{"title":"Architecture","description":"","products":[{"product_id":"a-e-i-ou","title":"A E I OU","description":"\u003cp\u003e+++Articles, Essays, Interviews and Out-takes by Tony Fretton+++\u003c\/p\u003e\n\u003cp\u003e+++Tony Fretton+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-70-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStudio Joost Grootens, Joost Grootens, Dimitri Jeannottat\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e160\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e13.5 x 21 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: February 2018\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by the Creative Industries Fund NL. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information: \u003ca href=\"http:\/\/www.tonyfretton.com\" title=\"%22tf%22\"\u003ewww.tonyfretton.com\/ \u003c\/a\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eA E I OU Articles, Essays, Interviews and Out-takes\u003c\/em\u003e. The name itself says something of the nature of Tony Fretton's collected writing.\u003c\/p\u003e\n\u003cp\u003eAs an architect he has said 'Words, the most collective form of communication, thread their way through the projects, in explanations to clients and constructors, and as my means, along with drawings, of explaining the projects to my collaborators, to myself and to the wider world.'\u003c\/p\u003e\n\u003cp class=\"%22Default%22\"\u003eAs Professor of Architectural Design-Interiors at TU Delft, he wrote:  'Interior design accommodates peoples physical and emotional comfort and rituals of use directly in the material of buildings, and offers freedom, directness and social meaning to architecture'. \u003c\/p\u003e\n\u003cp\u003eBetween these two professional poles lies a series of articles on other architects, essays on the historical currents in architecture, interviews in which Fretton lays out the developing bases of his practices, and out-takes: ideas and phrase retrieved from early drafts and unpublished writing.   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eTony Fretton is a principal of Tony Fretton Architects with James McKinney, David Owen and Guy Derwent. Buildings designed and realised by the practice include the Lisson Gallery London, Red House Chelsea, Fuglsang Kunstmuseum in Denmark, which was shortlisted for the Stirling Prize, the new British Embassy in Warsaw, Solid 11, a multi-purpose building in Amsterdam, and most recently two apartment towers in Antwerp Harbour and the City Hall in Deinze Belgium.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eTony Fretton was Chair of Architectural Design-Interiors at the Technical University of Delft in the Netherlands 1999-2013. He was visiting professor at the Graduate School of Design, Harvard in 2005-2006, at ETH Zurich in 2011-2012 and Oslo School of Architecture in 2015-16. In Autumn 2016 he will be visiting professor at the University of Navarre in Spain. Currently he is Master of Diploma Unit 2 at the Cass School London and visiting professor at the University of East London. Tony Fretton is a trustee of Docomo London. Project models and drawings of Tony Fretton Architects are in the Drawing Matter Trust collection. \u003cem\u003eBuildings and their Territories\u003c\/em\u003e a monograph on the work of the practice was published by Birkhäuser 2013.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tony Fretton","offers":[{"title":"Default Title","offer_id":28824131986,"sku":"id_00164","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/Fretton_AEIOU_Cover_Front-low.jpg?v=1516015745"},{"product_id":"the-new-delta","title":"The New Delta","description":"\u003cp\u003e+++The Rhine-Meuse-Scheldt-Delta in Transition+++\u003c\/p\u003e\n\u003cp\u003e+++Bianca de Vlieger. Edited by Han Meyer en Joost Schrijnen+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-74-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eIDA | Identity \u0026amp; Design by Anne van Riet i.c.w. \u003cspan\u003eWentelwereld Grafische Vormgeving en Uitvoering\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e244\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 21 cm oblong\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eTranslation: Michael Meert. Art English\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp line-height:=\"\" normal=\"\" font-family:=\"\" verdana=\"\"\u003ePublished in co-operation and with the support of the Faculty of Architecture, Delft University of Technology \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe Delta works in the Dutch-Flemish Delta of the Rhine, Meuse and Scheldt are among the most iconic monuments of our country, in part because of the strong, defining image of the dams and dikes. Striking, in particular, is the Eastern Scheldt Barrier, a wonder of the world, born from the desire to make the Delta safe after the North Sea flood of 1953. After the realization of the Delta Works, a large number of new projects for water safety were realized about which very little is known. Most of these new generation projects, realized between 1985 and the present, are not just merely about water safety.\u003c\/p\u003e\n\u003cp\u003eWhat happened in the Delta of the Rhine, Meuse and Scheldt after the completion of the Delta works? Which trajectories, new developments and constants are there to be discovered amongst this generation of projects realized between the end of the first Delta program and the start of the second Delta program (2015)? These are the key questions of the research conducted by Bianca de Vlieger upon the invitation of the Delft University of Technology and the HZ University of Applied Sciences, in cooperation with the Directorate-General for Public Works and Water Management (Rijkswaterstaat), the Forestry Commission (Staatsbosbeheer) and the WWF (Wereld Natuur Fonds).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe overview presents a dozen programs with more than one hundred and fifty projects strewn across the area between land and water along the Dutch-Flemish Delta. What is this New Delta that is emerging from the massive and ongoing development, and how is this vast undertaking steered? Seventeen projects have been selected from this wide range of operations and are explored more in depth. A number of essays by a group of experts discuss the urgency of the research, and present a closer examination of the spatial, scenic, ecological, economic and civil technical changes that typify these particular projects.\u003c\/p\u003e\n\u003cp\u003eIn short, this book traces the surprising contours of the New Delta and is a must-read, not only for professionals and students, but certainly also for the general public. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith additional text contributions by Han Meyer, Joost Schrijnen, Bas Jonkman, Gigi van Rhee, Jandirk Hoekstra, Jitske van Popering – Verkerk, Patrick Meire\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bianca de Vlieger. Onder redactie van Han Meyer en Joost Schrijnen","offers":[{"title":"Default Title","offer_id":28824131858,"sku":"id_00158","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/thenewdeltacover.jpg?v=1481878980"},{"product_id":"de-nieuwe-delta","title":"De Nieuwe Delta","description":"\u003cp\u003e+++De Rijn-Maas-Schelde-Delta in verandering+++\u003c\/p\u003e\n\u003cp\u003e+++Bianca de Vlieger. Edited by Han Meyer en Joost Schrijnen+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-73-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eIDA | Identity \u0026amp; Design by Anne van Riet i.s.m. Wentelwereld Grafische Vormgeving en Uitvoering\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e244\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 21 cm oblong\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp verdana=\"\" font-family:=\"\" normal=\"\" line-height:=\"\"\u003ePublished in co-operation and with the support of the Faculty of Architecture, Delft University of Technology \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe Delta works in the Dutch-Flemish Delta of the Rhine, Meuse and Scheldt are among the most iconic monuments of our country, in part because of the strong, defining image of the dams and dikes. Striking, in particular, is the Eastern Scheldt Barrier, a wonder of the world, born from the desire to make the Delta safe after the North Sea flood of 1953. After the realization of the Delta Works, a large number of new projects for water safety were realized about which very little is known. Most of these new generation projects, realized between 1985 and the present, are not just merely about water safety.\u003c\/p\u003e\n\u003cp\u003eWhat happened in the Delta of the Rhine, Meuse and Scheldt after the completion of the Delta works? Which trajectories, new developments and constants are there to be discovered amongst this generation of projects realized between the end of the first Delta program and the start of the second Delta program (2015)? These are the key questions of the research conducted by Bianca de Vlieger upon the invitation of the Delft University of Technology and the HZ University of Applied Sciences, in cooperation with the Directorate-General for Public Works and Water Management (Rijkswaterstaat), the Forestry Commission (Staatsbosbeheer) and the WWF (Wereld Natuur Fonds).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe overview presents a dozen programs with more than one hundred and fifty projects strewn across the area between land and water along the Dutch-Flemish Delta. What is this New Delta that is emerging from the massive and ongoing development, and how is this vast undertaking steered? Seventeen projects have been selected from this wide range of operations and are explored more in depth. A number of essays by a group of experts discuss the urgency of the research, and present a closer examination of the spatial, scenic, ecological, economic and civil technical changes that typify these particular projects.\u003c\/p\u003e\n\u003cp\u003eIn short, this book traces the surprising contours of the New Delta and is a must-read, not only for professionals and students, but certainly also for the general public. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith additional text contributions by Han Meyer, Joost Schrijnen, Bas Jonkman, Gigi van Rhee, Jandirk Hoekstra, Jitske van Popering – Verkerk, Patrick Meire.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bianca de Vlieger. Onder redactie van Han Meyer en Joost Schrijnen","offers":[{"title":"Default Title","offer_id":28824131794,"sku":"id_00159","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_nieuwedeltanl.jpg?v=1481878982"},{"product_id":"diy-klarenstraat","title":"DIY KLARENSTRAAT","description":"\u003cp\u003e+++Zelfbouw en de herontdekking van de portiekflat \/ A new perspective on the post-war social housing block+++\u003c\/p\u003e\n\u003cp\u003e+++Edited by Patricia van Ulzen, Antoin Buissink and Rufus de Vries+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-66-3\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eAntoin Buissink\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e224\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDutch \/ English \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: July 2017\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eMade possible with the support of Creative Industries Fund NL, the Van Eesteren-Fluck \u0026amp; Van Lohuizen Stichting, and gemeente Amsterdam, stadsdeel Nieuw West, Provincie Noord-Holland, Urbannerdam, Vanschagen Architects, Coffeemania.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe project 'Klussen op de Klarenstraat' is winner of the Amsterdam Architectuurprijs 2015 (Gouden A.A.P. 2015,) Beste vier ARC14 Award, Nominatie Zuiderkerkprijs 2014\u003c\/p\u003e\n\u003cp\u003eOn the Shortlist of the DAM ARCHITECTURAL BOOK AWARD 2017.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe Staalmanplein neighbourhood in Cornelis van Eesteren's Westelijke Tuinsteden (Western Garden Cities) in Amsterdam, has been undergoing a radical regeneration operation since 2008. Whereas most housing blocks in this neighbourhood from the 1950s were demolished and replaced by new buildings, the social housing block in the U.J. Klarenstraat was selected for an experiment: in 2012 the whole block was put up for sale as Do It Yourself apartments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe apartment building from 1956 at the U.J. Klarenstraat has been drastically transformed by a group of buyers into a residential building with a highly varied programme. Vanschagen Architects advised the thirty buyers in the development of the project, its design and its realisation.\u003c\/p\u003e\n\u003cp\u003eThis experiment can be considered a success. Reviews in professional journals and the local press were positive, the project was nominated for three awards of which it won one, the residents are satisfied with their self-designed apartments, and the housing corporation perceives beneficial social effects of the project on the neighbourhood.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eVincent van Rossem, Patricia van Ulzen, Rufus de Vries (photography), Arjan Gooijer, Sander Gelinck, Maaike Schravesande, Frans van Hulten\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBook launch\u003c\/strong\u003e July 20, 2017, 19.30 hrs, Pakhuis De Zwijger, \u003ca href=\"https:\/\/www.japsambooks.nl\/blogs\/news\/book-launch-diy-klarenstraat\" title=\"blogDIY\"\u003e\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/diy_klarenstraat.mp4?v=1637658742\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Onder redactie van Patricia van Ulzen, Antoin Buissink, Simea Knip en Rufus de Vries","offers":[{"title":"Default Title","offer_id":28824131730,"sku":"id_00156","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/Klarenstraat_omslag_DEF.jpg?v=1498814190"},{"product_id":"it-s-all-happening-so-fast","title":"It's All Happening So Fast","description":"\u003cp\u003e+++A Counter-History of the Modern Canadian Environment+++\u003c\/p\u003e\n\u003cp\u003e+++Mirko Zardini, Lev Bratishenko [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-78-6 [English Edition] \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eChristian Lange, Ibrahim Öztaş\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e384\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003eINSIDE PAGES: \u003ca href=\"https:\/\/issuu.com\/japsambooks\/docs\/it_s_all_happening_so_fast_excerpt_en\" title=\"https:\/\/issuu.com\/japsambooks\/docs\/it_s_all_happening_so_fast_excerpt_en\"\u003eISSUU\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e978-94-90322-78-6 [ISBN JSB] 978-1-927071-44-1 [ISBN CCA]\u003c\/p\u003e\n\u003cp\u003eFrench\u003c\/p\u003e\n\u003cp\u003e978-94-90322-79-3 [ISBN JSB] 978-1-927071-45-8 [ISBN CCA] \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCo-published with the Canadian Centre for Architecture, Montreal \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"%22http:\/\/www.cca.qc.ca\/en\/%22\" title=\"%22cca%22\"\u003ehttp:\/\/www.cca.qc.ca\/en\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: November 2016\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with nature. Today, Canada's environmental record is among the poorest when compared to other wealthy nations, a fact that suggests ambivalence, and the actions of competing interests, which are most often exposed in moments of disorder and disregard for the unexpected consequences of managing the country's seemingly endless bounty.\u003c\/p\u003e\n\u003cp\u003eThe 15 case studies presented here reframe Canada since 1945, and these surprising events are grounded in conversations about cultural myths and the legal environment, changing ideas of natural resources and environmental risk, indigenous engagement with environmentalism and development, and the impacts of the environmentalist movement.  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAbout the editors:  Curator and architect Mirko Zardini is the Director of the Canadian Centre for Architecture since 2005. His research engages the transformation of contemporary architecture and its relationship with the city and the environment by questioning the assumptions on which architects operate today.\u003c\/p\u003e\n\u003cp\u003eLev Bratishenko is a writer and curator. His previous book with the Canadian Centre for Architecture was \u003cem\u003eThe Other Architect \u003c\/em\u003e(2015) with Giovanna Borasi. He curated 'Error 404: The object is not online' (2010).\u003c\/p\u003e\n\u003cp\u003eWith contributions by Taiaiake Alfred, Brian Brennan, Dean Bavington, David R. Boyd, David Cayley, Douglas Coupland, Elizabeth R. DeSombre, Caroline Desbiens, Emily Eaton, David Gray-Donald, Marianne Nicolson, Andrew Nikiforuk, Margo Pfeiff, Christopher Pollon, John Ralston Saul, Ed Struzik, David Suzuki, Martha Troian, Charles Wilkins, Terri-Lynn Williams-Davidson, Chris Windeyer, and Graeme Wynn.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mirko Zardini, Lev Bratishenko [red.]","offers":[{"title":"Default Title","offer_id":28824127634,"sku":"id_00165","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/its_all_happening_so_fast_en_cover.jpg?v=1481879026"},{"product_id":"the-public-interior-as-idea-and-project","title":"The Public Interior as Idea and Project (second edition)","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Mark Pimlott+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-52-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong class=\"\"\u003eEditor\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cp\u003eEleonoor Jap Sam\u003c\/p\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStudio Joost Grootens, Joost Grootens, Silke Koeck, Simon Ruaut\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e302\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: October 2016. Second edition: May 2022.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by the Creative Industries Fund NL. \u003c\/p\u003e\n\u003cp\u003eThis publication was made possible with the support of Delft University of Technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe interior is that space that architecture makes, which is at once set apart from the world and in its midst. Regardless of its scale, whether that of a dwelling, a temple, a settlement, a city or a continental territory, the interior is informed and shaped by ideas. These ideas appear in architecture and in the great variety of its interiors that we take to be public: those within which we consider ourselves to be free individuals, and where we see ourselves among others; those within which we are conscious of our place in society and in the world. Public interiors have been designed to affect and condition our consciousness and our behaviour, our relations to others and to authority.\u003c\/p\u003e\n\u003cp\u003eThe structure of this publication by Mark Pimlott originates from a series of lectures called 'Fundamentals' given to students of the course 'The Architecture of the Interior' at Delft University of Technology, which concerned public interiors in the West through history, and significant ideas that had contributed to their realisation and their reception.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRather than attempting an encyclopaedic overview, the author proposed six potent interpretive themes—the Palace, the Garden, the Ruin, the Shed, the Network and the Machine—through which many exemplary interiors could be considered, so that the public interior might become more available to the imaginations of those who design them. All together here, the chosen exemplars form a kind of canon of the public interior. Submitted to interpretation in the context of these themes, they offer another lens through which they might be seen: as manifestations of ideas inscribed within material culture.    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003eMark Pimlott (Montréal, 1958) is an artist, architectural designer and writer, whose practice encompasses installation, photography, film, art for public spaces and architecture, particularly, interiors. He has taught architecture and visual arts since 1986. He was Professor in relation to practice in Architecture at TU Delft (2002-2008), and is now assistant professor in TU Delft's Chair The Architecture of the Interior. He is the author of \u003cem\u003eWithout and within: essays on territory and the interior\u003c\/em\u003e (episode publishers, 2007) and \u003cem\u003eIn passing: Mark Pimlott photographs\u003c\/em\u003e (Jap Sam Books, 2010). His articles and essays are published in numerous journals of architecture, and he lectures widely.\u003cbr\u003e\u003cbr\u003eRealised works include Neckinger Mills interiors, London (1988; 1994); Red House interiors, London (2001; 2004; 2011; 2014) in collaboration with Tony Fretton architects; Guinguette, Birmingham (2000); La scala, Aberystwyth (2003); restaurant Puck, The Hague (2007), in collaboration with Zeinstra Van Gelderen architecten; and World, a public square at BBC's Broadcasting House in central London (2013).