics such as the migration and circulation of photography, vernacular photography, archives, memory, diaspora, self-representation, appropriation, visual sovereignty, exoticism and cultural protocol.\u003c\/p\u003e\n\u003cp\u003eInvestigating how photography can be 'unfixed' through contemporary conceptual, theoretical and visual approaches, UNFIXED presents new critical perspectives on photography in relation to the cultural conditions of postcolonialism.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by:\u003c\/h6\u003e\n\u003cbr\u003e\n\u003cp\u003eKobena Mercer (1960 UK), Keith Piper (1960 UK), Otobong Nkanga (1974 NG\/FR), Hank Willis Thomas (1976 US), Charif Benhelima (1967 BE), Naro Snackey (1980 NL), Hulleah Tsinhnahjinnie (1954 US), Andrea Stultiens (1974 NL), Pamela Pattynama (1958 NL), Yamini Nayar (1975 US), Sandim Mendes (1986 NL), Habda Rashid (1971 UK), Terry Kurgan (ZA), Rattana Vandy (1980 KH), Lizza May David (1975 DE), Natalie Robertson (1962 NZ), Kaddu Wasswa John (1933 UG), Arthur Conrad Kisitu (1975 UG), Quinsy Gario (1984 CU\/SM), Murtaza Vali (1974 IN), Asmara Pelupessy (1981 US\/NL), Sara Blokland (1969 NL)\u003c\/p\u003e\n \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eFrom the press\u003c\/h6\u003e\n\u003cp\u003eNominated 'Best Photo Book 2012', \u003ca title=\"%22photo\" eye=\"\" href=\"%22http:\/\/www.photoeye.com\/magazine_admin\/index.cfm\/bestbooks.2012.books%22\"\u003e\u003cem\u003ephoto-eye magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'A strong use of archives to understand the use of photography to reinforce to the sitters from whence they came and hoped to become, and modern understanding of those goals and realities.' - Anne Wilkes Tucker, Curator of Photography, Museum of Fine Arts, Houston\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/cbb2024b0ad24f538d3c4cdca1ae42fc.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Sara Blokland, Asmara Pelupessy [red.]","offers":[{"title":"Default Title","offer_id":28824123986,"sku":"id_00098","price":29.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/unfixed_cover.jpg?v=1481879130"},{"product_id":"the-artist-interview-for-conservation-and-presentation-of-contemporary-art-guidelines-and-practice","title":"The Artist Interview. For conservation and presentation of contemporary art. Guidelines and practice","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Lydia Beerkens [et al.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-32-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eArienne Boelens office\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e160\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e27,5 x 21 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e weight 576 grms\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possible with support of SBMK, RCE and the University of Amsterdam. See \u003ca title=\"%22SBMK%22\" href=\"%22http:\/\/www.sbmk.nl\/%22\"\u003ewww.sbmk.nl\u003c\/a\u003e and \u003ca title=\"%22RCE%22\" href=\"%22http:\/\/www.cultureelerfgoed.nl\/%22\"\u003ewww.cultureelerfgoed.nl \u003c\/a\u003eand \u003ca title=\"%22uva%22\" href=\"%22http:\/\/www.uva.nl\/%22\"\u003ewww.uva.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: April 2012. Second edition: release date July 2020.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eOne of the ways to obtain authentic, content-related and technical information on modern and contemporary artworks is to interview the artists who created them. To that end, the Foundation for the Conservation of Contemporary Art (SBMK)), the Cultural Heritage Agency of the Netherlands (RCE)) and the University of Amsterdam (UvA) have formulated guidelines for a structured approach of the artist interview and compiled a number of interview scenarios as practical interview tools.\u003cbr\u003e\u003cbr\u003eThe aim of this handbook is to equip conservators, curators, art historians and students with tools to retrieve a wealth of accurate information from the artist and to allow the interested public a view behind the scenes of the conservation, preservation and presentation of modern and contemporary art. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eThe Artist Interview. For Conservation and Presentation of Contemporary Art. Guidelines and Practice\u003c\/em\u003e provides a variety of scenarios enriched with useful pointers, example questions and checklists to ensure a smooth progress of the artist interviews. The interview scenarios are supplemented with ten relevant articles on studio and museum interviews providing insight into the potentials and pitfalls of the artist interview as a conservation tool.  \u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Artist Interview. Conservation and Presentation of Contemporary Art. Guidelines and Practice is\u003c\/em\u003e an extensive manual with numerous interesting examples.\u003c\/p\u003e\n\u003cp\u003eWith contributions by Liesbeth Abraham (Frans Hals Museum), Lydia Beerkens (SBMK\/SRAL), Frederika Huys (The House of Conservation\/S.M.A.K), Jaap Guldemond (Museum Boijmans Van Beuningen\/EYE Film Institute Netherlands), Paulien 't Hoen (SBMK), IJsbrand Hummelen (RCE), Mark Paul Meyer (EYE Film Institute Netherlands), Tatja Scholte (RCE), Ingeborg Smit (Rijksmuseum Twenthe), Sanneke Stigter (Kröller-Müller Museum \/UvA), Sandra Weerdenburg (Stedelijk Museum Amsterdam).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/the_artist_interview.mp4?v=1637324304\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Lydia Beerkens [et al.]","offers":[{"title":"Default Title","offer_id":28824123922,"sku":"id_00105","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag100.jpg?v=1612533798"},{"product_id":"wat-heet-lichamelijke-opvoeding-ecosociale-educatie-op-de-brede-school","title":"Wat heet lichamelijke opvoeding? Ecosociale educatie op de Brede school","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Henk Oosterling, Aetzel Griffioen [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90-3022-36-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eKommerz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e272\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: September 2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn \u003cem\u003eWat heet lichamelijke opvoeding? Ecosociale educatie op de Brede school \u003c\/em\u003escientists, policy makers and professionals reflect on the project Physical Integrity by Rotterdam Skillcity.\u003c\/p\u003e\n\u003cp\u003eA three year long pilot (2008-2011) on primary school Bloemhof in Rotterdam South, Physical Integrity was aimed at the development of eco-social consciousness through communal gardening, cooking lessons, lunch, judo and philosophy.\u003c\/p\u003e\n\u003cp\u003eTogether with lectors at Dutch universities of applied sciences and policy experts like Pieter Winsemius, pedagogical scientists like Micha de Winter, Luc Stevens and Irma van Hoorik compare Physical Integrity with projects of similar scope. Professionals in perma culture, pedagogy, philosophy education and food education reflect on their involvement in the project and show some of the most promising results. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Henk Oosterling, Aetzel Griffioen [red.]","offers":[{"title":"Default Title","offer_id":28824123858,"sku":"id_00107","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/coverwhlodef_low.jpg?v=1481879134"},{"product_id":"wild-park","title":"Wild Park","description":"\u003cp\u003e+++Commissioning the Unexpected+++\u003c\/p\u003e\n\u003cp\u003e+++Jeroen Boomgaard+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-76936-28-4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStout \/ Kramer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e98\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12,4 x 18,6 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLex ter Braak (editor), Mirjam Beerman (final editor), Lisa Holdon (translator NL\/EN)\u003c\/p\u003e\n\u003cp\u003eThe research was made possible thanks to the Research Group Art and Public Space of the Gerrit Rietveld Academie, Amsterdam.\u003c\/p\u003e\n\u003cp\u003eA publication by the former Netherlands Foundation for Visual Arts, Design and Architecture, now Mondriaan Fund\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish edition\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eWild Park is\u003c\/em\u003e an essay that explores the varying quality of art in public space. An artwork is not only defined by form and iconography but also by the functions and meanings assigned to it beforehand. In understanding what art can mean for the public domain, Jeroen Boomgaard goes in search of works that succeed in eluding the interests and intentions that encumber a location, and whose escape route describes an unexpected pattern in the air.\u003c\/p\u003e\n\u003cp\u003eJeroen Boomgaard is an art historian attached to the University of Amsterdam. He has also held the post of lector at the Research Group Art and Public Space of the Gerrit Rietveld Academie, Amsterdam since 2003. This position facilitated the research which was the foundation for this essay. Within the framework of this research Boomgaard published\u003cem\u003e Highrise – Common Ground. Art and the Amsterdam Zuidas Area\u003c\/em\u003e in 2008.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis is the sixth publication in a series of essays commissioned by the Netherlands Foundation for Visual Arts, Design and Architecture. \u003c\/p\u003e\n\u003cp\u003eFor more information: \u003ca title=\"%22bkvb%22\" href=\"%22http:\/\/www.fondsbkvb.nl\/%22\"\u003eFonds BKVB\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/wild_park.mp4?v=1637844105\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jeroen Boomgaard","offers":[{"title":"Default Title","offer_id":28824123794,"sku":"id_00109","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/wildpark_cover_low.jpg?v=1481879136"},{"product_id":"ia-4-quantum-architecture","title":"iA#4 Quantum Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis, Han Feng, Xin Xia [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-27-4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDanielle van Steenbergen i.c.w. Xin Xia\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e124\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12 x 21 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: April 2011 \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe theme of \u003cem\u003eiA#4 \u003c\/em\u003eis Quantum Architecture.\u003c\/p\u003e\n\u003cp\u003eThe fourth issue of the\u003cem\u003e iA bookazine\u003c\/em\u003e presents quantum theory as a new stimulus for architecture debate. Quantum theory, as the most precise explanation of our physical world, has not only triggered a tremendous technical improvement, but has also introduced a revolutionary quantum world view that considers the material world as a non-deterministic construct, deciphered with probability and interactivity. From this point of view, true interaction can be envisioned between users and their constructed environments, and between designers and their computational tools.\u003c\/p\u003e\n\u003cp\u003ePapers collected in iA#4 come from both the theoretical perspective that adopts quantum paradigm as the conceptual model to examine the new condition of cultural, social and spatial organization, and the computational perspective that presents a novel computational concept and strategy, based on the quantum world view and its related reflections. Quantum physicists, architects, sociologists, researchers and students come together in this issue of the iA bookzine to challenge the new territory of Quantum architecture. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eContributors\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eAyssar Arida (Lebanon, UK)\u003c\/strong\u003e\u003cbr\u003eAyssar Arida is a practicing urbatect, theorist, and entrepreneur. He is the author of Quantum City (2002) and director of Q-DAR development | architecture | research, operating from London, Paris, and Beirut. He can be reached at ayssar@quantumcity.com or through the quantumcity.com or q-dar.com websites. Q-DAR's work ranges from digital interface design to large-scale urban planning. They have developed public relations campaigns, corporate identity and environmental branding, web applications, multimedia and film, and the award-winning community urban design and architecture. Arida's research examines transdisciplinary relational languages, based on new sciences, namely: quantum theory, game theory, emergence and self-regulation, and complexity and fuzzy logic, with the purpose to analyze and design urban realm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRan Berman (Israel)\u003c\/strong\u003e\u003cbr\u003eRan Berman is a master student at the Faculty of Architecture at the Delft University of Technology. He has worked as a student assistant at Hyperbody since 2007. Berman is specializing in digital fabrication at Hyperbody, taking part in education, workshops and research projects. Apart from his work for Hyperbody, Berman is currently involved in several projects that use advance prototyping and manufacturing in the field of architecture.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eHan Feng (China)\u003c\/strong\u003e\u003cbr\u003eHan Feng is an architect from China. After he graduated from the Architecture Department at the Harbin Institute of Technology in 2002, he worked with L.A. International Ltd in Beijing. He obtained his Master of Science degree in architecture at the Delft University of Technology, the Netherlands (2003-2005). In 2006 he worked with several design companies in the Netherlands, including ONL [Oosterhuis_Lénárd], De werff architectuur, ANT Architects and Studio 015. Currently, he is working on research at Hyperbody, aiming at enriching architectural design with ideas and methods found in Quantum mechanics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eGeorg Flachbart (Germany)\u003c\/strong\u003e\u003cbr\u003eDr. Georg Flachbart is action philosopher, and creative director of mind(21)factory for Knowledge Engineering and Knowledge Design Stuttgart. From 1968 -1973, he studied Philosophy, Psychology and Formal logic at the Charles University in Prague – PhD in 1974. Later on he worked as a scientific assistant in the Department of Philosophy of Science at the Institute of Philosophy and Sociology of the Slovak Academy of Sciences in Bratislava. He has lived in Germany since 1980, mainly working as a writer, director and producer in the fields of audio-visual media, theory of architecture, and the performing arts. Flachbart's research interest focuses on the role of mixed-reality environments within the architectural and social context. His major collaborative, transdisciplinary projects relating to this are: Disappearing Architecture: From Real to Virtual to Quantum (2004-05, with ZKM centre for Art and Media Karlsruhe), IT Works or IT Networks: Development of Real and Virtual Space in the Age of the Global Net (2003, with Faculty of Architecture STU Bratislava), mind(21)house (2002-03, with Faculty of Architecture STU Bratislava), mind(21)factory (2005-07, with Institute for Housing, Faculty of Architecture TU Graz), and City Upgrade: the High-spirited Networked City (2004-09), with Ortlos Space Engineering Graz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eChristian Friedrich (Germany)\u003c\/strong\u003e\u003cbr\u003eChristian Friedrich was born in Germany. After he had finished his studies in Physics and Philosophy in Berlin and gained an architectural engineering degree at the Hanzehogeschool Groningen, he graduated in architecture (MSc) at the Delft University of Technology. He is co-founder of the media artist collective Ezthetics and has been associated with Hyperbody for four years as a student assistant, master student and researcher. His work with the HRG includes teaching Virtools courses, conference lectures and developing the protoSPACE group design environment. During the past four years, he has been involved in several projects of ONL [Oosterhuis_Lénárd]. Presently, he is developing his PhD research project in which he intends to describe and actualize the architectural singularity: a point at which the architectural process loop is executed in real-time and shifts from a phased process into a behavioural network, in effect reshaping architectural praxis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eChris Kievid (the Netherlands)\u003c\/strong\u003e\u003cbr\u003eChris Kievid is a researcher at Hyperbody. He graduated cum laude in architecture at the Delft University of Technology in 2006. His thesis received a nomination for the Dutch Archiprix 2007. As freelance architect and interaction designer he has worked for ONL [Oosterhuis_Lénárd] on a variety of innovative projects. As researcher and project manager at Hyperbody he has been responsible for the development of the design environment for immediate design and engineering: protoSPACE, the project iLite for the travelling road show Philips Transitions II and the InteractiveWall installation for the Hannover Messe. As coordinator and tutor he has been involved in the Hyperbody educational MSc 2 and minor program.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eMegan Ng (Hong Kong SAR)\u003c\/strong\u003e\u003cbr\u003eMegan Ng is an architect, originally from Hong Kong, but based in Amsterdam. She studied architecture and received her Bachelor of Arts degree in Architectural Studies (RIBA Part 1) at the University of Hong Kong in 2004. Subsequently, she was employed at the Jerde Partnership in Los Angeles to work on a number of mix-use projects in the US, and also in both Middle East and Asia Pacific regions. Megan joined Hyperbody design studio in 2007 to continue the pursuit of her interest in digital form-finding and parametric design in architecture. In the following year she completed her thesis – Biotic Coded City – with the main focus on such topics. Since then, as an architect, she has collaborated with various offices in the Netherlands and Italy, including UNStudio, Massimiliano Fuksas Architetto and NOX | Lars Spuybroek, and worked on a broad scope of building typologies from single-family house to mix-use development to airport. Currently, Ng is an architect at UXUS Design, concentrating on shop design and restaurant design, and at the same time continuing her investigation on exploring geometrical possibilities in computation algorithms.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eKas Oosterhuis (the Netherlands)\u003c\/strong\u003e\u003cbr\u003eKas Oosterhuis was born in 1951 in Amersfoort and studied architecture at the Delft University of Technology. In 1987-1988 he taught at the AA in London as unit master, and worked\/lived one year in the former studio of Theo van Doesburg in Paris together with visual artist Ilona Lénárd. In 2004 their design studio was renamed ONL [Oosterhuis_Lénárd]. As from 2007 Oosterhuis has been a registered architect in Hungary, acting as General Designer in the CET project and since 2000 Oosterhuis has been an appointed professor of digital design methods at the Delft University of Technology. Currently, he is leading a staff of twenty researchers at Hyperbody, the knowledge centre for Non-Standard and Interactive Architecture. He is member of the Dutch Building Information Council and was a Member of the Board of Witte de With Centre of Contemporary Art in Rotterdam and of the VCA (Computerusers Architectural Offices) until 1989. He was co-founder of the Attila Foundation, responsible for the groundbreaking Sculpture City event in 1994 and the ParaSite web-lounge in 1996. As from 1990 he has lectured at numerous universities, academies and international conferences worldwide. Oosterhuis has initiated two GameSetandMatch (GSM) conferences at the Delft University of Technology on the subjects' multiplayer game design, file to factory design and built methods and open source communication in the evolutionary development of the 3D reference model.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eIvan Redi (Austria)\u003c\/strong\u003e\u003cbr\u003eIvan Redi, an Austrian citizen, was born in 1971 in Nis, Serbia. He gained working experience at Morphosis, Santa Monica, USA, and is also a licensed architect in the Netherlands. Redi graduated from the Technical University in Graz, where Günther Domenig was his mentor. He also took lessons from Thom Mayne and Daniel Libeskind, and is currently working on his PhD thesis: New design strategies in architecture. He teaches architectural design at TU Graz and together with Andrea Redi he is the principal of ORTLOS architects [www.ortlos.com], an association for innovative architecture and interface design. They have worked for years on A.N.D.I.A New Digital Instrument for creative networked collaboration in the interdisciplinary domain. Redi is co-author of the book: ORTLOS :: Architecture of the networks (Hatje Canz, 2005). ORTLOS architects lectured and published their work worldwide and they took part in many exhibitions, such as La Biennale di Venezia in 2000.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eDieter Vandoren (Belgium)\u003c\/strong\u003e\u003cbr\u003eDieter Vandoren was born in 1981 and is a media artist, developer and performer. His work balances on the edge of creative arts and scientific research and development; it combines audiovisual elements with electronic and software engineering in architectural settings, often real-time generative and interactive. Apart from his independent artwork, Vandoren is, among other things, involved with the office ONL[Oosterhuis_Lénárd] and the Delft University of Technology.  He is a guest tutor and researcher at the Hyperbody and StudioLab groups (Faculty of Architecture and Industrial Design, respectively). Vandoren is a recording artist and performing musician at the Directs Art Centre De Fabriek in Rotterdam (NL).[http:\/\/dietervandoren.net]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003ePieter E. Vermaas (the Netherlands)\u003c\/strong\u003e\u003cbr\u003ePieter Vermaas is senior researcher in the Department of Philosophy of the Delft University of Technology. After having been trained as a theoretical physicist at the University of Amsterdam, he did his dissertation, published with Cambridge University Press on the philosophical foundations of quantum mechanics at the Utrecht University, the Netherlands. In 1998 Vermaas joined the Philosophy Department at Delft where he is now doing research on the foundations of technology and the methods of engineering design. He participated in the creation, the funding, and the realization of a large research project, called 'the dual nature of technical artefacts', and which is based on the philosophical thesis that technical products have both a physical and intentional nature. In 2005 he won a personal NWO (the Netherlands Organisation for Scientific Research) VIDI fellowship for research on functional decomposition in engineering and philosophy. Vermaas' research on philosophy of engineering is partly organized around the analysis of the engineering concept of function. In 2010 he and Wybo Houkes together published a monograph Technical Functions (Springer)on current philosophical accounts of functions, introducing the ICE theory analysis of technical functions.