\u003c\/p\u003e\n\u003cp\u003eSolo exhibitions include \u003cem\u003eStudiolo \u003c\/em\u003eand \u003cem\u003e1965 \u003c\/em\u003e(Todd Gallery, London (1995; 1998); \u003cem\u003eIch bin der Welt abhanden gekommen\u003c\/em\u003e, (NAi, Rotterdam, 2005) and All things pass (Stroom, The Hague, 2008). The installation\u003cem\u003e Piazzasalone\u003c\/em\u003e (in collaboration with Tony Fretton) was shown in the Corderie dell'Arsenale at the 12th Biennale internazionale di Architettura di Venezia.\u003c\/p\u003e\n\u003cp\u003eReview Nick de Klerk in \u003cem\u003eArchDaily\u003c\/em\u003e: \u003ca href=\"http:\/\/www.archdaily.com\/804164\/understanding-the-public-interior-from-the-palace-to-the-garden-mark-pimlott\" title=\"ArchDaily_The Public Interior as Idea and Project\"\u003ehttp:\/\/www.archdaily.com\/804164\/understanding-the-public-interior-from-the-palace-to-the-garden-mark-pimlott\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/nicholasdeklerk.com\/The-Public-Interior-as-Idea-and-Project\" title=\"review NicholasdeKlerk\"\u003ehttp:\/\/nicholasdeklerk.com\/The-Public-Interior-as-Idea-and-Project\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBest books of 2016: Architecture and Design, reviewed by Edwin Heathcote, \u003cem\u003eFinancial Times\u003c\/em\u003e: 'Pimlott’s understanding of the interior is broad: everything from the borders of a nation to a garden, a temple, a room, a shopping mall or a city. His categories of interiors — Garden, Palace, Ruin, Shed, Machine and Network — are enough in themselves to provoke and the book is a fascinating and readable study of how the public interior shapes our everyday existence and articulates the nature of the society that builds them.'\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/a1cf9dabd1bf46c6b9019711f0fda46c.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e\u003c\/p\u003e","brand":"Mark Pimlott","offers":[{"title":"Default Title","offer_id":28824126354,"sku":"id_00135","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/thepublicinteriorlow.jpg?v=1486642320"},{"product_id":"critical-and-clinical-cartographies","title":"Critical and Clinical Cartographies","description":"\u003cp\u003e+++International Conference Proceedings+++\u003c\/p\u003e\n\u003cp\u003e+++Andrej Radman, Stavros Kousoulas (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-58-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMeagan Kerr\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e86\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e19 x 25.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Proceedings are published in collaboration: Jap Sam Books and the Architecture Theory Chair. Faculty of Architecture and The Built Environment. Delft University of Technology. \u003ca href=\"%22http:\/\/www.tudelft-architecture.nl\/chairs\/architecture-theory%22\" title=\"%22at%22\"\u003ewww.tudelft-architecture.nl\/chairs\/architecture-theory\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eScientific Committee: Heidi Sohn, Andrej Radman, Patrick Healy, Stavros Kousoulas\u003c\/p\u003e\n\u003cp\u003eArchitecture Theory Interim Chair: Carola Hein\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eWhat is the relation between the human body as a living organism and the machine technologies applied in medical care? Organized around four thematics – embodiment, technology, care and design-, the Critical and Clinical Carthopgrahies Conference evoked the practice of cartography as a means to map the elusive and shifting thresholds between the organic and the inorganic, the innate and the acquired.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCritical and Clinical Carthographies\u003c\/em\u003e arises from a transdisciplinary conference organized by the Theory  Section and Hyperbody of the TU Delft Architecture Department in cooperation with the Bio Mechatronics and Bio Robotics Section of the Department of Bio Mechanical Engineering, TU Delft.    \u003c\/p\u003e\n\u003cp\u003e'The critical […] and the clinical […] may be destined to enter into a new relationship of mutual learning. […] In place of a dialectic which all too readily perceives the link between opposites, we should aim for a critical and clinical appraisal able to reveal the truly differential mechanisms as well as the artistic originalities.' Deleuze, 1967 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e'The ambition of \u003cem\u003eCritical and Clinical Cartographie\u003c\/em\u003es is to rethink medical and design pedagogies in the context of both Affective and Digital Turns. […] The practice of carthograpy is employed for exploring relations between the body, and the machine technologies used in medical care and architecture design, in order to map the ever-shifting thresholds between the organic and the inorganic, the innate and the acquired. The present volume affords the reader a chance to encounter diverse research trajectories in development. The Conference Proceedings, with its intricate entanglement of diverse contributions, constitutes cartography in its own right with an ambition to rethink the established theoretical frameworks.' - Andrej Radman, Stavros Kousoulas\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eAndrej Radman, Stavros Kousoulas, Robert Alexander Gorny, Dulmini Perera, Katharina D. Martin, Halbe Hessel Kuipers, Arthur Waisblat. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Andrej Radman, Stavros Kousoulas (red.)","offers":[{"title":"Default Title","offer_id":28824126162,"sku":"id_00143","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/coverccclowlow.jpg?v=1481879044"},{"product_id":"footprint-18-vol-10-1-constellation-of-awakening-benjamin-and-architecture","title":"Footprint 18 Vol 10\/1 Constellation of Awakening: Benjamin and Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Patrick Healy, Andrej Radman [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-64-9\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMeagan Kerr\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e144\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e19 x 25.7 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003epaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp line-height:=\"\" normal=\"\" font-family:=\"\" verdana=\"\"\u003eRelease date: Spring\/Summer 2016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eCopy editor: Heleen Schröder\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in cooperation with Architecture Theory Chair (TU Delft) and Stichting Footprint: \u003ca href=\"%22http:\/\/footprint.tudelft.nl\/%22\" title=\"%22fp%22\"\u003ehttp:\/\/footprint.tudelft.nl\/\u003c\/a\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor a subscription: \u003ca href=\"%22https:\/\/www.bruil.info\/product\/footprint\/%22\" title=\"%22bs%22\"\u003eBruil \u0026amp; Van de Staaij\u003c\/a\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003ePatrick Healy, Andrej Radman (introduction), Stefan Koller, Lutz Robbers, Jolien Paeleman, Frances Hsu, Ross Lipton, Sarah K. Stanley, Rodrigo Rieiro Díaz, Stéphane Symons, Stephen Michael Witherford    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn \u003cem\u003eDas Passagen-Werk\u003c\/em\u003e Benjamin cites a letter from Marx to Ruge, 'the reform of consciousness consists solely in [...] the awakening of the world from its dream about itself.' This idea of awakening recurs in Benjamin's methodological considerations and his many metaphors during the final thirteen years of his life. Benjamin set himself the pedagogical task of awakening 'the image-making medium within us, raising it to a stereoscopic and dimensional seeing into the depths of historical shadows.' His ambition was to develop the art of citing without quotation marks, a concept intimately related to that of montage.\u003c\/p\u003e\n\u003cp\u003eThe importance of architectural theory for Benjamin is most evident in his last work. From his writings on Berlin childhood, his essay on Moscow and Naples, Benjamin's interest in urban topography can be seen to develop into a full analysis of the city, by developing a method which he refers to as physiognomic and in which, inspired by contemporary surrealist practise, the method of montage becomes critical for his showing how the 'now of recognition' in the image opens the historical to awareness, and constitutes the reality of history. He cites Giedion and sees his own work as engaged in a similar task: 'just as Giedion teaches us to read off the basic features of today's architecture in the buildings erected around 1850,' Benjamin writes, 'we in turn would recognise today's forms, in the life and in the apparently secondary lost forms of that epoch.' \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIt was a matter of immediate concern for Benjamin to examine the secondary, the excluded. By a displacement of the angle of vision a positive element would emerge, something different from that previously signified. History is in the nuance, the dialectical contrast as revealed in Benjamin's Parisian studies of the expressive character of the earliest industrial architecture, machines, department stores and advertisements. Nevertheless, as is clear from his note of the comment from Max Raphael's \u003cem\u003eProudhon, Marx, Picasso\u003c\/em\u003e, Benjamin reproaches Marx for not having advanced along this way in the full measure of the possibilities of historical materialism.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eFootprint 18\u003c\/em\u003e investigates the following issues: what Benjamin understands by the 'constellation of awakening', how he conceptualises 'dialectical images', his deployment of montage, his refusal of a conception of either progress or decline, and his undertaking to show that the images belong not only to a particular time but attain legibility only at a particular time. Famously, according to Benjamin, image is that wherein what has been comes together in a flash with the now to form a constellation. With regard to the architectural theory Benjamin engaged directly with the tectonic tradition, especially the work of Bötticher. He posited the tectonic unconscious and the deployment of optical instruments as crucial for understanding the development which architecture carried from the \u003cem rgb=\"\" font-family:=\"\" verdana-italic=\"\" color:=\"\"\u003eluxus\u003c\/em\u003e capitalist forms of commodity. In light of technical innovations in iron and glass, it expressed a form of projective dream work of the architectural around material realisations as products of the industrial revolution, with long consequences for the future. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eFootprint\u003c\/em\u003e is an academic journal dedicated to publishing architecture and urban research. Architecture and urbanism are the points of departure and the core interests of the journal. From this perspective, the journal encourages the study of architecture and the urban environment as a means of comprehending culture and society, and as a tool for relating them to shifting ideological doctrines and philosophical ideas. The journal promotes the creation and development – or revision - of conceptual frameworks and methods of inquiry. It is engaged in creating a body of critical and reflexive texts with a breadth and depth of thought which would enrich the architecture discipline and produce new knowledge, conceptual methodologies and original understandings.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Patrick Healy, Andrej Radman [red.]","offers":[{"title":"Default Title","offer_id":28824126034,"sku":"id_00150","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/fp18cover.jpg?v=1481879050"},{"product_id":"walls-that-teach","title":"Walls that teach","description":"\u003cp\u003e+++On the Architecture of Youth Centres+++\u003c\/p\u003e\n\u003cp\u003e+++Susanne Pietsch, Andreas Mueller (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-42-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eSandra Kassenaar \/ David Bennewith (Colophon)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e264\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e27,5 x 21 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in co-operation and with the support of the Faculty of Architecture, Delft University of Technology \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e855 grms\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eTranslators: Julienne Peeters-Huybrechts, Cornelia Durka\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Winter 2014 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAwarded with the \u003ca href=\"%22http:\/\/www.dam-online.de\/%22\" title=\"%22DAM%22\"\u003eDAM ARCHITECTURAL BOOK AWARD 2015\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAwarded \u003ca href=\"%22http:\/\/www.bestverzorgdeboeken.nl\/en\/%22\" title=\"%22bvb%22\"\u003eBest Dutch Book Design 2015\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e“In this house the walls will teach” declared the Soviet news agency Pravda at the inauguration of the Moscow Palace of Young Pioneers in 1962. This statement casually formulates a recurring motif in the history of architecture for youth: the claim to educate through the built environment. Young people were considered ideal targets for this approach of social constructivism due to their ambivalent status as objects of social rights but not yet subjects of political rights. The organisation of youth centres around leisure time activities partially concealed their educational goals and consequently made them all the more pervasive. The pedagogical power of their architecture is found not only in design but also in modes of using, appropriating and inhabiting them.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContaining 14 essays and 25 case studies, this book traces the manifestations of the idea of pedagogical architecture of youth centres throughout the 20th century.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eSusanne Pietsch and Andreas Mueller (editors\/introduction), Tom Avermaete, Marina van den Bergen, Dolf Broekhuizen, Peter Blundell Jones, Matthias Donath, Jennifer Mack, Marco di Nallo, Susan Reid, Sue Robertson, Piet Vollaard\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eAbout the editors\u003c\/h6\u003e\n\u003cp\u003eAndreas Mueller works as an architect in Berlin. He is founder and co-publisher of the magazine An Architektur and was teaching Urban Design at HafenCity University Hamburg. Present he is Professor for exhibition design at the Karlsruhe University of Arts and Design.Within the Kooperative für Darstellungspolitik he designs exhibitions and display concepts for public spaces.\u003c\/p\u003e\n\u003cp\u003eSusanne Pietsch is trained as an interior architect and architect. Her practice is based in Rotterdam. She has taught at Trier University of Applied Sciences and the University of Buenos Aires, where she also conducted research on the spatial effects of self-organized social and cultural institutions on the public domain. Since 2006 she has been engaged at the Architecture Faculty of the TU Delft as a teacher and coordinator in the Chair of the Architecture of the Interior.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/walls_that_teach.mp4?v=1637659193\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Susanne Pietsch, Andreas Mueller (red.)","offers":[{"title":"Default Title","offer_id":28824125906,"sku":"id_00122","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/walls_coverbluefront.jpg?v=1481879055"},{"product_id":"urbanized-deltas-in-transition","title":"Urbanized deltas in transition","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Han Meyer, Steffen Nijhuis (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-8594-054-8 [techne press]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eLinda Swaap, Accu grafisch ontwerpers\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e104\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 33 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: May 2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eMade possible by Delft University of Technology\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eUrbanized deltas are highly complex systems. They are the most densely urbanized and industrialized areas in the world; at the same time they face many threats from climate change, being extremely vulnerable to flooding, erosion, and silting up of ports. At the beginning of the 21st century, most of the world's urban deltas face a 'critical transition', in response to increasing imbalances. Climate changes and societal developments lead to conflicting land use claims, with space for water on the one hand and urbanization, industry and agriculture on the other. In order to survive in the long term, urban deltas need to be approached from new perspectives, as adaptive systems. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUrbanized Deltas in Transition\u003c\/em\u003e compares eight international urban deltas. Exploiting the power of Geographic Information Systems (GIS) and employing high-quality global datasets, it studies the mutual relations among different components in a series of urban deltas, and proposes new perspectives for enhancing the adaptability of these vital regions.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/p.17urbanized_deltalow\/p.17urbanized_deltalow_350x481.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eContributions by Robert Broesi, MUST; Richard Campanella, Tulane School of Architecture; Thomas Colbert, University of Houston, Joao Pedro Costa, University of Lisbon; Wolbert van Dijk;  Marcel Marchand, Deltares; Han Meyer, TU Delft; Dirk Neumann, MUST; Steffen Nijhuis, TU Delft; Pham Quang Dieu, University of Ho Chi Minh City; Michiel Pouderoijen, TU Delft; Joao Figueira de Sousa, University of Lisbon; Trang Le, National University of Hanoi, Paola Viganò, University of Venice, IUAV; Veronica Zagare, University of Buenos Aires, and a preface by Patricia Belton Oliver (Dean Gerald D. Hines College of Architecture, University of Houston).\u003c\/p\u003e\n\u003cp\u003eKeywords: Delta urbanism, Mapping in landscape architecture and urban design, Urbanization, Resilience, Sustainable urban planning, Comparative research, Design research, Research-by-Design, Geographic Information Systems, Global datasets. \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/p.24urbanized_deltalow\/p.24urbanized_deltalow_350x481.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e","brand":"Han Meyer, Steffen Nijhuis (red.)","offers":[{"title":"Default Title","offer_id":28824125522,"sku":"id_00132","price":29.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/74.jpg?v=1481879071"},{"product_id":"footprint-17-vol-9-2-the-bread-butter-of-architecture","title":"Footprint 17 Vol 9\/2 The 'Bread \u0026 Butter'of Architecture","description":"\u003cp\u003e+++Investigating Everyday Practices+++\u003c\/p\u003e\n\u003cp\u003e+++Nelson Mota, Ricardo Agarez [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-61-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMeagen Kerr\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e184\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e19 x 25.7 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003eCopy editor: Heleen Schröder\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Autumn\/Winter 2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in cooperation with Architecture Theory Chair (TU Delft) and Stichting Footprint: \u003ca href=\"%22http:\/\/footprint.tudelft.nl\/%22\" title=\"%22fp%22\"\u003ehttp:\/\/footprint.tudelft.nl\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor a subscription: \u003ca href=\"%22https:\/\/www.bruil.info\/product\/footprint\/%22\" title=\"%22bs%22\"\u003eBruil \u0026amp; Van de Staaij\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp color:=\"\" rgb=\"\" font-family:=\"\" verdana=\"\" sans-serif=\"\"\u003eThe canon of western contemporary architecture has overlooked everyday, 'salaried' architecture – overwhelming as it may have turned out to be in our built environment – praising instead the solo designer and his ground-breaking work. \u003c\/p\u003e\n\u003cp color:=\"\" rgb=\"\" font-family:=\"\" verdana=\"\" sans-serif=\"\"\u003e Since World War I, the social role of the architect (in terms both of his or her place in social hierarchies and of his or her contribution for social betterment) seems to have been primarily tested, and largely consolidated, in 'departmental architecture'. Yet the work of county, city and ministerial architects, heads of department in welfare commissions, guilds and cooperatives, is seldom discussed as such: its specificity as the product of institutional initiatives and agents, as the outcome of negotiation between individual and collective agendas, remains little explored, even when authors celebrate the many public-designed projects that are part of the canon. On the other hand, commercially driven architecture and the business side of the profession are still anathema for many, despite being essential factors in the discipline's position in society.