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kas Oosterhuis, Han Feng, Xin Xia [red.]","offers":[{"title":"Default Title","offer_id":28824123666,"sku":"id_00096","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/ia4.jpg?v=1481879141"},{"product_id":"hans-van-houwelingen-undone","title":"Hans van Houwelingen: Undone","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Mihnea Mircan [editor-in-chief], Vincent W.J. van Gerven Oei [managing editor]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-34-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMetahaven\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e352\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e20,5 x 12\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish| Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: November 2011\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible, in part, by the financial support of Stroom Den Haag, Extra City, Fonds BKVB and Stichting Stokroos.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information: \u003ca title=\"%22hvh%22\" href=\"%22http:\/\/www.hansvanhouwelingen.nl\/%22\"\u003ewww.hansvanhouwelingen.nl \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn 2004, the book \u003ca title=\"%22St-en%22\" href=\"%22http:\/\/japsambooks.nl\/en\/books\/special-offers\/stiff\/108%22\"\u003eSTIFF. Hans van Houwelingen vs. Public Art \u003c\/a\u003ewas published by Artimo. This Autumn Jap Sam Books will publish the new book \u003cem\u003eUNDONE. Hans van Houwelingen, \u003c\/em\u003eand we have decided together with the artist to distribute the remaining copies of \u003cem\u003eSTIFF\u003c\/em\u003e. You can order a copy of this book for € 25,- directly at our publishing house. \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe publication \u003cem\u003eUNDONE\u003c\/em\u003e presents three recent proposals by artist Hans van Houwelingen and, through their mediation, one of the most remarkable discourses on public art in the Netherlands.\u003c\/p\u003e\n\u003cp\u003e'What's Done… Can Be Undone' is the proposed exchange of place between the statues of Johan Rudolph Thorbecke and Baruch Spinoza, sitting in Amsterdam and The Hague, respectively. Correcting the historical inaccuracy in their placement could trigger a crucial reevaluation of the politician's and the philosopher's legacies, in relation to today's political and moral unrest. 'Sluipweg' relocates over 300 disinterred tombstones as a footpath circling the ramparts of Fort Vijfhuizen, a defense construction rendered obsolete, the very moment it was completed, by advancements in military technology. The work collapses two forms of death and two ways in which death absents the categories we employ to make sense of it. Van Houwelingen's 'National Monument to the Guest-Workers' proposes that the 'Bijenkorf Construction', Naum Gabo's sculpture in central Rotterdam, is officially attributed to the descendants of guest-workers, bound to carry out the restoration of the neglected, latent monument, but also to channel its politically agnostic metaphors into a collective statement, uttered at what might be the threshold to a post-multicultural era.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEach of the three projects is discussed by three authors. The imaginative or political traction of the proposals is investigated in relation to rapidly shifting notions of citizenship, views and uses of commemoration. The reader functions perhaps as an editorial scale model of the ampler engagement that Hans van Houwelingen's propositions require of us.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eWith contributions by Hans van Houwelingen, Mihnea Mircan (curator and artistic director of Extra City-Kunsthal Antwerpen), Arno van Roosmalen (director Stroom Den Haag), John Heymans (philosopher, faculty member and lecturer in Theory at ArtEZ Fine Arts Master Degree Programme), Jonas Staal (artist), Mark Jarzombek (Professor of the History and Theory of Architecture and the Associate Dean of MIT's School of Architecture and Planning), David Riff (art critic and writer), Jonathan Lahey Dronsfield (reader in Theory and Philosophy of Art, University of Reading), Gerald Raunig (philosopher, art theoretician), Marina Vishmidt (writer), Julia Bryan-Wilson (associate professor of art history at UC Berkeley), Brian Dillon (UK editor of \u003cem\u003eCabinet \u003c\/em\u003emagazine and tutor in Critical Writing at the Royal College of Art), and Vincent W.J. van Gerven Oei (writer).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/undone.mp4?v=1637844105\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Mihnea Mircan [samensteller\/red.], Vincent W.J. van Gerven Oei [red.]","offers":[{"title":"Default Title","offer_id":28824123538,"sku":"id_00104","price":19.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/cover_undone_ok.jpg?v=1481879146"},{"product_id":"hiryczuk-van-oevelen-landfall","title":"Hiryczuk\/Van Oevelen - Landfall","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Marente Bloemheuvel, Zsa-Zsa Eyck [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-20-5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMind Design - Niels Schrader\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e160\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 25.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \/ Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: November 2011\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by Fonds BKVB, Amsterdams Fonds voor de Kunst and Virtueel Museum Zuidas.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLes Edition de Minuit, Paris has given permission for use and the Dutch translation of the text 'L'ile deserte (Causes et raisons des iles deserte, Gilles Deleuze (1953). For the English translation we used the existing translation of Mike Taormina, Semiotext(e), Foreign Agents, 2004, with the approval of the publisher Semiotext(e), Los Angeles. \u003ca title=\"%22semiotexte%22\" href=\"%22http:\/\/semiotexte.com\/%22\"\u003ewww.semiotexte.com \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eHiryczuk\/Van Oevelen - Landfall \u003c\/em\u003eis a publication based on the temporary art project \u003cem\u003eLandfall \u003c\/em\u003ein the public space of Amsterdam Zuidas by artist duo Elodie Hiryczuk and Sjoerd van Oevelen, commissioned by the Virtueel Museum Zuidas (VMZ) and supported by the Amsterdams Fonds voor de Kunst. With contributions by the editors Marente Bloemheuvel and Zsa-Zsa Eyck, the artists (works and texts), Mark Kremer, Helga Fassbinder, Gilles Deleuze, 'L'île déserte' (1953) and an introduction by Tom Conley.\u003c\/p\u003e\n\u003cp\u003eThe artists conceived the idea of bringing the youngest island in the world – Surtsey off the coast of Iceland – to Zuidas Amsterdam by means of large panoramic photographs. The two land masses are comparable in size, but apart from that, totally different. Surtsey is a spontaneous impulse of nature, accessible only for research. Zuidas is a former marshland changed by human intervention into a business district on the most expensive dirt in the Netherlands. The question is, where can one find real nature? On Surtsey, where the ordinary human presence is taboo? Or in Zuidas, where the city drives out nature?\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the artists\u003c\/h6\u003e\n\u003cp\u003eElodie Hiryczuk (b. 1977 Avignon, FR) and Sjoerd van Oevelen (b. 1974 in Steenbergen, NL) studied respectively Audio Visual Arts (VAV) and Architectural Design at the Gerrit Rietveld Academy of Art and Design in Amsterdam. During their educational years both attended courses on the philosophy of Gilles Deleuze at the University of Amsterdam (NL). After graduating Elodie Hiryczuk undertook a Master in Fine Arts programme at the Sanberg Institute, Amsterdam while Sjoerd van Oevelen set out studying at the Architectural Association School of Architecture in London.\u003c\/p\u003e\n\u003cp\u003eSince 2001 they work together as the artist duo Hiryczuk\/Van Oevelen. They have had exhibitions in the Netherlands among others at Museum De Paviljoens in Almere, Museum Van Bommel Van Dam in Venlo, Kunstfort Vijfhuizen and the Hedge House in Wijlre with artists like Suchan Kinoshita, Marijke van Warmerdam, Michel François, Stan Douglas, Yael Davids, Jean-Marc Bustamante, Berend Strik, Harmen Brethouwer, Luc Tuymans, Olaf Nicolaï, Ger van Elk, Richard Wentworth and Sarah Jones. Their work has been exhibited regulary at national and international art fairs such as Art Rotterdam, FIAC in Paris and Artissima in Turin. Hiryczuk\/Van Oevelen live and work in Amsterdam. They were nominated for the 13th Van Bommel Van Dam Prize. have received a Red Dot Award together with graphic designer Niels Schrader for the website \u003ca title=\"%22landfall%22\" href=\"%22http:\/\/www.landfall-project.info%22\"\u003e\u003cem\u003ewww.landfall-project.info\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/landfall.mp4?v=1637666959\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003c\/p\u003e","brand":"Marente Bloemheuvel, Zsa-Zsa Eyck [red.]","offers":[{"title":"Default Title","offer_id":28824123474,"sku":"id_00086","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/landfall_low.jpg?v=1612533482"},{"product_id":"stiff","title":"STIFF","description":"\u003cp\u003e+++Hans van Houwelingen vs. Public Art+++\u003c\/p\u003e\n\u003cp\u003e+++Max Bruinsma [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e90-75380-14-3 \/ 978-90-75380-14-9\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eOffice of CC\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e336\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e20 x 25 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn 2004, the monograph \u003cem\u003eSTIFF. Hans van Houwelingen vs. Public Art \u003c\/em\u003ewas published by Artimo. This Autumn Jap Sam Books will publish the new book \u003ca title=\"%22Undone_EN%22\" href=\"%22http:\/\/japsambooks.nl\/en\/books\/forthcoming-titles\/hans-van-houwelingen-undone\/104%22\"\u003e\u003cem\u003eHans van Houwelingen\u003c\/em\u003e:\u003cem\u003eUNDONE\u003c\/em\u003e\u003c\/a\u003e We have decided together with the artist to distribute the remaining copies of STIFF. You can order a copy of this book for € 25,- directly at our publishing house.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAs artist in public space, Hans van Houwelingen comments art, public life and cultural politics with each work he makes.\u003c\/p\u003e\n\u003cp\u003eThis monograph, edited by Max Bruinsma, documents a dozen or two works, each representing a careful analysis of the contexts, with which it has to come to terms and from which it derives its 'raison d'être'.\u003c\/p\u003e\n\u003cp\u003eThree essays cover the broad range of cultural discourses Hans van Houwelingen evokes, from the social and cultural backgrounds of Dutch public art described by Bram Kempers, via a comparison with international positions on art in public space over the last few decades by Stefan Schmidt-Wulffen, to an in-depth analysis of the art-theoretical implications of Van Houwelingen's work by Sjoukje van der Meulen. In addition, a choice of critical texts by Van Houwelingen summarises his provocative and inquisitive stance vis-à-vis art in public space.\u003c\/p\u003e\n\u003cp\u003eRichly illustrated, this book not only offers an overview of Hans van Houwelingen's work, but also of a decade of discourse on art in public space.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/1c65d854482940868876da79ed048a6c.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Max Bruinsma [red.]","offers":[{"title":"Default Title","offer_id":28824123282,"sku":"id_00108","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/stiff.jpg?v=1481879158"},{"product_id":"duet-for-cannibals-forms-of-cultural-appropriation","title":"Duet for Cannibals: Forms of Cultural Appropriation","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Inti Guerrero [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-21-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eCOUP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e84\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e16 x 23.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possible with support by the Mondriaan Stichting and the Amsterdam Fund for the Art.\u003c\/p\u003e\n\u003cp\u003eWe like to thank the Tropentheater Amsterdam and Tropenmuseum Collection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is published by Jap Sam Books in cooperation with \u003ca title=\"%22agentur%22\" href=\"%22http:\/\/www.agentur.nl\/%22\"\u003eAgentur\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: December 2010\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eDuet for Cannibals: Forms of Cultural Appropriation\u003c\/em\u003e is a publication based on a screening and discussion program bringing together a selection of works by contemporary artists and filmmakers as well as footage from the archive of the Tropenmuseum in Amsterdam. The title \u003cem\u003eDuet for Cannibals\u003c\/em\u003e is borrowed from a 1969 film directed by American author and critic Susan Sontag.\u003c\/p\u003e\n\u003cp\u003eAnthropologic and ethnographic institutions in European colonial power centres, like the former Colonial Institute of Amsterdam (nowadays the Royal Tropical Institute), were founded to study and exhibit the cultures of 'overseas people'. Their role was to appropriate, classify, and display cultural artifacts and sometimes even human beings. Though they claimed to reveal the pre-supposed cultural essence of the non-European other, such displays further entrenched the stereotypes of a eurocentric scientific and cultural status quo. In other words, it was by means of the inclusion of other cultures rather than their exclusion, that the colonial power constructed and affirmed itself within the enlightened modern institution, enhancing a privileged position from where it could unilaterally represent the rest of the world.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe works in \u003cem\u003eDuet for Cannibals\u003c\/em\u003e present a wide range of approaches to this debate by departing from historical strata of colonial archives, post-war cultural imperialism and countercultural forms of metropolitan creole-subcultures. \u003cem\u003eDuet for Cannibals: Forms of Cultural Appropriation\u003c\/em\u003e  deals with colonialism and cannibalism as forms of cultural appropriation. The publication is comprised of works by Raimond Chaves, Dominique Gonzalez-Foerster, Hans Heijnen, Paulo Herkenhoff, Gordon Matta-Clark, Ossama Mohammed, Wendelien van Oldenborgh, Christodoulos Panayiotou, Jose Alejandro Restrepo, Susan Sontag, Andy Warhol and Ming Wong. \u003cbr\u003e\u003cbr\u003eThe curator and editor of \u003cem\u003eDuet for Cannibals\u003c\/em\u003e is Inti Guerrero. Inti Guerrero is an art critic and curator born in Bogota, Colombia and based in Amsterdam. Guerrero completed studies on History and Theory of Art \u0026amp; Architecture, and General History at the Universidad de Los Andes in Colombia and the Universidade de Sao Paulo in Brazil. He is a former Curator-in-Residence of the Fondazione Sandretto Re Rebaudengo in Turin and Capacete Entretenimentos in Rio de Janeiro.\u003cbr\u003e\u003cbr\u003eThe publication and program are commissioned by Agentur.  Agentur was initiated 2004 by the curator and writer Karin Christof as a project space for international curators and artists to identify new artistic tendencies within and beyond Europe.\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/duet_for_cannibals.mp4?v=1638195357\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Inti Guerrero [samenstelling]","offers":[{"title":"Default Title","offer_id":28824123218,"sku":"id_00087","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/duetforcannibals2.jpg?v=1481879162"},{"product_id":"working-with-architectonic-dna","title":"Working with Architectonic DNA","description":"\u003cp\u003e+++Working with Architectonic DNA+++\u003c\/p\u003e\n\u003cp\u003e+++Karin Christof [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-22-9\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eBarbara Wais - Drahtzieher Design + Kommunikation\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e64\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e16.5 x 23.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possibly by Stimuleringsfonds voor Architectuur and Pier K.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is published in cooperation with \u003ca title=\"%22podium%22\" href=\"%22http:\/\/www.podiumarchitectuur.nl\/%22\"\u003ePodium voor Architectuur Haarlemmermeer en Schiphol\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe publication, \u003cem\u003eWorking with Architectonic DNA\u003c\/em\u003e, explores the phenomenon of designing complex architectural projects that require continuous modification including expansion and contraction. The departure point is Schiphol Airport in the Netherlands - an airport landscape of train lines, corporate architecture, highways, retail shops, etc. - a project that represents a space in constant flux as air travel patterns change depending on the world's economic state. Dutch architect, Jan Benthem, who has made numerous designs for Amsterdam Schiphol Airport since the 1960s, describes these projects as 'working with an architectonic DNA where the projects have to be finished in any stage of the design and construction'.\u003c\/p\u003e\n\u003cp\u003eDeparting from Jan Benthem's statement the publication reflects upon the idea of designing with an architectonic DNA and explores links with various disciplines. Texts and interviews by architects, urban planners, philosophers, interior designers and researchers investigate this architectural phenomenon from their professional points of view. The questions are: What is the essence, the conceptual basis of an 'architectonic DNA'? Is it possible to design with a so-called architectonic DNA? What are the relevant tools and methods to achieve this design? An epilogue by Benthem concludes the collection of reflective essays aimed at professionals, as well as students, within the field of architecture and urban planning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eMathias Lehner, Karin Christof, Jan Benthem, Koos Bosma, Mario Campanella, Frederike Huygen, Andrew Jaffe, Duks Koschitz, Elke Krasny, Jannes Linders, Wim Nijenhuis, Gijs van Oenen, Frits J. Rotgans, Andreas Rumpfhuber, Robert Temel, Fridtjof Versnel, Jan Versnel.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Karin Christof [red.]","offers":[{"title":"Default Title","offer_id":28824123154,"sku":"id_00088","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/dnacoverrgbsmall.jpg?v=1481879164"},{"product_id":"koolhaas-in-beijing","title":"Koolhaas in Beijing","description":"\u003cp\u003e+++Engelse editie \/ English edition+++\u003c\/p\u003e\n\u003cp\u003e+++Edzard Mik+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-76936-27-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStout\/Kramer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e128\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12.4 x 18.6 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: September 2010\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eText: Edzard Mik \/ Photography: Jim Gourley\u003cbr\u003eEditing: Lex ter Braak, Mirjam Beerman \/ Translation: Jonathan Reeder\u003cbr\u003e\u003cbr\u003eA publication by the Netherlands Foundation for Visual Arts, Design and Architecture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish edition\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eArchitects, contrary to most artists, work by definition from the core of society. Rem Koolhaas is one of the few architects who demonstrates the ability to do so while maintaining a critical distance. Does his strategy contain a hint for artists on how to create significant art in a world where everything seems bound for insignificance?\u003cbr\u003e\u003cbr\u003eWriter Edzard Mik visited the CCTV building in Beijing, designed by Rem Koolhaas's OMA, and wrote a lyrical 'road essay' about Koolhaas, Beijing and on being an artist in the twenty-first century. \u003cbr\u003e\u003cbr\u003e'Image overload, significance deficit, suspension of identity and nonstop transformation and adaptation: it is not only the condition of travel but also the condition into which modernity has delivered us.'\u003cbr\u003e\u003cbr\u003eEdzard Mik (1960) is a Dutch novelist and a regularly featured essayist on visual art, architecture and theater in the Dutch newspaper NRC Handelsblad and weekly magazine Vrij Nederland.\u003cbr\u003e\u003cbr\u003eThis is the fifth publication in a series of essays commissioned by the Netherlands Foundation for Visual Arts, Design and Architecture.\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Netherlands Foundation for Visual Arts, Design and Architecture, known in the Netherlands as Fonds BKVB, is the national body responsible for enabling visual artists, designers, architects and cultural mediators to develop their work in a variety of ways. To achieve this goal, the Fonds BKVB follows a three-track policy: subsidies, internationalisation and special projects.\u003cbr margin:=\"\"\u003e\u003cbr margin:=\"\"\u003eThe core activity of the Fonds BKVB is to provide subsidies to individual visual artists, designers, architects and cultural mediators. In addition to subsidies for beginning artists and financial assistance for applicants at the basic level to help them continue their work, the Fonds BKVB also provides grants for projects, research, new work, continuing education abroad, travel, publications, etc. The aim of the various grants is to stimulate contemporary visual art, design and\/or architecture in the Netherlands. For more information: \u003ca href=\"%22http:\/\/www.fondsbkvb.nl\/%22\" title=\"%22Fonds\" bkvb=\"\"\u003eFonds BKVB\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/koolhaas_in_beijing.mp4?v=1637844105\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Edzard Mik","offers":[{"title":"Default Title","offer_id":28824122770,"sku":"id_00091","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/es05_big.jpg?v=1481879168"},{"product_id":"images-of-farming","title":"Images of Farming","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Wapke Feenstra, Antje Schiffers [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-24-3\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMind Design - Niels Schrader\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e208\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15,5 x 22 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003epaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca title=\"%22myvillages.org%22\" href=\"%22http:\/\/www.myvillages.org\/%22\"\u003e\u003c\/a\u003eIn 2010 Jap Sam Books and \u003ca title=\"%22myvillages.org%22\" href=\"%22http:\/\/www.myvillages.org\/%22\"\u003emyvillages.org\u003c\/a\u003e formed an editorial alliance to produce a new series of books.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible by the Stiftung Niedersachen Hannover, the Städtische Galerie Nordhorn and the Mondriaan Foundation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: April\/May 2011\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThere are few topics that evoke so many different notions and images as do farmers and agriculture. The publication \u003cem\u003eImages of Farmin\u003c\/em\u003eg explores the production of these images in the fields of culture and myth formation, publicity and the sciences, the cultural heritage, and the fine arts. \u003c\/p\u003e\n\u003cp\u003emyvillages.org is an international artist initiative, founded in 2003 by Kathrin Böhm (D\/UK), Wapke Feenstra (NL) and Antje Schiffers (D). The interest of this international foundation is the rural as a space for and of cultural production. The collective aims of myvillages.org are informed by the contextual nature of the individual practices of Böhm, Feenstra and Schiffers and the autobiographical fact that they all come from small villages.