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eFootprint 17\u003c\/em\u003e addresses the architectural production of those who played their part in inconspicuous offices and unexciting departments, and that contribute insights to discuss the place of the architecture of 'bread \u0026amp; butter' in architectural history studies and in the politics of architectural design and theory. \u003c\/p\u003e\n\u003cp\u003eThis issue of \u003cem\u003eFootprint \u003c\/em\u003eexplores intellectual frameworks, didactic practices, research methods and analytical instruments that project the disciplinary focus further than the work of the 'prime mover', discussing the relevance of 'salaried' architects and institutional agency in shaping the spatial and social practices of the everyday. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith text contributions by: Ricardo Agarez, Nelson Mota (editors), Nick Beech, Amir Djalali, Andri Gerber, Ellen Rowley, Tim Gough, Elizabeth Keslacy.  A visual essay by João Paulo Martins, Sofia Diniz. And review articles by Karen Lisa Burns, Justine Clark, Jullie Willis; Tahl Kaminer; Javier Arpa.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eFootprint\u003c\/em\u003e is an academic journal dedicated to publishing architecture and urban research. Architecture and urbanism are the points of departure and the core interests of the journal. From this perspective, the journal encourages the study of architecture and the urban environment as a means of comprehending culture and society, and as a tool for relating them to shifting ideological doctrines and philosophical ideas. The journal promotes the creation and development – or revision - of conceptual frameworks and methods of inquiry. It is engaged in creating a body of critical and reflexive texts with a breadth and depth of thought which would enrich the architecture discipline and produce new knowledge, conceptual methodologies and original understandings.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Nelson Mota, Ricardo Agarez [red.]","offers":[{"title":"Default Title","offer_id":28824125394,"sku":"id_00147","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/coverfootprint17low.jpg?v=1481879076"},{"product_id":"the-making-of-polder-cities","title":"The Making of Polder Cities","description":"\u003cp\u003e+++A Fine Dutch Tradition+++\u003c\/p\u003e\n\u003cp\u003e+++Fransje Hooimeijer+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-50-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStudio Minke Themans\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e264\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e25 x 28 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1143 grms \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is published with the support of Delft University of Technology\/DIMI, EFL Stichting, Stichting Job Dura Fonds, Stichting Bevordering Volkskracht\/Jurriaanse, G.Ph. Verhagen-Stichting, Stadsarchief Rotterdam, Deltaprogramma NHS, Stichting N.H. Bos, Delft University of Technology\/Environmental Technology and Design \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn the Netherlands, climate change has brought more frequent and extreme rainfall causing pluvial flooding.  Though the Dutch have dealt with water for centuries, since the Industrial Revolution urban water systems have become very inflexible and are now unable to deal with these new conditions. Despite the long tradition of building in wet and soft soil conditions, there has been little systematic research on building-site preparation and its relation to urban development and design. \u003c\/p\u003e\n\u003cp\u003eThis book addresses this issue, investigating the relation between the available technology, the attitude towards the natural conditions, and the urban design in a framework of seven phases. Until the Industrial Revolution, methods of construction, specifically the way the city could be made, were the basis for the urban design. However, since technology has made it possible to start with the urban design, the connection with the natural system of the landscape has been lost. By understanding the hydrological system and appropriate methods of building-site preparation, we can reconnect urban design to the natural system.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/themakingofpoldercitiesspread174175low\/themakingofpoldercitiesspread174175low_350x196.jpg\" class=\"%22image-center%22\/\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/themakingofpoldercitiesspread89low\/themakingofpoldercitiesspread89low_350x196.jpg\" class=\"%22image-center%22\/\"\u003e\n\u003cp\u003eFransje Hooimeijer studied Arts and Culture Studies in Rotterdam Erasmus University and has worked as an independent researcher in the fields of architecture, urban design and landscape architecture since 1997. In addition to various publications and exhibits, she has done research for government and corporate clients. \u003c\/p\u003e\n\u003cp\u003eHooimeijer received her PhD in Urbanism from the Faculty of Architecture at the Delft University of Technology in 2011. Since 2009, she has worked as a researcher at the Delft University of Technology and at TNO, investigating the technology of urban development in the light of climate change and the energy transition. One of her main research topics is integrating the subsoil system into above-ground spatial development. Since 2012, she has been Assistant Professor in Environmental Design and Technology, continuing research in technical systems of urban development and transferring this knowledge to master's students of Urbanism. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fransje Hooimeijer","offers":[{"title":"Default Title","offer_id":28824125266,"sku":"id_00129","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/poldercitiesomslag.jpg?v=1481879082"},{"product_id":"high-rise-and-the-sustainable-city","title":"High-rise and the Sustainable City","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Han Meyer, Daan Zandbelt (eds.)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-8594-049-4 [techne press]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eIngeborg Scheffers\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e192\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 24 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: June 2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFinancially supported by the Dutch Council on Tall Buildings (Stichting Hoogbouw) Rotterdam, and the Faculty of Architecture, Delft University of Technology.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eCan high-rises make a fruitful contribution to making cities more sustainable? Many argue that high-rises deliver positive environmental effects, such as densification, and reduction of traffic and C02 emissions. But is it really that simple?With ten contributions from international architects and urban designers, this book addresses the key elements when considering the role of high-rise in a sustainable urban future.\u003c\/p\u003e\n\u003cp\u003eContributions by Peter Bosselmann, Markus Appenzeller, Lora Nicolaou, Meta Berghauser Pont, Emiel Arends, Frank van der Hoeven, Steffen Nijhuis, Andy van den Dobbelsteen, Kees Kaan, Robert Powell, Daan Zandbelt and Han Meyer.\u003c\/p\u003e\n\u003cp\u003eAbout the editors: Han Meyer is Professor Theory and Methods of Urban Design at Delft University of Technology and his research concerns the transformation of port cities, state of the art of Dutch Urbanism and Delta Urbanism. Daan Zandbelt is the co-owner of Zandbelt@vandenBerg, an office for architecture and urbanism projects.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Han Meyer, Daan Zandbelt (red.)","offers":[{"title":"Default Title","offer_id":28824125202,"sku":"id_00133","price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/highrisecover.front648.jpg?v=1481879085"},{"product_id":"a-decade-of-country-hits","title":"A Decade of Country Hits","description":"\u003cp\u003e+++Art on the Rural Frontier+++\u003c\/p\u003e\n\u003cp\u003e+++Edited by Margo Handwerker | Foreword by Richard Saxton+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-40-3\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003ePeter de Kan\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e544\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e17 x 23 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eBound with open spine\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1304 grms \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: Spring 2014 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information also see: \u003ca href=\"http:\/\/www.richardsaxton.org\" title=\"%22richardsaxton%22\"\u003ewww.richardsaxton.org\u003c\/a\u003e \u003ca href=\"http:\/\/m12studio.org\" title=\"%22m12%22\"\u003ewww.M12studio.org\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eArt has its Billboard charts. They focus mostly on artists and exhibitions in urban centers.\u003cem\u003e A Decade of Country Hits\u003c\/em\u003e is devoted to uncharted hits thriving instead on rural aesthetics and rural knowledge. \u003c\/p\u003e\n\u003cp\u003eThis richly illustrated volume documents ten years of collective works initiated by artist Richard Saxton in rural communities around the world, from the American Midwest and Southwest to parts of Europe, Australia, and South America. Impossible to attribute to any one artistic genre, the works archived here explore a growing community of artists and researchers drawn to the rural experience in all its complexity. It resembles a sketchbook: with drawings, photographs, and from the hip accounts in the field, as well as contributions from likeminded artists, musicians, poets, and writers. \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/m12_portrait_low\/m12_portrait_low_350x250.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by:\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003eA Decade of Country Hits \u003c\/em\u003eincludes an international roster of contributors. \u003c\/p\u003e\n\u003cp\u003eIt contains interviews with\u003cstrong\u003e Todd Bockley\u003c\/strong\u003e, co-director of the Center for Social Sculpture; \u003cstrong\u003eTwink Metzler\u003c\/strong\u003e, founder of Living Room Studios; architectural historian \u003cstrong\u003eRobert Nauman\u003c\/strong\u003e; and \u003cstrong\u003eWapke Feenstra\u003c\/strong\u003e, artist and co-founder of Myvillages. Featured throughout are new collaborations with \u003cstrong\u003eZach Boddicker\u003c\/strong\u003e, singer and songwriter for 4H Royalty; \u003cstrong\u003eKurt Wagner\u003c\/strong\u003e, singer and songwriter for Lambchop; and \u003cstrong\u003eMatthew Fluharty\u003c\/strong\u003e, director of Art of the Rural. Providing context for the work are essays by artist \u003cstrong\u003eStuart Hyatt\u003c\/strong\u003e, founder of TEAM Records; as well as essays by critics and writers \u003cstrong\u003eJosh Garrett-Davis\u003c\/strong\u003e, author of \u003cem\u003eGhost Dances: Proving Up on the Great Plains\u003c\/em\u003e; \u003cstrong\u003eMimi Zeiger\u003c\/strong\u003e, author of\u003cem\u003e New Museums: Contemporary Museum Architecture Around the World\u003c\/em\u003e,\u003cem\u003e Tiny Houses\u003c\/em\u003e, and\u003cem\u003e Micro Green\u003c\/em\u003e; and \u003cstrong\u003eEnrique Ramirez\u003c\/strong\u003e, whose writing has appeared in \u003cem\u003ePerspecta\u003c\/em\u003e, \u003cem\u003eThresholds\u003c\/em\u003e, \u003cem\u003eAA Files, \u003c\/em\u003eand elsewhere.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/9_m12_slide_bigfeed\/9_m12_slide_bigfeed_350x269.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn addition are essays by award-winning artists \u003cstrong normal=\"\"\u003eMarjetica \u003c\/strong\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003ePotrc\u003c\/strong\u003e, \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eChris Sauter\u003c\/strong\u003e, and \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eFernando García-Dory\u003c\/strong\u003e, founder of \u003cem\u003eA Shepherds School\u003c\/em\u003e; as well as essays by curators, \u003cstrong normal=\"\"\u003eIan Hunter\u003c\/strong\u003e, director of the LITTORAL Arts Trust; \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eMarco Marcon\u003c\/strong\u003e, co-founder of International Art Space, and \u003cstrong normal=\"\"\u003eKirsten Stoltz\u003c\/strong\u003e, programming director of the M12 Collective. \u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eThe M12 Collective's \u003c\/strong\u003erecent exhibitions and commissioned works have appeared at the Kalmar Konstmuseum; the 13th International Venice Architecture Biennale; the Chicago Cultural Center, Franklin Street Works; the Wormfarm Institute; the 2011 Australian Biennial spaced: art out of place; and the 2010 Biennial of the Americas. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eEdited by:\u003c\/h6\u003e\n\u003cp\u003e\u003cem style=\"%22mso-bidi-font-style: normal%22;\"\u003eA Decade of Country Hits \u003c\/em\u003eis edited by Margo Handwerker and Richard Saxton. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eMargo Handwerker\u003c\/strong\u003e is a Critical Studies Lecturer in the Department of Architecture \u0026amp; Urban Design at the University of California, Los Angeles. She has co-curated exhibitions at the Museum of Fine Arts, Houston and the NAiM\/Bureau Europa. Her writing has appeared in the \u003cem normal=\"\"\u003eJournal of Architectural Education, Art Lies: A Contemporary Art Quarterly, Abitare, Volume\u003c\/em\u003e, and\u003cem style=\"%22mso-bidi-font-style: normal%22;\"\u003e Pidgin Magazine; as well as in exhibition catalogues for \u003cem\u003eEverything Loose Will Land\u003c\/em\u003e\u003c\/em\u003e, \u003cem\u003espaced: art out of place\u003c\/em\u003e, and \u003cem\u003eNobody's Property: Art, Land, Space, 2000–2010\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"%22mso-bidi-font-weight: normal%22;\"\u003eRichard Saxton\u003c\/strong\u003e is a visual artist and educator currently living in Colorado, where he is an Associate Professor in the Department of Art \u0026amp; Art History at the University of Colorado Boulder. He is the founder and creative director of the M12 Collective, an interdisciplinary group that creates and supports experiential projects exploring the value of rural communities and their surrounding landscapes.  \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/m12_ornitarium1\/m12_ornitarium1_350x267.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/a_decade_of_country_hits.mp4?v=1638195358\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Onder redactie van Margo Handwerker | Voorwoord door Richard Saxton","offers":[{"title":"Default Title","offer_id":28824125138,"sku":"id_00116","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/decade_low.jpg?v=1486641281"},{"product_id":"nosso-lar-brasilia","title":"NOSSO LAR, BRASILIA","description":"\u003cp\u003e+++Spiritism - Modernism - Architecture+++\u003c\/p\u003e\n\u003cp\u003e+++Jonas Staal+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-45-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eRemco van Bladel \/ Studio for Graphic Design and typography\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e160\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12.5 x 18.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEditor: Vincent W.J. van Gerven Oei; Editor\/Proofreader: Urok Shirhan; Translation English\/Portugese: Noelly Russo.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is supported by Extra City, Antwerp, Belgium; Ministry of Culture, Brazil; Mondriaan Fund, Amsterdam, The Netherlands; PhDArts, The Hague\/Leiden, The Netherlands; Promoveren in de Kunsten, Amsterdam, The Netherlands.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is produced by Capacete, Rio de Janeiro\/São Paulo, Brazil. \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eNosso Lar, Brasília\u003c\/em\u003e explores the relationship between Spiritism and Modernism in Brazilian architecture. Central to the book is a systematic comparison between the spiritist city of Nosso Lar (1944), as described by the medium Chico Xavier; and the modernist city of Brasília (1956), the country's capital as designed by Lúcio Costa and Oscar Niemeyer.\u003c\/p\u003e\n\u003cp\u003eJonas Staal (1981) is a visual artist whose work deals with the relationship between art, democracy and propaganda. He is the author of among others \u003cem\u003e\u003ca href=\"%22http:\/\/www.japsambooks.nl\/en\/books\/art\/post-propaganda\/82%22\" title=\"%22posty%22\"\u003ePost-Propaganda\u003c\/a\u003e\u003c\/em\u003e (Amsterdam: Foundation BKVB, 2009); \u003cem\u003e\u003ca href=\"%22http:\/\/www.japsambooks.nl\/en\/books\/art\/power-to-which-people\/6%22\" title=\"%22pw%22\"\u003ePower?... To Which People?!\u003c\/a\u003e\u003c\/em\u003e(Heijningen: Jap Sam Books, 2010) and \u003cem\u003eClosed Architecture\u003c\/em\u003e (Eindhoven: Onomatopee, 2011).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/79b5f4c6608c4713839e49d631ed196c.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Jonas Staal","offers":[{"title":"Default Title","offer_id":28824124882,"sku":"id_00124","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/nossolarcoverfront_loew.jpg?v=1481879097"},{"product_id":"tussen-tijd","title":"Tussen tijd","description":"\u003cp\u003e+++Gebruik van ruimte in transitie+++\u003c\/p\u003e\n\u003cp\u003e+++Barbara Luns, Yvonne Lub, Podium voor Architectuur [eds.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-41-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMontse Hernandez i Sala\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e96\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23.5 x 16.2 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease date: October 2013 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is published in cooperation with \u003ca href=\"%22http:\/\/www.podiumarchitectuur.nl%22\" title=\"%22podium%22\"\u003ePodium voor Architectuur \u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eMade possible with the support of Stimuleringsfonds Creatieve Industrie, Stichting Vrienden van het Podium, Kamer van Koophandel Amsterdam, APPM and gemeente Haarlemmermeer.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp url=\"\" background-attachment:=\"\" initial=\"\" background-origin:=\"\" background-clip:=\"\" background-color:=\"\" rgb=\"\" padding-top:=\"\" padding-right:=\"\" padding-bottom:=\"\" padding-left:=\"\" margin-top:=\"\" margin-right:=\"\" margin-bottom:=\"\" margin-left:=\"\" min-height:=\"\" background-position:=\"\" background-repeat:=\"\" no-repeat=\"\"\u003e\u003cem\u003eTussen Tijd. Gebruik van ruimte in transitie \u003c\/em\u003eis a new publication published in cooperation with Podium voor Architectuur Haarlemmermeer and Schiphol. Current ways of project developing, planning and design seem to lose their meaning and value, and the need for flexibility and new ways of integral cooperation is tangible. This need became apparent during a series of themed lectures and expert meetings about 'Rental voids and redevelopment plans' organised by Podium voor Architectuur in spring 2012. This publication covers topical themes such as urban renewal, adaptive reuse, how to avoid rental voids, food as an impetus for urban modernisation, bottom-up urban planning as an organic development method and area development in transition.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/ttomslaga5_low\/ttomslaga5_low_350x496.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by:\u003c\/h6\u003e\n\u003cp\u003eArthur van Dijk, Yvonne Lub, Theo Baart, Paul Kortman, Teun van den Ende, Barbara Luns, Dick Hulsebosch, Eric-Jan de Rooij, Hilde Remøy Paul Bos, Marjan Kootwijk, Fred Kaaij, Menno van der Veen, Ward Rauws, Beitske Boonstra, Peter Joustra, Michiel Hulshof and Roel in 't Veld.\u003c\/p\u003e\n\u003cp\u003eInterviews with: Bert Uitterhoeve, Hilco van der Wal, Piet Brandjes, Alexandra Rimmelzwaan and Rudy Stroink.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Onder redactie van Barbara Luns, Yvonne Lub, Podium voor Architectuur","offers":[{"title":"Default Title","offer_id":28824124690,"sku":"id_00117","price":19.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/ttomslaga5_low.jpg?v=1481879106"},{"product_id":"ia-5-robotics-in-architecture","title":"iA#5 - Robotics in Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis, Henriette Bier [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-31-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDanielle van Steenbergen\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e108\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 12\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of Release: December 2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possible by the Delft University of Technology.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe theme of \u003cem\u003eiA#5 \u003c\/em\u003eis \u003cem\u003eRobotics in Architecture\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eUnderstanding buildings from a life-cycle perspective with respect to their economical and ecological impact on society at large requires the development of unprecedented concepts and practical applications for interactive, robotic architecture, leading to the emergence of active and pro-active building components, which act and interact in ever-changing environments. Furthermore, this requires the development of seamless, robotics supported design, fabrication, assembly, operation and maintenance processes. The fifth\u003cem\u003e IA\u003c\/em\u003e issue on robotics addresses all these aspects on some level focusing on reconfigurable architecture that is incorporating sensing-actuating mechanisms in order to enable buildings to interact with their users and surroundings. \u003c\/p\u003e\n\u003cp\u003eThe iA-bookazine series brings together interdisciplinary contributions on the topic of 'Interactive Architecture (iA)' from researchers, students, guest lecturers from Hyperbody, Factulty of Architecture, Delft University of Technology and experts from various other organizations. This fifth issue consists of papers, educational reports, workshops, dialogues and related information.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eContributors to this issue of IA:\u003c\/h6\u003e\n\u003cp\u003eHenriette Bier (Germany), Marcus Chaidez (USA), Stefan Dulman (Romania), Christian Friedrich (Germany), Tomasz Jaskiewicz (Poland), Gijs Joosen (the Netherlands), Marta Malé-Alemany (Spain), Kas Oosterhuis (the Netherlands).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/f556d322147e4a8fb4045a131f07f22d.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Kas Oosterhuis, Henriette Bier [red.]","offers":[{"title":"Default Title","offer_id":28824124370,"sku":"id_00101","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_ia5_low.jpg?v=1481879116"},{"product_id":"hyperbody","title":"Hyperbody","description":"\u003cp\u003e+++First Decade of Interactive Architecture+++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis [et al.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-09-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMind Design (Niels Schrader, Michal Ejdys m.m.v. Erik Boldt, Gilles de Brock, Fernando van der Vlist)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e624\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: June 2012\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eAwarded one of the Best Dutch Book Designs 2012. For more information: \u003cem\u003e\u003ca href=\"%22http:\/\/www.bestverzorgdeboeken.nl\/nl\/%22\" title=\"%22best%22\"\u003ewww.bestverzorgdeboeken.nl\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHYPERBODY, directed by Prof. Kas Oosterhuis, is an information technology driven research and design group operating within the Faculty of Architecture, Delft University of Technology. The group is at the forefront in the development of computationally driven non-standard and interactive architecture, which is parametrically actuated by users and their immediate environment. Interactive, non-standard architecture and urbanism is seen as an active, component-based system that reflects contemporary social and spatial reality. \u003cbr\u003e\u003cbr\u003eHYPERBODY explores interdisciplinary spatial domains via specific practices and academic collaborations in order to develop in-house cutting-edge design tools, techniques and methods for the making of complex non-standard, customized, interactive architectures. HYPERBODY's architecture is based on swarm theory, wherein the built environment is defined as a space that is formed and informed by smart components that interact with each other and users like birds interact in a swarm. Such interactions have been developed and tested in the protoSPACE laboratory, which is operated by HYPERBODY within the larger Internet of Things and People.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHYPERBODY explores digital manufacturing using in-house large industrial robots, laser cutting and rapid prototyping facilities in order to physically construct, analyse and engineer complex parametric building components and their mutual interconnections. HYPERBODY's vision in today's mediated context is geared towards developing strategic design methodologies in order to propagate socially, environmentally and economically performative design solutions and to demonstrate their buildability by developing 1:1 prototypes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eHyperbody\u003c\/em\u003e publication, designed by concept-driven graphic designer Niels Schrader, takes its title literally, as it presents the content in the form of a non-sequential hyper-structure. A network of references connects related pieces of information, and offers the reader the opportunity to instantly jump to other sections in the book. The hyperlinks were established by proprietary software that first scanned the entire content of the book and listed the most frequent keywords for each page. A maximum of 3 words from this page-specific list is then used to find semantically related texts on other pages and create the ultimate interactive reading experience: flipping back and forth between passages of different authors, cross-checking and comparing them. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/hyperbody.mp4?v=1637658967\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Kas Oosterhuis [et al.]","offers":[{"title":"Default Title","offer_id":28824124242,"sku":"id_00051","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/hyperbody_cover_7.jpg?v=1481879119"},{"product_id":"ia-4-quantum-architecture","title":"iA#4 Quantum Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis, Han Feng, Xin Xia [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-27-4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDanielle van Steenbergen i.c.w. Xin Xia\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e124\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12 x 21 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: April 2011 \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe theme of \u003cem\u003eiA#4 \u003c\/em\u003eis Quantum Architecture.\u003c\/p\u003e\n\u003cp\u003eThe fourth issue of the\u003cem\u003e iA bookazine\u003c\/em\u003e presents quantum theory as a new stimulus for architecture debate. Quantum theory, as the most precise explanation of our physical world, has not only triggered a tremendous technical improvement, but has also introduced a revolutionary quantum world view that considers the material world as a non-deterministic construct, deciphered with probability and interactivity. From this point of view, true interaction can be envisioned between users and their constructed environments, and between designers and their computational tools.\u003c\/p\u003e\n\u003cp\u003ePapers collected in iA#4 come from both the theoretical perspective that adopts quantum paradigm as the conceptual model to examine the new condition of cultural, social and spatial organization, and the computational perspective that presents a novel computational concept and strategy, based on the quantum world view and its related reflections. Quantum physicists, architects, sociologists, researchers and students come together in this issue of the iA bookzine to challenge the new territory of Quantum architecture. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eContributors\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eAyssar Arida (Lebanon, UK)\u003c\/strong\u003e\u003cbr\u003eAyssar Arida is a practicing urbatect, theorist, and entrepreneur. He is the author of Quantum City (2002) and director of Q-DAR development | architecture | research, operating from London, Paris, and Beirut. He can be reached at ayssar@quantumcity.com or through the quantumcity.com or q-dar.com websites. Q-DAR's work ranges from digital interface design to large-scale urban planning. They have developed public relations campaigns, corporate identity and environmental branding, web applications, multimedia and film, and the award-winning community urban design and architecture. Arida's research examines transdisciplinary relational languages, based on new sciences, namely: quantum theory, game theory, emergence and self-regulation, and complexity and fuzzy logic, with the purpose to analyze and design urban realm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRan Berman (Israel)\u003c\/strong\u003e\u003cbr\u003eRan Berman is a master student at the Faculty of Architecture at the Delft University of Technology. He has worked as a student assistant at Hyperbody since 2007. Berman is specializing in digital fabrication at Hyperbody, taking part in education, workshops and research projects. Apart from his work for Hyperbody, Berman is currently involved in several projects that use advance prototyping and manufacturing in the field of architecture.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eHan Feng (China)\u003c\/strong\u003e\u003cbr\u003eHan Feng is an architect from China. After he graduated from the Architecture Department at the Harbin Institute of Technology in 2002, he worked with L.A. International Ltd in Beijing. He obtained his Master of Science degree in architecture at the Delft University of Technology, the Netherlands (2003-2005). In 2006 he worked with several design companies in the Netherlands, including ONL [Oosterhuis_Lénárd], De werff architectuur, ANT Architects and Studio 015. Currently, he is working on research at Hyperbody, aiming at enriching architectural design with ideas and methods found in Quantum mechanics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eGeorg Flachbart (Germany)\u003c\/strong\u003e\u003cbr\u003eDr. Georg Flachbart is action philosopher, and creative director of mind(21)factory for Knowledge Engineering and Knowledge Design Stuttgart. From 1968 -1973, he studied Philosophy, Psychology and Formal logic at the Charles University in Prague – PhD in 1974. Later on he worked as a scientific assistant in the Department of Philosophy of Science at the Institute of Philosophy and Sociology of the Slovak Academy of Sciences in Bratislava. He has lived in Germany since 1980, mainly working as a writer, director and producer in the fields of audio-visual media, theory of architecture, and the performing arts. Flachbart's research interest focuses on the role of mixed-reality environments within the architectural and social context. His major collaborative, transdisciplinary projects relating to this are: Disappearing Architecture: From Real to Virtual to Quantum (2004-05, with ZKM centre for Art and Media Karlsruhe), IT Works or IT Networks: Development of Real and Virtual Space in the Age of the Global Net (2003, with Faculty of Architecture STU Bratislava), mind(21)house (2002-03, with Faculty of Architecture STU Bratislava), mind(21)factory (2005-07, with Institute for Housing, Faculty of Architecture TU Graz), and City Upgrade: the High-spirited Networked City (2004-09), with Ortlos Space Engineering Graz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eChristian Friedrich (Germany)\u003c\/strong\u003e\u003cbr\u003eChristian Friedrich was born in Germany. After he had finished his studies in Physics and Philosophy in Berlin and gained an architectural engineering degree at the Hanzehogeschool Groningen, he graduated in architecture (MSc) at the Delft University of Technology. He is co-founder of the media artist collective Ezthetics and has been associated with Hyperbody for four years as a student assistant, master student and researcher. His work with the HRG includes teaching Virtools courses, conference lectures and developing the protoSPACE group design environment. During the past four years, he has been involved in several projects of ONL [Oosterhuis_Lénárd]. Presently, he is developing his PhD research project in which he intends to describe and actualize the architectural singularity: a point at which the architectural process loop is executed in real-time and shifts from a phased process into a behavioural network, in effect reshaping architectural praxis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eChris Kievid (the Netherlands)\u003c\/strong\u003e\u003cbr\u003eChris Kievid is a researcher at Hyperbody. He graduated cum laude in architecture at the Delft University of Technology in 2006. His thesis received a nomination for the Dutch Archiprix 2007. As freelance architect and interaction designer he has worked for ONL [Oosterhuis_Lénárd] on a variety of innovative projects. As researcher and project manager at Hyperbody he has been responsible for the development of the design environment for immediate design and engineering: protoSPACE, the project iLite for the travelling road show Philips Transitions II and the InteractiveWall installation for the Hannover Messe. As coordinator and tutor he has been involved in the Hyperbody educational MSc 2 and minor program.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eMegan Ng (Hong Kong SAR)\u003c\/strong\u003e\u003cbr\u003eMegan Ng is an architect, originally from Hong Kong, but based in Amsterdam. She studied architecture and received her Bachelor of Arts degree in Architectural Studies (RIBA Part 1) at the University of Hong Kong in 2004. Subsequently, she was employed at the Jerde Partnership in Los Angeles to work on a number of mix-use projects in the US, and also in both Middle East and Asia Pacific regions. Megan joined Hyperbody design studio in 2007 to continue the pursuit of her interest in digital form-finding and parametric design in architecture. In the following year she completed her thesis – Biotic Coded City – with the main focus on such topics. Since then, as an architect, she has collaborated with various offices in the Netherlands and Italy, including UNStudio, Massimiliano Fuksas Architetto and NOX | Lars Spuybroek, and worked on a broad scope of building typologies from single-family house to mix-use development to airport. Currently, Ng is an architect at UXUS Design, concentrating on shop design and restaurant design, and at the same time continuing her investigation on exploring geometrical possibilities in computation algorithms.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eKas Oosterhuis (the Netherlands)\u003c\/strong\u003e\u003cbr\u003eKas Oosterhuis was born in 1951 in Amersfoort and studied architecture at the Delft University of Technology. In 1987-1988 he taught at the AA in London as unit master, and worked\/lived one year in the former studio of Theo van Doesburg in Paris together with visual artist Ilona Lénárd. In 2004 their design studio was renamed ONL [Oosterhuis_Lénárd]. As from 2007 Oosterhuis has been a registered architect in Hungary, acting as General Designer in the CET project and since 2000 Oosterhuis has been an appointed professor of digital design methods at the Delft University of Technology. Currently, he is leading a staff of twenty researchers at Hyperbody, the knowledge centre for Non-Standard and Interactive Architecture. He is member of the Dutch Building Information Council and was a Member of the Board of Witte de With Centre of Contemporary Art in Rotterdam and of the VCA (Computerusers Architectural Offices) until 1989. He was co-founder of the Attila Foundation, responsible for the groundbreaking Sculpture City event in 1994 and the ParaSite web-lounge in 1996. As from 1990 he has lectured at numerous universities, academies and international conferences worldwide. Oosterhuis has initiated two GameSetandMatch (GSM) conferences at the Delft University of Technology on the subjects' multiplayer game design, file to factory design and built methods and open source communication in the evolutionary development of the 3D reference model.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eIvan Redi (Austria)\u003c\/strong\u003e\u003cbr\u003eIvan Redi, an Austrian citizen, was born in 1971 in Nis, Serbia. He gained working experience at Morphosis, Santa Monica, USA, and is also a licensed architect in the Netherlands. Redi graduated from the Technical University in Graz, where Günther Domenig was his mentor. He also took lessons from Thom Mayne and Daniel Libeskind, and is currently working on his PhD thesis: New design strategies in architecture. He teaches architectural design at TU Graz and together with Andrea Redi he is the principal of ORTLOS architects [www.ortlos.com], an association for innovative architecture and interface design. They have worked for years on A.N.D.I.A New Digital Instrument for creative networked collaboration in the interdisciplinary domain. Redi is co-author of the book: ORTLOS :: Architecture of the networks (Hatje Canz, 2005). ORTLOS architects lectured and published their work worldwide and they took part in many exhibitions, such as La Biennale di Venezia in 2000.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eDieter Vandoren (Belgium)\u003c\/strong\u003e\u003cbr\u003eDieter Vandoren was born in 1981 and is a media artist, developer and performer. His work balances on the edge of creative arts and scientific research and development; it combines audiovisual elements with electronic and software engineering in architectural settings, often real-time generative and interactive. Apart from his independent artwork, Vandoren is, among other things, involved with the office ONL[Oosterhuis_Lénárd] and the Delft University of Technology.  He is a guest tutor and researcher at the Hyperbody and StudioLab groups (Faculty of Architecture and Industrial Design, respectively). Vandoren is a recording artist and performing musician at the Directs Art Centre De Fabriek in Rotterdam (NL).[http:\/\/dietervandoren.net]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003ePieter E. Vermaas (the Netherlands)\u003c\/strong\u003e\u003cbr\u003ePieter Vermaas is senior researcher in the Department of Philosophy of the Delft University of Technology. After having been trained as a theoretical physicist at the University of Amsterdam, he did his dissertation, published with Cambridge University Press on the philosophical foundations of quantum mechanics at the Utrecht University, the Netherlands. In 1998 Vermaas joined the Philosophy Department at Delft where he is now doing research on the foundations of technology and the methods of engineering design. He participated in the creation, the funding, and the realization of a large research project, called 'the dual nature of technical artefacts', and which is based on the philosophical thesis that technical products have both a physical and intentional nature. In 2005 he won a personal NWO (the Netherlands Organisation for Scientific Research) VIDI fellowship for research on functional decomposition in engineering and philosophy. Vermaas' research on philosophy of engineering is partly organized around the analysis of the engineering concept of function. In 2010 he and Wybo Houkes together published a monograph Technical Functions (Springer)on current philosophical accounts of functions, introducing the ICE theory analysis of technical functions.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kas Oosterhuis, Han Feng, Xin Xia [red.]","offers":[{"title":"Default Title","offer_id":28824123666,"sku":"id_00096","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/ia4.jpg?v=1481879141"},{"product_id":"emotional-architecture-4-calin-dan","title":"Emotional Architecture #4 - Calin Dan","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Calin Dan, Judith Angel, Adela Marcu+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-39-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eArnold Estefán\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e128\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15 x 21 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: December 2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eTranslations: Alistair Ian Blyth\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished with financial support from the Mondriaan Fund.