\u003c\/p\u003e\n\u003cp\u003emyvillages.org activities range from small scale informal presentations to long term collaborative research projects, from work in private spaces to public conferences, from exhibitions to publications and from personal questions to public debate.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eContributors:\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eIris Andraschek \u003c\/strong\u003e(1963, Horn, Lower Austria) lives in Vienna and Modring. She studied at the Academy of Fine Arts in Vienna and is a member of the Wiener Secession und Foto Fluss. She has been awarded numerous prizes and grants and has featured in various exhibitions. She specializes in projects and artworks in public spaces.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDoris Berger \u003c\/strong\u003e(1972, Linz, Austria) is an art historian, currently working freelance as a writer, curator and editor (Getty Research Institute) in Los Angeles. Until 2004, she was Director of the Kunstverein Wolfsburg, where she curated numerous exhibitions and worked on collaborative art projects, such as I am in the Steppe, Imagining LA, Touristic Gazes, and Appropriated Spaces. She was a lecturer at different universities in Germany before moving to Los Angeles in 2008. Her PhD thesis \u003cem\u003eProjizierte Kunstgeschichte: Mythen und Images in den Filmbiografien über Jackson Pollock und Jean-Michel Basquiat\u003c\/em\u003e (2009) was published in 2009.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSusanne Cockrell \u003c\/strong\u003eand \u003cstrong\u003eTed Purves\u003c\/strong\u003e create social art projects that investigate the overlay of urban and rural systems on the lives of specific communities. They ask questions about the nature of people and places in relation to socio-economics, history and local ecology. The collaboration began with a two and a half year public project called Temescal Amity Works (2004-2007), which facilitated and documented the exchange of backyard produce, conversation and collective biography in the Temescal Neighbourhood of Oakland, CA. In addition to their collaborative practice, they are both professors at California College of the Arts (CCA) in San Francisco. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMarloes Eskens\u003c\/strong\u003e (1982) is a Dutch architectural historian with a broad interest in several related fields, including architectural theory, urban planning, landscape architecture, cultural geography and environmental psychology. In 2008-2009 she worked as a junior researcher at the Fries Museum in Leeuwarden on the exhibition project about the nineteenth-century Frisian architect Willem Cornelis de Groot (1853-1939). She is also (co-)author of several books and articles on the architecture and life of Willem Cornelis de Groot. At present, she is doing a research master's in Art History and Archaeology at the University of Groningen where she is specializing in the fields of built heritage and the history of cultural landscapes. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eFernando Garcia Dory\u003c\/strong\u003e is a neo-pastoral artist and agro-ecologist. His work focuses on themes affecting current relationships between culture and nature within the framework of the landscape, the rural environment, desires and expectations related to aspects of identity, the crisis, utopia and social\u003cbr\u003echange. He often uses self-organizing strategies, initiating collaborative processes of 'soziale plastik'. He studied Fine Arts at the Universidad Complutense de Madrid and completed his PhD in Agroecology at the Institute for Peasant Studies (ISEC). He has developed projects with diverse institutions including the Museum of Contemporary Art of Barcelona\/MACBA, the Folkecentre for Renewal Energies in Denmark, the Carnegie Mellon Gallery in Pittsburgh, Laboral Centro de Arte and Medialab Madrid. He is currently working on INLAND project with Museo Reina Sofia (Madrid) and resides in the Grizedale Arts Centre (UK).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003ePietsie Feenstra \u003c\/strong\u003egraduated in communication studies and Spanish at the University of Groningen (Netherlands), then specialized in film studies at various European universities (Nijmegen, Madrid and Paris). She obtained her doctor's degree in 2001 at the department of Recherches Cinématographiques et Audiovisuelle at the Sorbonne Nouvelle, with a dissertation entitled \u003cem\u003eLa construction de nouvelles figures mythiques dans le cinema de l'après-franquisme\u003c\/em\u003e (1975-1995). She currently teaches film studies at the Sorbonne Nouvelle University III in Paris. Her main specializations are myth and film and contemporary Spanish films. She is a member of several European research groups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWapke Feenstra \u003c\/strong\u003eis a founding member of the artist initiative myvillages.org. She lives and works in Rotterdam, the Netherlands. Her works explore the direct physical and mental environment by tapping into local knowledge. She developed Former Farmland, an on-going project that was part of the Ars Electronica Festival 2008 in Linz and of Landschaft 2.0 in the Edith Russ Haus in Oldenburg.\u0026amp;#8232;Since 2010, Wapke Feenstra has been exploring the landscape in Limburg in Belgium and tracks the processing and transport routes of different primary products. She grew up on a dairy farm in North Frisia.  \u003ca title=\"%22wapke%22\" href=\"%22http:\/\/www.wapke.nl%22\"\u003ewww.wapke.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eAmy Franceschini\u003c\/strong\u003e is a pollinator who creates formats for exchange and production. An overarching theme in her work is a perceived conflict between humans and nature. In 1995 Amy founded Future Farmers, an international collective of artists, and in 2004, she co-founded Free Soil, an international collective of artists, activists, researchers, and gardeners who work together to propose alternatives to the social, political and environmental organization of space. Amy Franceschini's solo and collaborative work has been exhibited internationally at ZKM, Whitney Museum, the New York Museum of Modern Art and Yerba Buena Center for the Arts, San Francisco. She received her BFA from San Francisco State University and her MFA from Stanford. www.futurefarmers.com and www.free-soil.org\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAlexandra Gaba-van Dongen\u003c\/strong\u003e is an art-historian educated at Leiden University. She has been working at the Museum Boijmans Van Beuningen, Rotterdam, since 1986, where she began as assistant curator. Since 1992 she has been curator of pre-industrial design and has organized many temporary exhibitions and authored publications on the subject of artefacts in relation to the visual arts. She currently works on \u003ca title=\"%22alma%22\" href=\"%22http:\/\/www.alma.boijmans.nl%22\"\u003eALMA \u003c\/a\u003eor Afbeelding Linkt met Artefact (Images Linked to Artefacts), a website launched in 2010. ALMA links religious, decorative and domestic artefacts and utensils from the pre- and early industrial period (1400-1900) to depictions of the same types of objects in contemporary paintings and prints.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSimone Helmle\u003c\/strong\u003e is a researcher and lecturer at the Department of Agricultural Communication and Extension, part of the Faculty of Agriculture at the University of Hohenheim (Stuttgart\/Germany). She has published  articles on organic farming ('Fortschrittlich - das Image von Bio-Betrieben in Deutschland', 'Öko-Pioniere im sozialen Wandel'), rural women and the image of farming. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHansjörg Küster\u003c\/strong\u003e (1956, Frankfurt am Main) studied biology at the University of Stuttgart-Hohenheim. He was awarded a PhD at the same university in 1985 and gained his habilitation at Munich University in 1992. He has been Professor of Plant Ecology at the Geobotanical Institute of Leibniz University, Hanover, since 1998 and President of the Lower Saxon Heimatbund since 2004. Important publications: \u003cem\u003eGeschichte der Landschaft in Mitteleuropa,\u003c\/em\u003e third edition (Munich: 1999); \u003cem\u003eGeschichte des Waldes\u003c\/em\u003e, third edition (Munich: 2008); \u003cem\u003eKleine Kulturgeschichte der Gewürze\u003c\/em\u003e, third edition (Munich: 2003); \u003cem\u003eDie Ostsee\u003c\/em\u003e, second edition (Munich: 2004); \u003cem\u003eDas ist Ökologie. Die biologischen Grundlagen unserer Existenz\u003c\/em\u003e (Munich: 2005); \u003cem\u003eDie Elbe \u003c\/em\u003e(Munich: 2007); \u003cem\u003eSchöne Aussichten. Kleine Geschichte der Landschaft \u003c\/em\u003e(Munich: 2009).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eHubert Lobnig\u003c\/strong\u003e (1962, Völkermarkt, Carinthia) lives in Vienna and Modring. He studied at the University of Applied Arts in Vienna and was the recipient of a state grant for photography. He has participated in numerous exhibitions and projects at home and abroad and established the Tigerpark and Tigerpark Room in Vienna. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eJack Luiten\u003c\/strong\u003e is responsible for media relations at LTO Nederland (Dutch Organization for Agriculture and Horticulture), which protects the interests of the farming sector. In 2009 and 2010 Jack Luiten was press liaison officer and one of the media spokesmen on Q fever for LTO member-organizations. It was essential to convince the public that the farmers (goat and sheep) were doing everything possible in 2008 and 2009 to get the disease under control. Eventually, vaccination (only limited supplies of serum were available in 2009) was the means of preventing further spread and lowering the number of cases among humans.           \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRobert-Jan Muller\u003c\/strong\u003e is an art-historian. He works as an advisor on arts and graphic design, and as a writer and curator in both fields. In 2003 his monography\/biography on the painter Erik Andriesse was published. Since 2004 he works as a curator and project coordinator for KCO, an art organization in the eastern province of Overijssel. Robert-Jan Muller gave a keynote in 2005 at the Village Convention (organized by myvillages.org) in Ditchling on projects in Polder Mastenbroek, Overijssel NL. He is an editor for AICA International Association of Art Critics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eClaudia Neu \u003c\/strong\u003e(Aachen, 1967) graduated in Home Economics from the University of Bonn in 1993 and lectured there from1994 till 2000. She was assistant professor at the University of Rostock from 2001 till 2008, during which time she wrote her PhD thesis on the social mobility of collective farmers. She spent the next two years as a senior researcher at the Johann Heinrich von Thünen-Institut (Bundesforschungsanstalt für ländliche Räume) in Braunschweig. Since 2009 she has lived in Mönchengladbach, where she is Professor of Sociology and Empirical Social Research at the Niederrhein University of Applied Science. She specializes in the analysis of social structure, demography and rural sociology, with particular emphasis on the effect of the decay of rural infrastructure on rural communities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRoger Owen\u003c\/strong\u003e graduated from the University of Wales Aberystwyth Drama Department in 1987 and pursued a PhD in Welsh-language Theatre since the Second World War, while also working sporadically as a professional actor. He currently teaches Theatre and Performance Studies at Aberystwyth University. Issues of interest are: Contemporary Welsh-language Theatre, Performance Analysis, Performance Writing, Theatre and Society and Analysis of Space. Roger Owen is from a farming family, a background he regularly uses to illustrate his academic lectures.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eTed Purves\u003c\/strong\u003e and \u003cstrong\u003eSusanne Cockrell\u003c\/strong\u003e create social art projects that investigate the overlay of urban and rural systems on the lives of specific communities. They ask questions about the nature of people and places in relation to socio-economics, history and local ecology. The collaboration began with a two and a half year public project called Temescal Amity Works (2004-2007), which facilitated and documented the exchange of backyard produce, conversation and collective biography in the Temescal Neighbourhood of Oakland, CA. In addition to their collaborative practice, they are both professors at California College of the Arts (CCA) in San Francisco. Ted Purves was founder of the CCA's MFA Area for Social Practice and continues to be one of the leading professors for the central workshop within that curriculum.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePaul Roncken\u003c\/strong\u003e  is a landscape curator, writer and cultural critic. He is a  University Teacher and Coordinator of the Bachelor's Programme in Landscape Architecture - Wageningen University. His research theme focuses on the sublime as an underrated aesthetic motive to design landscapes. Under the name 'Volle Hoop Reiziger – full hope traveller' he gathers professionals to act in public art projects such as 'art at the A50 highway' and 'thousand year wood'.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eMaarten Rooijakkers\u003c\/strong\u003e is a pig-farmer in Aarle-Rixtel, the Netherlands. He also chairs ZLTO, the pig-farmers association in the south of the Netherlands. ZTLO is an association of 18,000 members that promotes the interests of farmers and horticulturalists in North Brabant, Zeeland and South Gelderland.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAntje Schiffers \u003c\/strong\u003eis a founding member of myvillages.org. She was a flower illustrator in Mexico, a travelling painter in Italy, Russia, Kazakhstan, Kirgistan and Uzbekistan, company artist in the tire industry and ambassador and correspondent in the Gallery for Contemporary Art in Leipzig. She participated in barter trades with farmers and with corporate consultants and has worked together with Thomas Sprenger since 2005. Antje Schiffers grew up in Heiligendorf and now lives in Berlin. \u003ca title=\"%22antje%22\" href=\"%22http:\/\/www.antjeschiffers.de%22\"\u003ewww.antjeschiffers.de \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eAdam Sutherland \u003c\/strong\u003ehas been Director of Grizedale Arts since 1999. He was previously Director of art.tm, a visual arts organization in rural Scotland. Adam leads the core development of Grizedale Arts - curating off-site projects, writing and pig-farming. Grizedale Arts describes its activities as follows: 'We run a programme of events, projects, residencies and activity which seeks to develop the contemporary arts in new directions, away from the romantic and modern assumptions of culture, and to make artists more useful in this complex and multiple-cultural environment. GA has neither studios nor exhibition space, but rather provides artists with the opportunity to realize projects using the social, cultural and economic networks of the area and beyond. Each year, circa six research and development grants are awarded to artists and creative practitioners, to develop ideas for projects in relation to the extraordinary environment of the Lake District. The GA programme actively engages with the complexities of the rural situation. Rather than aiming to create a finished art product we place an emphasis on process and the dissemination of ideas to a wider audience. We work alongside the local community to develop and realize the work with artists, and consequently the projects often challenge the artists as much as the local (participatory) audience.' \u003ca title=\"%22grizedale%22\" href=\"%22http:\/\/www.grizedale.org%22\"\u003ewww.grizedale.org \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/images_of_farming.mp4?v=1637666959\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Wapke Feenstra, Antje Schiffers [red.]","offers":[{"title":"Default Title","offer_id":28824121618,"sku":"id_00090","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/images_of_farming_cover.jpg?v=1481879175"},{"product_id":"woorden-als-daden","title":"Woorden als daden","description":"\u003cp\u003e+++Rotterdam Vakmanstad\/Skillcity 2007-2009+++\u003c\/p\u003e\n\u003cp\u003e+++Henk Oosterling+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-05-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003ePaul Stoute\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e420\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15.5 x 24\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information see also: \u003ca title=\"%22www.henkoosterling.nl\/%22\" href=\"%22http:\/\/www.henkoosterling.nl\/%22\"\u003ewww.henkoosterling.nl\u003c\/a\u003e and \u003ca title=\"%22http:\/\/www.henkoosterling.nl\/mytube-2.html%22\" href=\"%22http:\/\/www.henkoosterling.nl\/mytube-2.html%22\"\u003eyou tube.\u003c\/a\u003e \u003ca title=\"%22www.henkoosterling.nl\/%22\" href=\"%22http:\/\/www.henkoosterling.nl\/%22\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: October 2009 [1st edition], January 2010 [2nd edition]\u003c\/p\u003e\n\u003cp\u003eUpdate: May 2011: 2nd edition sold out. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e?SOLD OUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eHenk Oosterling (b. Rotterdam, 1952) is Associate Professor in Philosophy at Erasmus University Rotterdam. His main fields of expertise are cultural and dialectic philosophy, as well as aestethics. He resided in Japan for some time to practice martial arts, and became Dutch Kendo champion in 1983. The Japanese teachings stimulated him to ask philosophical questions such as: what is my relation to fellow human beings, and what is my position towards society? As a philosopher, he prefers an assertive, provocative approach. If necessary, he is prepared to shock in the hope that others show an equally open attitude and willingness to experiment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOosterling plays an important role in the society of Rotterdam, he initiated many cultural and societal activities. For the Rotterdam city council, he functions as strategic consultant for urban innovation projects. A recent initiative called 'SkillCity' consist of a research model for urban revitalisation and renovation, focused on the specific social-cultural and socio-economic situation of Rotterdam.\u003c\/p\u003e\n\u003cp\u003eHis book is related to this project entitled Woorden als Daden (Words as Acts), a political-philosophical reflection on the essence of a community. It discusses the practice of accepting and handing out responsibility in a profoundly individualist world, and comprises a rich source of inspiration for policy makers, CEO's and professionals.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDr. Henk Oosterling studied philosophy, linguistics and Japanese language at the University of Leiden and Erasmus University Rotterdam and now teaches dialectical method, contemporary French philosophy and aesthetics. As coordinator of the Center for Philosophy \u0026amp; Arts (CFK) he initiated and supervises the research program 'Intermediality. On the borders between philosophy, arts and politics'. He is chief-editor of the CFK series CFKj and InterAkta. He was member of the executive board of the International Association for Philosophy and Literature (IAPL) (2001-2005) and now chairs the Dutch Aesthetics Federation (DAF).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Henk Oosterling","offers":[{"title":"Default Title","offer_id":28824121298,"sku":"id_00046","price":29.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/9789490322052.jpg?v=1481879185"},{"product_id":"post-propaganda","title":"Post-Propaganda","description":"\u003cp\u003e+++Engelse editie \/ English edition+++\u003c\/p\u003e\n\u003cp\u003e+++Jonas Staal+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-76936-22-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStout\/Kramer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e109\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12.4 x 18.6 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ehardcover\u003c\/p\u003e\n\u003cp\u003eEnglish edition. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: March 2010\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe essay \u003cem\u003ePost-Propaganda\u003c\/em\u003e is a publication by the Fonds BKVB (now Mondriaan Fund), it was written by visual artist Jonas Staal. His argument is based on the deep-rooted relationship between the art institution and politics, a relationship that goes unacknowledged by both parties. The art institution refuses to question its supposed autonomy and to consider the way it functions from the perspective of socio-economic interests. Conversely, politics refuses to give up its untenably neutral position with respect to the arts. Politics persists in the ideal of a 'free' and 'independent' art, in spite of its far-reaching and direct interference in both funding and content. In doing so, politics denies its direct responsibility and power as the actual commissioning client of the art institution. The central question of this essay considers the precise nature of the political interests that bring about its involvement with the arts. It also asks how art currently functions as a means of political propaganda. What are the ideological foundations that contemporary art is supposed to portray?\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith this manifesto, Jonas Staal aims to further the discussion about art and politics. He calls for a truly politicised art and an artification of politics. His goal is to oblige both parties to publicly re-appropriate and propagate the power over the formation, experience and execution of democracy.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJonas Staal (1981) studied monumental art in Enschede, the Netherlands and Boston, MA. His work includes interventions in public space, exhibitions, lectures and publications. In all cases he emphatically engages with political subjects and developments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Netherlands Foundation for Visual Arts, Design and Architecture, known in the Netherlands as Fonds BKVB, is the national body responsible for enabling visual artists, designers, architects and cultural mediators to develop their work in a variety of ways. To achieve this goal, the Fonds BKVB follows a three-track policy: subsidies, internationalisation and special projects.