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eOver the past few years the Romanian-Dutch artist and theorist Calin Dan (1955) has identified a very specific field of research, defined as 'Emotional Architecture', while developing a highly personal idiom where video and photography, next to text and music, play an important role. Dan focuses on the use, the experience, the meaning and the emotional value of architecture and urban environments. Through his observations of the city, his explorations of neighborhoods, his contacts with dwellers and visitors, and through his research of traditions, Calin Dan developed an almost psychoanalytical way of looking at things. His work is an original blend of personal observations, folklore, historical facts and architectural analysis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe subject of \u003cem\u003eEmotional Architecture 4\u003c\/em\u003e is the MinVROM building in The Hague. It is not only a strong architectural and urban landmark; but it is also a turning point in the way public architecture articulates with political representation in the Netherlands. MinVROM was the last project directly and purposefully commissioned by a government body to an architect's office, according to a vision stemming from ideological, political and representational values. From there on, economic arguments helped the decision to give up the idea of the government (or government bodies) as client and beneficiary of a pre-designed vision, and to substitute it with a relation landlord-tenant, where government institutions will let building units developed independently, by teams of architects, developers and urbanists.  Such a decision has deep impact on the relationship between the political and the social bodies, as the first withdraws from the public domain into a neutral, almost image-less position, comparable to the one of the corporations migrating from station to station, according to momentous priorities.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Calin Dan, Judith Angel, Adela Marcu","offers":[{"title":"Default Title","offer_id":28824123602,"sku":"id_00113","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_emotionalarchitecture4_low.jpg?v=1481879144"},{"product_id":"working-with-architectonic-dna","title":"Working with Architectonic DNA","description":"\u003cp\u003e+++Working with Architectonic DNA+++\u003c\/p\u003e\n\u003cp\u003e+++Karin Christof [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-22-9\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eBarbara Wais - Drahtzieher Design + Kommunikation\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e64\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e16.5 x 23.5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication was made possibly by Stimuleringsfonds voor Architectuur and Pier K.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication is published in cooperation with \u003ca title=\"%22podium%22\" href=\"%22http:\/\/www.podiumarchitectuur.nl\/%22\"\u003ePodium voor Architectuur Haarlemmermeer en Schiphol\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe publication, \u003cem\u003eWorking with Architectonic DNA\u003c\/em\u003e, explores the phenomenon of designing complex architectural projects that require continuous modification including expansion and contraction. The departure point is Schiphol Airport in the Netherlands - an airport landscape of train lines, corporate architecture, highways, retail shops, etc. - a project that represents a space in constant flux as air travel patterns change depending on the world's economic state. Dutch architect, Jan Benthem, who has made numerous designs for Amsterdam Schiphol Airport since the 1960s, describes these projects as 'working with an architectonic DNA where the projects have to be finished in any stage of the design and construction'.\u003c\/p\u003e\n\u003cp\u003eDeparting from Jan Benthem's statement the publication reflects upon the idea of designing with an architectonic DNA and explores links with various disciplines. Texts and interviews by architects, urban planners, philosophers, interior designers and researchers investigate this architectural phenomenon from their professional points of view. The questions are: What is the essence, the conceptual basis of an 'architectonic DNA'? Is it possible to design with a so-called architectonic DNA? What are the relevant tools and methods to achieve this design? An epilogue by Benthem concludes the collection of reflective essays aimed at professionals, as well as students, within the field of architecture and urban planning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eMathias Lehner, Karin Christof, Jan Benthem, Koos Bosma, Mario Campanella, Frederike Huygen, Andrew Jaffe, Duks Koschitz, Elke Krasny, Jannes Linders, Wim Nijenhuis, Gijs van Oenen, Frits J. Rotgans, Andreas Rumpfhuber, Robert Temel, Fridtjof Versnel, Jan Versnel.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Karin Christof [red.]","offers":[{"title":"Default Title","offer_id":28824123154,"sku":"id_00088","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/dnacoverrgbsmall.jpg?v=1481879164"},{"product_id":"architecture-as-landscape-intervention","title":"Architecture as Landscape Intervention","description":"\u003cp\u003e+++Work by Drost + van Veen+++\u003c\/p\u003e\n\u003cp\u003e+++Justa van Bergen, Renee Doorenbos [eds] Final editing Liss C. Werner (tactile architecture) , Translation A.M.Huisman (Andrea)+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-949-0322-23-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMontse Hernandez i Sala\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e48\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15 x 15 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis book is published by Jap Sam Books in cooperation with \u003ca title=\"%22podium%22\" href=\"http:\/\/www.podiumarchitectuur.nl\/\"\u003ePodium voor Architectuur Haarlemmermeer en Schiphol\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe Office for Architecture Drost + van Veen in Rotterdam looks at landscape as their primary source of inspiration for their designs. These designs either strongly merge into the context of their landscape or really stand out like a beacon. Next to this conceptual approach, materialization is quite an important aspect of the working method for these two architects, whom both were originally educated as interior designers. Their bridges at business park 'De President' in the South of International Airport Schiphol won the Architecture Prize Haarlemmermeer 2009.\u003c\/p\u003e\n\u003cp\u003eThis book shows us a selection of projects, giving a clear vision of Drost + van Veen's method of working; as an introduction the architects tell us about their approach and inspiration in an interview with Harm Tilman, editor of chief of \u003cem\u003ede Architect\u003c\/em\u003e. Marieke Berkers and Dorine van Hoogstraten place their work in a broader context of international developments. The magnificent projects shown in this book demonstrate how landscape has an increasing role in architecture.\u003c\/p\u003e\n\u003cp\u003eContributors: Harm Tilman, Dorine van Hoogstraten, Marieke Berkers, Justa van Bergen, Mathias Lehner, Simone Drost and Evelien van Veen.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Justa van Bergen [samensteller] Vertaling: A.M.Huisman (Andrea) Eindredactie: Liss C. Werner (tactile architecture)","offers":[{"title":"Default Title","offer_id":28824123090,"sku":"id_00089","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_drostvan_veen.jpg?v=1481879166"},{"product_id":"koolhaas-in-beijing","title":"Koolhaas in Beijing","description":"\u003cp\u003e+++Engelse editie \/ English edition+++\u003c\/p\u003e\n\u003cp\u003e+++Edzard Mik+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-76936-27-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eStout\/Kramer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e128\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12.4 x 18.6 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: September 2010\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eText: Edzard Mik \/ Photography: Jim Gourley\u003cbr\u003eEditing: Lex ter Braak, Mirjam Beerman \/ Translation: Jonathan Reeder\u003cbr\u003e\u003cbr\u003eA publication by the Netherlands Foundation for Visual Arts, Design and Architecture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish edition\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eArchitects, contrary to most artists, work by definition from the core of society. Rem Koolhaas is one of the few architects who demonstrates the ability to do so while maintaining a critical distance. Does his strategy contain a hint for artists on how to create significant art in a world where everything seems bound for insignificance?\u003cbr\u003e\u003cbr\u003eWriter Edzard Mik visited the CCTV building in Beijing, designed by Rem Koolhaas's OMA, and wrote a lyrical 'road essay' about Koolhaas, Beijing and on being an artist in the twenty-first century. \u003cbr\u003e\u003cbr\u003e'Image overload, significance deficit, suspension of identity and nonstop transformation and adaptation: it is not only the condition of travel but also the condition into which modernity has delivered us.'\u003cbr\u003e\u003cbr\u003eEdzard Mik (1960) is a Dutch novelist and a regularly featured essayist on visual art, architecture and theater in the Dutch newspaper NRC Handelsblad and weekly magazine Vrij Nederland.\u003cbr\u003e\u003cbr\u003eThis is the fifth publication in a series of essays commissioned by the Netherlands Foundation for Visual Arts, Design and Architecture.\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Netherlands Foundation for Visual Arts, Design and Architecture, known in the Netherlands as Fonds BKVB, is the national body responsible for enabling visual artists, designers, architects and cultural mediators to develop their work in a variety of ways. To achieve this goal, the Fonds BKVB follows a three-track policy: subsidies, internationalisation and special projects.\u003cbr margin:=\"\"\u003e\u003cbr margin:=\"\"\u003eThe core activity of the Fonds BKVB is to provide subsidies to individual visual artists, designers, architects and cultural mediators. In addition to subsidies for beginning artists and financial assistance for applicants at the basic level to help them continue their work, the Fonds BKVB also provides grants for projects, research, new work, continuing education abroad, travel, publications, etc. The aim of the various grants is to stimulate contemporary visual art, design and\/or architecture in the Netherlands. For more information: \u003ca href=\"%22http:\/\/www.fondsbkvb.nl\/%22\" title=\"%22Fonds\" bkvb=\"\"\u003eFonds BKVB\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/koolhaas_in_beijing.mp4?v=1637844105\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Edzard Mik","offers":[{"title":"Default Title","offer_id":28824122770,"sku":"id_00091","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/es05_big.jpg?v=1481879168"},{"product_id":"h-eerlijk-werken","title":"(H)eerlijk werken","description":"\u003cp\u003e+++About offices and churches+++\u003c\/p\u003e\n\u003cp\u003e+++Matthew Loulidi, Yvonne Lub, Jennifer Schoone [ed.]+++\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-28-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMontse Hernandez i Sala\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e60\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15 x15 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis book is published by Jap Sam Books in cooperation with \u003ca href=\"http:\/\/www.podiumarchitectuur.nl\/\" title=\"%22podium%22\"\u003ePodium voor Architectuur Haarlemmermeer en Schiphol\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn the spring of 2010 het Podium voor Architectuur Schiphol and\u003cbr\u003eHaarlemmermeer invited the public to nominate objects for the Architecture prize with the theme Re-use. De Meerkerk won the Architecture prize 2010, with the architectural firm, Kerssens \u0026amp; De Ruiter coming a close second.\u003cbr\u003eThe winners shared the prize: the publication \u003cem\u003e(H)eerlijk werken. Over kantoren en kerken\u003c\/em\u003e (Honest and enjoyable working. About offices and churches).\u003c\/p\u003e\n\u003cp\u003eChurches are often recognizable buildings in predictable locations in the centre of a village or town. However, the district of Haarlemmermeer shows that there are also alternatives. De Meerkerk, situated in a former barn on a quiet road in the heart of the polder, draws many churchgoers every week.\u003cbr\u003eTwo unoccupied barns, which have been converted into a church.\u003cbr\u003eDe Meerkerk shows that the churchgoers of all ages feel welcome and have found a niche in the buildings. Concept designer Ben ten Hove writes about opportunities for reusing buildings and speaks with De Meerkerk about future dreams.\u003c\/p\u003e\n\u003cp\u003eIn Lijnden the St. Fransiscus van Saleskerk has been converted from a church into very modern office premises for Wortell ICT by architectural firm Kerssens \u0026amp; De Ruiter from Alkmaar. The church building and the parsonage have been altered drastically, but the church has kept its true value. The church building is still recognizable as such and radiates peace, but is equipped with al the facilities an office requires. +++\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Matthew Loulidi, Yvonne Lub, Jennifer Schoone [red.]","offers":[{"title":"Default Title","offer_id":28824122258,"sku":"id_00097","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslagheerlijk_werken.jpg?v=1481879172"},{"product_id":"architectuur-bedrijven-enterprising-architecture","title":"Architectuur bedrijven | Enterprising Architecture","description":"\u003cp\u003e+++Business Park Nieuw-Vennep Zuid+++\u003c\/p\u003e\n\u003cp\u003e+++Johanna Gunther [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-10-6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eMind design, Niels Schrader\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e330\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 22,5 oblong\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \/ Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: January 2010\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eNieuw-Vennep Zuid, just another common business park in the Haarlemmermeer area? Certainly not! A business park with a vision: an elaborate urban development plan, an ambitious landscape design and a first-rate architectural execution.\u003cbr\u003e\u003cbr\u003eThis book portrays this exceptional business park, its buildings and the whole process of realization in word and image. Substantive articles throw light on the relations between local and national interests and the influence of these interests on the evolved residential and working landscape.The relationship between the smallest link, the consumer, the human being, and the municipality, the province, the national government and large companies like the Schiphol Group are closely scrutinized. The opportunities and the gaps in developing business parks in the Netherlands in general, and that of this business park in particular, are discussed. Concluding that architecture and entrepreneurship in no way have to rule out one another, this book contributes largely to the discussion on business park policy in the Netherlands.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Johanna Gunther [red.]","offers":[{"title":"Default Title","offer_id":28824120658,"sku":"id_00073","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/architectuurbedrijvenvoorzijde.jpg?v=1481879186"},{"product_id":"in-passing","title":"In passing","description":"             \u003cp\u003e+++ +++\u003c\/p\u003e             \u003cp\u003e+++Mark Pimlott+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-16-8\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eJoost Grootens\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e160\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e24,5 x 16,5\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eAvailable in English\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eAnother publication by Mark Pimlott \u003cem\u003eWithout and within: Essays on territory and the interior\u003c\/em\u003e (Rotterdam: episode publishers, 2007). Also available at Jap Sam Books.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eDate of release: June 2010\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eFor more information about the photographs in this books, see \u003ca title=\"%22http:\/\/www.markpimlott.com\/Site\/photographs.html%22\" href=\"%22http:\/\/www.markpimlott.com\/Site\/photographs.html%22\"\u003epreview\u003c\/a\u003e \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThis publication has been made possible with the support of the Fonds BKVB. \u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003e\u003cem\u003eIn Passing\u003c\/em\u003e is a new photo-novel by artist, architectural designer and writer Mark Pimlott (Montréal, 1958) with more than 80 photographs selected from 1970–2009.\u003c\/p\u003e\n\u003cp\u003eMark Pimlott is an artist, architectural designer and writer. He lives and works in The Hague, Netherlands and London, United Kingdom. He studied architecture at McGill University, Montréal (1981) and the Architectural Association, London (1985); and visual arts at Goldsmiths College, University of London (1992). He has made projects for architecture, interiors and furniture since 1980, and in his own practice since 1988. \u003c\/p\u003e\n\u003cp\u003eMark Pimlott is currently assistant professor of Architecture (Interiors) at TU Delft, the Netherlands, where he was Professor in relation to practice in Architecture (Interior) from 2002 to 2005. He has been a Unit Master in the Intermediate and Diploma Schools at the Architectural Association (1986-1992; 1995-1996), and Unit Master at the Royal College of Art and Oxford Brookes University (1994-1995). He was Deputy and then Acting Course Leader of the Interdisciplinary MA in Art and Architecture at the Kent Institute of Art and Design in Canterbury (1992-1994). He has been a visiting teacher and lecturer at many institutions in Europe, and been involved in numerous international conferences and symposia. He has also served as Adjunct Professor at McGill University School of Architecture (1998; 2001).\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e             \u003ch6\u003eQuotation Mark Pimlott\u003c\/h6\u003e             \u003cp\u003e''The photographs I have made since childhood have been made in  response to fundamental and fleeting perceptions that revealed the  World to me. The camera seemed the most suitable device with which to  capture them. I saw meaning embedded in spaces and objects: their forms  held the key to understanding both the human impulse, the World, and  one's place in it. Part of this belief may have been connected to the  mythic dimensions of my childhood surroundings (the vast spaces of the  Canadian Shield) and the Utopian atmosphere that prevailed in the 1960s  in my native Montréal. The co-existence of suburban banality and  Utopian futurism (represented by the city's innovative architectural  developments and the parallel experimental urbanism of \u003cem\u003eexpo67\u003c\/em\u003e) suggested that there was one vast environment, manifested in an array of forms. Empty parking lots were inexorably linked  with airports, corporate office buildings, meandering semi-public  subterranean interiors, métro cars, megastructural space frames,  motorways, suburban bungalows, sylvan wildernesses, and even  reconstructed historical villages. Their unity, their equivalence,  their a-temporality, was a plausible, authentic and exciting reality  for me. These childhood impressions have remained with me, despite  knowing how things are and how they have to come to be. I continue to  hope that the World is available for re-discovery, for revitalised  occupation.'\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                                   \u003c\/div\u003e                  ","brand":"Mark Pimlott","offers":[{"title":"Default Title","offer_id":28824120082,"sku":"id_00012","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/cover_inpassing_300dpi.jpg?v=1481879197"},{"product_id":"moderniteit-in-een-behoudende-omgeving-modernity-in-a-conservative-environment","title":"Moderniteit in een behoudende omgeving \/ Modernity in a conservative environment","description":"             \u003cp\u003e+++Jan Albarda en De Groep van Delft \/ Jan Albarda and The Group of Delft+++\u003c\/p\u003e             \u003cp\u003e+++Jan Molema, SuzyLeemans+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-17-5\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eJoseph Plateau grafisch ontwerpers\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e368\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e20 x 25 cm\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eDutch \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThis publication is supported by the Prins Bernhard Cultuurfonds. \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThis publication is published in cooperation with STAG. \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eFor more information: \u003ca title=\"%22Groep\" van delft href=\"%22http:\/\/www.bkvdl.nl\/degroepvandelft-wie.htm%22\"\u003eDe Groep van Delft \u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eIn retrospect Delft's Faculty of Architecture of the 1930s is perceived as a dark and introvert period of time when the conservatism of the Delftse School movement inhibited the progressive thinking of earlier years. However, the circumstances are more nuanced; at that time an enthusiastic group of students, who later became known as De Groep (The Group), instigated and provoked discussion about the state of architecture. As well as Granpré Moliere – later considered the leader of the Delftse School – other key figures of 'new architecture' also took part, such as; Gropius, Breuer, Le Corbusier, Lurçat, Duiker, Rietveld, Oud and Van Eesteren. \u003cbr\u003e   \u003cbr\u003eWhile the members of De Groep were still students, three events took place which motivated the discussion. In 1928 the open air play D.16.M.M. (Mensch en Machine) was staged in order to celebrate the 16th anniversary of the Delftsch Studenten Corps. Progressive artists who took part included the writer Mannus Franken, composer Leo Smit, director Albert Van Dalsum and the filmmaker Joris Ivens. The open air play made a big impact upon the students and formed the basis for their ensuing search for a better society. \u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                          \u003cp\u003eSome of the members of De Groep have led a remarkable life.  After  graduating they began their careers by working with eminent architects  such as Oud, Van Tijen and Rietveld. However, the economic crisis,  followed by  World War II, badly affected their promising careers as  self employed architects \/ urban planners.  The members who survived  the war returned to play their part in the post war reconstruction, but  until now there has been very little attention paid to their role. It  is justified to say that they have paved the way for subsequent  generations of architects and urban developers like Van den Broek,  Bakema, Van Eyck and Hertzberger, who have become internationally  prominent because of their reverence for Modernity. Some members of De Groep have asserted their influence in other parts of the world, like Jan Albarda, Huibert van Doorninck and Kees Bakker who emigrated to Canada.  \u003cbr\u003e\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                          \u003cp\u003eIn 1930 the Internationale Leergang voor Nieuwe Architectuur  (International Congress for New Architecture) took place on the 1st,  2nd and 3rd December, which was organized by Practische Studie, the  society for architecture students in Delft at that time, with Joost  Boks, Henk Jan Brusse and Jan Horatius Albarda on the committee.  Although this gathering was not formally supported by the Faculty of  Architecture,  it brought together the top architects of a recently formed CIAM (Congrès Internationaux d'Architecture Moderne), who had just held their third conference in Brussels. On the 3rd of April 1933 Henk Jan Brusse gave a lecture entitled 'Wat Wij Willen' ('What We Want') in order to honour the founding of De Groep. During this lecture he called for more scope for renewal which, according to the De Groep, remained lacking within the faculty's study programme.\u003c\/p\u003e         \u003c\/div\u003e                  ","brand":"Jan Molema, Suzy Leemans","offers":[{"title":"Default Title","offer_id":28824120018,"sku":"id_00079","price":38.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_albarda_voorkant_low.jpg?v=1481879200"},{"product_id":"optrek-in-transvaal-over-de-rol-van-publieke-kunst-in-de-stedelijke-ontwikkeling-interventies-en-onderzoek","title":"OpTrek in Transvaal. Over de rol van publieke kunst in de stedelijke ontwikkeling. Interventies en onderzoek","description":"             \u003cp\u003e+++OpTrek in Transvaal. On the role of public art in urban development. Interventions and research+++\u003c\/p\u003e             \u003cp\u003e+++Veronica Hekking, Sabrina Lindemann, Annechien Meier [eds]+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-06-9\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eHarmine Louwé\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e400\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e17 x 24\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eDutch \/ English\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eDate of release: March\/April 2010\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThis publication was made possible with the support of the Mondriaan Stichting, Fonds 1818, Stroom Den Haag, Municipality of The Hague\/OCW.\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eThe artist organisation, Mobiel Projectbureau OpTrek, an initiative of Sabrina Lindemann and Annechien Meier, has been studying the drastic restructuring scheme that will continue to grip the multi-ethnic district Transvaal in The Hague until 2014. This operation involves the demolition of some three thousand dwellings, to make way for 1,600 new homes, most of them in a higher price class. OpTrek invited artists to study these changes and to make them visible for a wider audience, as well as to explore the underlying political policies. In this publication an overview of art projects, interviews, debates, interventions and research between 2002-2009 is presented.\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                                   \u003c\/div\u003e                  ","brand":"Veronica Hekking, Sabrina Lindemann, Annechien Meier [red.]","offers":[{"title":"Default Title","offer_id":28824119762,"sku":"id_00027","price":28.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslag_voor_optrek.jpg?v=1481879207"},{"product_id":"ia-3-interactive-architecture","title":"iA#3 - Interactive Architecture","description":"             \u003cp\u003e+++Emotive Styling+++\u003c\/p\u003e             \u003cp\u003e+++Kas Oosterhuis, Xin Xia, Owen Slootweg [eds]+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-94-90322-08-3\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eDanielle van Steenbergen\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e128\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e12 x 21\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eThis \u003cem\u003eiA\u003c\/em\u003e bookazine series consists of twelve issues bi-annually  published under the supervision of prof. ir.  Kas Oosterhuis, director of Hyperbody at the Delft University of  Technology and principal ONL [Oosterhuis_Lénárd] bv. The issues of iA  consist of scientific papers on particular aspects of iA and  iA-driven MSc projects, iA-inspired case studies from practice,  interviews with renowned researchers\/practitioners, and blogs by Kas  Oosterhuis.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eEnglish\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eDate of release: maart 2010\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eThe \u003cem\u003eiA-\u003c\/em\u003ebookazine series brings together interdisciplinary  contributions on the topic of 'Interactive Architecture (iA)' from  researchers, students, guest lecturers from Hyperbody, Factulty of  Architecture, Delft University of Technology and experts from various  other organizations. This third issue consists of papers, educational  reports, workshops, dialogues and related information.\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                          \u003cp\u003eThe theme for \u003cem\u003eiA#3\u003c\/em\u003e is Emotive Styling. In the introduction, professor Kas Oosterhuis emphasizes the urgency of developing a style for a non-standard architecture based on complex geometry and interaction design. Gijs Joosen interviews BMW design director Chris Bangle for \u003cem\u003eiA#3\u003c\/em\u003e; they discuss the relevance of the emotive behaviour of the BMW Gina prototype. Style, determined by a specific speed (120 km\/h), is the leading conceptual idea for the design process applied to ONL's \u003cem\u003eAcoustic Barrier\u003c\/em\u003e for the embedded Cockpit. At the same time, the applied innovative CNC fabrication techniques were developed with the explicit purpose of strengthening the initial design concept.\u003cbr\u003e\u003cbr\u003eEquipping themselves with emotive styling techniques in the design process, Hyperbody aims to encourage interaction designers to imagine the daily motion of any built structure. For the \u003cem\u003eFesto HyperWall,\u003c\/em\u003e exhibited at the Hannover Fair 2009, Hyperbody designed and programmed the smooth emotive behaviour of nine wall units, and designed and programmed the dynamics of the embedded LED lights and sounds. A group of Hyperbody MSc3 students have developed several projects as an information processing DNA structure, operating on the Dutch A2 Highway. Finally, Hyperbody thesis student Owen Slootweg explains his interactive design concept for Europe's first fly-over crossing Kleinpolderplein in Rotterdam.\u003cbr\u003e \u003c\/p\u003e         \u003c\/div\u003e                  ","brand":"Kas Oosterhuis, Xin Xia, Owen Slootweg [red.]","offers":[{"title":"Default Title","offer_id":28824119378,"sku":"id_00053","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/ia3omslag.jpg?v=1481879208"},{"product_id":"169-klushuizen","title":"169 KLUSHUIZEN","description":"\u003cp\u003e+++Van experiment naar instrument+++\u003c\/p\u003e\n\u003cp\u003e+++Annemarie Sour [text], Joop Reijngoud [photography]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-116-5 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003ePing-Pong Design | Meike Nip\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e452\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e22 x 19,5 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible by the Municipality of the City of Rotterdam\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003especial offer: now only € 12.50 (incl. 9% VAT) instead of € 25,00 \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eRotterdam's position at the beginning of the twenty first century is not at its best. Parts of its urban areas are dilapidated. Poorly maintained buildings and sites due for demolition make their desolate appearance even worse. This is where crime occurs and rack-renters do good business. Illegal occupation has become widespread and there are inhabitants who feel unsafe. Those who have money and look for peace and quiet are leaving. The current approach, which involves major repairs or neighbourhood restructuring, has proven inadequate.\u003cbr\u003e\u003cbr\u003eHow to attract buyers to a run-down neighbourhood? How to change the neighbourhood's negative image and transform it into a trendy hot spot within a couple of years? A bold experiment has enabled the City of Rotterdam to achieve a breakthrough in such areas. The new municipal executive that took office in 2002 intends to deal with the issue in a different way. \u003cbr\u003e\u003cbr\u003eThe nine most dilapidated neighbourhoods, the so-called 'hot spots', get an extra impetus. These neighbourhoods are characterized by an unbalanced ratio of owner-occupied to rented homes. Ratios of 95 per cent rented to 5 per cent owner-occupied are no exception, both in Rotterdam North and Rotterdam South.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAn important element in the improvement of the residential environment is the refurbishment of the existing housing stock. Though the dwellings are too good to be pulled down, they are in a very poor state of repair. Through investment in the refurbishment of only façades and roofs in other projects, building blocks were given a monumental appearance. Unfortunately, in spite of the pretty façades, nothing has changed behind the front doors. The municipality purchases a large number of run-down buildings that are located in the hot spot areas. \u003cbr\u003e\u003cbr\u003eThe dwellings are sold at a bargain price to – primarily – enthusiastic young people. It is up to them to convert their acquisition into a top-class dwelling: a dream house. The future residents are assisted with putting ideas into practice by architects, special civil servants responsible for issuing permits and other expert advisors. This can be done on an individual basis or collectively. As far as the City of Rotterdam is concerned, this approach has not only resulted in improved dwellings, their sustainable maintenance and more differentiation in the existing housing stock, but foremost in attracting a new group of young creative residents to these deprived areas.\u003cbr\u003e\u003cbr\u003eThe publication \u003cem\u003e169 Klushuizen. Van Experiment tot instrument \u003c\/em\u003e(169 Klushuizen (DIY homes): from experiment to instrument) presents the results of this new approach.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Annemarie Sour [tekst], Joop Reijngoud [fotografie]","offers":[{"title":"Default Title","offer_id":28824118994,"sku":"id_00009","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/klushuizen230.jpg?v=1481879215"},{"product_id":"atlas-haarlem-oost","title":"Atlas Haarlem Oost","description":"\u003cp\u003e+++Artistiek onderzoek als aanjager voor stedelijke vernieuwing+++\u003c\/p\u003e\n\u003cp\u003e+++Marjolijn Boterenbrood, Renée Borgonjen [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-119-6 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoseph Plateau Grafisch Ontwerpers\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e160\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e30 x 24\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback \u0026amp; DVD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor more information about this book and project, see: \u003ca title=\"%22www.kijkennaarhaarlemoost.nl%22\" href=\"%22http:\/\/www.kijkennaarhaarlemoost.nl\/%22\"\u003ewww.kijkennaarhaarlemoost.nl\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eLocal politicians asked Dutch artist Marjolijn Boterenbrood to go to Haarlem Oost,  for a long time a neglected industrial area of the City of Haarlem, on the east of the river 't Spaarne. The message was to to reveal and cartograph the unknown and under valued realities of daily life and work on the spot. Boterenbrood asked other artists and architects as well to participate in this very original city project (website-exhibition-atlas) which in the end provided new knowledge en information about this area which could inspire future planning activities.\u003c\/p\u003e\n\u003cp\u003ePlease note: this publication is only available in Dutch.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Marjolijn Boterenbrood, Ren\u0026eacute;e Borgonjen [red.]","offers":[{"title":"Default Title","offer_id":28824118802,"sku":"id_00013","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/atlashaarlemoost_copy1.jpg?v=1481879217"},{"product_id":"the-wonderful-world-of-venhoevencs-architects","title":"The Wonderful World of VenhoevenCS Architects","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Ton Venhoeven, Bernard Colenbrander, Wim Nijenhuis, Pnina Avidar, Marc Schoonderbeek, Bas Römgens, Tim Habraken, Helga Lasschuijt+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-073-1 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eSimon Davies\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e296\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 17 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible with support of the The Netherlands Architecture Fund\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: July 2009\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThis is the first monograph on the Amsterdam architecture office VenhoevenCS. Contributions are by Ton Venhoeven, Bernard Colenbrander, Wim Nijenhuis, Pnina Avidar, Marc Schoonderbeek, Bas Römgens, Tim Habraken and Helga Lasschuijt.\u003c\/p\u003e\n\u003cp\u003eVenhoevenCS is an ambitious and innovative office for architecture and urbanism with projects in numerous fields of activity. The designs propose different ways in which people, animals and things can live together within a limited space. VenhoevenCS has a desire to create sustainable solutions, not only in an ecological sense, but also in the sense that buildings have and retain emotional resonance, and therefore have longevity. \u003cbr\u003e Not only do VenhoevenCS design a clear outward structure and appearance, they also load this design with different associations: these can look like a village, hangar, animal, machine, spaceship or cave. The skin of the building does not reveal everything about the interior. It is like the first shot of a movie or a camouflage that conceals the interior and stimulates our imagination. Patterns, textures and images on the skin make us curious. Beyond the skin lies a different world. It contains homelike spaces and adventurous spaces, intimate and big spaces, organized and messy spaces. The interior is like a city inside a building.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Jap Sam Books","offers":[{"title":"Default Title","offer_id":28824118674,"sku":"id_00024","price":32.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/venhoeven_m.jpg?v=1481879219"},{"product_id":"ia-2-interactive-architecture","title":"iA#2 - Interactive Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis, Xin Xia [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-062-5 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDanielle van Steenbergen (concept), Xin Xia\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e112\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 12\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis \u003cem\u003eiA\u003c\/em\u003e bookazine series consists of twelve issues bi-annually published under the supervision of prof. ir. Kas Oosterhuis, director of Hyperbody at the Delft University of Technology and principal ONL [Oosterhuis_Lénárd] bv. The issues of iA consist of scientific papers on particular aspects of iA and iA-driven MSc projects, iA-inspired case studies from practice, interviews with renowned researchers\/practitioners, and blogs by Kas Oosterhuis.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe \u003cem\u003eiA-\u003c\/em\u003ebookazine series brings together interdisciplinary contributions on the topic of 'Interactive Architecture (iA)' from researchers, students, guest lecturers from Hyperbody, Factulty of Architecture, Delft University of Technology and experts from various other organizations. This second issue consists of papers, educational reports, workshops, dialogues and related information.\u003cbr\u003e\u003cbr\u003eAfter introducing the concept of \u003cem\u003eiA\u003c\/em\u003e - by describing terms and processes like 'File to Factory' and 'real time behaviour' in the first issue - this second issue, with refresher material, delves deeper into the interactive relations between built components, between people and built components, and even between people. It also offers a more defined perspective on parametric design, power-lines, and multiplayer design games. Finally, it offers an overview of the iWEB pavilion, a vehicle for transdisciplinary research, education and design, developed by Hyperbody.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kas Oosterhuis, Xin Xia [red]","offers":[{"title":"Default Title","offer_id":28824118610,"sku":"id_00043","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/omslagia2.jpg?v=1481879221"},{"product_id":"source-04","title":"SOURCE 04","description":"\u003cp\u003e+++Tippelzone revised+++\u003c\/p\u003e\n\u003cp\u003e+++Louise Schouwenberg, Mike Thompson [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-085-4 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e64\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003epaperback plastic dust jacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eTippelzone Revised\u003c\/em\u003e presents research and design proposals concerning the issue of drug-related prostitution in Eindhoven. \u003cbr\u003e\u003cbr\u003e At the request of the City of Eindhoven, students of the Design Academy's Master's Degree Programme in Industrial, Interior and Identity Design (IM) researched a designated prostitution area in the Woensel West district and created alternatives. In 2003, to combat problems generated by drug-related street prostitution, the city established a tolerance zone for prostitution, or a tippelzone. Public disturbances were reduced, care for prostitutes improved and the area became safer. The city, however, does not wish to continue facilitating prostitution. They also hope to offer the women other alternatives to help them escape their dependency on drugs and pimps. This requires creative and, most of all, unorthodox solutions. \u003cbr\u003e\u003cbr\u003e This fourth edition of \u003cem\u003eSource\u003c\/em\u003e includes research results, essays by students and external experts and photographic documentation of the resulting design proposals.