\u003cbr padding-right:=\"\" padding-bottom:=\"\" padding-left:=\"\" margin-top:=\"\" margin-right:=\"\" margin-bottom:=\"\" margin-left:=\"\"\u003e\u003cbr padding-right:=\"\" padding-bottom:=\"\" padding-left:=\"\" margin-top:=\"\" margin-right:=\"\" margin-bottom:=\"\" margin-left:=\"\"\u003eThe core activity of the Fonds BKVB is to provide subsidies to individual visual artists, designers, architects and cultural mediators. In addition to subsidies for beginning artists and financial assistance for applicants at the basic level to help them continue their work, the Fonds BKVB also provides grants for projects, research, new work, continuing education abroad, travel, publications, etc. The aim of the various grants is to stimulate contemporary visual art, design and\/or architecture in the Netherlands. For more information: \u003ca href=\"http:\/\/www.mondriaanfonds.nl\"\u003eMondriaan Fonds\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/post-propaganda.mp4?v=1637844105\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jonas Staal","offers":[{"title":"Default Title","offer_id":28824120274,"sku":"id_00082","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/fondsbkvb003.jpg?v=1481879189"},{"product_id":"source-05-designing-global-choices","title":"SOURCE 05 - Designing Global Choices","description":"             \u003cp\u003e+++Design Academy Eindhoven \/ IM Masters+++\u003c\/p\u003e             \u003cp\u003e+++Louise Schouwenberg [ed.]+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-19-9\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eStudio Joost Grootens\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e88\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e23 x 17 cm\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback, plastic dust jacket\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eEnglish\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eGlobalization has brought advantages, as well as disadvantages. The worldwide trade in consumer goods has resulted in uniformity of supply, threatens the survival of local traditions and has not spared the environment. The call for a reassessment of old techniques and historically evolved conventions can be heard all around us. This sometimes takes the form of nostalgic rapture over national identities and presumed traditions. Sometimes the past is re-examined from a contemporary perspective.  Designers can play an important role in the discovery of new possibilities, as we see from a growing number of design projects, including those of the students of the IM Masters programme at the Design Academy in Eindhoven.\u003cbr\u003e\u003cbr\u003eThe student population represents a colourful array of nationalities, an asset that was put to optimum use during two trimesters in late 2008 and early 2009. The students investigated traditional techniques from their own home countries and formulated design proposals that would give these techniques and traditions a place in our time.  This fifth edition of Source includes essays and an interview on the theme of Designing Global Choices, written by experts in the field, lecturers and students, as well as examples of the students' research and design proposals.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSource\u003c\/em\u003e is a series of publications by the Masters departments of Design Academy Eindhoven. \u003cem\u003eSource 05\u003c\/em\u003e is produced by the IM Masters department. \u003c\/p\u003e         \u003c\/div\u003e                  ","brand":"Louise Schouwenberg [red.]","offers":[{"title":"Default Title","offer_id":28824120146,"sku":"id_00085","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source05omslagmetruglores.jpg?v=1481879194"},{"product_id":"moderniteit-in-een-behoudende-omgeving-modernity-in-a-conservative-environment","title":"Moderniteit in een behoudende omgeving \/ Modernity in a conservative environment","description":"             \u003cp\u003e+++Jan Albarda en De Groep van Delft \/ Jan Albarda and The Group of Delft+++\u003c\/p\u003e             \u003cp\u003e+++Jan Molema, SuzyLeemans+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-17-5\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eJoseph Plateau grafisch ontwerpers\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e368\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e20 x 25 cm\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eDutch \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThis publication is supported by the Prins Bernhard Cultuurfonds. \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThis publication is published in cooperation with STAG. \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eFor more information: \u003ca title=\"%22Groep\" van delft href=\"%22http:\/\/www.bkvdl.nl\/degroepvandelft-wie.htm%22\"\u003eDe Groep van Delft \u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eIn retrospect Delft's Faculty of Architecture of the 1930s is perceived as a dark and introvert period of time when the conservatism of the Delftse School movement inhibited the progressive thinking of earlier years. However, the circumstances are more nuanced; at that time an enthusiastic group of students, who later became known as De Groep (The Group), instigated and provoked discussion about the state of architecture. As well as Granpré Moliere – later considered the leader of the Delftse School – other key figures of 'new architecture' also took part, such as; Gropius, Breuer, Le Corbusier, Lurçat, Duiker, Rietveld, Oud and Van Eesteren. \u003cbr\u003e   \u003cbr\u003eWhile the members of De Groep were still students, three events took place which motivated the discussion. In 1928 the open air play D.16.M.M. (Mensch en Machine) was staged in order to celebrate the 16th anniversary of the Delftsch Studenten Corps. Progressive artists who took part included the writer Mannus Franken, composer Leo Smit, director Albert Van Dalsum and the filmmaker Joris Ivens. The open air play made a big impact upon the students and formed the basis for their ensuing search for a better society. \u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                          \u003cp\u003eSome of the members of De Groep have led a remarkable life.  After  graduating they began their careers by working with eminent architects  such as Oud, Van Tijen and Rietveld. However, the economic crisis,  followed by  World War II, badly affected their promising careers as  self employed architects \/ urban planners.  The members who survived  the war returned to play their part in the post war reconstruction, but  until now there has been very little attention paid to their role. It  is justified to say that they have paved the way for subsequent  generations of architects and urban developers like Van den Broek,  Bakema, Van Eyck and Hertzberger, who have become internationally  prominent because of their reverence for Modernity. Some members of De Groep have asserted their influence in other parts of the world, like Jan Albarda, Huibert van Doorninck and Kees Bakker who emigrated to Canada.  \u003cbr\u003e\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                          \u003cp\u003eIn 1930 the Internationale Leergang voor Nieuwe Architectuur  (International Congress for New Architecture) took place on the 1st,  2nd and 3rd December, which was organized by Practische Studie, the  society for architecture students in Delft at that time, with Joost  Boks, Henk Jan Brusse and Jan Horatius Albarda on the committee.  Although this gathering was not formally supported by the Faculty of  Architecture,  it brought together the top architects of a recently formed CIAM (Congrès Internationaux d'Architecture Moderne), who had just held their third conference in Brussels. On the 3rd of April 1933 Henk Jan Brusse gave a lecture entitled 'Wat Wij Willen' ('What We Want') in order to honour the founding of De Groep. During this lecture he called for more scope for renewal which, according to the De Groep, remained lacking within the faculty's study programme.\u003c\/p\u003e         \u003c\/div\u003e                  ","brand":"Jan Molema, Suzy Leemans","offers":[{"title":"Default Title","offer_id":28824120018,"sku":"id_00079","price":38.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_albarda_voorkant_low.jpg?v=1481879200"},{"product_id":"huisboomfeest","title":"HUISBOOMFEEST","description":"\u003cp\u003e+++Een kunstproject van Wapke Feenstra over cyclische tijd in het Piushavengebied van Tilburg+++\u003c\/p\u003e\n\u003cp\u003e+++Wapke Feenstra+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-18-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eAriënne Boelens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e200\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e10.5 x 14.8 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback (wire-o)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: June 2010\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possible by KORT and Fonds BKVB.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003ethe art project huisboomfeest (2003-2010) was closed off with a book launch. The publication contains six essays on the collected photo's, semiotic observations and organised (nature) walks. They focus on the area and the online archive.\u003c\/p\u003e\n\u003cp\u003eThis publication is only available in the Dutch language.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/huisboomfeest.mp4?v=1638195357\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":28824119954,"sku":"id_00084","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslaghuisboomfees.jpg?v=1481879203"},{"product_id":"power-to-which-people","title":"Power?... To Which People?!","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Jonas Staal, and trans. and ed. Vincent W.J. van Gerven Oei+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-02-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eLaura d'Ors\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e228\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e13 x 20\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish edition, also available in a Dutch edition\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by the Netherlands Foundation for Visual Arts, Design and Architecture, and De Stichting Democratie en Media\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: April 2010\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThis publication \u003cem\u003ePower... To Which People?! \u003c\/em\u003eis a collection of contemporary texts, pamphlets and manifestoes concerning a selection from the work of visual artist Jonas Staal. (1981).  In the publication, Staal's oeuvre, in which the relation between art, politics, and ideology occupies a central position, functions as a platform for a dialogue with a selection of international authors whose work occupies itself with the political and social meaning of writing and publication, and where text is employed as a political instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eStaal's work has gained popularity through its emphatic socio-political thematics. His most well-known projects comprise the installation series \u003cem\u003eThe Geert Wilders works \u003c\/em\u003e(2005), in which he installed a series of 'roadside monuments' in public space featuring the face of right-wing populist politician Geert Wilders. Two court cases ensued from this work, in which he was accused for threatening the politician. These court cases were re-established as his own productions, entitled respectively \u003cem\u003eThe Geert Wilders Works – A Trial I \u003c\/em\u003e(2007) and \u003cem\u003eThe Geert Wilders Works – A Trial II\u003c\/em\u003e (2008). Other works include \u003cem\u003eAnatomy of a Car Bomb Wreckage\u003c\/em\u003e (2007, together with artist Jack Segbars), in which he exhibited two car bomb wreckages from Iraq in Rotterdam, as a part of the sculpture collection of the city, and \u003cem\u003eBomb Wreck Jewellery\u003c\/em\u003e (2009, together with Hartog \u0026amp; Henneman), in which a jewellery set was manufactured from debris of the bomb wreckages.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the authors\u003c\/h6\u003e\n\u003cp\u003eThe title \u003cem\u003ePower... To Which People?! \u003c\/em\u003equestions the famous slogan 'Power to the people!' Both in Staal's oeuvre and in the authors' contributions, the question about the locus of power in our society is put to discussion. Exactly through constantly placing this question on the forefront, they claim that a different politics, a different form of representation is possible. According to Staal, artists are also representatives of the people.\u003cbr\u003e\u003cbr\u003eThe authors comprise Tunesia born writer Chris Keulemans, Romanian curator Mihnea Mircan, Serbian curator Marko Stamenkovic, the Belgian theoretical research group BAVO, and Dutch-Chinese writer Vincent van Gerven Oei.\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/macht_aan_welk_volk.mp4?v=1637666959\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jonas Staal, vert. en red. Vincent W.J. van Gerven Oei","offers":[{"title":"Default Title","offer_id":28824119890,"sku":"id_00006","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/staal_poweren.jpg?v=1481879204"},{"product_id":"macht-aan-welk-volk","title":"Macht?... Aan welk volk?!","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Jonas Staal, and trans. and ed. Vincent W.J. van Gerven Oei+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-01-4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eLaura d'Ors\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e228\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e13 x 20\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eGebonden\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDutch edition\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible with support by the Netherlands Foundation for Visual Arts, Design and Architecture, and the Stichting Democratie en media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: april 2010\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eFor more information about this book see the English edition of this title: \u003cem\u003ePower?... To Which People?!\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eJonas Staal (1981) studied monumental art in Enschede, the Netherlands and Boston, MA. His work includes interventions in public space, exhibitions, lectures and publications. In all cases he emphatically engages with political subjects and developments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/macht_voor_welke_mensen_NEDERLANDS.mp4?v=1637844105\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jonas Staal, onder redactie van Vincent W.J. van Gerven Oei","offers":[{"title":"Default Title","offer_id":28824119826,"sku":"id_00025","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/staal_machtnl.jpg?v=1481879205"},{"product_id":"optrek-in-transvaal-over-de-rol-van-publieke-kunst-in-de-stedelijke-ontwikkeling-interventies-en-onderzoek","title":"OpTrek in Transvaal. Over de rol van publieke kunst in de stedelijke ontwikkeling. Interventies en onderzoek","description":"             \u003cp\u003e+++OpTrek in Transvaal. On the role of public art in urban development. Interventions and research+++\u003c\/p\u003e             \u003cp\u003e+++Veronica Hekking, Sabrina Lindemann, Annechien Meier [eds]+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-06-9\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eHarmine Louwé\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e400\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e17 x 24\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eDutch \/ English\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eDate of release: March\/April 2010\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThis publication was made possible with the support of the Mondriaan Stichting, Fonds 1818, Stroom Den Haag, Municipality of The Hague\/OCW.\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eThe artist organisation, Mobiel Projectbureau OpTrek, an initiative of Sabrina Lindemann and Annechien Meier, has been studying the drastic restructuring scheme that will continue to grip the multi-ethnic district Transvaal in The Hague until 2014. This operation involves the demolition of some three thousand dwellings, to make way for 1,600 new homes, most of them in a higher price class. OpTrek invited artists to study these changes and to make them visible for a wider audience, as well as to explore the underlying political policies. In this publication an overview of art projects, interviews, debates, interventions and research between 2002-2009 is presented.\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                                   \u003c\/div\u003e                  ","brand":"Veronica Hekking, Sabrina Lindemann, Annechien Meier [red.]","offers":[{"title":"Default Title","offer_id":28824119762,"sku":"id_00027","price":28.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_voor_optrek.jpg?v=1481879207"},{"product_id":"ia-3-interactive-architecture","title":"iA#3 - Interactive Architecture","description":"             \u003cp\u003e+++Emotive Styling+++\u003c\/p\u003e             \u003cp\u003e+++Kas Oosterhuis, Xin Xia, Owen Slootweg [eds]+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-08-3\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eDanielle van Steenbergen\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e128\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e12 x 21\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eThis \u003cem\u003eiA\u003c\/em\u003e bookazine series consists of twelve issues bi-annually  published under the supervision of prof. ir.  Kas Oosterhuis, director of Hyperbody at the Delft University of  Technology and principal ONL [Oosterhuis_Lénárd] bv. The issues of iA  consist of scientific papers on particular aspects of iA and  iA-driven MSc projects, iA-inspired case studies from practice,  interviews with renowned researchers\/practitioners, and blogs by Kas  Oosterhuis.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eEnglish\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eDate of release: maart 2010\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eThe \u003cem\u003eiA-\u003c\/em\u003ebookazine series brings together interdisciplinary  contributions on the topic of 'Interactive Architecture (iA)' from  researchers, students, guest lecturers from Hyperbody, Factulty of  Architecture, Delft University of Technology and experts from various  other organizations. This third issue consists of papers, educational  reports, workshops, dialogues and related information.\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                          \u003cp\u003eThe theme for \u003cem\u003eiA#3\u003c\/em\u003e is Emotive Styling. In the introduction, professor Kas Oosterhuis emphasizes the urgency of developing a style for a non-standard architecture based on complex geometry and interaction design. Gijs Joosen interviews BMW design director Chris Bangle for \u003cem\u003eiA#3\u003c\/em\u003e; they discuss the relevance of the emotive behaviour of the BMW Gina prototype. Style, determined by a specific speed (120 km\/h), is the leading conceptual idea for the design process applied to ONL's \u003cem\u003eAcoustic Barrier\u003c\/em\u003e for the embedded Cockpit. At the same time, the applied innovative CNC fabrication techniques were developed with the explicit purpose of strengthening the initial design concept.\u003cbr\u003e\u003cbr\u003eEquipping themselves with emotive styling techniques in the design process, Hyperbody aims to encourage interaction designers to imagine the daily motion of any built structure. For the \u003cem\u003eFesto HyperWall,\u003c\/em\u003e exhibited at the Hannover Fair 2009, Hyperbody designed and programmed the smooth emotive behaviour of nine wall units, and designed and programmed the dynamics of the embedded LED lights and sounds. A group of Hyperbody MSc3 students have developed several projects as an information processing DNA structure, operating on the Dutch A2 Highway. Finally, Hyperbody thesis student Owen Slootweg explains his interactive design concept for Europe's first fly-over crossing Kleinpolderplein in Rotterdam.\u003cbr\u003e \u003c\/p\u003e         \u003c\/div\u003e                  ","brand":"Kas Oosterhuis, Xin Xia, Owen Slootweg [red.]","offers":[{"title":"Default Title","offer_id":28824119378,"sku":"id_00053","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/ia3omslag.jpg?v=1481879208"},{"product_id":"169-klushuizen","title":"169 KLUSHUIZEN","description":"\u003cp\u003e+++Van experiment naar instrument+++\u003c\/p\u003e\n\u003cp\u003e+++Annemarie Sour [text], Joop Reijngoud [photography]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-116-5 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003ePing-Pong Design | Meike Nip\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e452\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e22 x 19,5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible by the Municipality of the City of Rotterdam\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003especial offer: now only € 12.50 (incl. 9% VAT) instead of € 25,00 \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eRotterdam's position at the beginning of the twenty first century is not at its best. Parts of its urban areas are dilapidated. Poorly maintained buildings and sites due for demolition make their desolate appearance even worse. This is where crime occurs and rack-renters do good business. Illegal occupation has become widespread and there are inhabitants who feel unsafe. Those who have money and look for peace and quiet are leaving. The current approach, which involves major repairs or neighbourhood restructuring, has proven inadequate.\u003cbr\u003e\u003cbr\u003eHow to attract buyers to a run-down neighbourhood? How to change the neighbourhood's negative image and transform it into a trendy hot spot within a couple of years? A bold experiment has enabled the City of Rotterdam to achieve a breakthrough in such areas. The new municipal executive that took office in 2002 intends to deal with the issue in a different way. \u003cbr\u003e\u003cbr\u003eThe nine most dilapidated neighbourhoods, the so-called 'hot spots', get an extra impetus. These neighbourhoods are characterized by an unbalanced ratio of owner-occupied to rented homes. Ratios of 95 per cent rented to 5 per cent owner-occupied are no exception, both in Rotterdam North and Rotterdam South.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAn important element in the improvement of the residential environment is the refurbishment of the existing housing stock. Though the dwellings are too good to be pulled down, they are in a very poor state of repair. Through investment in the refurbishment of only façades and roofs in other projects, building blocks were given a monumental appearance. Unfortunately, in spite of the pretty façades, nothing has changed behind the front doors. The municipality purchases a large number of run-down buildings that are located in the hot spot areas. \u003cbr\u003e\u003cbr\u003eThe dwellings are sold at a bargain price to – primarily – enthusiastic young people. It is up to them to convert their acquisition into a top-class dwelling: a dream house. The future residents are assisted with putting ideas into practice by architects, special civil servants responsible for issuing permits and other expert advisors. This can be done on an individual basis or collectively. As far as the City of Rotterdam is concerned, this approach has not only resulted in improved dwellings, their sustainable maintenance and more differentiation in the existing housing stock, but foremost in attracting a new group of young creative residents to these deprived areas.\u003cbr\u003e\u003cbr\u003eThe publication \u003cem\u003e169 Klushuizen. 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