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Schouwenberg, Mike Thompson [red.]","offers":[{"title":"Default Title","offer_id":28824118546,"sku":"id_00057","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source04_m.jpg?v=1481879222"},{"product_id":"source-03","title":"SOURCE 03","description":"\u003cp\u003e+++Timeless Necessity+++\u003c\/p\u003e\n\u003cp\u003e+++Louise Schouwenberg [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-084-7 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e104\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback, plastic dust jacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003cem\u003eSource \u003c\/em\u003eis published in cooperation with the  IM Masters programme of the Design Academy Eindhoven.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eWhat do beauty and sustainability have in common? The 21st century increasingly demands sustainable design that no longer burdens the natural environment. In practice, this generates products and services laden with moral undertones, which are indeed ethically responsible but fail to appeal to the imagination or convince consumers. In other words, sustainable design is not very beautiful.\u003cbr\u003e\u003cbr\u003e The IM Masters programme of the Design Academy Eindhoven, focused on conceptual design in context, decided that this has to change. During four study periods, students examined the problems we face in the 21st century and the role designers can play in seeking alternatives. Guided by teachers and visiting lecturers, they researched materials and production techniques and formulated visions on beauty and ethical design. Timeless Necessity is both ethics and aesthetics.\u003cbr\u003e\u003cbr\u003e This third publication of \u003cem\u003eSource\u003c\/em\u003e includes texts of diverse character by experts and students, as well as research, conclusions and photographs of the resulting design proposals. \u003cem\u003eSource\u003c\/em\u003e is a series of publications by the Masters departments at Design Academy Eindhoven.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Schouwenberg [red.]","offers":[{"title":"Default Title","offer_id":28824118418,"sku":"id_00059","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source03_m.jpg?v=1481879224"},{"product_id":"de-wereld-op-zuid-bouwen-aan-een-brede-school","title":"De Wereld op Zuid. Bouwen aan een brede school","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Theo Kupers, Eleonoor Jap Sam, Jannes Linders [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-94-90322-04-5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eBen Laloua \/ Didier Pascal i.s.m. Marius Hofstede\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e188\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15 x 20\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDate of release: September 2009\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003ePublication about the community school De Wereld op Zuid in Rotterdam. The building of the school is designed by N2 Architekten.\u003c\/p\u003e\n\u003cp\u003eWith text contributions by Dolf Broekhuizen, Eleonoor Jap Sam, Anne van der Kooi, Jaap Koole, Theo Kupers, Philip Kuypers, Flemming de Moll, Maarten Van Den Driessche, Bart Verschaffel and photographs made by Jannes Linders.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Theo Kupers, Eleonoor Jap Sam, Jannes Linders [red.]","offers":[{"title":"Default Title","offer_id":28824118354,"sku":"id_00045","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/wozomslag.jpg?v=1481879225"},{"product_id":"surviving-the-suburb","title":"Surviving the Suburb","description":"\u003cp\u003e+++Attempts to semi-self-sufficiency in Suburbia+++\u003c\/p\u003e\n\u003cp\u003e+++Gregor Harbusch, Martin Luce, Ton Matton, Wim Timmermans [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-090-8 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDoris M. Würgert\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e128\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23.5 x 16.6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eDutch \/ German\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eWith contemporary, semi-self-sufficient designs Ton Matton and Wim Timmermans take open action against ecological absurdities of worn present day housing estates. In cooperation with various guests and partners on distinct levels, they develop projects that vary from pragmatic urbanism to utopian furniture design, from a climate machine to social interaction in the suburbs. Mental models and wild tinkering follow small utopias and everyday obstacles and, just because they are aware of the contradictions that cannot be avoided, they keep turning out.\u003cbr\u003e\u003cbr\u003e Ton Matton describes his practice as situated 'somewhere between object-design, society-shape, ecological city planning and artist-activism' exploring 'the small Utopias and interruptions of daily life' and 'connections between traditional countryside living and contemporary mega-city lifestyle. 'Surviving the Suburb' presents an overview of the projects that have been realized with (alleged) kindred souls. In varying working relations and unorthodox ways, they confront the suburban space with ecological en social challenges.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/5025cfc9aede4d189d3b1ed499370117.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Gregor Harbusch, Martin Luce, Ton Matton, Wim Timmermans [red]","offers":[{"title":"Default Title","offer_id":28824118226,"sku":"id_00014","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/surviving_m.jpg?v=1481879226"},{"product_id":"source-02","title":"SOURCE 02","description":"\u003cp\u003e+++Disclosing Dapperbuurt+++\u003c\/p\u003e\n\u003cp\u003e+++Louise Schouwenberg [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-081-6 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e88\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSoftcover, plastic dustjacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003ePerennial challenges for urban planning include the problems and the potential of old urban neighbourhoods in large cities.\u003c\/p\u003e\n\u003cp\u003eThis second volume of Design Academy Eindhoven's smartly edited new urban design journal takes on the Dapperbuurt neighborhood in Amsterdam – which has a well-known public market, but needs a facelift and public safety improvements – as a case study. Urban design students have come up with a constellation of interesting proposals to give Dapperbuurt a new identity.\u003c\/p\u003e\n\u003cp\u003eThe perfect-bound journal includes texts by experts on the theme of urban space, research materials, photos of the neighborhood and its residents, schematics and drawings, and scale models.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Schouwenberg [red.]","offers":[{"title":"Default Title","offer_id":28824118162,"sku":"id_00060","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source02.jpg?v=1481879228"},{"product_id":"source-01","title":"SOURCE 01","description":"\u003cp\u003e+++The Shape of Justice+++\u003c\/p\u003e\n\u003cp\u003e+++Louise Schouwenberg [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-068-7 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens, Inka Resch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e64\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e23 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003epaperback, plastic dust jacket\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSource 01 The Shape of Justice\u003c\/em\u003e presents challenging views on the role of design in a court of Justice. On request of the RGD (Rijksgebouwendienst - the Government Buildings Agency) the students of the IM Masters department of the DAE (Design Academy Eindhoven) researched morality and the symbols of justice in today's world. The context of their research was the new Court of Justice-building in Amsterdam, which at the time of the research existed merely on paper and will be built in the near future.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAfter an elaborate research phase the students developed design ideas for the new building, both inside and outside. Some of ther proposals deals with communicating universal symbols on the facades of the building, on the walls of the corridors, the pavement, the ceilings, in the shape of the furniture and lighting, the restaurant and the public space surrounding of the Court of Justice. Some proposals addressed the accused, some addressed the visitors and some focused mainly on the people working in the building. Some students searched for metaphors to express the idea of morality and some chose to communicate the sometimes conflicting interests involved in a judicial system. Others elaborated on security or dealt with a lighter subject by comparing the judicial system with a game, people play. \u003cbr\u003e\u003cbr\u003eThe end results were shown in drawings, photographs and models. Text contributions by Gijs Bakker, Louise Schouwenberg and Jago van den Bergen on the theme and photographs of the proposals are included in this first publication of Source, a series of publications by the IM Masters department of the DAE (Design Academy Eindhoven).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louise Schouwenberg [red.]","offers":[{"title":"Default Title","offer_id":28824118098,"sku":"id_00058","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/source01_m.jpg?v=1481879229"},{"product_id":"ruines-in-nederland-xix-xxi-ruins-in-the-netherlands-xix-xxi","title":"Ruines in Nederland XIX - XXI \/ Ruins in the Netherlands XIX - XXI","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Lara Almarcegui+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003eISBN 978-90-5973-092-2 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eFloor Koomen\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e208\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e18 x 12\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e English \/ Dutch\u003c\/p\u003e\n\u003cp\u003eSecond edition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eIn this guide, a building is considered to have become a ruin when its windows or doors are no longer intact or when walls or roofs have holes. When this happens, the building is exposed to the weather, to wind and rain or to wildlife and vegetation. The building is no longer protected from exterior elements, nature invades setting off a process of the merging of building and nature. A building in ruins also displays the materials it was built from, its construction method, so that it reminds of what it must have been like when it was being built, when the place was still a building site.\u003cbr\u003e\u003cbr\u003eThe buildings that appear in this guide hardly resemble the idealized ruins. Most of them are at an earlier stage, for example, an abandoned building in which the process of decay has only just started. Others have reached a later stage than the ideal ruin and have become little more than a pile of rubble.\u003cbr\u003e\u003cbr\u003eThese ruins and abandoned buildings have no use, no function. This means that they are open to all kinds of possibilities. In a country like the Netherlands, in which every inch of land seems to be used with the utmost efficiency, the existence of these blank spaces is something to be grateful for. But it is important to remember that although some of these ruins will remain standing for some time, others will be renovated and many of them will be demolished before long. It is important to visit them as soon as possible.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/494594a7233f4c25b7595ed2c86126c9.mp4\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Lara Almarcegui","offers":[{"title":"Default Title","offer_id":28824117970,"sku":"id_00036","price":19.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/ruins_m.jpg?v=1481879231"},{"product_id":"seoul-scape-towards-a-new-urbanity-in-korea","title":"Seoul Scape.Towards a New Urbanity in Korea","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Francisco Sanin, Pai Hyung-min [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-089-2 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eGianni Sinni\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e80\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e15 x 15\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAvailable in English\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eSouth Korea in the last decades has experienced an unprecedented series of transformations at all levels in society: in the economics, in the culture, and in the politics. More specifically its capital Seoul has become in the last few years one of the densest urban zones in the world. After a long period of dictatorship and along with an extraordinary process of economic development that characterized the last years, South Korea opened up to experimentation in all major arts, not least architecture. And architecture is at the center of the exhibition curated by Francisco Sanin, which presents an overview on the research which revolves around that emerging yet configured urban landscape that constitutes this unique city and is continuously engulfing the entire population of the South Korean peninsula.\u003c\/p\u003e\n\u003cp\u003eSix among the most well-known Korean architects are the protagonists of this evolution. Their work represents an ongoing research and exploration, a critical view to the processes taking place in this unique context. Chung Guyon, Joh Sung-yong, Kim Young-joon, Min Hyun-sik, Seung H-sang, Yi Jong-ho represent the generation of those who have been able to trigger a debate, an interaction, a research which is aimed at rousing Korea from a feverish moment of great political turmoil. Their architecture testifies the consequences of this transformation. It ripened over time and is permeated by the several investigations and relations with the international experience.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Francisco Sanin, Pai Hyung-min [red.]","offers":[{"title":"Default Title","offer_id":28824117842,"sku":"id_00017","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/seoulscape_m.jpg?v=1481879233"},{"product_id":"francine-broos-interior-architect","title":"Francine Broos. Interior Architect","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Eleonoor Jap Sam [text], Peter Kooijman [photography]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-074-8 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003e2D Studio\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e176\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e29,5 x 29,5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish \/ Dutch\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003e“I see the interior design of a dwelling as tailor-made work. Each space, each environment, and each client is unique. I am not satisfied until I have laid the foundation for an environment that suits its occupants; a space that people can imbue with their own soul and identity.” – Interior architect Francine Broos\u003c\/p\u003e\n\u003cp\u003eThe time is right for this magnificently produced, large-format book on internationally revered Dutch interior architect Francine Broos. In an era when modernist interiors are often criticized for being cold or stark, Broos has found a personal style that astutely mixes natural wood, earthy stone and other warming elements with classic white surfaces and iconic mid-century furniture. Her environments invite the outside in, using windows and perfectly framed views to calm the hard surfaces and create a feeling of tranquility. Never monotonous or cathedral-like, these spaces – beautiful as they may be – are clearly for living. Photographer Peter Kooijman captures the warmth and elegance of Broos' designs in sections featuring living, working, live\/work and bathing interiors. Whether Kooijman is shooting an entire room or a telling detail, he finds the poetry in Broos' work. The reader can see the inspiration of designers like Frank Lloyd Wright, Le Corbusier, Tadao Ando, Eileen Gray and Philippe Starck in these timeless spaces. This 176 page volume focuses on select projects by Broos since 1983, both in her native Netherlands and internationally.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Eleonoor Jap Sam [tekst], Peter Kooijman [fotografie]","offers":[{"title":"Default Title","offer_id":28824117778,"sku":"id_00020","price":59.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/broos_m.jpg?v=1481879234"},{"product_id":"ia-1-interactive-architecture","title":"iA#1 - Interactive Architecture","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Kas Oosterhuis, Xin Xia [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-058-8 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eDanielle van Steenbergen, Xin Xia\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e96\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e21 x 12\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003ch6\u003eA new series on interactive architecture\u003c\/h6\u003e\n\u003cp\u003eThe iA, or Interactive Architecture, bookzine series will consist of 12 issues bi-annually, published over a period of six years under the supervision Kas Oosterhuis, director of Hyperbody at the Delft University of Technology and principal of ONL [Oosterhuis Lénárd].\u003c\/p\u003e\n\u003cp\u003eThe Interactive Architecture (iA), concept is based on the equal input (listening), process (thinking), and output (talking) of people as well as the built components of architecture. This will be one of the first publications to document in detail this groundbreaking new development in architecture. iA will undoubtedly become the premier archive of this endeavor. The publication program will consist of scientific papers on particular aspects of iA and iA-driven MSc projects, iA-inspired case studies from practice, interviews with a renowned researcher\/practitioner, and blogs by Kas Oosterhuis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eKas Oosterhuis (series editor - iA)\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003e'What is Interactive Architecture? Let me first clarify what it is not. Interactive Architecture - from here on abbreviated as iA - is not simply architecture that is responsive or adaptive to changing circumstances. On the contrary, iA is based on the concept of bi-directional communication, which requires two active parties. Naturally, communication between two people is interactive; they both listen [input], think [process] and talk [output]. But iA is not about communication between people, it is first defined as the art of building relationships between built components and second, as building relations between people and built components.'\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eContributors to this first issue of \u003cem\u003eiA \u003c\/em\u003eare Cas Aalbers, Ayssar Arida, Henriette Bier, Nimish Biloria, Michael Bitterman, Sven Blokker, Sander Boer, Lukas Feireiss, Christian Friedrich, Hans Hubers, Tomasz Jaskiewicz, Chris Kievid, Kas Oosterhuis, Dominik Otto, Dimitris Theocharoudis and Xin Xia.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kas Oosterhuis, Xin Xia [red.]","offers":[{"title":"Default Title","offer_id":28824117714,"sku":"id_00042","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/ia1_m.jpg?v=1481879235"},{"product_id":"without-and-within-essays-on-territory-and-the-interior","title":"Without and Within: Essays on Territory and the Interior","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Mark Pimlott+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-034-2 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eJoost Grootens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e336\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e24 x 17\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003eSwiss binding\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in English.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eAwarded 'Best Dutch Book Design 2007' \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible with support of the Netherlands Architecture Fund\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eThe richly illustrated book \u003cem\u003eWithout and within: essays on territory and the interior \u003c\/em\u003econtains a series of essays that trace a thread of ideas, images and projections that connect the American territory as conceived by Thomas Jefferson to the contemporary continuous interior environment ubiquitous in public experience. It is a story of ideas contained therein, their implementation and their consequences.\u003c\/p\u003e\n\u003cp\u003eIn the United States in the nineteenth century, the territorialisation of the American West–– enormous, conceptually empty, potentially redemptive––established an 'American space' that in the twenty-first century remains the scene that situates, defines and relates the full array of infrastructures, buildings and interiors that are the settings for public and private life. Developments of the new American city articulated implicit aspects of Jefferson's ideology and its instruments, and nurtured the mythology of American nature.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/000271file\/000271file_350x264.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe American city also borrowed and adapted innovations from the industrialised European metropolis, whose proposed relations between technology, display, spectacle and the public all had an enormous impact on its fiercely individualistic and competitive counterpart. The characteristics of the American city of the post-war period––dispersed over huge regions, figured with motorway networks, automobiles, tract houses, shopping malls, regional corporate offices, derelict downtowns and their corresponding interiorised networks and spectacles––can all be seen as part of an ideological and historical continuum. All of its constituents are interdependent, deeply embedded in the American consciousness.\u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/000272file\/000272file_350x264.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe most common type of contemporary large-scale space––with which almost everyone who has walked through a shopping mall, an international airport or the entrance area of a major museum is familiar––embodies aspects of the corporate lobby, the winter garden, the shopping mall and the transport terminal concourse. In such spaces, representations of complex ideas exchanged between America and Europe––including ideas of social and capitalist utopias alike––have been incorporated and mastered. With such mastery, these environments assert their hegemony, and so find applicability everywhere. The self-sufficiency of such environments habitually negates the existence of a World without, which is reduced to that domain from which people who will submit to the interior are captured. As a consequence of American cultural and economic hegemony, such spaces are becoming representative of interiors experienced by the mass in Europe and beyond, who occupy them under the impression that they are not a mass, but a public.\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/000279file\/000279file_350x264.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eMark Pimlott (Montréal, 1958) is an artist, designer and writer. He works in The Hague and London. He studied architecture at McGill University, Montréal and the Architectural Association, London; and visual arts at Goldsmiths College, University of London. His work––writing, architectural design, photography, film, public art––attempts to make the specific characteristics of places visible and so render them available to the imagination. Public art commissions include Guinguette, Birmingham, 2000; La scala, Aberystwyth, 2003; La nuit, London, 2009; and World, at BBC Broadcasting House, London, which will be completed towards the end of 2010. Among his films are 1965, 1997; One and The other, 1999; and Ich bin der Welt abhanden gekommen, 2005. Among his interior designs are those for Neckinger Mills, London, 1988; the Red House, London, 2001; 2004; 2009; and restaurant Puck \u0026amp; Pip, The Hague, 2007. \u003c\/p\u003e\n\u003cimg src=\"http:\/\/old.japsambooks.nl\/uploads\/paragraphs\/000438file\/000438file_350x264.jpg\" class=\"%22image-center\" align-bottom=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/without_and_within.mp4?v=1637659245\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Mark Pimlott","offers":[{"title":"Default Title","offer_id":28824117586,"sku":"id_00026","price":37.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/within230.jpg?v=1481879236"},{"product_id":"cultural-activism-today-the-art-of-over-identification","title":"Cultural Activism Today. The Art of Over-Identification","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++BAVO \/ Gideon Boie, Matthias Pauwels [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-061-8 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eNiels Schrader\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e128\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e12 x 20 cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAvailable in English\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible with financial support from the Jan van Eyck Academy, the Flemish Authorities and the Mondriaan Foundation.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eContemporary art seems to be caught in the blackmail typical for this self-acclaimed age of the End of History. On the one hand, the artist is elevated into 'the One' who relentlessly confronts society with its shortcomings and uses his creative intelligence to dream up new ideals. At the same time however, s\/he is constantly reminded that this critical and utopian activity should remain 'constructive' – a coded way of saying that it should not fundamentally question the triumphant onward march of representative democracy and the free market. No wonder that art today threatens to be reduced to a purely empty exercise that, as Fukuyama claims, offers the last men an escape from their petty bourgeois existence.\u003cbr\u003eThe central question of \u003cem\u003eCultural Activism Today. The Art of Over-Identification\u003c\/em\u003e is whether, and how, art can escape this suffocating situation. This volume argues that the key to a way out of the trap of the End of History lies in the strategy of over-identification. Instead of succumbing to society's pathetic demand for small creative acts, artists should over-identify with the ruling, post-historical order and take the latter's immanent laws to their most extreme, dystopian consequences.\u003cbr\u003eBy ruthlessly closing off any space for creative, utopian thinking – which today is nothing but a farce anyway – it should confront society with its own closure. This strategy of over-identification is assessed in essays by Boris Groys, Alexei Monroe, Dieter Lesage, Benda Hofmeyr and BAVO.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/activism_today.mp4?v=1637844105\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"BAVO \/ Gideon Boie, Matthias Pauwels [red.]","offers":[{"title":"Default Title","offer_id":28824117522,"sku":"id_00019","price":21.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/culturalactivismtoday_copy1.jpg?v=1481879237"},{"product_id":"douala-in-translation-a-view-of-the-city-and-its-creative-transforming-potentials","title":"Douala in Translation. A view of the city and its creative transforming potentials","description":"\u003cp\u003e+++ +++\u003c\/p\u003e\n\u003cp\u003e+++Lucia Babina, Marilyn Douala Bell [eds]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-5973-071-7 [episode]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eLouis Luthi\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e256\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e18 x 13\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis publication has been made possible with the financial support of the Mondriaan Foundation, the Prince Claus Fund and Fondazione lettera27\/WikiAfrica\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eAwarded 'Best Dutch Book Design 2007'\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly available in English\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003eDouala, the economic and cultural capital of Cameroon, is one of the most important cities in Central Africa. Informal settlements, micro-economies and spontaneous use of the public space have a primary role in the formation of its urban identity.\u003c\/p\u003e\n\u003cp\u003eThis fast growing city is the context in which doual'art, a research centre of urban practices, has been operating for more than 16 years. Since 1991 the co-founders, Marilyn Douala Bell and Didier Schaub have fostered cultural projects and commissioned site-specific art interventions, using art and culture to develop collective processes of urban change.\u003c\/p\u003e\n\u003cp\u003eThis publication brings together cross-disciplinary analyses of Douala that seek to go beyond predictable and prejudicial views about African towns. Douala becomes a thrilling case study in which artistic practices engage and affect the cityscape.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch6\u003eWith contributions by\u003c\/h6\u003e\n\u003cp\u003eLucia Babina, Edgar Cleijne, Marilyn Douala Bell, Emiliano Gandolfi, Christian Hanussek, Salifou Lindou, Dominique Malaquais, Lionel Manga, Nsame Mbongo, Zayd Minty, Giulia Paoletti, Iolanda Pensa, Didier Schaub, AbdouMaliq Simone, Kamiel Verschuren, Alexander Vollebregt, Silvia Viganò and Hervé Yamguen.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/files\/douala_in_translation.mp4?v=1637658828\" type=\"video\/mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Lucia Babina, Marilyn Douala Bell [red.]","offers":[{"title":"Default Title","offer_id":28824117458,"sku":"id_00049","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/douala_m_copy3.jpg?v=1481879239"},{"product_id":"present-percentage-for-art-in-the-netherlands-2004-2006","title":"PRESENT Percentage for Art in the Netherlands 2004-2006","description":"             \u003cp\u003e+++ +++\u003c\/p\u003e             \u003cp\u003e+++Tanja Karreman, Janine Schulze, Huib Haye van der Werf [eds]+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-90-5973-060-1 [episode]\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eSander Boon\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e464\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e24.3 x 16.7\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003epaperback with dvd\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eAvailable in English \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003e\u003cstrong\u003especial offer: now only € 12.50 instead of € 27,50 [the Netherlands] € 30,00 [Europe] € 33,00 [outside Europa] \u003c\/strong\u003e\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003e\u003cstrong\u003ePRESENT. Percentage for Art in the Netherlands 2004-2006\u003c\/strong\u003e  is a detailed and illustrated overview of all the art commissioned  under the 'one per cent' rule (which states that at least one per cent  of the construction budget for a public building must be earmarked for  art). \u003cbr\u003e It clearly shows how the Government Buildings Agency tries  to coordinate the art it has commissioned with the context of the user  as well as with the architecture itself, a concern that has frequently  resulted in both interesting and unconventional visual solutions. \u003c\/p\u003e         \u003c\/div\u003e                  \n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n  \u003csource src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/678f9a07bea44ac38bf066d1a03a61a2.mp4\"\u003e\nYour browser does not support our video.\n\u003c\/source\u003e\u003c\/video\u003e","brand":"Tanja Karreman, Janine Schulze, Huib Haye van der Werf [red]","offers":[{"title":"Default Title","offer_id":28824117394,"sku":"id_00077","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/present_m.jpg?v=1481879240"},{"product_id":"present-kunst-bij-rijksgebouwen-2004-2006","title":"PRESENT. Kunst bij rijksgebouwen 2004-2006","description":"             \u003cp\u003e+++ +++\u003c\/p\u003e             \u003cp\u003e+++ +++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-90-5973-064-9 [episode]\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eSander Boon\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e464\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e24.3 x 16.7\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback \u0026amp; DVD\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003e\u003cstrong\u003especial offer: now only € 12.50 instead of € 27,50 [the Netherlands] € 30,00 [Europe] € 33,00 [outside Europa]\u003c\/strong\u003e\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eFor the English edition of this publication see: \u003cem\u003ePresent. Percentage for Art in the Netherlands 2004-2006\u003c\/em\u003e. \u003c\/p\u003e         \u003c\/div\u003e                  ","brand":"Tanja Karreman, Janine Schulze, Huib Haye van der Werf [red]","offers":[{"title":"Default Title","offer_id":28824117330,"sku":"id_00031","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/presentn_m_94d9c70a-13d5-4bf6-b4e7-569600938752.jpg?v=1481879241"},{"product_id":"hunch-11","title":"HUNCH 11","description":"\u003cp\u003e+++Rethinking Representation+++\u003c\/p\u003e\n\u003cp\u003e+++Penelope Dean [ed.]+++\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eISBN\u003c\/strong\u003e\n\u003cp\u003e978-90-78525-02-8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eGraphic designer\u003c\/strong\u003e\n\u003cp\u003eNL ontwerp [Nandan Lemmers]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eNumber of pages\u003c\/strong\u003e\n\u003cp\u003e176\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBook size\u003c\/strong\u003e\n\u003cp\u003e30 x 16.5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong class=\"\"\u003eBinding\u003c\/strong\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eContributions by Peter Eisenman, R.E. Somol, Ben van Berkel, Caroline Bos, Madelon Vriesendorp, Charles Jencks, John McMorrough, Penelope Dean, Jeffrey Kipnis, Roemer van Toorn.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eHUNCH\u003c\/em\u003e is a publication of the Berlage Institute, International Postgraduate Laboratory of Architecture, Rotterdam, The Netherlands.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Berlage Institute Report focusses on the changing profession of architecture\/ urbanism and its intersection with contemporary culture. Hunch aims to break down boundaries between architecture and other disciplines, between popular and academic, between 'students' and professionals. It presents the research pursued at the Institute, along with special events, interviews, and the work of visiting lecturers and guest -professors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFrom issue nr. 12, \u003cem\u003eHUNCH\u003c\/em\u003e is published by NAi Publishers, Rotterdam.\u003c\/p\u003e\n\u003c\/div\u003e\n+++\n\u003cdiv\u003e\n\u003cp\u003ePeter Eisenman begins the anthology with an essay outlining his move away from the 'index' toward the 'post-indexical,' or the production of 'figures,' which he finds necessary for today's revised subjects and readers. In a reply to Eisenman's question 'How do you teach green dots?' R. E. Somol puts forward the case for performative architecture, graphic expediency, and the logo.  Ben van Berkel and Caroline Bos revisit the role of image and offer the alternate concept of “after-image” as a disciplinary means for architecture to continue its function as art. \u003cbr\u003eIn an essay excerpted from his recent book accompanied by the drawings of Madelon Vrisendorp, Charles Jencks lays out the case for the iconic building. John McMorrough historically recalls the architectural coverage of paint through 1960s Supergraphics.\u003cbr\u003ePenelope Dean compares two Alessi Tea and Coffee moments, exposing emblematic episodes in the mobile relationships between architecture and design, representation and discipline.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eJeffrey Kipnis returns to the role of the diagram and its effect of re-origination as the basis for all medium specificity.\u003cbr\u003eRoemer van Toorn defines a 'politics of aesthetics' through the work of Gerrit Rietveld and Wiel Arets Architects.\u003cbr\u003eSylvia Lavin calls for a shift away from representation and a return to building, promoting the 'pet rock' (a novel object) as a viable analogy for the return to practice. Finally, in the closing essay, Stan Allen discards contemporary discussions of the critical and projective, representation and performance, to state that one's focus can be on practices themselves, in other words on doing.\u003c\/p\u003e\n\u003cp\u003eDespite the various positions and arguments implied in this issue HUNCH 11 stands as a demonstration of the topic's ongoing resilience and centrality to architectural discourse.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis eleventh edition of HUNCH offers a list of representational labels spanning from species (figure, logo, image, icon, diagram) to techniques (application, enlargement) to activities (practice, politics and work).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Penelope Dean [red.]","offers":[{"title":"Default Title","offer_id":28824117266,"sku":"id_00052","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/hunch11_m.jpg?v=1481879242"},{"product_id":"long-island-city-connecting-the-arts","title":"Long Island City. Connecting the Arts","description":"             \u003cp\u003e+++ +++\u003c\/p\u003e             \u003cp\u003e+++Nina Rappaport, Colin Cathcart and David Reinfurt [eds]+++\u003c\/p\u003e                          \u003cdiv\u003e                 \u003cstrong class\u003eISBN\u003c\/strong\u003e                 \u003cp\u003e978-097-7717-50-7\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eGraphic designer\u003c\/strong\u003e                 \u003cp\u003eClaudia Brandenburg, Language Arts, NY\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eNumber of pages\u003c\/strong\u003e                 \u003cp\u003e96\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBook size\u003c\/strong\u003e                 \u003cp\u003e28 x 19\u003c\/p\u003e             \u003c\/div\u003e                      \u003cdiv\u003e                 \u003cstrong class\u003eBinding\u003c\/strong\u003e                 \u003cp\u003ePaperback, cover wrap\/poster\u003c\/p\u003e             \u003c\/div\u003e         \u003cdiv\u003e\u003cp\u003eEnglish\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eLong Island City: Connecting the Arts is a project of the Design Trust  for Public SPace in partnership with the Long Island City Cultural  Alliance. This project is made possible with public funds from the New  York State Council on the Arts, a State Agency.  \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003especial offer: now only € 12.50 instead of € 21,50 [the Netherlands] € 21,50 [Europe] € 21,50 [outside Europa]\u003c\/p\u003e\u003c\/div\u003e             +++                      \u003cdiv\u003e                          \u003cp\u003eLong Island City, New York City's most vibrant mixed-use community, is  located in Western Queens, across the East River from Midtown  Manhattan. Nine world-class cultural institutions make their home in  the area - Dorksy Gallery Curatorial Programs, the Fisher Landau Center  for Art, Museum for African Art, Museum of Moving Image, the Noguchi  Museum, P.S.1 Contemporary Art Center, SculptureCenter, Socrates  Sculpture Park, and Thalia Spanish Theatre - as do artisans, small  manufacturers, major corporations, and a divers residential population.\u003cbr\u003e   To strenghten Long Island City's identity as a unique destination for  the arts, the Design Trust for Public Space undertook this study in  partnership with the Long Island City Cultural Alliance, a consortium  of the area's cultural groups. A rich understanding of the area's  history, as well as current development plans, provide the basis for  pioneering strategies to connect the arts with Long Island City.\u003c\/p\u003e         \u003c\/div\u003e                  \u003cdiv\u003e                          \u003cp\u003eA must-read for anyone interested in the intersection of the creative  and manufacturing sectors, this ground-breaking publication defines  Long Island City's hybrid character as a springboard for neighbourhood  development.\u003cbr\u003e\u003cbr\u003e Richly illustrated and graphically  inventive, Long Island City: Connecting the Arts outlines specific  signage, information, transportation, and outreach strategies that can  be used by arts organizations, businesses, and community members - in  Long Island City and elsewhere - to promote and develop a compelling  mix of art and industry.\u003c\/p\u003e         \u003c\/div\u003e                  ","brand":"Nina Rappaport, Colin Cathcart, David Reinfurt [red.]","offers":[{"title":"Default Title","offer_id":28824117202,"sku":"id_00054","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1556\/6589\/products\/longisland230.jpg?v=1481879244"}],"url":"https:\/\/www.japsambooks.nl\/collections\/architectuur.oembed?page=12","provider":"Jap Sam Books","version":"1.0","type":"link"}